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Preisdatenbank abonnierenA 20th Century composition figure group modelled as a kneeling man and young boy playing with a toy boat, another of a young man, both monogrammed `KJ` to bases, and a 20th Century composition model of a bird perched on a branch, together with a lapis lazuli rock, one side cut and inset with a clock.
A BORDER FINE ARTS STUDY `STAND OFF` modelled as three Blue Faced Leicester sheep against a dry-stone wall in confrontation with a Border Collie sheep dog, model number B0701, limited edition number 230 of 1750, sold with box and certificates. 17cm(h) x 38cm(w) x 21.5cm(d)
A COLLECTION OF SIX `TINY` ROYAL DOULTON CHARACTER JUGS, comprising `Sairey Gamp` model number D6146, 3.1cm. `Arry` model number D6255. 3.8cm. `Auld Mac` model number D6257, 3.1cm. `Fat boy` model number D6142, 3.8cm. `John Peel` model number D6259 3.1cm. `Old Charley` model number D6144, 3.1cm. (6)
FOUR ROYAL DOULTON `DICKENS` FIGURES comprising of `Fagin` in dark brown gloss, model number HN 534, 10.1cm. `The Artful Dodger` in black and brown, model number HN546, 9.5cm. `Tony Weller` in green and yellow, model number HN544, 8.9cm. and `Scrooge` in brown, model number M87, 10.1cm (4)
A fine and rare Mariano Fortuny stencilled velvet gown, early 20th century, `labelled Mariano Fortuny, Venise`, the soft blue velvet ground stencilled in gold with Medieval style patterns, the sides inset with pleated silk and laced with silk cords and fastened with Murano glass beads, bust 91cm, 36in. Provenance for this and lot 94: Camilla Eibenschutz, the beautiful and talented wife of Dr Wolfgang Huck editor of some of the most influential newspapers during the Weimar Republic. She was a renowned German actress and was a role model for many women of her generation. She limited her career to the stage, performing mainly in productions by Max Reinhard (1873-1943). She performed in his 1907 production of Shakespeare`s Romeo & Juliet as Juliet (see image).
A Lucien Lelong black satin dinner gown, model no 1404, 1926, un-labelled, the sleeves, rear bodice and tiered satin skirt adorned with long fringes, bust 92cm, 36in; together with a xeroxed copy of Lelong archive photographs of a near identical gown, taken from the Archives de Paris; it was also featured in Femina, September 1925, p.4, (3)
A Schiaparelli black wool evening jacket, Winter 1936-37, bearing printed white Schiaparelli, London label, of soft felted wool lavishly embroidered to the notched stand collar, pockets and front borders in metal strip and gold thread with palm trees and flowerheads, highlighted with sequins and seed beads, simple black silk covered buttons and loops to fasten, bust 86cm, 34in. cf `Shocking` by Dilys Blum p.163 for a full page illustration of an identical jacket which Marlene Dietrich purchased for 1000 francs. It was intended to be worn over a short black crepe dress and accessoried with a glycerined ostrich feather cone hat-"the perfect ensemble for an evening of dinner and the cinema or cocktails and caberet". Schiaparelli wore the same model to the premiere of the play Fric Frac starring the actress Arletty, who was also a client. The palm trees, a nod to Napoleaon`s native Corsica, were based on those embroidered on the white satin tunic of the emperor`s coronation costume.
An Art Deco figured walnut circular occasional table by Heal & Son, with three tiers and stepped feet, 50cm high, 66cm diameter. See Goodden Susanna `At the Sign of the Fourposter: A History of Heals` London 1984, p. 83 for an illustration from a 1936 catalogue featuring this model. Visit www.dnfa.com for condition reports.
Rigo Righi (Italian, early-mid 20th century), a bronze model of a recumbent gazelle, on a wooden base, signed and dated in the maquette `Righi Rico 1934`, 18.5cm high, 34.5cm long overall. Provenance: the daughter of the artist. Righi worked in Florence in the 1920s to the 50s. Visit www.dnfa.com for condition reports.
Italian School, early-mid 20th century, a sculpted Moroccan onyx model of a hippocampus, unsigned, 19cm high, 33.5cm long. Provenance: the daughter of the artist Rigo Righi who worked in Florence in the 1920s to the 50s. Visit www.dnfa.com for condition reports.
Charles and Ray Eames for Herman Miller, a Lounge chair model 670 and ottoman model 671, designed in 1956, laminated rosewood faced ply shells with black leather buttoned upholstery, on enamelled aluminium bases, the chair with a label for Herman Miller, Zeeland Mich., the chair 80cm high, the ottoman 63.5cm wide. Visit www.dnfa.com for condition reports.
A silver electroform model of a labrador by Camelot Silverware Ltd, Sheffield 1991, on a grassy base, 13cm (5in) high; and a model of an eagle, maker`s mark `BSEP` (not traced), London 1978, with wings displayed, on a stone rocky base, 14.5cm (5.75in) high, each loaded. Visit www.dnfa.com for condition reports.
Bartlett (W.H.). Walks about the City and Environs of Jerusalem, c. 1845, engraved frontispiece, seventeen engraved maps and plates, some spotting and dampstains, front hinges broken, original boards, rebacked, rubbed and stained, 8vo. With two tipped-in autographed letters, signed by Bartlett, addressed to Mr Brunetti, Dublin, 1840`s regarding his model of "Ancient Jerusalem", used as the frontispiece in the above work, and Brunetti`s reply. The plate count varies from copy to copy. (1)
A small collection of Corgi Toys cars, comprising a No. 264 Oldsmobile Tornado, a No. 319 Lotus Elan coupe, a No. 325 Ford Mustang, a No. 330 Porsche Carrera 6, a No. 332 Lancia Fulvia Sport Zagato, a No. 345 MGC GT competition model and a No. 506 Police Panda Imp, all boxed, some with information leaflet (boxes slightly creased or scuffed).
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