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628707 Los(e)/Seite
A Scale Model of a Half Boat S S Vendee, Engines by John Dickinson & Sons Ltd, Sunderland, Built for The Moss Steamship Co Ltd, by Sir Raylton Dixon & Co Ltd, Middlesborough-on-Tees, in glazed mahogany case FOOTNOTE: S.S Vendee was a cargo ship sailing from Marseille to Liverpool when it was sunk by a German U Boat in the Bay of Biscay in 1917
A Gentleman's Rolex Oyster Perpetual 'Air King' Super Precision Wristwatch, the silvered dial (with some corrosion) having hourly baton markers and sweep seconds hand in stainless steel case, Model No. 6552, Reg No. 422865, on associated expanding bracelet, no box or papers, case width approx 33mm
A modern silver figure of a dog from A.E. Jones, the specially commissioned naturalistic model of a cocker spaniel stood poised on all fours, 10.88 oztapprox 7cm high, discolouration to the underside, light scratches otherwise generally good condition, no obvious signs of significant damage or repair
GIO PONTI (1891 - 1979) Pair of armchairs, model 516, produced by Cassina, c.1950s, with a certificate of authenticity from the Gio Ponti Archives. 82 x 65 x 75cm.When anyone speaks about Gio Ponti, both as man and designer, two phrases are used consistently: joy de vivre and la dolce vita. They describe a career that encompassed everything: architecture, ceramics, industrial design, interiors, painting, writing, teaching, poetry and, significantly, editing Europe’s leading design and architecture magazine, Domus. Irrepressible, impassioned and exceedingly generous, Gio Ponti is regarded today as the major coalescing force behind the golden age of 20th century Italian design.Having graduated in architecture in 1921 from Milan Polytechnic, Ponti worked as artistic director for ceramics manufacturer, Richard-Ginori, where he laid the grounds for the kind of industrialised production lines for which post-war Milan was to become known. While at Ginori, Ponti founded Domus, which, but for a break of six years, he went on to edit for the rest of his working life. It would prove not only a mouthpiece for his own ideas and beliefs, but also for those of his fellow designers, and its importance in terms of launching careers, drawing attention to movements, and elaborating on certain design ideas is difficult to overestimate. Influenced by the Wiener Werkstatte, by traditional folk-craft imagery, and by his reading of classical forms, the mainly porcelain pieces, with their stylised imagery of nature, people and pastimes, earned Ponti a Grand Prix at the 1925 Exposition des Arts Decoratifs, an event that was to act as a catalyst for the subsequent Art Deco movement. Ponti championed the ideals of rationalism referring to his Superleggera chair as ‘chair...with no adjectives, that is to say just a chair, but light, slender and reasonable.’ He was also drawn to the baroque, the surreal, the futuristic. This fascination with a wide range of design styles and movements is evident in Gio Ponti’s work, chief among which are the decorative and colour saturated blown-glass pieces for Venini, his furniture and interior designs for Fornasetti and numerous projects for the likes of Fontana Arte, Artemide, Cassina and Kardex Italiano. Throughout his working life, Gio Ponti was the recipient of numerous awards. He taught architecture at his alma mater, Milan Polytechnic for nearly 30 years, and during that time produced important architectural projects which matched his work in the field of industrial design, most notably the 1956 Pirelli Tower in Milan. He died at home, in 1979. He remains a monumental figure in 20th century Italian design.
AN EAST INDIAN BRONZE MODEL OF MAHAKALI, PROBABLY ORISSA 18TH/19TH CENTURY Standing in a dynamic pose, wearing a dhoti and a tall tiara, her ten arms spread behind her back, with traces of cold painted decoration to her head and hair, raised on a modern stand, 34.5cm, 9kg. Ł2000-3000 十八/十九世紀 印度銅佛像
Three Corgi Classics Limited Edition Scale 1:50 diecast models - British Rail Foden S21 Platform Trailer, model number 13903, British Rail Bedford KM Platform Trailer & Canvas, model number 18601, British Rail Bedford S Platform Trailer & Railway Container, model number 20301 - all three parts boxed. (3)
ϒA Fine Ivory Okimono of a Seated General by The Maruki Company, the figure is seated on a folding stool and clad in full armour as he grips his tachi with one hand and gestures with an uchiwa in the other as his hair blows wildly, on a rounded base carved with rocks and tree stumps, signed on the base Nihon Koku Maruki sei, and for the artist Kido Hiroaki, height 21.1cms, Meiji Period For a similar model by Hiroaki see, Lot 325, Bonhams sale of Fine Japanese Art, 11th May 2010. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Large Bronze Model of an Eagle, the creature is perched on a rocky outcrop with its head lowered and wings spread, details of the feet and head are gilded with shakudo wash, inscribed (possibly later) with archaistic characters beneath the tail feathers, height overall 62cms, Meiji Period
A Japanese Bronze Model of a Coiled Dragon, the creature rests on three of its legs with its head raised, the tongue in copper, the eyes inlaid in gold and shakudo, height 34cms, Meiji Period; on a lacquered wood stand of lobed rectangular form decorated in gold hiramakie with panels of chidori, and of ships at sea off a rocky coastline, 48cms by 33cms by 20cms, Meiji-Taisho era
A Silvered Metal Model of an Owl, seated on the branch of a withered pine stump, the bird appears to gesticulate with its left wing and its head is turned slightly to the left, details are in gilt and shakudo wash, the plumage well rendered, signed on a gilt seal beneath Masamitsu, the pine stump naturalistically cast, height overall 54.8cms, Meiji Period Please Note: Tip of one ear knocked off on the view
A Japanese Bronze Model of a Crab, naturalistically cast and with a reddish patination, eyes and tips of legs lacquered in black, width 19cms, Meiji-Taisho Period; And a Japanese Bronze Model of a Spider Crab with pincers extended forwards, width 20.1cms, Meiji-Taisho Period (2)
ϒKazukiyo : A Japanese Enamel and Silver Model of a Pheasant, the plumage well chiseled and inlaid in copper, shakudo, bronze and gilding with additional details in enamels, incised signature beneath Kazukiyo ; the long-tailed bird perches atop a wood base carved as a stream flowing through rockwork with stained ivory detail inlaid, length overall 34.5cms, height 27cms, 20th Century ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

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628707 Los(e)/Seite