A RARE QINGBAI 'GRANARY' VESSEL, SOUTHERN SONG TO YUAN DYNASTYChina, 1127-1368. The bulbous body of this rare funerary grain storage vessel rises from a spreading foot to a domed top with a prominent bud finial. The front with a rectangular aperture surrounded by applied strap work, covered in a thin and finely crackled straw glaze stopping unevenly above the foot, revealing the buff ware.Provenance: From a private collection in Phoenix, Arizona, USA, by repute acquired at a local estate sale.Condition: Good condition with minor wear and firing flaws, small losses to strap work on the cover and around the opening, significant glaze flakes to some areas, one side with prominent soil encrustation. Presents well and overall commensurate with age.Weight: 2,290 gDimensions: Height 33 cmLiterature comparison: Chinese Ceramics Song-Yuan, Taipei 1997, p. 388. Song Ceramics from the Kwan Collection, Hong Kong Museum of Art, Hong Kong 1994, no. 96, p. 229.Auction result comparison: Compare with a closely related Longquan shrine at Christie's New York on March 22, 2019, in Fine Chinese Ceramics & Works of Art, lot 1618, sold for USD 18,750. Compare also a related Qingbai-type model of a granary and cover, also dated Southern Song to Yuan dynasty and with a similar bud finial, at Christie's New York in The Collection of Robert Hatfield Ellsworth Part IV - Chinese Works of Art: Metalwork, Sculpture and Early Ceramics on 20 March 2015, lot 839, sold for USD 37,500. 南宋至元罕見青白釉糧倉 中國，1127-1368年。極爲少見的喪葬糧食儲存器皿，球根狀體，底足外撇，圓頂。 正面有一個矩形孔，周圍可見飾帶，全身覆蓋著一層薄薄且開片的褐色釉，底足露胎。 來源：美國亞利桑那州鳳凰城私人收藏，據説購於當地遺產轉賣。 品相： 品相良好，有輕微的磨損和燒製缺陷，蓋子和開口周圍的裝飾帶有小缺損，一些區域有明顯的釉面剝落，一側有明顯的土壤結殼。 狀況很好，整體上與年齡相稱。重量：2,290 克 尺寸：高33 厘米 拍賣結果比較：一件相似的龍泉龕見紐約佳士得2019年3月22日 Fine Chinese Ceramics & Works of Art lot 1618, 售價USD 18,750. 同樣是南宋至元的青白釉糧倉見紐約佳士得 The Collection of Robert Hatfield Ellsworth Part IV - Chinese Works of Art: Metalwork, Sculpture and Early Ceramics 于2015年3月 20日 lot 839, 售價USD 37,500。
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629120 Los(e)/Seite
UEDA KOHOSAI: AN IVORY NETSUKE OF A BIZEN WARE CERAMIC MODEL OF HOTEIBy Ueda Kohosai (died 1907), signed Kohosai Japan, Osaka, second half of 19th centuryThe finely stained ivory netsuke of a bizen ceramic model depicting Hotei, wearing a long flowing robe, revealing his bulging belly and chest, holding a fan in his right hand and his treasure sack in the left hand with a cheerful expression on his face. One single himotoshi through the back and the signature KOHOSAI.HEIGHT 4.2 cm Condition: Good condition with minor surface wear. Provenance: German private collection.This item contains or is made from elephant ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Please note that in compliance with EU regulation effective January 19th, 2022, all items carved from elephant ivory before 1947 must carry a legal trade permit issued by the Austrian ministry of trade, or any other appropriate authority within the European Union. For this reason, any sale of such item can only be concluded after such permit has been granted. All payments made prior to the issuance of the respective permit will be held in escrow until the application for the permit has been approved. Please note that according to EU regulation it may take up to 3 months until the permit has been granted. In case the permit is declined, or not granted after 3 months, the payment will be returned to the client immediately.
Actor, Jane Fonda vintage signed and inscribed 10x8 photograph. Fonda (born December 21, 1937) is an American actress, political activist, environmentalist, and former fashion model. She is the recipient of various accolades including two Academy Awards, two British Academy Film Awards, seven Golden Globe Awards, a Primetime Emmy Award, the AFI Life Achievement Award, the Golden Lion Honorary Award, the Honorary Palme d'Or, and the Cecil B. DeMille Award. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
June Wilkinson signed vintage 10x8 black and white Batman promo photograph picturing a scene during her time playing Evilina in the 1968 superhero movie. Wilkinson (born 27 March 1940 in Eastbourne) is an English model and actress, known for her appearances in Playboy magazine and in films of the 1960s. One of the world's most-photographed women in the late 1950s and early 1960s, at the height of her career she was called the most photographed nude in America. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
James Bond, Madeline Smith signed 10x8 black and white photograph inscribed with her character details as Miss Caruso in 1973 007 spy film, Live and Let Die. Smith (born 2 August 1949) is an English actress. After working as a model in the late 1960s, she went on to appear in many television series and stage productions, plus comedy and horror films, in the 1970s and 1980s. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Large group of scale model trains, including one AHM model 3011 Baldwin 0-4-0 4-10-C train, one AHM model 3013 "Wood Burner" train, seventeen Mini Trains tracks, one KMT undecorated engine and caboose, one Stewart Hobbies model 5025 "Northern Pacific" FTB dummy HO scale train, one Stewart Hobbies model 5025 FTA single headlight powered "Northern Pacific" HO scale kit, one International Hobby Corp model 4358 "Chicago & North Western" track cleaning car, one TM model 8053 "Western Union" maintenance of way materials car, one TM model 8055 "Gerber's Baby Food" wood refrigerator car, one TM model 8052 "Old Dutch Cleanser" refrigerator car "Cudahy Packaging Co.", one TM model 8054 "3M" 40' wood "Minnesota Mining & Mfg." box car, one TM model 8059 "Baby Ruth" Curtiss Candy Co. wood sheathed reefer, one Tyco "Santa Fe" flat car, one Tyco "A.T & S.F." flat car, one Mantua model 353001 undecorated black 2-6-6-2T articulated logger-flywheel drive, one Bachmann model 1300 powered Amtrak Metroliner, one Bachmann model 1301 700 Amtrak Metroliner dummy, one ATT model 17 powered C&O car, one ATT model 12 C&O dummy, two McKean Models model 1002 "Santa Fe" flat cars, one Con-Cor model 0004-001042 Atlas tractor & moving van trailer, one Con-Cor model 0004-001021 CMS tractor & moving van trailer, one International Hobby Corp. Mountain Premier soo line set, one Nakamura Seimitsu undecorated locomotive, one Athearn model 91613 "Southern Pacific" locomotive, and one Walthers model 54073 double stack car.
Marklin, Germany. Large group of HO scale K train track totaling 336 pieces; including but not limited to two model 22715 tracks, 30 model 2291 tracks, 58 model 2231 tracks, eleven model 2151 tracks, 39 model 2221 tracks, ten model 2299 tracks, two 11 1/4 inch tracks with left facing connector, five 7 inch track splits, three 6 inch tracks, two 5 inch tracks, one 10 1/4 inch track split, five 11 1/4 inch tracks with right facing connector, eleven 12 inch tracks, three 8 inch tracks, fourteen 8 inch curved tracks, four 7 inch tracks, three 10 1/2 inch tracks, six 13 5/8 inch tracks, three 12 3/4 inch tracks, three 9 inch tracks, one 9 inch track with left facing connector, two 10 1/2 inch track splits, nine 7 1/4 inch tracks, and two 9 1/2 inch track splits.
Peruvian or Bolivian school of the 19th century."Allegory of Peruvian-Bolivian unionism".Polychrome metal plate on both sides.Silver frame.Measurements: 7 x 5,5 cm (plaque); 11 x 7,6 cm (frame).This is a medallion with a metal plate polychromed on both sides which allegorically represents Peruvian-Bolivian unionism. On the obverse, the artist shows the image of the Virgin of Candelaria crowned with the Child, a strictly symmetrical composition of Baroque heritage that does not lose the naturalism or the contained dynamism that reveals the taste of that period. A break of glory serves as a backdrop for the representation of the Virgin and Child, flanked at the base by the flags of Peru and Bolivia waving majestically above a pompous cloud. The souls of the damned, probably an allusion to the anti-unionists, observe this honourable scene burning in the flames of hell. On the back, the artist painstakingly depicts the coronation of the Virgin of Mercy at the hands of Christ and a bishop wearing a mitre. The dove of the Holy Spirit completes a completely narrative composition, technically derived from the stylistic concepts assimilated in the colonial process. However, it can be seen in this work that, in the early years of the 19th century, at the time of the independence and political opening up of some of the colonies, several artists began to represent a new model of painting with its own identity. The technical virtuosity and meticulousness in the depiction of each figure stands out. As already mentioned, the medallion iconographically alludes to Peruvian-Bolivian unionism (or Peruvian-Bolivian nationalism), an initially political and social and later economic trend that emerged in the 19th century, at the beginning of the independence of South American countries from the Spanish empire. This ideology advocated the union of Peru and Bolivia for historical, economic, social and political reasons of both territories before American independence.
Mexican school; last third of the 18th century."Dolorosa".Oil on copper.It has traces of illegible signature.It has faults in the painting.Measurements: 43,5 x 32 cm.In this devotional work the painter presents Mary as Mater dolorosa, placed on a neutral background that emphasizes the monumentality of the figure. The Virgin is portrayed at this moment after the death of her Son, suffering and feeling deep pain which is symbolically represented in the form of a sword piercing her heart. Devotion to the sorrows of the Virgin has its roots in medieval times, and was especially widespread among the Servite Order, founded in 1233. There are many and varied iconographic representations whose central theme is the Virgin Mary in her Sorrowful aspect, the first of which depicts her next to the Child Jesus, who sleeps oblivious to the future suffering that awaits him. The devotional image is inscribed in an oval around the perimeter of which the legend ECCE MATER TUA (Here is your mother) can be read.It is worth mentioning that, during the Spanish colonial domination, a mainly religious painting was developed, aimed at Christianising the indigenous peoples. Local painters were modelled on Spanish works, which they followed literally in terms of type and iconography. The most frequent models were harquebusier angels and triangular virgins; however, in the early years of the 19th century, at the time of independence and political openness in some of the colonies, several artists began to depict a new model of painting with its own identity.
Spanish school, follower of DIEGO RODRIGEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid,1660); 17th century."The Jester Sebastián de Morra".Oil on canvas. Re-coloured.It presents damages in the pictorial surface.Measurements: 40 x 26 cm.This work replicates the well-known portrait of Sebastián de Morra nicknamed "the cousin", which was painted by Velázquez around the year 1645. The original work is currently in the Prado Museum in Madrid. In both pieces we see the representation of the jester of King Philip IV, who at first formed part of the court of the Cardinal Infante Don Fernando of Austria, and after his death moved to the protection of Prince Baltasar Carlos, who bequeathed him several objects in his will. Both portraits have the same composition, with the jester in the centre of the scene, seated against a neutral background that gives the figure all the prominence. Despite the damage that can be seen in this work, and the tonal darkness that does not allow all the details to be made out, it is possible to see the suit with lace at the neck, a symbol of distinction and royal protection that the sitter enjoyed, as this type of garment was forbidden for anyone who did not belong to the aristocracy. The work belongs to a series of portraits painted by Velázquez with the intention of decorating the secondary or transitional rooms of the palace (corridors, staircases, etc.). This set of portraits has generated great interest throughout the history of art, and has therefore been widely debated, with theories such as that these works were painted by Velázquez with the intention of dignifying the sitters and criticising the society of the time.Diego Rodríguez de Silva y Velázquez (1599-1660) was the leading artist of the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He began painting in a precise tenebrist style, later developing a freer form characterised by bold brushstrokes. In addition to numerous interpretations of scenes of historical and cultural importance, he painted dozens of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656). Velázquez's work became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí and Francis Bacon paid homage to Velázquez by reinterpreting some of his most iconic images.
A collection of camera equipment and accessories - Olympus / Canon / Kodak etc comprising an OLYMPUS - OM2N Body; Zuiko lenses with UV filters; 50mm f1.4 Auto-s; 28mm f2 Auto-W; 28-48mm f4 Auto zoom; 75-150 f4 auto zoom; Winder 1 Motor Drive and remote control jack; Varimagni; Electronic flash T32; Wide angle lens hood; Focusing screen; Instruction Manuals; Kenko Teleplus x2 & x3; CANON Super 8 cine camera, Canon zoom C8 lens 7.5-60mmm 1:1.4 Macro 238855; KODAK Retina IIC, Schneider-Kreuznach 5054720 Retina Xenon 50mm f2.8 lens plus lens hood, Retina 5080 frame finder model C; Ensign Selfix 420, 105mm Ensar Anastirmat f4,5 lens and Johnson Peckham lens hood and amber filter. (qty)
A collection of seventy three (73) Matchbox Superfast 75 blister pack series each sealed but with upper card section cut off, comprising of 1; 1; 2; 2; 3; 4; 5; 5; 7; 8; 9; 9; 9; 11; 12; 12; 15; 15; 16; 17; 18; 18; 20; 21; 21; 22; 23; 24; 24; 25; 25; 26; 26; 27; 28; 29; 30; 32; 33; 34; 34; 36; 36; 37; 37; 37; 38; 40; 41; 42; 42; 44; 47; 48; 49; 50; 52; 53; 54; 54; 54; 58; 59; 61; 62; 63; 64; 68; 70; 72; 73; 73; 74, the cars mint sealed, blister packs with cut tops. * Please view images of variants of model and colour etc.
A collection of assorted model kits, to include Eastern Express models - Field Car x 2, Self-propelled gun SU-122 x 3, Army Truck ZIS-6; Hobby kits - 8 Ton half track x 2, Mercedes Benz G4/W31, Schwimmwagen; Pegasus Hobbies - Su-85M/100 Soviet Tank Destroyer, Su-152 Soviet Assault Gun; Humbrol - ¾ Ton Truck x 2, together with various other models. (qty) the sets are not verified as complete.
A large collection of various boxed 1:72 scale model kit buildings, Heljan - HO810, HO904, HO905, HO820, HO157, HO1001, HO902, HO465, two others; Italeri - 6074 x 2, 6075 x 2; Pegasus Hobbies - 7704, 3 x 7702, 7703, 7704; Bachmann - 35101,35102, 35103, 35104; Armourfast - 2 x 79001; MiniArt - 72026; Faller - B-215. (28, some open) the sets are not verified as complete.
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629120 Los(e)/Seite