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Preisdatenbank abonnierenTimpo Farm Series Farm Set 159, boxed (damaged corner) and Crescent Model Farm lead figures, boxed (poor) (2)The items in this auction are located offsite and as such, we have limited access to provide postage quotes. Therefore, we are only able to offer a discretionary post and packing service on small, singular items. Due to the fragility of lots in this auction, we would strongly advise using a professional packing service in most instances.
Airfix HO-OO Scale Gun Emplacement Assault Set No.51650-7, Series 6 Gun Emplacement No.06704 & Coastal Defence Fort No.06706, Scale 1:24 James Bond Autogyro No.04401 and other model kits (qty)The items in this auction are located offsite and as such, we have limited access to provide postage quotes. Therefore, we are only able to offer a discretionary post and packing service on small, singular items. Due to the fragility of lots in this auction, we would strongly advise using a professional packing service in most instances.
A BRONZE MODEL OF A SPHINX ON ORMOLU BASE FRENCH, 19TH CENTURY AND LATER Previously a chenet, stamped indistinctly "MILMI", fleur de lys symbol and FON, and with various numbers 35.5cm high, 41cm wide, 15cm deep The collection from Trethill House, Cornwall Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Not gilded to reverse and with vacant apertures from prior mounting as a chenet or fire kerb end. The whole with rubbing from age and use- loss to gilding and scattered scuffs. Lacks screws holding sphinx to base. Dirty. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A WHITE MARBLE MODEL OF A SCULPTOR'S HAND LATE 19TH/EARLY 20TH CENTURY Holding aloft a clay modelling tool, pink marble base 29.5cm high overall Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally good condition, minor surface wear and dirt- small nibbles to top edges and corner of tool- small plaster (?) deposits to surface. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A GILT AND PATINATED BRONZE MANTEL CLOCK IN LOUIS XV STYLE SECOND HALF 19TH CENTURY With eight-day bell striking movement with outside countwheel and initialed J.E.D. the white enamel blue Roman numeral dial signed BRINDEAU A PARIS, the case with classical figures, the movement sat atop a model of a bull with flanking figures on a stylised naturalistic base 61cm high, 54cm wide Illustrated: The Connoisseur, May 1965, p.3 Condition Report: Movement is of 19th century manufacture, although it is in relatively gentle clean/service is advised. There is no visible evidence to suggest that a different movement was ever fitted to the dial. The dial has some chipping to the centre hole (not really visible due to hands being fitted) otherwise appears free from noticeable damage. The case is in fine condition with overall light to moderate wear and oxidation to the gilding only.Clock has pendulum but no winding key. Condition Report Disclaimer
Y A ROSEWOOD, KINGWOOD, AND TULIPWOOD PETIT COMMODE IN LOUIS XV STYLE LATE 19TH CENTURY, AFTER THE MODEL BY JEAN-FRANCOIS OEBEN/LELEU Crossbanded, strung and ormolu mounted throughout, with arrangement of three drawers, raised on cabriole legs 72cm high, 58cm wide, 48cm deep Provenance: The Hon. Claude John Yorke, and thence by descent Condition Report: Good, structurally secure with wear and tear consistent with age and use. The veneers in good order with just some very minor old repair/tinting. Ormolu is medium to good quality, all present, some of the gilding is worn, notably to front left chute (on the leg) and behind the swags at the corners. There are two drawers in the front, one in the right side. Minor constructional shrinkage cracks. Overall in good condition, the catalogue illustration is accurate. Condition Report Disclaimer
A MAHOGANY AND GILT METAL MOUNTED SIDE CABINET IN GEORGE IV STYLE CIRCA 1900 The black marble top above a pair of panelled doors enclosing shelves, on bracket feet 82cm high, 123cm wide, 40cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSplits and cracks, chips and losses, knocks and losses to edges and extremities around the base This appears to have been adapted, there is a 'secret' compartment below the marble top - the marble itself with an oval mark to the centre around which it is more highly polished - the model of a cherub was sat here previously - some chips and losses to the edges and extermities including the cornersOne leg shorter to front and therefore slightly unstable, the internal shelf missing on peg support and therefore is presently not useable, will require a peg sourcing to secureSome discolouration to the metal mountsColour variation to the surface, some notably lighter timber around the panel doors There is a key but this is not operating the lock at time of report - the lock is engaged but the cabinet can be opened at time of reportPlease see additional images for visual reference to condition Condition Report Disclaimer
A LARGE GRAND TOUR WHITE MARBLE MODEL OF THE TOMB OF SCIPIO AFRICANUS ITALIAN, LATE 19TH CENTURY 28cm high, 47cm wide, 29cm deep Provenance: Sotheby's, Important Continental Furniture, 10th December 2003, lot 188 The collection from Trethill House, Cornwall Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. The lid with chips to two corners and smaller edge nibbles, bases generally good- some edge and base corner nibbles and rubbing. Dirt spotting and accretion to recesses. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
AFTER ANTOINE-DENIS CHAUDET (1763 -1810)- A MARBLE PORTRAIT BUST OF NAPOLEON BONAPARTE 19TH CENTURY 67cm high Provenance: Possibly the Drury Lowe family, Warwickshire, sold at Sotheby's circa 1987. This bust of Napoleon I (1769-1821) is inspired by a model by the French Neoclassical sculptor Antoine-Denis Chaudet. His marble version of 1804 was Napoleon's preferred image of himself and became the official portrait that was reproduced in biscuit porcelain made from 1805 at the Sèvres porcelain factory. The collection from Trethill House, Cornwall Condition Report: With mild wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally in clean good condition, natural darker inclusions and veining. Some surface marks notably to sides of face, loss to rear of socle edge that may benefit from remedial work before domestic use. Wear to edges- notably shoulders and rear top edge with some chips and losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
ATTRIBUTED TO GEORGE JACK, FOR MORRIS & CO., A MAHOGANY OCCASIONAL TABLE CIRCA 1890 The underside stamped Morris & C0 / 449 Oxford STW / 530 and a paper label with ink inscription 'WILLIAM MORRIS/ used to work at his designs /for the KELMSCOT CHAUCER/ in the studio at The Grange/ on Sunday Mornings/ while my father Edward Burne-Jones/ worked at his drawings for the/ same book. Morris used this table' and further label with ink inscription 'This Table/ left/ to/ CLARE' 65cm high, 61cm wide, 61cm deep Provenance:According to paper label the table belonged to Sir Edward Coley Burne-Jones (1833-1898) and was used at The Grange, Fulham; By descent to his daughter Mrs J W Mackail (nee Margaret Burne-Jones) (1866-1953); By descent to her daughter Clare Mackail (1896-1975); Thence by family descent. This occasional table was almost certainly a popular model, designed by George Jack (1855-1931), and supplied by Morris & Co., Oxford Street, London, in the late 19th century. An identical table sold Christie's, London, 13 May 2014, lot 162. George Washington Jack, architect, furniture-designer and wood carver, was chief furniture designer for Morris & Co. from 1890 onwards. Jack was born to Scottish and Irish parents in Long Island, New York in 1855 but on his father's death in 1860 the family returned to Glasgow. Jack was articled to a number of architectural practices in Scotland and London before joining Philip Webb's firm as a draughtsman and site architect in 1882. Webb introduced Jack to William Morris and from 1885 Jack began to work for Morris & Co. as chief designer while simultaneously working for Webb. This table in Jack's preferred 18th century revival style probably dates from c. 1890 suggested by its relationship to another similar walnut table now in St. Louis Museum of Art (189:1990). Jack was elected a member of the Art Workers Guild in 1906, and exhibited at the Arts & Crafts Exhibition Society. Another table designed by Jack and exhibited as per above was described as: 'a table [with piecrust top] six carved legs, executed by Sidwell and Thatcher, carving by H. Dodd, exh. Morris & Co. (cat. no. 415). In the Morris & Co. catalogue of this year it featured as No. 376, priced at 8 guineas, and a plain version No. 370 was available in oak or mahogany for £4 10 0' (). Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Old surface marking, small water stains, rings, surface scratches throughout and small dents to legs. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
Y  A PAIR OF GEORGE IV ROSEWOOD AND RED LEATHER UPHOLSTERED BERGÈRE LIBRARY ARMCHAIRS OR 'CURRICLE' CHAIRS CIRCA 1825, IN THE MANNER OF GILLOWS Each of typical 'tub' form and with reeded legs to the front 89cm high, 55cm wide, 73cm deepThis form of bergere was named a 'curricle', after the Roman magistrate or consul's seat, by Thomas Sheraton in The Cabinet Dictionary, London, 1803. The name was adopted by Gillows of London and Lancaster, who supplied five chairs of this model between 1811 and 1812 to Wilbraham Egerton for Tatton Park, Cheshire, at a cost of 5 pounds each and intended for bedrooms and dressing-rooms (N. Goodison and J. Hardy, 'Gillows at Tatton Park', Furniture History, 1970, pl. 16A and S. Bourne, 'Gillow Chairs and Fashion', Exhibition Catalogue, Blackburn, 1991, pp. 32-33. For a closely related pair of bergere chairs attributed to Gillows, see Christie's, 500 Years: Decorative Arts Europe, 18th November 2010, Lot 179 (£12,500).The collection from Trethill House, Cornwall Condition Report: Generally good, structurally secure with wear and tear consistent with age and use. The catalogue illustration is accurate. Secure in the joints, the red leather upholstery with general wear, each with a seam split in the chair back. Scuffing to the front legs, seat rails and uprights, minor shrinkage cracks to joints, including to the front right arm joint (A) and to the joints of the horseshoe back (B). Note the chairs are made in Brazilian rosewood and so export restrictions apply.The seat is 47cm deep and 46cm wide at the front, but the width tapers due to the curve of the backs.Condition Report Disclaimer
A WEDGWOOD BLACK BASALT MODEL OF A GRYPHON OR GRIFFIN LATE 18TH CENTURY Impressed WEDGWOOD mark 24.5cm highAnd another similar, unmarked, 24.5cm high Provenance: Sotheby's London 2nd December 2003, lot 85 where it was noted that a candlestick version of this model after a design by Sir William Chambers, is illustrated M.H.Grant, The Makers of Black Basaltes, pl.XXVII, no.2.The collection from Trethill House, Cornwall Saleroom notice: Please see the updated catalogue description as follows: A WEDGWOOD BLACK BASALT MODEL OF A GRYPHON OR GRIFFIN LATE 18TH CENTURY Impressed WEDGWOOD mark 24.5cm highAnd another similar, unmarked, 24.5cm high Condition Report: The differences between each model are very slight and they are very similar but with subtle differences. However, in the strictest sense, each medallion hanging from the necks of the gryphons is different. Oen features Hercules and the other a centaur. The marked Wedgwood example has slightly larger suspensions from the neck wreath than the other. Both have nibbles to the base, the one with the Hercules medallion has a small repaired section to the tip of bottom beak, and is restored at the back of the neck under the wreath. To the same model, possible restoration to the acanthus scroll under the gryphon. The marked Wedgwood example the base measurements are 2.6cm x 16.2cm x 9.2cm. The other unmarked example 2.9cm x 16cm x 9cm. Please see additional images available from the Dept. upon request. Both examined with UV light. Potential purchasers are asked to satisfy themselves as to the nature, condition and vagaries of the two models before bidding and if possible to view in person.Condition Report Disclaimer
RICHARD WESTMACOTT (1775-1856) A MARBLE PORTRAIT BUST OF CHARLES JAMES FOX 1818 Signed and dated "RD. Westmacott R.A 1818" 70cm high It is likely that this exact bust is the one referred to in the National Portrait Gallery summation of the known portraits of the Whig statesman Charles James Fox (1749-1806): "1816- Statue by Richard Westmacott jr., whole-length seated, the Magna Carta in his right hand. Bloomsbury Square, London (illus. M. Busco, Sir Richard Westmacott, 1994, p 73). Engraved S. W. Reynolds and W. Ward 1817. A bronze model formerly at Holland House. The head based on Nollekens's 1801 bust. Separate marble busts by Westmacott sold Christie's, 28 January 1988, lot 189, and formerly at Alscot Park; bronze busts sold Sotheby's, 15 July 1998, lot 38 (as Nollekens), and in Brooks's, London." As the NPG indicates, the Bloomsbury Square statue of Fox and the accompanying separate busts may well have drawn inspiration in their depiction from Nollekens's 1801/1802 bust- a version of which is held in the NPG itself (NPG 3887). The other portrait by Westmacott is in Westminster Abbey- Fox's monument, depicted supported by Liberty, mourned by Peace and thanked by Africa. (illus. M. Busco, Sir Richard Westmacott, 1994, p 70). A bronze bust of Fox is held in the Parliamentary Art Collection.Literature: National Portrait Gallery collection catalogue: John Ingamells, National Portrait Gallery: Mid-Georgian Portraits 1760-1790, National Portrait Gallery, 2004The collection from Trethill House, Cornwall Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Natural inclusions and some darker veining, thin layers of white paint to both cheeks and temple- perhaps disguising wither darker inclusions or scratches. several pockmarks notably one under chin. The signature looks to have had brownish material rubbed into it to strengthen it. Some scuffing, marks and stains around shoulders and notably around upper back edges. Edge chips and losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
THREE BOXED GAUGEMASTER OO GAUGE 1:76 SCALE STRUCTURE KITS, (Forehampton marques, Forhampton military tent and sandbags), together with a boxed ERTL international harvester, a boxed John Deere combine harvester, four carded Hobbys model garage petrel pumps, a boxed Siku 1:87 Massey Ferguson tractor and trailer etc
* Hughes (Edward Robert, 1851-1914). Seated female nude, black chalk on cream laid paper, signed lower left, some light overall toning, a few small spots, aperture size 34.2 x 24.1 cm (13 1/2 x 9 1/2 ins), framed and glazed (53.5 x 41 cm), typewritten label on verso with brief artist's biography, together with Portrait of a Woman, July 5 1904, black chalk on cream laid paper, dated upper right, couple of brown spots to upper right, mount aperture 25.4 x 32.8 cm (10 x 13 ins), framed and glazed (45 x 49.5 cm), typewritten label on verso with brief artist's biographyQTY: (2)NOTE:According to a modern handwritten note on the frame verso, the model for these two life studies may be Hilda Virtue Tebbs - the note refers to the Lyle Official Review, 1992, page 276.
* Barye (Antoine-Louis, 1796-1875). Panthère couchée (Recumbant Panther), bronze with dark reddish brown patina, incised BARYE, and with incised name of the foundry: Barbedienne, fondeur, Paris, 7 cm (2 3/4 ins) high,18.5 cm (7 1/4 ins)QTY: (1)NOTE:Provenance: Estate of Michael Jaffe (1923-1997), art historian and former director of the Fitzwilliam Museum, Cambridge.Poletti & Richarme (2000), number A83.The original model dates from around 1838, and is the first in his series of Panther subjects. After 1876, the model was edited by Barbedienne, but in smaller numbers than other panther subjects.
Six boxes of assorted china, glass, etc., to include a Hornsea contrast part dinner service, a Noritake "Sylvia" part dinner service, two model canons, etc together with LESTER JAMES "Mountainous landscape in autumn" watercolour, signed lower right together with three various black and white etchings by J. KNIGHT and R.L. Armitage (6 boxes and 4 pictures)
A collection of Royal Worcester bird figurines to include "Jay" No'd. 3248, "Woodpecker" No'd. 3249, "Kingfisher" No'd. 3235, various Finches, Tits, Robin, Thrushes, etc. and a Worcester Ornamental Studio "Toucan", dated 1997 (30) CONDITION REPORTS There is damage to about 10 of the birds including the jay, one of the kingfishers and sparrow all of which have had breakages which have been glued. The yellow hammers, wren (x2), robin, marsh tit, gold crest, chaffinch all have minor chips to beaks or tails etc. The nuthatch seems to have something in it's beak but not sure if this has been broken or if it was barely there in the model. Otherwise general wear and tear conducive with age and use. See images for examples.
A WW1-period military archive relating to the Ker family, comprising a death plaque commemorating Lieut. William Ker, Royal Naval Volunteer Reserve; various linen-backed maps; an envelope addressed to C.P. Ker Esq., 7th Battalion Oxfordshire and Buckinghamshire Light Infantry, SALONIKA BRITISH ARMY, containing an assortment of uniform buttons; a Nepalese kukri; two Turkish 1914 model spherical hand grenades with a related transcribed letter written by William Ker, Jan. 16th 1916 etc. Condition Report:Available upon request
A Georg Jensen silver and Guaiacan wood three piece coffee set designed by Henning Koppel, model no.1017, designed in 1952, comprising coffee pot and hinged cover, creamer and large bowl stamped marks, HK monogram, 16cm. high (teapot), (3) ProvenancePurchased by the vendor's family From Georg Jensen, 15 New Bond Street in 1979. LiteratureAlison Fisher, Georg Jensen Scandinavian Design for Living, Yale, page 172-173 plate 87 for a six piece service illustrated.
The Captured Bird a Goldscheider Pottery model of a bat girl dancer designed by Josef Lorenzl, model no.5230, modelled standing with arms outstretched, her cape decorated with a butterfly wing design, glazed in colours impressed and painted marks, professional restoration to hand, 47cm. high ProvenancePrivate collection. LiteratureOra Pinhas Goldscheider, Richard Dennis Publications, this actual figure illustrated on the front cover.
A Liberty Tudric pewter and enamel inkwell designed by Archibald Knox, model 0141, square section tray with tapering cylindrical well and hinged square cover, set with enamel rectangular panel in blue and green, the tray with four blue and green enamel roundels, engraved to tray with initials and 1915, stamped marks, 15.5cm. wide, 8.5cm. high ProvenancePrivate collection
The Captured Bird a Goldscheider Pottery figure designed by Josef Lorenzl, model no. 5230, modelled as a dance r with arms outstretched wearing a cape with butterfly wings, in colours, impressed and printed factory marks, professional restoration, 46cm. high LiteratureOra Pinhas, Goldscheider, Richard Dennis, page 118 and 119 for comparable figures. ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd.
A Goldscheider Pottery bust, model no. 6427, modelled as a stylised woman with black curly hair, glazed in colours, mounted on ebonised wood base, impressed and printed factory marks, professional restoration to eyelids, 31cm. high ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd.
A Goldscheider Pottery model of a lady designed by Stephan Dakon, model no.7581, modelled as a lady in long flowing blue dress and broad brimmed hat, glazed in colours printed factory marks and Dakon facsimile signature, impressed marks, 37cm. high LiteratureOra Pinhas Goldscheider Richard Dennis, page 145 for an identical figure in a pink dress attributed to Lorenzl, ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd.
A Goldscheider Pottery Lady with a Shawl figure designed by Josef Lorenzl, model no.5822, modelled standing draped in a shawl, on domed base, glazed in colours impressed and painted marks, 45.5cm. high LiteratureOra Pinhas, Goldscheider, Richard Dennis, page 118 for comparable example illustrated. ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd.
A Goldscheider Pottery The Captured Bird lamp base designed by Josef Lorenzl, model no.5230, with original silk shade, modelled as a female dancer with arms outstretched, her cape painted with butterfly wing decoration, on stepped domed base, impressed factory marks, facsimile signature, professional restoration to her left hand, 39cm. high (figure)65cm. high (lamp) ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd. LiteratureOra Pinhas Goldscheider, Richard Dennis, page 118 for various versions illustrated.
A Goldscheider Pottery model of a dancer lamp base designed by Stephan Dakon, model no.6757, modelled holding the hem of her black and green floral skirt, impressed and painted marks, crack to lamp pillar, 32.5cm. high (figure) ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd.
A Goldscheider Pottery figure of a dancer designed by Stephan Dakon, model no. 7053, modelled standing on one leg with long flowing blue floral dress, in colours, on a diamond shaped base, printed and impressed factory marks, professional restoration to one hand, 40cm. high ProvenanceThe collection of William Billy Kidd and Elizabeth Kidd.
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