MODEL WALTER: (1891-1945) German Field Marshal of World War II, Knight's Cross winner with Oak Leaves, Swords and Diamonds. D.S., Model, in bold purple indelible pencil, one page, oblong 8vo, Head Quarters, 23rd November 1944, in German. The typed document is issued by Model in his capacity as Commander-in-Chief of Army Group B and approves the proposal of the award of the German Cross in Silver to Major Weller. One file hole to the left edge and several pinholes to the upper left corner, not affecting the text or signature. About VG
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TURLINGTON CHRISTY: (1969- ) American fashion model. She represented Calvin Klein´s Eternity campaigns. Grace Coddington, the long-time creative director of American Vogue magazine, has described Turlington as "the most beautiful woman in the world". Signed 8 x 10 colour photograph by Turlington, the image depicting the supermodel posing in a full length pose, wearing an attractive black dress. Signed in bold blue ink. VG
DALI GALA: (1894-1982) Russian artist´s model and muse, the wife of Paul Eluard and later of Salvador Dali. A rare A.L.S., Gala Eluard, to the verso of a decorative colour postcard with a pink perforated deckled edge and a quaint image of swallows flying over a country river applied to the centre, n.p. (Paris), n.d. (14th November 1930), to Valentine Hugo (´Chere Madame´), in French. Gala states that they very much regretted Hugo´s indisposition and her cancellation of Wednesday´s meeting, further remarking ´Voulez-vous me prevenir par un mot quel soir pourez vous venir diner chez moi (7 rue Becquerel) a partir du lundi prochain´ (Translation: ´Please let me know in writing which evening you can come to dinner at my house (7 rue Becquerel) from next Monday´) and concludes by sending ´Les amities de Dali´ (Translation: ´Best regards from Dali´). Accompanied by the original envelope hand addressed by Gala. A wonderful letter of good association which also links Gala with the two most important men in her life, Eluard and Dali. Some very light, extremely minor age wear, VGValentine Hugo (1887-1968) French artist and writer associated with the French Surrealists. Valentine was the wife of French artist Jean-Victor Hugo (1894-1984), the great-grandson of novelist Victor Hugo.Gala´s letter is written at a very significant time in her life. Gala and the French poet Paul Eluard (1895-1952) had first met and fallen in love at the age of seventeen and were married a few years later in 1917. With Eluard, Gala became involved in the Surrealist movement and was an inspiration for many artists. In August 1929 Gala and Eluard travelled to Spain to meet the emerging Surrealist artist Salvador Dali. An affair quickly developed between Gala and Dali which soon led to the break-up of Gala´s marriage with Eluard (although the two would remain close). Gala married Dali in 1934, having lived together since 1929. The present letter, signed Gala Eluard, was written just over a year after Gala first met Dali, for whom she sends regards to Hugo.
VODIANOVA NATALIA: (1982- ) Also known as Supernova. Russian Model and Philanthropist. Signed 8 x 10 photograph by Supernova, the image depicting the Russian model standing nude in a sensual three quarter length pose. Signed in bold black ink across the image, adding above her signature a sketch. VG
DICK PHILIP K.: (1928-1982) American science fiction writer whose novel Do Androids Dream of Electric Sheep? (1968) was adapted for the cult movie Blade Runner (1982). An interesting T.L.S., Love, Phil, one page, 4to, n.p. (Santa Barbara, California), 15th April 1981, to Professor Patricia Warrick. Dick forwards an enclosure (still present) ´of what may be a resolution of my seven years of attempting to construct a model of reality´, adding that the solution came to him in a series of recent sleep revelations ´where I actually saw how the system works´, and further explaining ´My model is that of a computer-like entity....it relates both to Taoism and to computers. This may be it, Pat. Initially I had a vision of reality as a rapid procession of static, discrete frames replacing each other at enormous velocity; we turn these frames - - each of which is unique, slightly different from the one before it and the one following it - - into a continuous flow by means of the modem we call causality. But in fact "causality" is illusory; our minds project it onto the procession of discrete frames in order to connect them into a flow. This is a necessary modem, for otherwise we will not be able to discern the constants (eide, Forms) within the procession of frames; all would be chaotic flux to us, without the modem of causality. The system is thinking, but it thinks (as I say on the enclosed page) during its off or non-being void phase of the binary pulse-flicker, so we´re totally unaware of it thinking, Our reality is shot full of information, both quantitative (bits) and qualitative (constructed/converted out of the bits). Pat, this is the first model I´ve had confidence in!´. Accompanied by the enclosure referred to by Dick, a typed essay entitled Sleep Insight, one page, 4to, n.p. (Santa Barbara, California), 15th April 1981, in which the author expands on the theories outlined in his letter, also making reference to Jakob Boehme, Charles Hartshorne and Alfred Whitehead, stating that ´the Muslims are correct; the universe is destroyed "every day" (actually every trillionth of a second) and "re-created"´ and concluding ´So my envisioning is essentially Boehme´s, updated in terms of computers and information-processing systems. The similarity to the Taoist alternation of yin and yang is very obvious´. Accompanied by the original envelope. VG, 2
UDERZO ALBERT: (1927-2020) French Comic Book Artist, co-creator and illustrator of the Asterix series. Signed colour 4.5 x 7 photograph of Uderzo in a head and shoulders pose holding a model of Asterix in the foreground. Signed ('Uderzo') in bold black ink with his name alone to a light area at the base of the image. VG.
HEXUM JON-ERIK: (1957-1984) American actor and model. A rare signed and inscribed 7.5 x 9.5 photograph of the handsome actor in a close-up head and shoulders pose. Signed in black ink across a largely lighter area of the image with a lengthy inscription, ´To Mick & Dot, Been a pleasure working with Steve. He does a helluv´a good job. Best Wishes, Jon-Erik Hexum´. Autographs of the actor are rare in any form as a result of his untimely death at the age of 26 after accidentally shooting himself in the head whilst on the set of the television series Cover Up. EX
DEREK BO: (1956- ) American Actress & Model. Signed 8 x 10 photograph of Derek, the promotional Warner Bros image showing the glamourous actress in a full length pose, seated at the sea shore in a scene of the sex comedy film 10 (1979), her breakthrough role as Jenny Hanley. Signed by Derek in bold dark blue fountain pen ink with her name alone to a light area of the image. EX
AST PAT: (1941-2001) American actress and model, remembered for her portrayal of Lydia in Andy Warhol´s film Heat (1972). Signed 8 x 10 photograph of Ast standing in a half-length pose in costume as Edna Dawson from the American prison black comedy film Reform School Girls (1986). Signed by Ast in blue ink with her name alone to a light area at the base of the image. VG
FREUD LUCIAN: (1922-2011) British painter. A rare A.L.S., Lucian Freud, to the verso of a colour picture postcard of his oil painting entitled Blond girl on a bed (1987), n.p. (London), n.d. (10th December 1990), to Sarah Griffiths. The artist writes, in full, ´I liked your letter and will try and answer some of your question - they don´t all apply. I´ve just finished a huge picture of a naked man. Meanwhile do keep warm. Here´s a Christmas present´. Accompanied by the original envelope hand addressed by Freud. Some very light age wear, otherwise VGFreud most likely refers to one of his paintings of the Australian performance artist Leigh Bowery (1961-1994) who became a signifcant model and muse for the painter.
KLOSS KARLIE: (1992- ) American fashion model. A Victoria´s Secret Angel. By 2019, Kloss had appeared on 40 international Vogue covers. Attractive signed 8 x 10 photograph, the unusual image depicing the fashion model in a full-length sensual pose, wearing a black dress and stockings. Signed in bold blue ink to the lower clear left corner, also adding a heart sketch. VG
RAMOS MEL: (1935-2018) American artist who first gained important recognition as a member of the Pop Art movement in the 1960s and is remembered for his paintings of female nudes. Signed colour 10 x 8 photograph of Ramos in a profile head and shoulders pose, smoking a cigar, and with a paintbrush in one hand as he works on a painting of a blonde model before him. Signed by the artist in blue ink with his name alone to the image. Scarce in this form. EX
EDWARD VII: (1841-1910) King of the United Kingdom 1901-10. A.L.S., Edward R, as King, on two sides of a correspondence card, Buckingham Palace, London, n.d. (´Tuesday´, 22nd December 1908), to Baroness de Meyer (´My dear Olga´). The King sends his thanks ´for the charming water colour painting you have given me´ and continues to ´heartily reciprocate your good wishes for Xmas & the New Year´. Accompanied by the original envelope hand addressed by Edward VII. A letter of fascinating association. Two very small pinholes to the upper edge and with some minor staining to the edges of the verso, otherwise VGOlga de Meyer (1871-1931) British born artists´ model, socialite, patron of the arts, writer and fashion figure of the early 20th century, the wife of photographer Adolph de Meyer and rumoured to have been the natural or god-daughter of King Edward VII.
JONES GRACE: (1948- ) Jamaican singer, model and actress, remembered for her portrayal of May Day, the lover of Max Zorin and his chief henchwoman, in the James Bond spy film A View to a Kill (1985). Signed colour 8 x 10 photograph of Jones standing outdoors in a half-length pose, with her arms folded, in costume as May Day from A View to a Kill. Signed in bold blue ink with her name alone to the image. EX
ACTRESSES: A small good selection of three signed 5 x 7 photographs, comprising Nathalie Delon (1941-2021) French Actress, Model and Writer. Best remembered for her first acting role, appearing opposite her husband and actor Alain Delon, in the film Le Samourai (1967), Yvette Mimieux (1942-2022) American film and television Actress, & Isabella Rossellini (1952- ) Italian Actress and Model. All are boldly signed to clear areas of the images. VG, 3
A MUSEUM MODEL OF A LEAPING DOLPHIN 20TH CENTURY Naturalistically modelled 162cm high overallProvenance: Jurassic Museum, Seaton Condition Report: With weathering - colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning. Denaturing, streaks and wear to the painted surface- loss to paint to eyes, ends of fins, tail and extremities- scuffs and abrasions notably to left side of head- seems to be a hollow plastic, rusted metal support Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Y  A CARVED EXOTIC HARDWOOD MODEL OF A RECUMBENT CAMEL PROBABLY PUNJAB, LATE 19TH CENTURY 14cm high, 26cm long overall A closely related hardwood camel sold in these rooms, Drew Pritchard: The Collection, 5th March 2024, Lot 514 (Sold £1,600 excl. BP) Condition Report: loss to tip of right ear, rear stiff leaves to back of plinth, some rubbing and paler colour to extremities and baize to base distressed Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A PAIR OF BALTIC CANDLESTICKS LATE 19TH CENTURY, AFTER THE EARLY 19TH CENTURY RUSSIAN EMPIRE MODEL Each in gilt metal with chevron banding above triple ram head mounted stem, circular bases 36.5cm high, bases 15.3cm diameter A similar example is in the Ostankino Museum near Moscow and illustrated in I. Efremova, I. Petuhova and ID. Rudentsovyh, Lighting Devices, Collection of the Museum Estate Ostankino, Moscow, 2005, p. 309, fig. 248-249. Condition Report: With fairly heavy wear, marks, knocks and scratches as per age, handling, use, and cleaning. Bobeches worn and misshapen, fixed into bases with bolts. Look to have been fairly heavily cleaned and then possibly lacquered. Old polish residue, surface marks, only traces of original gilding Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A STAFFORDSHIRE CREAMWARE MODEL OF A HORSE WOMAN PROBABLY MID 18TH CENTURY Modelled riding side saddle and wearing riding habit, with red pottery hat, the horse with sponge decorated body and supported on a shaped base 18cm high, 21cm wideCf. Stella Beddoe, A Potted History Henry Willet's Ceramic Chronicle of Britain, Brighton Museum and Art Gallery for a related equestrian group illustrated on the dust jacket. Also see E. & H. Manners, 66C Kensington Church Street, London who have an almost identical example for saleProvenance: From the collection of the Late Alastair Scott of Dunsdale Lodge Antiques, Westerham and thence by descent. Following his death, two large sales were held by Christie's (10th June 1991 and 10th October 1991)but some pieces were kept in the family Condition Report: Extensive restoration. Potential purchasers should satisfy themselves in person as to date and attribution. Please see conditions of sale. Condition Report Disclaimer
Y A PAIR OF TORTOISESHELL, ROSEWOOD, EBONISED AND GILT METAL MOUNTED CABINETS ON STANDS 18TH CENTURY AND LATER Both with an arrangement of drawers centred by a male and female gilt metal figure respectively each 136cm high, 104cm wide, 40cm deep Provenance: The Welby family of Harlaxton Manor and Denton Manor, and thence by descent until 1939 This pair of cabinets are shown in the painting, The House Builders, by Frank Dicksee P.R.A. (1853-1938), depicting Sir William Welby-Gregory, 4th Baronet and his wife Victoria, only daughter of the Earl of Wharncliffe. Identifiable with their ebony ripple moulding, tortoiseshell panels and brass handles, one of the cabinets is visible behind Lady Victoria as the couple are shown pouring over Sir Arthur Bloomfield's model and drawings for Denton Manor. When the painting was exhibited the house had been in progress for a year and it would be completed four years later.
CAST BY CHOPIN AFTER THE MODEL BY EVGENII LANCERAY, A RUSSIAN EQUESTRIAN BRONZE FIGURE OF AN ARAB SHEIKH RIDING A HORSE LATE 19TH OR EARLY 20TH CENTURY Signed in Cyrillic 'E Lancere', faintly inscribed F Chopin and with wheelmark foundry seal 45cm high, 36cm wide, 16cm deepProvenance: Purchased Sotheby's, November 18th 1969, Lot 19 Private Collection, Berkshire Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. The whole with slightly paler patination to exposed edges- straps look to be original, wirework strap to hat possibly later- vacant screw hole to the true right of his neck- end of musket? The whole slightly dirty- engrained into recesses and base. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A GEORGE III MAHOGANY AND EBONISED WINDOW SEAT IN THE MANNER OF THOMAS HOPE, CIRCA 1810 Upholstered in striped woven linen type fabric 75cm high, 108cm wide, 53cm deepProvenance: From a Private Collection The present lot shares very closely related features to a design by Thomas Hope, such as the carved lion paw feet and central patera to the x-frame. See Thomas Hope, Household Furniture and Interior Decoration, 1807, plate 12, fig. 4 for the original sketch which is derived from a model 'reserved for the use of the highest officials in Ancient Rome'.
A CARVED PORTLAND STONE MODEL OF A LAYING CHICKEN MID 20TH CENTURY With signature/mark to base 22cm high, 51cm wide, 39cm deep overall Condition Report: With weathering - colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning. Beak restored. Signature not identified Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Collection of silver and other items including a pair of silver desk candlesticks, Birmingham 1969, Sanders & Mackenzie, 5cm high, a silver caddy spoon in the form of a jockey's cap, Sheffield 2000, 5cm long, a small dish in the form of a viking boat, stamped 830, a white metal propelling pencil holder in the form of a horse's head, 4cm long, a white metal and enamel model of a fawn, a small bronze model of a mouse eating a nut, a Blackforest-style small bear and two white metal models of antelope
Small Wemyss-type model of a pig decorated in the acorn pattern, circa 1930-50, printed green Made in England mark, naturalistically modelled, painted in brown tones with oak leaves and acorns, 15.5cm long Condition ReportSome typical glaze crazing overall, small stained glaze crack to pig's back, small areas of speckled misfired sanding to glaze at back, overall in good order.
A Chinese Imperial Edict scroll, Daoguang Period (1821-1850)dated by inscription to 1845 and of the periodThe edict is written on a polychrome blocked woven silk brocade with a pattern of clouds, the text arranged in standard form from right to left in Chinese characters and repeated from left to right in Manchu. It is dated to the fifteenth day of the tenth month of the twenty-fifth year of the Daoguang reignThe text opens with a four-character brocade title in a vertical line reading, fengtian gaoming, ‘by command of Heaven’, flanked by a pair of dragons, followed by an inscription written in Chinese characters from right to left, and repeated from left to right in Manchu, conferring one higher rank to the parents of Yiyu. The two seals are the same, reading "zhi gao zhi bao", seal of instruction or seal of edict in Chinese and then repeated in Manchu.The longer text concerns the success of the ‘secretary of the grand secretary’ and his promotion being thanks to the guidance and teachings of the parents of Yiyu. This is also to promote acts of kindness and to express respect and love for the contributions of families, and to show respect for such model parents who have set good examples for their children.Together with a further fragment of a scroll in Manchu script (2) Ombersley Court, Worcestershire Golden ribbon trim detached in some areas, backing paper worn and losses in parts as pictured, oil marks to back, paper with foxing and fragment with some old worm damage and spotted / moisture damage and discolouration. Writing rubbed in part, scattered spotting and discolouration.

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