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629151 Los(e)/Seite
Three trays containing a quantity of various military and emergency services related diecasts to include First Response, Corgi, Hornby Skaledale and others, specific examples to include a First Response Replicas, a 1/43 scale model of a Battalion Chief 1950 Ford, a Hornby Skaledale Country Fire Station, and others
A set of four 2½" gauge Nigerian Railway coaches, circa 1920s, to go with a Bassett Lowke model locomotive The Emir of Zaria, the lot consists of two sleeping cars, a day car and luggage van, the roofs are hinged to open to reveal the fitted interiors with bunk beds and bedding, dining table, and other contents, the goods van contains a load of various sacks of grain, all models require some restoration
A Caldercraft 1/32 scale kit built model of an Imara twin screw harbour tug boat, comprising of red and black hull with grey superstructure and stained wooden decking, fitted with twin can motors powering twin propellers, fitted with battery and twin electronize FR30 HX micro processor systems, with various light features, fixtures and fittings, complete with wooden display stand and a Planet T5 2 point fur GHZ digital remote control, model is built to an exceptionally high standard
A Mountfleet Models 1/32 scale kit built model of an Admiralty Coaster C642 boat, handpainted in grey and black with green deck and removable superstructure to reveal rudder servo, motors, and steam unit with various other radio controlled fixtures and fittings, sold with a Spektrum DX6i hand set, and two model boat batteries, length 49.5" housed on a wooden display stand. Model is executed to a very high standard
A very well made scale model of an HMS Grenadier T334 WWII military class armed trawler, comprising fibreglass hull, white metal fittings, and etched brass components, servos and electric motor fitted, but no radio control receiver or batteries fitted, length 619mm, beam 102mm, housed in a wooden carry case
A Brooklin Models 1/43 scale white metal Buick collection group to include a BC008 1934 Buick Phaeton model 98C, a No. BC012 1937 Buick Special 2-door coupe, a BC015 1938 Buick Special Phaeton M-40C, a No. BC004X 1938 Special Touring sedan M-41, and a BC-018 1936 Buick Special Victoria Coupe M-48, all in original foam packed card boxes
A very well made 1/96 scale model of an HMS Eastern LO9 WWII Hunt Class escort destroyer, comprising fibreglass hull with white metal etched brass and resin fittings, complete with servos and twin electric motors fitted but no radio control receiver or batteries, length 889mm, beam 101mm, supplied with a quantity of drawings associated to the build
One box containing a collection of mixed scale Corgi Aviation Archive model aircraft, the majority of models have been on display with small parts attached to include a short S25 Sunderland 5 RAF Coastal Command aircraft, a McDonnell F-4J Phantom Mk3 1986 RAF aircraft, together with various others
A GRP and wooden kit built radio controlled scale model of an Avon Garth Bristol tug boat, length 41", beam 11", a well executed model built to a very high standard, complete with lights, propeller shaft and rudder installed, requires motor and radio gear to complete model, fully raised on wooden display stand
A Graupner kit built scale model of a Manhattan 74 yacht, fitted with twin speed turbo motors, driving twin water jet units with twin speed controllers, bow thruster with a marine 15 speed controller and working light, 49" in length with 11" beam, model is built to a very good standard, and is supplied with a wooden carry handle style display stand,
A collection of Lost in Space and UFO related boxed plastic kits to include a Pegasus Hobbies Alfacentury UFOs short range sources kit, two boxed Monogram The UFO 1/72 scale plastic model kit together with a Polar Lights limited edition 1/5000 Lost in Space Jupiter 2 plastic kit, all appear as issued
A GRP hulled and wooden kit built model of a Princess 37 Flybridge cruiser, comprising of white and blue lined body with stained decking, complete with removable superstructure to reveal twin can motors and twin rudders, fully raised on wooden carry handle display plinth, full length 40", beam 13"
A collection of plastic and resin superhero related kits to include a Horizon Original 1/6 scale vinyl model kit of Cyclops No. HOR26, together with a Polar Lights Captain America plastic kit, a Moebius Iron Man plastic kit, and a Polar Lights The Incredible Hulk plastic action figure kit, all housed in original packaging
A Mersey Model Company Ltd of Liverpool stationary horizontal type steam engine comprising of tin housed boiler, with filler cap, exhaust and take-off point, powering a single oscillating cylinder engine with 1½ unspoked flywheel, raised on wooden plinth and housed in the original labelled card box
A collection of unboxed model railway OO gauge locomotives and rolling stock including a Mainline GWR green locomotive (6169), LNER "Flying Scotsman" steam locomotive (A/F) with tender (4472), British Railway black livery locomotive (51200), small selection of rolling stock including Esso tanker etc along with a boxed Corgi "Flying Scotsman" die-cast model
James Cauty (British b. 1956)Suicide Bunny 2Giclee printUnsigned, numbered 29 of 321 with stampFramed and glazed41 x 30 cm (16.5" x 12")Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recoded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
◆ Amedeo Modigliani (Italian, 1884-1920) Head of a Girl pencil on papersigned (lower right) Dimensions:43cm x 26.5cm (17in x 10 1/2in)Provenance:Provenance Christopher 'Kit' WoodSold by the above to Lefevre Gallery, 6th March 1930 (stock number 447/29)Acquired from the above by R. K. Blair, 28th January 1932, and thence by family descent to current ownerNote: This delicate, beautiful drawing by Amedeo Modigliani has all the hallmarks of his unique style, with the mask-like face, large but blank almond eyes, the curve of the nose hinting at a Cubist change of viewpoint but not quite, everything described with clarity and a spareness entirely counterpoint to his chaotic, bohemian life. It is perhaps no surprise, then, that it was originally in the collection of another artist: the British painter Christopher ‘Kit’ Wood, who first visited Paris in 1920, just a few months after Modigliani himself had died tragically young, thereby cementing his legend as the enfant terrible of the Parisian avant-garde. Wood himself – tall, handsome, erudite, bisexual – was a perfect fit in bohemian circles and caught the eye of Antonio de Gandarillas, diplomat, patron and friend to many artists, who introduced Wood to everyone who was anyone in the art world.Wood the painter would have found Modigliani’s economy of line and the simplification of form into near abstraction as very close to what he himself was looking for in his art - a ‘modernist primitivism’ that was all the rage in European painting at the time. For Modigliani’s generation, the main inspiration was African art, particularly masks, in which they saw a connection to an underlying visual ‘truth’ that had long been obscured in Europe by technical facility and academic ‘naturalism’. In Modigliani, though, we also see hints of Europe’s oldest art, that fluid, blank quality of Cycladic figures, whose beauty speaks across the ages. In Head of a Girl, Modigliani’s model is both a contemporary Parisian ‘kiki’(with her bobbed hair and androgynous look) and mysterious goddess.Although Kit Wood is in many ways a very English artist – in 1928 he encountered the retired marine scrap merchant-turned-painter Alfred Wallis in the Cornish fishing town of St Ives, adding a layer of English folk vernacular to his ‘modernist primitivist’ style - a good many of his paintings were made in France, in Paris, where he was a regular visitor throughout the 1920s, and in Brittany, where he followed in Gauguin’s footsteps searching for a primitive authenticity a little closer to home. Whilst we don’t know exactly when Wood acquired the Modigliani, we do know that he sold it to his London dealer, Alex. Reid and Lefevre Gallery, in March 1930, less than six months before his own tragic, early death, aged 28, by suicide, whilst withdrawing from the drug habit he had acquired amongst the Parisian beau monde. The Lefevre Gallery was the place in London at the time to go for the latest word in contemporary European art (they had held an exhibition of Modigliani paintings in March 1929 and mounted a memorial exhibition of Wood’s work in 1932). That year they sold the present drawing to a private collector and it has remained in the same family ever since. Now it is once again on a gallery wall for everyone to see, allowing us to imagine what it was - the subtlety of Modigliani’s line, the mystery of his sitter’s expression and the timelessness of it all – that drew Kit Wood to it a century ago.
J. BENASSI, COLLECTION OF HAND-MODELLED LEAD SOLDIERS includes painted and unpainted, chivalric up to Napoleonic, together with further model soldiers of varied manufacture and style including English miniatures, a group of Britains unpainted Scots bagpipers, a pre-war Britains Scots gunner (restored), an Askari figure circa 1927 by Lanolin-Volkburg and a boxed Britains Alamo 17515 Officer and Colors Matamoros Battalion setQty: over 75 figures
Arne Jacobsen Set of twelve 'Lily' stacking chairs, model no. 3108, designed 1961, produced 1970Leather, chromium-plated steel.Each: 76 x 47.5 x 47 cmManufactured by Fritz Hansen, Copenhagen, Denmark. Underside of each moulded MADE IN DENMARK 1970/BY FRITZ HANSEN/FH/FURNITURE MAKERS/DANISH/CONTROL.Footnotes:ProvenancePrivate collection, DenmarkAcquired from the above by the present owner LiteraturePoul Erik Tøjner and Kjeld Vindum, Arne Jacobsen: Architect & Designer, Danish Design Centre, Copenhagen, 1976, pp. 52-53Carsten Thau and Kjeld Vindum, Arne Jacobsen, Copenhagen, 1998, pp. 387, 502-503This lot is subject to the following lot symbols: Ω TPΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Kaare KlintThree-seater sofa, model no. 4118, designed 1930, executed 1950sAniline leather upholstery, mahogany. 87 x 200 x 82.5 cmExecuted by cabinetmakers Rud. Rasmussen A/S, Copenhagen, Denmark. Underside with manufacturer's paper label printed RUD. RASMUSSENS/SNEDKERIER/COPENHAGEN/DENMARK, handwritten inventory number 31607 and architect's monogrammed paper label.Footnotes:ProvenancePrivate collection, DenmarkLiteratureGrete Jalk, ed., Dansk Møbelkunst gennem 40 aar, Volume 2: 1937-1946, Copenhagen, 1987, p. 29Frederik Sieck, Contemporary Danish Furniture Design: a short illustrated review, Copenhagen, 1990, p. 15Gorm Harkær, Kaare Klint: Volume 1, Copenhagen, 2010, pp. 259, 267Gorm Harkær, Kaare Klint: Volume 2, Copenhagen, 2010, p. 39The present model was exhibited at the 'Copenhagen Cabinetmakers' Guild', Kunstindustrimuseet, Copenhagen, 10 September–3 October 1937, stand 1.This lot is subject to the following lot symbols: Ω TPΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A.J. IversenEarly and rare sofa, designed 1935Leather upholstery, elm.75.5 x 200 x 86.5 cmExecuted by master cabinetmaker A.J. Iversen, Copenhagen, Denmark.Footnotes:ProvenancePrivate collection, Frederiksberg, 1940sThence by descent to the present ownerLiteratureGrete Jalk, ed., Dansk Møbelkunst gennem 40 aar, Volume 1: 1927-1936, Copenhagen, 1987, p. 215The present model was exhibited at the 'Copenhagen Cabinetmakers' Guild', Industriforeningen, Copenhagen, 13-29 September 1935, stand 4.This lot is subject to the following lot symbols: Ω TPΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Kaj GottlobArmchair, designed 1937Leather upholstery, stained beech.93.5 x 75 x 96 cm Executed by master cabinetmaker A.J. Iversen, Copenhagen, Denmark.Footnotes:ProvenancePrivate collection, CopenhagenAcquired from the above by the present ownerLiteratureGrete Jalk, ed., Dansk Møbelkunst gennem 40 aar, Volume 2: 1937-1946, Copenhagen, 1987, p. 15The present model was exhibited at the 'Copenhagen Cabinetmakers' Guild', Kunstindustrimuseet, Copenhagen, 10 September-3 October 1937, stand 17.This lot is subject to the following lot symbols: Ω TPΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Alvar AaltoPair of early chairs, model no. 21, 1930sBeech-veneered plywood, laminated beech.Taller: 85 x 48.2 x 58 cmUnderside of one chair stamped 27 twice, and the other stamped A10 twice. Footnotes:ProvenancePrivate collection, Tonbridge, KentThence by descent to the present ownerLiteratureFinmar Limited, Finland, 1936, n.p.Alvar Aalto: Architecture and Furniture, The Museum of Modern Art, exh. cat., New York, 1938, p. 26'Finmar: Furniture Of The Future For The Home Of To-day', Finmar, London, 1939, p. 7Mobilier et Décoration, March 1957, p. 39Charlotte and Peter Fiell, eds., Decorative Art - 1930s & 1940s, Cologne, 2000, p. 291Eva B Ottillinger, Alvar Aalto, Möbel: Die Sammlung Kossdorff, Wien, 2002, p. 33Pirkko Tuukkanen, ed., Alvar Aalto: Designer, Vammala, 2002, p. 168Thomas Kellein, Alvar & Aino Aalto; Collection Bischofberger, Zurich, 2005, p. 89The present model is held in the collection of the Victoria and Albert Museum, London.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Alvar AaltoRare armchair, model no. 42, designed 1932, executed 1930s-1940sPainted birch-veneered bent plywood, bent laminated birch.62 x 60.1 x 79 cmProduced by Artek, Helsinki, Finland and retailed by Bowman Brothers, London, United Kingdom. Underside stencilled BOWMAN BROS LTD/FURNISHERS/LONDON N.W.1.Footnotes:ProvenanceBowman Brothers, LondonPrivate collection, LondonLiteratureJuhani Pallasmaa, ed., Alvar Aalto Furniture, exh. cat., Museum of Finnish Architecture, Helsinki, 1984, pp. 12, 76, 80, 86-89, 91, 126, 132-133Pirkko Tuukkanen, ed., Alvar Aalto Designer, Vammala, 2002, pp. 18, 71, 160, 165Thomas Kellein, ed., alvar & aino aalto. design, collection bischofberger, exh. cat., Kunsthalle Bielefeld, Zurich, 2005, p. 43Nina Stritzler-Levine, ed., Artek and the Aaltos: Creating a Modern World, exh. cat., Bard Graduate Center, New York, 2016, passimThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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629151 Los(e)/Seite