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628707 Los(e)/Seite
A collection of Hornby Dublo model railway parts mainly boxed, to include DA458 Signal Cabin, ES6 Colour Light, D1 Level Crossing, together with a Hornby Dublo L11 Locomotive Mallard, Tender D11, SD6 20-Ton Bulk Grain Wagon, SD6 8-Ton Cattle Wagon, Hornby Dublo Transformer, and a further Hornby Dublo Controller and others, etc
A Beswick model of a leaping trout number 1032, together with further ceramics including a Tunstall blue ground jasperware jardiniere, a middle eastern bowl with painted blue and yellow pattern detail, a vase with floral decoration and brass mount, a heavy eastern brass jardiniere, a glass scent bottle and stopper, etc
A Japanese silver articulated model of a cicada, by Muneyoshi, Meiji period, the insect with fully articulated legs and wings, the details finely embossed and chased, signed under the inner right wing Muneyoshi, length 5.2cmLiterature: See Laura Bordignon, The Golden Age of Japanese Okimono, Suffolk 2010, page 243 for a similar model of a cicada and Bonham's New York, Fine Japanese Works of Art Sale, 19th March 2014, Lot 3165 for a similar example.
A large Japanese sectional ivory and shibayama style model of a ship, Meiji period, the ship made of veneered sections of walrus and elephant ivory and with a dragon head prow, the deck with seven figures of bijin, musicians and crew, the borders decorated with dragons, birds and inlaid with turquoise, coral, mother of pearl and abalone, carved wood stand, total length 58.5cm
A Jaeger le Coultre 'Vendome' model Atmos timepiece, of characteristic four glass design, with fluted corner columns, raised on a green marble base, the 4.75 inch Roman dial with Breguet type hands, the thematically wound movement with torsion pendulum and lever type escapement; together with its original card box and papers (lined presentation case lacking), height 9.75in.
William Shackleton (1872-1933)oil on canvas'Juliet on the balcony' the artist's wife May Furniss was the model for this work,signed12.5 x 10in. red tortoiseshell frame.William Shackleton was born in Bradford, Yorkshire, and studied at Bradford Technical College before gaining a scholarship to the Royal College of Art in 1893. In 1896 he won a British Institute Scholarship which allowed him to study in Paris, at the Academy Julian, and in Italy where he was inspired by Renaissance art. On his return he settled in London but also painted in Sussex with his friend Edward Stott. A self-confessed symbolist, outside the mainstream of twentieth century British art, he exhibited at the Royal Academy from 1895-1919 and with the New English Art Club from 1899.

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628707 Los(e)/Seite