Make & Model: Kia Ceed 4 CRDIDate of Reg: YR12 AOYColour: Bluecc: 1582MoT: 07-10-2021Fuel Type: DIESELMileage: 115KTransmission: MANUALSummary: 3 Registered keepers - Last keeper since Dec 2016. 5 Service stamps. Sat nav, Reverse camera (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146189
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Make & Model: Honda Jazz I-VTec ESDate of Reg: DE60 OBZColour: Silvercc: 1339MoT: 23-11-2021Fuel Type: PETROLMileage: 62kTransmission: AUTOSummary: 2 Registered keepers - Last keeper since March 2014. 6 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146112
Make & Model: Vauxhall Astra SRIDate of Reg: MW11 GYOColour: Redcc: 1598MoT: 30-03-2022Fuel Type: PETROLMileage: 83kTransmission: MANUALSummary: 3 Registered keepers - Last keeper since March 2018. 6 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146114
A Dieppe ivory model of a cutter, French, 19th century,the waterline model with fully set sails in ivory, deck with gun ports and four figures of sailors, on rectangular ebonised wood base towing an open boat, on oval ebonised wood base under glass dome, the model 10.5 x 14 x 6cm (4 1.8 x 5 1/2 x 2 3/8in); the case 25 x 30 x 19cm (9 7/8 x 11 3/4 x 7 1/2in). This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A fine Prisoner-of-War boxwood model of the first class ship of the line HMS Foudroyant, French, early 19th century,the copper sheathed hull with horn strakes and well detailed canon and carriages on four decks, carved bone female warrior figurehead, quarter and stern galleries with gold name plate and decoration, deck details include two open boats, belaying rails, capstan, gratings, two stove pipes and four anchors, on later stand with bone and ebony inlaid mahogany vase surrounded by bone balustrading and mahogany rails, in modern glazed case, the model 69 x 79 x 15cm (27 x 31 x 6in); the case 76 x 89 x 39cm (30 x 35 x 15 1/2in).Footnotes:HMS Foudroyant was launched at Plymouth in 1798 and had originally been selected by Horatio Nelson whilst on the stocks to be his flagship in 1797. Unfortunately she was not ready in time and therefore narrowly missed being the fleet flagship at the Battle of the Nile. In June 1799 at Palermo, Nelson transferred his flag from HMS Vanguard to Foudroyant and she remained his flagship until his return to England in 1800.After a refit, she became the flagship of Lord Keith and was present at the capitulation of the French at Alexandria in 1801.For further information on this lot please visit Bonhams.com
ELSA PERETTI FOR TIFFANY: SILVER 'AEGEAN' NECKLACEDesigned as a series of undulating, polished silver links, signed Tiffany & Co., Elsa Peretti, length 46.0cmFootnotes:Considered one of the foremost jewellery designers of the 20th Century, Elsa Peretti (1940-2021) established herself as a successful fashion model before moving from her native Europe to New York in the 1960s. Whilst in New York, she began designing jewellery and met and collaborated with influential fashion designers, Halston and Giorgio di Sant'Angelo. Her unique creations soon attracted the attention of Henry Platt of Tiffany & Co. and she began her career at the word-renowned jewellers in 1974. As the company's principal designer, she revived and revolutionised the use of silver in her modern and tactile designs. She explored the natural world through her work, which frequently incorporated organic, sensual lines that reflected nature in the abstract. This approach is exemplified in her most iconic designs: the Bone Cuff, the Bean and the Open Heart. Strongly sculptural in form, and radical in its simplicity, her aesthetic has proven both timeless and effortlessly modern, and is embodied here in the Aegean necklace.For further information on this lot please visit Bonhams.com
A Victorian lacquered brass 'Litchfield Cathedral' hour striking skeleton clock Attributed to John Smith and Sons, London, for Hirst, Leeds, mid 19th centuryThe twin chain fusee gong striking movement with anchor escapement and five spoke wheel crossings set between characteristic pierced plates united by six turned pillars and modelled as two towers capped with tall faceted spire finals flanking central arched aperture with further taller spire set to the rear, the front with pierced silvered Roman cartouche numeral chapter ring engraved HIRST, LEEDS to the lower margin, with shaped outer minute track and steel moon hands, 32cm (12.5ins) high; mounted on stepped gilt wood plinth over an ogee moulded ebonised D-ended platform base rebated to locate the glass dome cover and raised on bun feet, 48cm (19ins) high overall. Provenance: The property of a private collector, Hertfordshire. Brothers George K. and John T. Hirst are recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Leeds 1851-71. The current lot can be firmly attributed to John Smith and Sons of St. John's Square, Clerkenwell, and can be compared to the design published in their 1865 catalogue; a plate from which is reproduced in Royer-Collard, F.B. SKELETON CLOCKS on page 54. A very similar example (but with platform lever escapement) is also illustrated by Royer-Collard on page 57 - which he describes as an early model dating to around 1840. The clockmaking business of John Smith and Sons of Clerkenwell can trace its roots back to 1780 but was established at the former manufactory of Colonel Mangier in St. John's Square in 1844. The firm ran extensive workshops which incorporated a dedicated brass foundry, clock case workshop and assembly areas for the various types of clocks produced and was featured in the 20th September 1851 issue of the Illustrated London News in an article entitled Visit to a Clerkenwell Clock Factory. At the Great Exhibition held that year they exhibited a year going calendar clock and another chiming clock, chiming on 8 bells and striking on a gong. Ultimately John Smith and Sons perhaps became best known for their skeleton clocks, many of which illustrated in their 1865 catalogue including models based on Litchfield Cathedral and York Minster, however they also produced many fine chiming bracket clocks, longcase regulators, wall clocks and public clocks. The business continued to produce clocks until 1938 when, due to the decline in demand for mechanical timepieces, they diversified to become specialist material stockholders and still continue in this role today.Condition Report: Clock is generally in sound original condition with no visible alterations to the mechanism or any notable replacements. The going train is working, the strike train will also run but the steel pivot post which holds the star wheel and snail is loose hence the mechanism is unable to count the strike correctly. It would appear that the tread that holds the post to the frontplate has stripped hence the frontplate will most likely need a bush inserted and the hole re-threading. This should be a straightforward repair for a skilled clockmaker hence shouldn't add much to the cost of a gentle clean service of the movement.The dial is a little tarnished/discoloured otherwise appears undamged. The stepped wooden plinth has been recently gold-painted hence may not be original to the clock; the dome and stand are also probably not original.Clock has a pendulum and winding key. Condition Report Disclaimer
An electro-magnetic 'Jubilee' longcase regulator timepieceJohn Wilding, Petworth, 1992Built to a design by E.T. Wesbury with Scott's notched escapewheel shunted by a detent attached to the shaft of the seconds pendulum incorporating heavy cylindrical iron bob and T-bar suspension and impulsed by a second detent driven by a twin coil solenoid activated by electrical contacts opened and closed by the escapement, the mechanism applied to a shaped cast iron backplate incorporating wide-jaw pendulum suspension bracket and posts to support the brass plates for the dial motionwork driven by worm take-off from the escapement, with skeletonised Roman numeral chapter ring signed John Wilding, Petworth 1992 to inner margin and brass hands, the case with moulded cornice above tall rectangular glazed front door and conforming windows to sides, on plinth base with moulded skirt, 163cm (64.25ins) high. Provenance: The property of a private collector, Hertfordshire; purchased from a selection of clocks consigned by John Wilding offered at Bonhams Knightsbridge, London in their sale of Clocks and Watches 24th May 2011 (lot 279) for £660. John Wilding initially worked as an agricultural engineer after WWII whilst making clocks from articles published in Model Engineer in his spare time. This led to him devising horological projects which became the subject of instructional articles in the same periodical as well as the Horological Journal. For a short period John Wilding worked in a London horological workshop managed by Ron Rose and as a wheel cutter which provided him with the additional skills and knowledge to publish no less than 29 books on either individual clock making projects or horological techniques. For his contribution to the field he was made a fellow of the British Horological Institute in 1986 and was awarded the Institute's Barrett Silver Medal in 1998.The current lot is built to the design originally published as a series in Model Engineer during 1958 and latterly in his book entitled The Construction of the M. E. Jubilee Clock. In the Bonhams catalogue description for the current lot John Wilding notes:This timepiece was originally designed by E.T.Westbury for the Jubilee issue of Model Engineer. It employs the Scott's notched tooth count wheel. There were one or two difficulties with the design and I rectified these. It has become a very popular clock.Condition Report: Timepiece is in sound original condition and is in working condition (was running when removed from the vendors house). The battery has been substituted by a mains operated DC power supply which is present with the lot. The dial is in god original unrestored condition with one or two very minor age related patches of discolouration in places; the chapter ring is very slightly bowed but can be very easily straightened. The case also is in good condition with a few minor bumps and scuffs only. The timepiece is complete with pendulum and two case keys. Condition Report Disclaimer
A gilt brass 'Atmos' timepiece Jaeger-LeCoultre, model 540, late 20th century The single train movement wound via the expansion and contraction of an aneroid chamber mounted to the rear of the mechanism and regulated by torsion escapement with rotating balance suspended at the base of the movement and numbered 699554 to suspension platform, the teardrop shaped plates inscribed ATMOS, JAEGER LECOUTRE, THIRTEEN JEWELS, 540 to centre within circular Roman numeral chapter ring, with blued steel moon hands, the rectangular five-glass case with rounded angles and lift-out front glass incorporating repeat signature to lower right corner over plinth base incorporating bubble level and three screw adjusting feet to underside, 23cm (9.ins) high. Provenance: The property of a private collector, Hertfordshire.Condition Report: Movement has been put on test for 24 hours, after this time the mechanism was still running and giving correct time. The finish to the case is in very fine condition with only a few areas of the slightest rubbing to the high polish lacquer finish visible on close examination. The lift-out front glass has a very small chip to the lower left hand corner (only visible on close examination when glass is in position). Condition Report Disclaimer
A gilt brass 'Atmos' timepiece Jaeger-LeCoultre, model 519, 1950sThe single train movement wound via the expansion and contraction of an aneroid chamber mounted to the rear of the mechanism and regulated by torsion escapement with rotating balance suspended at the base of the movement and numbered 25733 to suspension platform, the circular gilt on white baton numeral chapter ring with Arabic quarters and inscribed JAEGER LECOULTRE, ATMOS, SWISS MADE enclosing motionwork to centre and with gilt spear hands, the rectangular five-glass case with canted angles to the 'bell-jar' cover over plinth base incorporating bubble level and three screw adjusting feet to underside (applied with inscribed presentation panel to front), 23.5cm (9.25ins) high; with original mottled cream paper covered display case.Condition Report: Movement has been put on test for 24 hours, after this time the mechanism was still running and giving correct time. The gilt finish has overall some light discolouration/degradation to the lacquer otherwise timepiece is in good original condition. The protective case is has overall light rubbing and wear to exterior but is free from major damage. Condition Report Disclaimer
A lacquered brass descending ball timepieceDent, London, circa 1970The circular three-pillar gilt brass movement with inverted platform lever escapement driven by the weight of the timepiece causing flat high-tensile steel line to unwind from an internal pulley wheel as the timepiece descends, the backplate engraved SER. No. 030, the exterior with rotating annular silver Roman numeral chapter ring reading against a hand cast in the form of a mermaid holding a staff, the base with short inverted pendant spire finial and the top with pierced crown surmount issuing the suspension line terminating with a hook to allow hanging from a shaped brass bracket fitted to a mahogany panel applied with plaque engraved Dent, London to lower margin, the ball 11.8cm (4.625ins) diameter; the wall panel 80cm (31.5ins) high. The highly renowned clock and watch making business Dent was established by the talented horologist Edward John Dent, who at the age of 17, transferred his apprenticeship from the trade of tallow chandler to watchmaking under the charge of Edward Gaudin in 1807. By 1817 he had become well known as a watch and clockmaker receiving commissions from the Admiralty for a 'Standard Astronomical Clock' and pocket chronometers for the Colonial Office Africa Expedition. In 1830 Dent went into partnership with the renowned watch and chronometer maker John Roger Arnold which continued until 1840 when he left and set up business alone as E.J. Dent at 82 Strand, London, primarily making marine chronometers, watches and precision clocks. In 1843 the firm expanded taking on a second premises at 33 Cockspur Street, with the Strand premises moving down the road to number 61 by 1851. In 1852 Edward Dent successfully tendered to make the 'great clock' to be housed in Stephen's tower at the New Palace of Westminster. The clock was completed by 1859, apparently at a financial loss to the firm, however it ensured that Dent became a household name synonymous with fine clockmaking. Unfortunately Edward John Dent did not live to see the installation of the 'great clock' as he died in 1853. He was succeeded by his stepson Frederick Rippon Dent, who, in partnership with his brother Richard, continued to expand the business. By 1862 the firm had added 34 Cockspur Street and 34 & 35 Royal Exchange to their list of addresses and, although having seen natural passage of ownership over the intervening years, the business still continues to trade today as Dent & Co. Descending ball timepieces were first devised during the Renaissance period with surviving examples being extremely rare, however a relatively late model by J. Schlemmer of Schleswig was offered at Sotheby's New York MASTERPIECES FROM THE TIME MUSEUM, PART TWO June 19th 2002 (lot 103). The current example was devised by Dent in the early 1970's as a 'revival' piece, and was produced as a limited edition (of probably 500 examples) alongside Dent's other revival of a Renaissance timepiece, the' incline plane clock'.
A French Louis XVI style ormolu and white marble figural mantel clock 'Amor loses his weapons'The dial bearing signature for Festeau le Jeune, Paris, late 19th centuryThe circular eight-day bell striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with A.D. MOUGIN, DEUX MEDAILLES roundel beneath serial number 52937 to upper left and further number 7 7 to centre, the circular white enamel Arabic numeral dial bearing inscription in puce Festeau le Jeune, A PARIS to centre, with vertical hour numerals, puce Arabic quarters to outer track and fine scroll engraved and pierced gilt brass hands set behind engine-milled convex glazed hinged cast brass bezel, the case cast with surmount of flaming torch and arrows bound to a floral wreath amongst billowing clouds over the dial flanked by standing robed figure of Venus opposing the infant Amor with the fascia between centred with a shaped panel inset with mount cast with ribbon-tied floral festoons around a central sunburst mask motif, on conforming platform base inset with further leafy mounts to front over toupe feet, 42cm (16.5ins) high. A version of this model dating to circa 1780 and housing a movement by Adam Lechopie, Paris is illustrated in Niehuser, Elke FRENCH BRONZE CLOCKS on page 131 (figures 214-15).Condition Report: Movement is in clean working condition with no visible evidence of alteration or significant replacements. The dial has a localised series of small hairline cracks in the vicinity of the dot minute ring between the 2 and 3 numerals, there is also some light concentric scratching between the 9 and 10 numerals and two tiny chips to the right hand winding hole. The case is generally in fine condition with the mounts retaining original gilding throughout with only very light wear or discolouration. The cherub is missing something (an arrow?) from his left hand and there is a filled blemish to the marble to the left hand side return of the projecting panel beneath the dial. The same panel has some slight chipping to the surround around the inset festoon cast mount. Faults to the case are otherwise very much limited to a few minor edge chips to the marble (an be felt rather than seen).Clock is complete with pendulum and a winding key. Condition Report Disclaimer
A large quantity of painted figures of soldiers and models of mystical figures to include a Chas Stadd model of a fireman rescuing a child, pewter models by Mark Locker to include Fantasy and Legend King Arthur, and various painted figures of soldiers and empire representations across the centuriesCondition: slight damage to a few figures, one separated in halfLocation: RWM

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