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Preisdatenbank abonnierenAlbany Fine China Worcester - Superb Ltd and Numbered Edition Hand Painted Bronze and Ceramic Bird Sculpture, Raised on a Marble Base ' Blue Tit ' Modelled by David Burham Smith. This Model Is Number 39 of only 500 Produced. Height 8 Inches - 20 cm. 1st Quality & Mint Condition, with Certificate.
Tradition Model Toy Soldiers to include No 511 Trooper of Parliamentary Horse and No. 512 Musketeer of Trained Banks, The English Civil War, No 504 Union Infantry The American Civil War, No 502 French Imperial Guard Grenadier 1810, no. 813 German Infantry 1916, no 802 French Infantry 1916, all boxed (11)
1936 Berlin Olympics, Bakelite model of The Olympic Stadium, with surrounding areas, including railway lines, track and accommodation, with raised rim inscribed 'XI Olympiade August 1936 Reichssportfeld Berlin', stamped under 'Model Osker Reich Berlin W35', with original card box featuring plan under lid, 29.5 x 22cm.
A carved fluorspar (fluorite) model of a human skull, second half 20th century, with pronounced and varying shades of purple, violet and grey in linear vertical seams, 12.5cm high, 16cm long and a carved lapis lazuli model of a human skull, second half 20th century, with varying shades of horizontal blue and white banding, 15cm high, 18cm long (2)
A Continental carved and stained wood model of a tiger, possibly a fairground prop, early 20th century, modelled as standing and saddled, 102cm high, 125cm long; with an associated brass mounted stained wood barrel bearing a brass plaque for HENNESSY COGNAC leather slung around its neck; and bearing a pair of associated woven saddle-bags
Ï’ A carved bone model of a display cabinet, 20th century, with arched top above a hinged door with astragals, the base with an arrangement of drawers and cupboards, 19cm high; a bone cased box of bone dominoes, 20th century, decorated in the manner of scrimshaw, 7cm long; a seashell formed spoon, 22.5cm long; a marine ivory candlestick in Anglo Indian taste, 20th century, 11cm high; a carved bone framed magnifying loop; and a carved marine ivory box in Japanese style, also 20th century Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Jacobean cast iron fireback, dated 1664, possibly made in the Weald, of arched rectangular form, cast with the Royal arms, flanked by crowned lion and unicorn bearers, indistinctly cast with the inscription DIEU ET MON DROIT and with initials ‘C R’ (for ‘Carolus Rex’), 64cm high, 73.5cm wide CATALOGUE NOTE: A similar model to the present lot is held at the Victoria & Albert Museum (museum number 795-1896)
Franz Iffland, (German 1862 - 1935), a patinated bronze model of an athlete, portrayed nude, standing and with pronounced musculature, a shot held in his lowered right hand; the rectangular base inscribed F.Iffland fec in the maquette, 72cm high Iffland was born in Berlin and lived and worked there throughout his life. The majority of his output was influenced by the Jugendstil movement but late in his career, in the mid-1920s, he produced a number of Art Deco works such as the nude in this lot
A small collection of Continental metal sculpture, 20th century, comprising three various models of tennis players, one on an octagonal base, 26.5cm high overall; a pair of cold painted spelter figural candlesticks, each cast as a maiden holding a jar aloft, on circular bases, 38cm high; and a patinated metal model of a diver, in art deco style, on a rectangular veined white marble base, 46cm high overall (6)
A half block model of the steamship Glamis Castle, with funnel and twin truncated masts, the rectangular satinwood veneered softwood backboard stencilled Glamis Castle to the reverse, 36cm high, 234cm long overall An iron screw steamer called the Glamis Castle was launched in 1874 by Aitken & Mansel of Glasgow, and it is probable that the model offered here is of that vessel. First owned by Thomas Skinner & Co. of London and Glasgow, (with no connection to the later Union-Castle Line) she was sold, re-engined and renamed Circe in 1888.She was wrecked just three years later near East Point on Anticosti Island in the Gulf of Saint Lawrence, Canada, with the loss of five lives.
A group of seven carved and painted wood masks in the style of antique African tribal examples, second half 20th century, of varying size, all mounted onto metal stands, the largest 39.5cm high overall; a set of slate and stone composition building blocks, early 20th century, in an associated stained wood box, 15cm high, 31cm wide; a painted resin model of a sword in ancient Egyptian style, reproducing types made for the 2014 feature film by Ridley Scott, cased, 85cm long overall; and a metal model of the Eye of Agamotto, after a prop from the 2016 Marvel Studios feature, also cased, 13.5cm high overall
A GB-Bell & Howell Filmo 16mm Motion Picture Projector model 613, instruction booklets, cased; a G.B. Equipment Auto Wound Transformer; a Cine Kodak Model BB Junior with Kodak Anastigmat f/1.9 25mm lens; an Aldis slide projector c1950; a Cinepro Deluxe Projection Screen, wooden case; etc.
A Viennese cold painted bronze model of a pug in a lifebelt, circa 1900, cast standing, 8.5cm high; a gilt metal mounted coconut inkstand modelled as an elephant, also circa 1900, 12.5cm high, 18cm long; and a cold painted metal pen tray cast with a pug and a cat as bearers, second half 20th century, 12cm high, 14.5cm long
After Antonio Canova, (Italian 1757 - 1821), a sculpted terracotta model of a recumbent lion, late 19th century, on an integrally modelled rectangular socle, 51cm high, 120cm long, 49cm wide Antonio Canova worked on the monumental tomb of Clement XIII in St Peter's basilica in the Vatican from 1783 to 1792. It has the pope kneeling in prayer, and to the left of the sarcophagus a female personification of Religion dressed in Jewish sacerdotal garments; to the right, there is a semi-reclining and winged funerary Genius. The most famed elements though have always been the recumbent lions, carved in travertine and therefore standing out from the rest of the monument which is in Carrara marble, but also physically projecting out from the front of the monument. The lions in simple terms act as guardians, but also bring a unifying symmetry which is necessary because of the positioning of the figures behind. On top of this the attitudes of the lions were designed specifically to reflect characteristics of the late Pope. The one awake, on the left, representing Clement's energy whilst to the right, the sleeping beast symbolising his moderationPlease note: this is of 20th century make
Mathieu Molitor, (German 1873 - 1929), a patinated bronze model of a youth, 'Gürtelbinder’, portrayed standing and nude, looking downwards towards his belt held in both hands, his tousled hair held with a band, wearing sandals; on a naturalistically cast circular base, 132cm high; atop a faceted cylindrical oak veneered pine pedestal, 113cm high; height overall, 245cm CATALOGUE NOTES: Mathieu Molitor was a sculptor, painter and printmaker working in the context of the Jugendstil movement. This model shows the early, more academically inclined part of Molitor’s oeuvre. Conceived during the artist’s stay in Rome in 1907, the model's substantial size and classically rendered anatomy echo the Ancient grandeur of the city. The pose could be derived from the Ancient Greek ‘Apoxyomenos’ sculptures, which show nude athletes with their hands in similar positions. The graceful youth, particularly his posture, is also similar to the central figure in a small oil painting by Molitor, which was sold at Nagel Auktionen on 30 March 1996. Though several smaller versions of this model circulate, produced by Berlin’s Gladenbeck foundry during the 1920s, the present near life-size example is much rarer and could even be an early cast after the original wax model. This wax model is mentioned in the catalogue that accompanied the exhibition ‘Mathieu Molitor. Bildhauer, Maler, Grafiker’ at Leipzig’s Museum der Bildenden Künste in 2009 (1). The two other large casts cited in the catalogue include the one in the Leipzig museum’s own collection, and the version in the courtyard of the University of Jena (Thuringia, Germany). In the same entry, the author also mentions an unsigned version, presumably much like the present example, at one time in the possession of the artist’s daughter. A smaller version of the model was recently sold at Scheublein Art & Auktionen in Munich, 29th June 2018, Lot 340. The model is described and illustrated in Birgit Hartung et al. (ed.), ‘Mathieu Molitor. Bildhauer, Maler, Grafiker. Anlässlich der Ausstellung im Kreismuseum Bitburg-Prüm, 30. April - 16. August 2009’, Leipzig: Passage-Verlag, 2009, pp. 46-47.
BERLIN IRONWORK FIGURE OF SIR WALTER SCOTTEARLY-MID 19TH CENTURY after a similar model by Johann Carl Wilhelm Kratzenberg, the standing figure holding scrolls and leaning on a tartan draped tree stump, on a slate base22.5cm highProvenance: An English Collection of Works of Art
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