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628738 Los(e)/Seite
A Liberty & Co pewter butter dish designed by Archibald Knox, model no.0162, circular with three cast handles, cast in low relief with foliate motif, with clear glass liner, stamped marks, 14.5cm. diam. Literature Victor Arwas Art Nouveau From Mackintosh to Liberty Papadakis, page 109 for an example illustrated.
A Liberty & Co polished pewter vase designed by Archibald Knox, model no.0227, flaring cylindrical form, on tripod foot, cast in low relief with pendulous flower stems stamped number 24.5cm. high Literature Victor Arwas Art Nouveau From Mackintosh to Liberty Papadakis, page 126 for a variation of this vase in silver.
An attractive Murrle Bennett silver and enamel brooch designed by Archibald Knox, model no.1309, stylised honesty with whiplash tendrils, enamelled in colours stamped marks, silver 5cm.wide Provenance Didier Antiques private collection Literature Stephen A Martin Archibald Knox Artmedia, page 267 for a comparable example.
A Royal Doulton Advertising figure, 'Sketch Girl', model number 444, designed by Leslie Harradine, introduced 1923, withdrawn 1938, no HN number, impressed 444 to base, printed factory marks, 18.5cm high Footnote: The Sketch, a magazine of art and actuality was first published in February 1893 and remained in production until 1959. The items on the girls tray include a jockey for sports, a ballerina for theatre, a toy soldier for news and a cupid for love stories, which all represent the fields of interest covered by the magazine. No one is certain about what the little devil represents; perhaps satirical humour.
William Russell Flint - `Model with Hour-glass`, line block, signed, inscribed `Ray Herself - Bless Her` and dated 1966, approx 10cm x 17cm. Provenance: given by the artist to his model Ray Fuller; subsequently purchased by the current vendor from Bonhams, Lot 116, 3rd June 1995; a catalogue for the auction is included with the lot. Note: approximately fifty of these line blocks were printed, and then framed by the Rowley Gallery Ltd, to give away to friends.
A pair of butterscotch coloured oval opaque amber bead pendant earrings, with 9ct gold post and butterfly fittings, gross weight approx 3.5g, length of each bead approx 1.5cm, together with a pair of reconstituted amber cufflinks, and a Russian reconstituted amber model of a beer mug (faults).
A 2nd model Third Reich Luftwaffe dagger by P.D. Luneschloss, Solingen, with straight double edged blade, length approx 26cm, aluminium crosspiece and pommel, wire bound cream celluloid grip (loose, one strand of wire missing), with its dress knot, in its steel sheath (some rust marking).
A First World War period French prismatic field monocular telescope, model 1917, with approx 7.5cm object lens, three position rotating turret eyepieces giving approx 15x, 23x and 30x magnification, retaining most original khaki paint finish (prism cover missing), with its finely adjustable tripod mount and leather carrying case, copies of research, etc.
A Royal Doulton brown matt model of `Spirit of Earth`, on a wooden plinth, DA 61B, three Beswick models of horses, comprising `The Winner` brown matt, model No. 2421, a Stocky Jogging Mare brown gloss, third version, model No. 855/1090, and Arab Xayal charcoal grey, model No. 1265 (chipped ear and foot), and two Franklin Mint models of horses, comprising `Black Beauty` and `The Red Pony`.
A Staffordshire pottery model of a recumbent greyhound, late 19th Century, on a naturalistic base, length approx 11cm (restoration), together with a pair of French Samson models of begging poodles, late 19th Century, each seated on a blue and gilt cushion base, gold anchor mark to back of bases, and two similar begging poodles (faults).
A Royal Copenhagen porcelain figure of a spaniel, circa 1957, modelled in a seated pose, printed factory mark and painted `3116` model number to base, height approx 12cm, together with a porcelain dessert dish, mid-19th Century, painted with a central flower spray within a blue, cream and gilt border, and a Coalport porcelain comport with blue and gilt decoration (hairline crack to foot).
A LEEDS CREAMWARE MODEL OF A EWE AND LAMB, (c.1780), standing beside bocage on a shaped naturalistically moulded base encrusted with flowers, impressed Leeds Pottery, 5"" high, together with a creamware cylindrical teapot with ribbed double strap handle, painted in polychrome enamels with a version of ""The Stand"" pattern, the opposite side painted with a chinaman holding a parasol, 3 3/4"" diameter, and a polychrome painted small sparrow beak jug (no handle), 3"" high (3) (Part Illustrated)

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628738 Los(e)/Seite