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An 'erotic' cold-painted bronze lady,probably by Carl Kauba (Austrian, 1865-1922), her dress springing open to reveal her naked body, on a square marble base, unsigned, 23cm highSee Joseph Zobel, 'Antique Vienna Bronzes', Schiffer 2008, p. 230 for a similar model.Condition report: Black paint on the dress partially rubbed away. Two drilled holes on either side of the body. Rubbing and wear to the figure and robes. Mechanism opens fast – does not open slowly.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a black evening gown holding a pink feathersigned 'John' and numbered '920', mixed media46 x 32cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.Condition report: With some minor edgefolds. Some stains to the mount. Overall excellent condition. Additional images uploaded.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a long black coat with a yellow chequered dress and a white hatsigned 'John' and numbered '931', mixed media70.5 x 50cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a checked two-piece suitsigned and dated, inscribed 'una giacca con effector gi quautetti la blouse nella gonna'paper size 70.5 x 50cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer and illustrator. As a child he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.Condition report: Minor spotting to the lower right corner, browning to the edges - some mark top right.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a tuxedo jacket with a long black skirt, waistcoat and gloves.signed 'John' and numbered 931, mixed mediapaper size 70.5 x 50cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.Condition report: With some minor stains to the paper. Minor crease at the left hand side of the paper. Overall excellent condition. Additional images uploaded.
*John Guida (Italian, 1897-1965)A Fashion Design - a lady in a blue chequered jacket and skirt ensemblesigned 'John' and numbered '914', mixed media 70.5 x 50cmJohn Guida (1897-1965), born to an Italian father and an American mother, was an important Italian stylist, designer, and illustrator. As a child, he moved to Rome, where he attended Visconti High School. In 1914 he participated in the fashion exhibition at the Circolo Degli Artisti together with Sartorio, Grassi, Innocenti, and Angoletta. John Guida was a regular visitor to the Paris fashion shows, coming into contact with famous tailors such as Jean Patou, Jeanne Lanvin, Lucien Lelong, Madeleine Vionnet, and Coco Chanel from whom he drew inspiration to find his own personal style, becoming an official dress designer for some of the most well-known Italian tailors such as Coen, Sanet and La Merveilleuse of Turin.His designs remained characterised by a refined linearity and a constant attention to precious detail. Elongated and slender female figures were often underlined by loose skirts and flowing pants; the sophisticated profiles were highlighted by short or gathered hair, inspired by the typical garçonne model of the time.He was also active as an illustrator for the women's magazines 'La Donna' and 'Cose', and as an advertising designer for the fashion and perfumery sectors.*Artist's Resale Right may apply to this lot.Condition report: Not framed.
A Gordon Russell fiddleback mahogany dining table,c.1950, designed by Frank Whitton, No. X6772, the slightly barrelled top over a shaped frieze mounted with yew wood circular bosses, on four turned and fluted tapering legs, with an additional leaf, labelled,170cm, extended 229.5cm 99.5cm wide76cm high,together with a set of six chairs,comprising: a pair of armchairs and four singles, armchairs 56cm wide55cm deep84cm high, seat 48cm high,singles 47cm wide52cm deep82cm, seat 47cm high (8)Condition report: Table with some loss of colour. Minor dents - one to the centre of the table. Chairs - loss of colour all need reupholsery - bottoms sagging and loose - a great shape and model.
*Marie Machen SPS SWA (contemporary),a bust of a lady, bronze, raised on a black marble base, signed verso 'MM 1/4 M5',19cm high,together with a figure of a child's head,bronze, raised on a black marble base, signed verso 'M Machen',15.5cm wide plaster,the matched cast raised on a black marble base,15.5cm wide, anda figure of a lady beside an umbrella,bronzed resin,26.5cm high (4)*Artist's Resale Right may apply to this lot.Condition report: Some minor chips and surface marks to plaster model, chip to black marble base of plaster model
A 'Model 4675' magazine rack,1970s, designed in 1972 by Giotto Stoppino for Kartell, comprising six sections in a staggered arrangement, red plastic, labelled, 40cm wide, 27cm deep44cm high,together with a 1960s coffee table, of quadratic form, moulded orange plastic72cm wide72cm deep33cm high, a 1960s mushroom table lamp, for four bulbs, orange plastic, 32cm high,50cm diameter, a 1960s side chair,moulded orange plastic, with a filled foot,48cm wide,46cm deep80cm high, a 1960s telephone,Italian, FATAP mod. Vanguard, orange plastic, 10cm high, anda 1960s ice bucket,in the form of an apple, moulded orange plastic,19cm high (6)Condition report: All lots with wear commensurate with age. Scratches and marks occuring.
A Danish extending rosewood dining table, §1960s, attributed to Niels Otto Møller for Gudme Møbelfabrik, of super-elliptical form, raised on an X-shaped stretcher, with two leaves,160cm wide, 257cm extended105cm deep73cm high, anda set of eight Danish rosewood dining chairs,1960s, model No. 83/66, designed by Niels Otto Møller for J L Møllers Møbelfabrik, the seats upholstered in a cream wool fabric,50cm wide46cm deep84cm high, seat 45cm high (11)Condition report: Minimal wear. One chair with notable paint spill on the rear leg (appears to be surface based). A10 no. 599855/01
A Danish extending rosewood dining table, §1960s, attributed to Niels Otto Møller for Gudme Møbelfabrik, of circular form, raised on an X-shaped stretcher, with two leaves,222cm long extended120cm wide70cm high, andsix 'Model 83/66' rosewood dining chairs,1960s, designed by Niels Otto Møller, seats upholstered in a beige fabric,50cm wide46cm deep84cm high, seat 45cm high (9)Condition report: Chairs with stains. Table and chairs with wear and minor marks commensurate with age and use. Two chairs have armrests, four others are singles.A10 no. 599852/01
A Markaryd 'Model T-449/12' steel twelve-branch hanging chandelier,1960s, Sweden, designed by Hans-Agne Jacobsson, with amethyst glass globe shades, labelled in the cap, 92cm diameter193cm high approximatelyCondition report: Some of the globes have chips to the rims - that are covered by the mounts. Needs rewiring. One bulb with small crack to the mount - covered by the mount. Additional images uploaded.
A set of six Italian teak 'model 602' dining chairs,designed by Gio Ponti in 1954, with light green backs and seats, 42.5cm wide50cm deep86cm high, seat 48cm high (6)Condition report: Good overall - some minor knocks and scuffs to the frames. With certificate from the Gio Ponti archive - attached copy of the certificate.
Three Alvar Aalto bentwood amchairs, model 406, with webbed seats, 61cm wide 65cm deep 86cm high, seat 37cm high, andanother slightly taller example,91cm high, seat 42cm high (4)Condition report: Taller chair has braced back to the back and the webbing, all the webbed seats have wear and worn frames, runners worn too. No labels
PORZELLANFIGURENGRUPPE: "SCHÄFERSZENE / GALANTE SZENE", Porzellan, polychrom staffiert mit goldfarbenen Akzentuierungen, Manufaktur Meissen. Unterglasurblaue Schwertermarke (ab 1934, I. Wahl), Modellnummer 2127, Maler- und Blindmarken. Entwurf Johann Joachim Kaendler. Geschweiftes Postament mit Rocailledekor. Darauf stehendes Schäferpaar als Vollfiguren vor Baum mit ruhendem Lamm. L. ca. 12,5 x B. 7 x H. 15 cm. (Stab und mehrere Blattspitze bestoßen). PORCELAIN FIGURINE GROUP: "SHEPHERD SCENE", porcelain, polychrome decorated with gold-colored accents, Meissen manufactory. Underglaze blue swords mark (from 1934, 1st choice), model number 2127, painter's and blind marks. Designed by Johann Joachim Kaendler. Curved pedestal with rocailles decoration. Shepherd couple standing on it as full figures in front of a tree with a resting lamb. L. approx. 12.5 x W. 7 x H. 15 cm. (Stick and several blade tips bumped).
Estate of Dave Prowse - NASA - a large 1/100 scale wooden and plastic model of the NASA Space Shuttle Challenger. The shuttle of wooden construction, the central rocket of plastic construction. Mounted on a wooden plinth base. Presented to Mr Prowse on a trip to Houston in the mid-1980s. Measures approx; 64cm tall.

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628707 Los(e)/Seite