628738 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
628738 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
628738 Los(e)/Seite
Victorian Staffordshire animals comprising Donkey spill vase, Cow with Milk Maid, Girl and Boy seated on Spaniels, Frit work sheep, recumbent Deer and 19th century ceramic model of a Cat in a bonnet, H16cm max (7) Condition Report Click here for further images, condition, auction times & delivery costs
''Liu Tu'': A Lenci Polychrome Pottery Figure, from a model by Helen Konig Scavini, 1932, modelled as a Balinese nude dancer, wearing an elaborate dragon headdress, standing upon a tea table with drawer and four decorative jars, signed Lenci MADE IN ITALY 8-11-32, painters monogram, partial label, 44cm (damages) See illustration Provenance: Acquired by the present owner's grandmother who ran a Helena Rubinstein beauty salon in Newcastle, the Lenci reputedly given by Helena Rubinstein for display in the salon to draw attention to the quality of her beauty products Literature: Lenci: Archivi di Arti Decorative, Finito Di Stampware Presso, Torino, 1992, p.172, plate 387
A Pair of Cotswold School Ash Ladderback Armchairs, with rush seats, 105cm (2) Philip Clissett (1817-1913) a chair maker taught Ernest Gimson (1864-1919) how to make this model. Gimson established his workshop in Daneway, Gloucestershire in 1900 with Edward Gardiner (1880-1958) as chair maker,
Sally Arnup FRBS, ARCA (1930-2015) ''Two Week Old Chick'', (1977) Signed and inscribed A/C, bronze, 17cm high Provenance: From the artist's estate See illustration Sally Arnup was one of the finest animal sculptors of her generation. Her passion for and affinity with both material and subject, and her insistence on working from life, shines through in the sheer vitality and character in each and every sculpture. Sally Baynton-Williams was born in London in 1930; she recounted how at the age of two and a half she was given a lump of clay at nursery school and felt an instant fascination with the material. From a young age she set her heart on becoming a sculptor, and with the support of her family left conventional schooling at the age of 13 to train at Kingston College of Art. After spending a year at Camberwell School of Art, in 1950 Sally entered the Royal College of Art, where she would be tutored by eminent sculptors such as Frank Dobson and John Skeaping, who was himself a renowned animalier (see lots 167 and 168). Here she met sculptors Elisabeth Frink and Jacob Epstein, the latter whom she met whilst he was working on a monumental sculpture in Skeaping's college studio. In 1953 Sally married Mick Arnup, a painter and ceramicist whom she had met whilst studying at Kingston College of Art. In 1957 the Arnups moved to Holtby, near York, where they set up both home and studio to raise their four children and work together. Sally worked at the York College of Art from 1958 to 1972, where she was Head of Sculpture, and where Mick would become Vice Principal and Head of Foundation. Mick died in 2008, and Sally died in 2015 following a stroke. Their artistic legacy has been continued by their children; Hannah and Ben are well-regarded potters and Tobias a painter. Sally worked largely to commission, sculpting animals of all shapes and sizes. She insisted on working from life and liked to spend as much time with her subject as possible, studying their character, preferably in the animal's natural habitat or home. Animals were often taken to her studio; indeed, following a commission to make a sculpture of a swan for the Vintners Company in London, Sally borrowed two rescue swans from a sanctuary. Never working from photographs or rarely even sketches, Sally preferred to work directly in clay, a practise which shows through in the naturalism of her finished bronzes. This was a time-consuming process, and together with the complex lost-wax technique she employed to turn a clay model into a finished bronze, meant that Sally had a limited output of work during her career. Indeed, from start to finish, a life size sculpture could take three years to make. Sally worked every day except Sunday into her eighties, sculpting pets, working animals, farm animals and wildlife for private clients and institutions. Notable commissions included sculpting a cast silver leopard to present to HM the Queen by the City of York, which is now in the Royal Collection, and she also sculpted a life-size bronze of 'Storm', a fell pony, for Prince Philip, which she worked on in the stables at Windsor Castle. Her work has been exhibited around the world, including at the Royal Academy, the Royal Society of Artists, the Royal Society of British Artists. Sally was also a Fellow of the Royal Society of British Sculptors.
AN OMEGA MEGAQUARTZ MARINE CHRONOMETER BRACELET WATCH. Rectangular black dial with inset central section signed Constellation Megaquartz f2.4Mhz, baton indexes, white hands, date aperture at 6 o'clock position, gilt bezel surround to case which measures 44 x 33mm, fitted with hinged link bracelet with central clasp, manufactured circa 1973, 2 spare links, an original Omega box of an earlier date is included.A highly collectable watch with an interesting history. First marketed by Omega in the 1970's this model was the first wristwatch ever to be certified as a Marine Chronometer due to its highly accurate caliber 1511 movement. Approximately 1000 units were made and each watch features a 14ct gold bezel and case plaque featuring the original movement serial number. These watches were tested for 63 days by the Besancon Institute and were presented with certificates showing their accuracy which was usually in the region of 12 seconds per year. Although the movement of this example is not currently functioning, the average battery life is approximately 6 months and therefore it is likely that a new battery is required.
A STAFFORDSHIRE SALT-GLAZED MODEL OF A LION, 19TH CENTURY, naturalistically modelled, standing to the left, one front paw resting on a ball, supported by a rocky mound, the rectangular base moulded with a band of stiff leaves. 28cm wide Note: The extensive series of lion models that proved so popular in Staffordshire, was based on the Medici Lion, a marble sculpture in Florence, sculpted by Flaminio Vacca in 1600.
A LADY'S BI-METAL BREITLING STARLINER BRACELET WATCH. Circular ivory dial with black and gilt index, date aperture at 3 o'clock and gilt hands, rotating outer bezel and gilt crown, 5 row bi-metal link bracelet with hinged clasp and safety catch, quartz movement and complete with box and papers dated 2011, model number B71340. Movement is currently functioning. moderate surface scratches commensurate with daily wear.
A LADY'S STEEL EBEL BELUGA BRACELET WATCH. Circular blue mother of pearl dial with arabic indices at quarters and diamond dots between, steel hands, flexible link bracelet with central deployment clasp, quartz movement, model number E99786411, complete with box and papers dated 2004.Movement is currently functioning
A SET OF VICTORIAN BRASS POSTAL SCALES, the beam stamped WARRANTED ACCURATE, the decorated base with six weights, 22.5cm wide; together with A VICTORIAN COMMEMORATIVE GUN METAL MODEL CANNON, inscribed ROYAL GEORGE SUNK 1782, (a/f). (2)Note: HMS Royal George was a 100 gun first rate ship of the Royal Navy, when launched in 1756 she was the largest warship in the world. She sank whilst anchored off Portsmouth in 1782 with the loss of more than 800 lives.
GEORG JENSEN, A STERLING SILVER BOWL DESIGNED BY SIGVAR BERNADOTTE, c.1950, circular, the foot with applied wavy band, model no. 904. Diameter 16.25cm, 11.9 troy ounces. Note: Bernadotte was a Swedish prince, second son of King Gustav VI Adolf. His work is known for having a strong functionalist aesthetic combined with bold graphic detail. No dents or damage, few surface scratches to the interior of the bowl

-
628738 Los(e)/Seite