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629151 Los(e)/Seite
Los 386
A pietra dure table topafter a Florentine early 18th century modelInlaid with various hardstones and marbles, the central rectangular tablet inset with interlaced scrolled foliage and four birds, encompassed by six shaped tablets and six alternating scrolled cartouches inlaid with assorted birds, butterflies, flowers and fruit, 148cm wide x 4cm deep x 90.5cm high, (58in wide x 1 1/2in deep x 35 1/2in high)Footnotes:The present lot appears to be a modern variant based upon Italian early 18th century pietra dure table tops illustrated in A. Giusti, Pietre Dure, The Art of Semi-Precious Stonework, pp.'s 106 & 107 and A. Giusti, l'Opificio dell Pietre Dure nell'Italia Unita, Dagli Splendori di Corte al Lusso Borghese, 2011, Florence, fig. XI, p. 81.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 512
A Commonwealth period carved oak 'wainscot' armchairThe Lake District, dated: 1658With channelled frames, the shaped toprail comprising a pair of opposing sea creatures flanking the initials and date: 'A.B., 1658', above a splat carved with four flowerheads within an interlacing shaped foliate surround, on ring turned baluster front legs and rear stiles, with stretchers, 66cm wide x 69cm deep x 107cm high, (25 1/2in wide x 27in deep x 42in high)Footnotes:Two very similar armchairs to the offered lot, both originating from Westmorland in the Lake District, are illustrated in V. Chinnery, Oak Furniture, The British Tradition, 1984, Woodbridge, fig.'s 4:169 & 4:170a. One of these comparables, with a virtually identical crest rail and related carving to the present model, is even dated 1662 which is only four years later than the above example.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 549
After Pierre Jules Mene (French, 1810-79): A patinated bronze equestrian group of 'Vainqueur'modelled as a Derby jockey leading his horse on naturalistic moulded oval base bearing facsimile signature P.J. MENE 1866 and integral title, 35.5cm high Footnotes:This model was listed as No.13 in Mene's catalogue and a lifetime cast is illustrated in Jane Horswell, Les Animaliers, Antique Collectors' Club, 1971. p. 151.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 457
A George IV burr and pollard oak work table attributed to Gillows1822-1825, the waved and everted scroll carved traytop above two opposing cedar and mahogany lined end drawers, over a beaded edge moulding incorporating a sliding work basket frame, on scrolled acanthus clasped lyre-end supports, terminating in four ringed foliate spray wrapped and S-scrolled downswept legs, with recessed brass castors, 71cm wide x 48cm deep x 73cm high, (27 1/2in wide x 18 1/2in deep x 28 1/2in high)Footnotes:The offered lot is virtually identical to a design for a 'traytop' work table, dated 23 August 1822, featuring in Gillows' Estimate Sketch Books, pl. 330, which was executed on behalf of Sir T.D. Hesketh. A further rosewood example is illustrated in S.E. Stuart, Gillows of Lancaster & London, 1730-1840, Vol.I, p.303, pl.332, and also appears on the front cover of Volume II, Ibid. As with the present model, this comparable has a bag slide but there is no trace of a bag ever having been fitted. And although it is documented that Sir T.D. Hesketh ordered a pink silk bag for his rosewood version in 1822, it seems that the vast majority of work table purchasers at that time preferred to make or acquire their own bag, perhaps explaining why so many are now lacking. It is also interesting to note the use of an indigenous timber with reference to the above.A work table of conforming design sold Sotheby's, London, 22 April 2004, lot 99 whilst a further related one in mahogany sold Christie's, 10 September 2009, Parisian Taste in London, lot 343.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 374
A French 19th century gilt bronze mounted rosewood, bois satine and tulipwood parquetry meuble d'appui or pier cabinetprobably by Maison G. GrimardWith trellis inlay, the later marble top above a panelled door (locked) mounted with an acanthus adorned, ribbon-tied and drape swagged 'baldacchino' canopy, over an urn of flowers surmounting a plinth, with scrolled foliate, griffin mask and berried husk strapwork below centred by a mask with a feathered headdress, on toupie feet, 86cm wide x 45cm deep x 117cm high, (33 1/2in wide x 17 1/2in deep x 46in high)Footnotes:A vitrine by Maison G. Grimard which has a very similar central ormolu mount and parquetry to those on the offered lot sold Sotheby's, New York, 20 October 2013, 19th Century Furniture, lot 303. Whilst a Maison G. Grimard cabinet de salon, also possessing these virtually identical characteristics, featured Sotheby's, New York, 15 October 2015, 19th Century Furniture, lot 12. Another comparable vitrine almost certainly by the same firm sold Bonhams, Knightsbridge, 19 October 2016, lot 274.A further related model is illustrated in C. Payne, European Furniture of the 19th Century, 2013, Woodbridge, p.249.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 548
James Osbourne (English, 1940-1992): A patinated bronze model of a falling horsethe animal falling onto its back, its two rear legs raised into the air, the whole on naturalistic integral base, signed and dated Osbourne 82(?) 47cm high approxThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 490
After the Antique: A good Italian carved white marble of the Crouching Venus on verde antico pedestalsigned Galleria G. Manetti, Roma, probably mid 20th centurythe crouching goddess with her hair dressed in an Apollo's knot, the canted rectangular base with beaded border on draped integral plinth, signed to one side GALLERIA G. MANETTI, ROMA, MADE IN ITALY, the pedestal with moulded circular revolving plateau top above a fluted tapering column and lotus baluster support, raised on a waisted socle base and integral canted plinth foot, the figure 87.5cm high approximately, the pedestal 106cm high approximately (2)Footnotes:Provenance:Sothebys, 19th century Sculpture, 11th July 2018, sale 18230 (lot 9).The Crouching Venus is a Hellenistic model of Venus surprised at her bath and is found in a number of variations, perhaps the most famous one being the example first fully recorded at the Villa Medici in 1704 which can be traced back through references in more rudimentary inventories of the sculpture collection to at least 1670 and even as far back as 1598. Early commentators considered the subject to be the Birth of Venus but later the goddess was generally thought to be bathing.This figure was taken to Florence in 1787 and was placed in the Uffizi where it remains today known as the Uffizi Venus. Originally thought to be a copy of a statue by Diodalses and referred to by Pliny, more recent scholars relate it to Pergamene sculptures, such as the Arrotino. In the majority of known versions of the subject of Venus, the goddess crouches with her right knee close to the ground, turns her head to the right and reaches her right arm over to her left shoulder to cover her breasts. However the number of copies that have been excavated on Roman sites throughout Italy and France since the Renaissance period suggest that she was a very popular subject in the ancient world hence why variants appear frequently. In addition, the antique examples of the Crouching Venus in prominent art collections subsequently influenced later sculptors including famously, Giambologna and these figures were also drawn by contemporary artists such as Martin Heemskerck, who made a drawing of the Farnese Crouching Venus which is now in Naples.Related Literature:F. Haskell and N. Penny, Taste and the Antique: The Lure of Classical Sculpture 1500-1900, New Haven and Yale, 1981, p. 321-23.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 444
Selection of Lledo die-cast model cars, including: two Cadbury model vintage vans; ambulance; Essex County Fire Brigade engine; and others; along with other die-cast model vehicles including Matchbox; two albums of 'Alias' collectors' cards; and an album of 'The X Files' collectors' cards; and a selection of 'The Lord of The Rings' collectors' cards.
Los 514
Selection of die-cast model vehicles, including: two Scalextric rally cars and a Scalextric electric model racing cars, each boxed (boxes damaged); Corgi Major Toys Articulated Trailer; Dinky Toys AEC Tanker and articulated lorry; Corgi Toys Whizzwheels model vehicles; and other loose model vehicles by makers including Hot Wheels, Hornby Dublo, Scalextric, and Corgi.
Los 877
Pair of 18ct yellow gold cufflinks, 11g (unengraved), a 9ct yellow gold button, a yellow metal heart form engraved pendant, pair of silver cufflinks and white metal 30th anniversary model of a hat, set with a pearl, and a pair of 9ct gold cufflinks ,4g18ct = 11g9ct = 4gUnmarked yellow metal - 3g Silver / white metal - 19g
Los 33
David Mayne is the original creator of the Bear in the Botanical Gardens. His design for the Bear has been replicated on all of the Bears from the trail. This Maquette Model is the original model used to create the famous Bear in the Botanical Gardens.Each bear sculpture is sold without the concrete plinth which it was displayed on throughout the trail.Each bear sculpture measures - Height: 2m, 11.2cm, Width: 79.4cm, Depth: 77.7cmWeight – 60Kg
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629151 Los(e)/Seite