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Los 1262

13th-7th century B.C. Model horses each with splayed legs and a stub to the rump (to accept a rider figure?). 65 grams total, 40-48 mm (1 1/2 - 1 3/4 in.). Private collection formed in the 1990s.Acquired from a central London gallery.Property of an Essex gentleman. [5]

Los 1793

20th century A.D.. Mixed group of silver-coloured metal fittings including a hollow-formed model of the Nandi cow and calf, a belt-fastener with pointillé peacocks, and an appliqué of Ganesha. 89 grams total, 51-57 mm (2 - 2 1/4 in.). Property of a South West London gentleman. [3, No Reserve]

Los 1901

17th century A.D.. A cast petronel or model musket of Type 2 Design 1, with fishtail butt, facetted barrel, c-shaped pan and rectangular trigger guard; ring-and-dot motifs to the butt. Cf. Forsyth, C. & Egan, G., Toys, Trifles & Trinkets. Base-Metal Miniatures from London 1200-1800, London, 2005, item 1.24. 16.3 grams, 70 mm (2 3/4 in.). Found Dorset, UK.Property of a Gloucestershire, UK, collector.Property of an East Sussex, UK, gentleman.The lower face of the barrel is absent near the trigger-guard. [No Reserve]

Los 1943

20th century A.D.. Model zebu with applied black linear ornament. 350 grams, 16 cm (6 1/4 in.). From the property of the late Mr SM, London, UK, 1969-1999. [No Reserve]

Los 1958

20th century A.D.. Group of five silver-coloured metal thimbles, each with a domed top surmounted by an animal's head (elephant, horse, goat) and one with a model elephant. 71 grams total, 30-41 mm (1 1/8 - 1 5/8 in.). Property of a South West London gentleman. [5, No Reserve]

Los 2033

20th century A.D. and earlier. Mixed group comprising: celadon ware bowl (repaired), glazed ceramic model carp; two rectangular lead scroll weights with text to one face. 1.82 kg total, 17-25 cm (6 3/4 - 9 7/8 in.). UK gallery, early 2000s. [4, No Reserve]

Los 207

Circa 5th-6th century A.D.. Of squat profile with flared base and drop handle; running tendril bands to the shoulder and base, gilt-inlaid frieze depicting the seated robed figure of Christ holding a staff between two palm trees in a landscape inhabited by a bear, leaping goat, frog, cockerel, hen, eagle, horse, hounds, sheep, lioness, snake, rabbit, duck, boar cow; trees in the background with birds perching on the branches; central roundel with Chi-Rho, alpha and omega; handle with vine tendrils flanked by pellet clusters, saltire to the centre. Cf. comparable examples in the Vrap treasure in the Metropolitan Museum of Art, accession no. 17.190.1707; Aimone, M., The Wyvern collection, Byzantine and Sasanian Silver, Enamels and Works of Art, London, 2020, cat.no.28, pp.112-113. 1.02 kg, 23 cm wide (9 in.). From the family collection of Mr E.L. (1915-1991), who collected antiquities from the 1940s, thence by descent.Ex J.L. collection, Surrey, UK.This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12059-213551.The frieze is full of Christian symbolism, mainly concentrated on the image of the good shepherd (Christ) depicted according to the model visible in the Mausoleum of Galla Placidia in Ravenna and shown on the opposite side of the central roundel. Jesus is represented in a landscape suffused with peace, full of plants and flowers; he has a serene expression and is depicted beardless and surrounded by six sheep. Its clear allusive meaning is that only through Christ can eternal peace be achieved. Another part probably represents the Tree of Life with an array of animals. The vessel probably had a liturgical use, perhaps for the ritual washing of feet during the Easter celebrations or for the blessing of the faithful. [A video of this lot is available to view on Timeline Auctions Website]

Los 2135

19th-early 20th century A.D.. Miniature boat model comprising: flat-bottomed open boat with incised zigzag line to the hull, curved stern post formed as a reptilian tail, prow with simulated crocodile head; two pairs of figures sitting on the thwarts, one male and one female, each male with a paddle; rear figure with paddle to the port side, leading figure with paddle to the starboard 749 grams, 28 cm (11 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [No Reserve]

Los 52

Circa 600-480 B.C. Modelled in the round as a miniature flat-bottomed boat with sternpost and three thwarts, one supporting the reclining figure of the boatman; supplied with a custom-made display stand. Cf. similar item in the Metropolitan Museum of Art, New York, under accession no.74.51.1752, for type, from Amathus. 728 grams total, 24.5 cm wide including stand (9 5/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent.Accompanied by an old identification tag.Accompanied by an original thermoluminescence analysis report from Oxford Authentication.A series of ship models, today preserved in the Metropolitan Museum and in the British Museum, depict in considerable detail the features of contemporary vessels, including the helmsman sitting in the bow, the spurs of the ships and the raised stern. All of the preserved ship models come from Amathus, indicating the importance of the site as a maritime centre. Our model could come from the same area. This clay model shows a man who comfortably sits on the back of the ship: we do not know his role and his activity, but – as observed by professor M.A. Mcintosh, he is part of a the?ri?, a state pilgrim (the?ros). Certainly, he represents the helmsman, the kubern?t?s, i.e. the governor who directs the ship. [No Reserve]

Los 546

Circa 4th century B.C. Hollow-formed model hand with fingers held straight together. See de Grummond, Religion of the Etruscans, for discussion. 430 grams, 20.5 cm (8 in.). Old private collection, Jacksonville, Florida, USA.Acquired from Agora Auctions, Auction 60, no.417.Property of a South Australian private collector, with collection reference 16.03.Accompanied by detailed collector's catalogue pages including description and images.Votives of an anatomical nature began in the Hellenistic or late Classical period, where they were associated with healing and with fertility.The red pigment on the votive suggests that it was provided by a male; female hands were white or pink. The votives were provided to visitors at the temple, and were disposed of over time.

Los 692

Circa 1st-4th century A.D.. Group comprising: two bone astragali smoothed for use as gaming pieces; bronze model of the same. Cf. similar in the British Museum under accession no.1772,0311.176. 80 grams total, 31-35 mm (1 1/4 - 1 3/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [3, No Reserve]

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