A Meissen figural teapot and cover, circa 1976After the 18th century model by J.J. Kaendler, an Asian figure in yellow and floral robes sitting on the back of a colourful cockerel, the tail feathers forming the handle and the beak the spout, the cover in the shape of a lobed hat which sits on the figure's head, the base of the pot applied with leafy flowering branches, 22.5cm high, crossed swords mark in underglaze-blue, painter's numeral, impressed model number 65518, impressed 208 and impressed date mark ] (slightly indistinct) (2)Footnotes:Provenance:Property From a Distinguished Private CollectionAnother example is illustrated in S. & T. Bergmann, Meissen Figures - Model Numbers 1-3000 (2017), no. 1596.For further information on this lot please visit Bonhams.com
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A Meissen group of card players, late 19th centuryAfter the 18th century model by J.J. Kaendler, two finely dressed ladies and a gentleman seated at a card table playing a game of cards, the base applied with leaves and edged with a gilt line, 14.8cm high, 18.5cm across, crossed swords mark in underglaze-blue, incised model number 1291, impressed numeral and painter's number (minor restoration and chips)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Seventeen Meissen figures of children as gardeners and musicians, second half 20th centuryModelled holding various tools, instruments and flowers, on scrollwork bases, 10.5cm - 14.5cm high, crossed swords marks in underglaze-blue, various impressed model numbers and numerals, various date marks (minor chips) (17)Footnotes:Provenance:A Private Swiss Collection of 19th century MeissenThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen figure of 'La Belle Chocolatière', late 19th centuryModelled by Carl Gotthelf Habenicht and others, 1837-42, after the 18th-century pastel painting by Jean-Etienne Liotard, wearing a white cap with blue ribbon, yellow bodice with flowers and foliage, blue skirt with floral pattern and pink apron with puce sprigs and dots, holding a black and green tray, on a square rockwork base, 36.5cm high, crossed swords mark in underglaze-blue, incised model number V 86, impressed numeral and painter's mark (minor wear)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen group of lovers taking snuff, late 19th centurySeated and leaning towards one another, her arm around his shoulder, wearing a bonnet and floral dress, he holding a snuff box towards her outstretched hand, wearing a blue coat and striped pink breeches, the base edged in gilding, 13.3cm high, crossed swords mark in underglaze-blue, incised model number 656, impressed numeral and painter's numberThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen group of 'the Good Mother', late 19th centuryAfter the 18th century model by M.V. Acier, the mother seated on an armchair wearing a patterned dress and grey shawl, a baby on her lap and a young boy climbing onto the left armrest and leaning on her shoulder, another boy seated on a stool to her right and playing with a pack of cards toppling off the baby's lap, the oval base moulded with gilt and blue classical frieze, 21.6cm high, crossed swords mark in underglaze-blue, incised model number E 69, impressed numeral (minor restoration)Footnotes:Modelled by Acier in 1774; see S. & T. Bergmann, Meissen Figures - Model Numbers A1 - Z99 (2014), no. 23.For further information on this lot please visit Bonhams.com
A rare Meissen ormolu-mounted figure of Harlequin with a 'Pass Glass', circa 1740Modelled by J.J. Kaendler, seated on a rocky mound drinking from a 'pass glass' in his right hand and holding goat bagpipes on his left arm, wearing a black beret, a half-turquoise and half-yellow tunic with purple bows, the yellow half reserved with playing cards, and trousers with one blue and one red leg, his black shoes with yellow ribbons, on a raised and pierced ormolu base with rockwork, foliage and scrollwork, 20cm high (right arm and horns restuck, minor restoration)Footnotes:The earliest reference to this model is in Kaendler's Arbeitsberichte (work notes) in October 1736, which describes a recumbent small dog next to the figure. Kaendler's Taxa of overtime work made between 1740 and 1748 records: '1 Arlequin, aufin Postament sitzend und einem Dudelsack in Händen habend, nebst einen Bass-Glass trinekend' [1 Harlequin seated on a pedestal and holding bagpipes in his hands, while drinking from a pass glass] (quoted by M. Chilton, Harlequin Unmasked (2001), no. 72, where the example in the Gardiner Museum, Toronto, is published, along with other recorded examples.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A rare Naples, Real Fabbrica Ferdinandea biscuit group of a river god, circa 1790Modelled by Filippo Tagliolini, leaning on his right arm which is perched on an urn, a wreath made of bulrush on his head, his right arm raised, 18cm high (small losses)Footnotes:Provenance: Italian private collectionThe model is reminiscent of the sculptures of the famous Fontana dei quattro fiumi in the Piazza Navona in Rome, or even the Fontana di Sebeto in Naples, but is more likely based on an ancient source, perhaps on the series of the four river gods made in the Roman era, of which one, representing Dio Nio, rediscovered in 1734, can be found in Naples, on the Largo Corpo. Of that figure a Naples, Real Fabbrica Ferdinandea figure exists in the Museo di San Martino, which was published by Alvar Gonzalez-Palacios, Tagliolini e la Porcellana di Napoli (1988), cat.no. 59. Another possibility would be affreschi, for example the Roman fresco found in Pompei (Fresco in the Fourth Pompeian Style, depicting the personification of the Sarnus River from a wall in the House of the Vestals at Pompei, 50-79 AD) now in the Louvre Museum, Paris. For further reading on the iconography of river gods see: Claudia Lazzaro River gods: personifying nature in sixteenth-century Italy, published in Renaissance Studies, Vol 25 (February 2011), pp. 70-94.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen group of an elegant couple, late 19th centuryAfter the model by M.V. Acier and J.C. Schönheit of 1778, with an elegantly dressed lady holding a rose to her face, her right arm leaning on a marbled pedestal, a seated gentleman to her right glancing up at her, the rockwork base applied with leaves and flowers and moulded with a gilt and blue classical frieze, 24.3cm high, crossed swords mark in underglaze-blue, incised model number F 98, impressed numeral and painter's mark (minor restoration and chips)Footnotes:The model is known as the 'Swedish Court Group' and was modelled by Acier and Schönheit in 1778; see T.H. Clarke, Meissen Marcolini Figures Engraved by Friedrich Elsasser 1785-1792, in Mitteilungsblatt der Keramikfreunde der Schweiz (103) 1988, no. 85.For further information on this lot please visit Bonhams.com
A Meissen outside-decorated group of a cavalier and a lady, mid 19th centuryAfter the 18th-century model by J.J. Kaendler, the lady wearing a flower-decorated crinoline dress with a yellow underskirt seated at a table sewing, the cavalier wearing a purple suit and floral waistcoat with his tricorn resting on the table, a seated pug dog at their feet, the gilt-edged base shaded in earth tones, 17.5cm high, crossed swords mark and dash in blue, incised numbers 551. and 61. (firing crack with associated haircrack to underside of base, her left hand and forearm restored)Footnotes:Provenance:A Private Swiss Collection of 19th century MeissenThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Naples, Real Fabbrica Ferdinandea, biscuit bust of Jupiter Ammon, circa 1780-1806Modelled by Filippo Tagliolini on a circular pedestal with a plaque inscribed GIO.AMMONE, on a square base, 18.2cm high (tiny chips to edge of base)Footnotes:A similar example, but with different pedestal and base, is in the Museo Civico, Naples (illustrated in A. Caròla-Perrotti, Le Porcellane dei Borbone di Napoli (1986), no. 488).The model also exists in Doccia porcelain, an example of which is in the Victoria and Albert Museum (accession no. C.287-1915). It is part of a set of busts which are after antique marbles and bronzes discovered at the Villadei Papiri in Herculaneum, now in the Archaeological Museum in Naples.For further information on this lot please visit Bonhams.com
A pair of Meissen figural candelabra allegorical of Autumn and Winter, late 19th centuryEach with two figures on a domed base moulded with scrollwork feet and rims, Autumn with a girl seated on a goat holding fruiting vines and a standing boy playing the flute, Winter with a boy seated on a sled holding an axe and a girl standing over a brazier, the scrollwork shafts applied with fruiting vines and leaves, respectively, rising to a sconce mounted with a removable four-arm candelabrum with five sconces and applied with flowers, 43.5cm high, crossed swords marks in underglaze-blue, incised model numbers 785 and 786, impressed numerals, both with painter's numeral 36. (some restoration and minor losses) (4)Footnotes:Provenance:A Private Swiss Collection of 19th century MeissenThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen figure of the Girl with Sweets, circa 1910Modelled by Paul Helmig, wearing a green striped dress with black dots and a white apron with brown and red border, holding a red bag of sweets, her left hand reaching in, a toy cart on the ground behind her legs, 14.5cm high, crossed swords mark in underglaze-blue, incised model number Y.180, impressed numeral and painter's numeralFootnotes:The figure was modelled in 1908; see S. & T. Bergmann, The Art of Meissen Figures (2010), no. 357, p. 191.For further information on this lot please visit Bonhams.com
A rare Meissen group of an amorous couple, circa 1925Modelled by Franz Christophe, each seated on a column-base on a gilt-edged, oval grassy base, both dressed in 18th-century costume, the gentleman wearing a bag over his shoulder and with his tricorn at his feet, the base of his column with incised signature 'Christophe', 18.5cm high; 22cm across base, crossed sword with dot between the tips in underglaze-blue, incised model number A 1181. and impressed numeral 136 (tip of her right thumb restored, small chip to bow of his wig)Footnotes:Provenance:A Private Swiss Collection of 19th century MeissenThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen group of The Drunken Silenus, second half 19th centuryModelled by E.A. Leuteritz, seated slumped on a donkey supported on his left by a standing figure, a nymph reclining at the front by a basket of grapes and a putto at the rear pulling the donkey's tail, the base moulded with gilt-edged scrollwork; together with a German porcelain group of Apollo in his chariot, circa 1900, after a Meissen model, 20.5cm and 22cm high, the first with crossed swords mark in underglaze-blue and incised model number 'No:2724', red painter's mark; the second with pseudo-crossed swords mark and asterisk in underglaze-blue (restored) (2)Footnotes:Provenance:A Private Swiss Collection of 19th century MeissenSilenus was modelled by Leuteritz in 1849-1853 using old moulds, see S. & T. Bergmann, The Art of Meissen Figures (2010), no. 9.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen Böttger stoneware figure of God the Father, circa 1977, and a Schwarzburger Werkstätten porcelain figure of seated woman, after 1926, after models by Ernst Barlach (1870-1938)The first as a bearded figure with outstretched arms, on a flared plinth and rectangular base, incised 'E Barlach' on one side of the plinth; the second seated with the left knee upraised on an oval base, 53cm and 23cm high, impressed crossed swords mark to rear and underside of base, the underside with impressed 'BOTTGER/ STEINZEUG' stamp, model number 85034, former's number 149 and date code for 1977 to the first; the second with impressed fox mark and manufactory name stamp, impressed model number U 11 (2)Footnotes:Provenance:A Private Swiss Collection of 19th century Meissen'Schwebender Gottvater' [God the Father soaring] was the first model that Ernst Barlach submitted to the Meissen manufactory, though he had previously worked with the Meissen Director, Max Adolf Pfeiffer, when the latter was Director of the Schwarzburger Werkstätten für Porzellankunst. The model was delivered by April 1922 and Pfeiffer intended the work to be the first of a limited edition by leading contemporary artists for a projected 'Society of Friends of Ceramic Art.' Neither Barlach nor his dealer, Paul Cassirer, were in favour, however, and the idea unfortunately foundered (C. Marusch-Crohn, Meissener Porzellan 1918-1933 Die Pfeifferzeit, p.116).This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
A large Meissen model of a sheep, circa 1750Standing on a mound base applied with leaves and flowers, its head turned to the right, the fleece coloured with brown patches, 19cm across; 14.2cm high, crossed swords mark in underglaze-blue to rear edge of base (restored)For further information on this lot please visit Bonhams.com
A pair of Meissen models of greyhounds, circa 1745-50Modelled by J.J. Kaendler, in the process of running supported by leafy tree stumps, naturalistically coloured in shades of brown, the bases applied with leaves, flowers and mushrooms, 25cm long, 16cm high, crossed swords to rear of base (one paw restuck, haircrack to base) (2)Footnotes:The model is listed in Kaendler's Taxa from 1740-44 which states: 'Hund auff einem Rasen sehr dürre, dass alle Knocken zu sehen, ein Wind-Spiel vorstelland, vor den Herrn von Bilow. 2.Thlr. 8 g' [dog on grass, very emaciated, so that all bones are visible, depicting a greyhound, for the Herr von Bilow].Another pair are in the Landesmuseum, Schwerin (illustrated in Carl Albiker, Die Meissener Porzellantiere im 18. Jahrhundert (1959), nos. 190 and 191) and one is in the Art Gallery of New South Wales, Sydney (accession no. L2012.58).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen figure of Mercury, mid 18th centuryProbably modelled by J.J. Kaendler, seated on clouds wearing a cloak decorated with indianische Blumen and a winged helmet, the caduceus in his left hand and his right arm raised holding a money sack, on a gilt-edged flared plinth base, 16cm high (some old restoration and minor losses)Footnotes:For a discussion of the model see Katharina Christiane Herzog, Mythologische Kleinplastik in Meißener Porzellan 1710-1775 (2012), no. 110.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen figure of a putto as a gardener emblematic of Earth, late 19th/early 20th centuryAfter the 18th century model by J.J. Kaendler, wearing red draperies and using a spade to dig, two flower pots beside him, a rake leaning on a tree stump at his back, the base moulded with gilt-edged scrollwork, 12cm high, crossed swords mark in underglaze-blue, incised model number C100, impressed numeral (minor restoration)Footnotes:Provenance:A Private Swiss Collection of 19th century MeissenThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A pair of Meissen figures with jugs, late 19th/early 20th centuryAfter the 18th century models by J.F. Eberlein, both seated on rockwork with a life-size jug in front of them painted with flowers sprays and applied with flowering branches issuing from the branch handle, she wearing a pink floral bodice and white floral skirt with yellow apron, he wearing a turquoise floral jacket and purple breeches, 19cm high, crossed swords marks in underglaze-blue, incised model numbers 1234 and 907, impressed and gilt numerals (minor restoration to applied branches) (2)Footnotes:Provenance:A Private Swiss Collection of 19th century MeissenThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Two Meissen figures of Cupid, late 19th centuryModelled by Heinrich Schwabe, each standing on grassy rockwork on a gilt-edged marbled circular plinth, the first as a blacksmith hammering a heart on an anvil, the other seated and aiming a bow and arrow, 18.8cm and 17.5cm high, crossed swords marks in underglaze-blue, incised model numbers L104 and L114, impressed numerals and painters' numerals (one with restoration to leg and wing, the other with minor losses) (2)Footnotes:Other examples are illustrated in S. & T. Bergmann, The Art of Meissen Figures (2010), nos. 121 and 131.For further information on this lot please visit Bonhams.com
A rare Meissen octagonal two-handled beaker and saucer, circa 1729-31Decorated with panels of karakusa scrollwork reserved on an iron-red ground, alternating with flower sprigs and Buddhist symbols, the saucer with a flower in the centre within concentric iron-red circles, crossed swords marks in blue enamel, incised Japanese Palace inventory number N=343-/ W, impressed Dreher's mark .. for Johann Martin Kittel (tiny chip to one corner of saucer rim) (2)Footnotes:Provenance:The Royal collections of Saxony, Japanese Palace, Dresden;Dr. Siegfried Ducret Collection, Zürich;With Galerie Rudigier, MunichIt is uncertain whether the Japanese model for this decoration came from the collections of Augustus the Strong, or was supplied by the Paris merchant, Rudolph Lemaire, as part of his abortive scheme to obtain Meissen copies of Asian porcelain and sell them as originals. In any case, 42 pairs of double-handled 'coffee cups' decorated in this style were among the porcelain confiscated in April 1731 in the house of Lemaire's patron, Count von Hoym, and subsequently integrated into the collections in the Japanese Palace; see J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern, vol. II (2013), pp. 145f., and cat. nos. 118 and 119 for examples in the Ernst Schneider Collection.The 1770 and 1779 inventories of the Japanese Palace record under no. 343: 'Zwey und Vierzig Stück 8.eckichte Coffeé-Tassen, mit 2. Henckeln, rothen Feldern und Zierrathen auch Blumen gemahlt, 2½. Zoll hoch, 3¼. Zoll in Diam: und Zwey und Vierzig detto Unterschaalen, 1¼. Zoll tief, 5½. Zoll in Diam: No. 343' [42 octagonal coffee cups, with two handles, red panels and decoration and decorations also painted flowers [...] and 42 ditto saucers...] (quoted by Claus Boltz, Japanisches Palais-Inventar 1770 und Turmzimmer-Inventar 1769, in Keramos 153 (July 1996), p. 57).Ten such two-handled octagonal beakers and saucers - probably including the present lot - were sold from the former Royal collections of Saxony by Rudolph Lepke's Kunst-Auctions-Haus, 7-8 October 1919, lots 163-171. Another example sold in these Rooms, 18 June 2014, lot 49. A similar beaker and saucer with Japanese Palace inventory numbers 343 and 344 in the Stout Collection is illustrated by C. Nelson/L. Roberts, A History of Eighteenth-Century German Porcelain: The Warda Stevens Stout Collection (2013), no. 70.For further information on this lot please visit Bonhams.com
Two Meissen plates with underglaze-blue decoration, circa 1740With wavy, brown-edged rims, painted after a Chinese original with a peacock perched on a flowering branch opposite fanciful towering rockwork and gnarled branches, the border painted with panels alternating between four different garden scenes, the panels including Chinese figures and a fancy bird displaying its tail, the under-rim painted in blue with a border of trailing plants and rocks, a curious flowering tree issuing from stylised rockwork painted in the centre of the base above the Meissen factory mark, 25.7cm diam., both with crossed swords mark and a tiny square or letter o in underglaze-blue, one plate impressed 20 (2)Footnotes:A similar example is in the Arnhold Collection, New York; see M. Cassidy-Geiger, The Arnhold Collection of Meissen Porcelain 1710-50 (2008), p.489, no. 224, where the author notes that the mark on the reverse is based upon a Japanese model. Another identical plate was in the Hoffmeister Collection, Hamburg, sold in these Rooms, 26 May 2010, lot 14.For further information on this lot please visit Bonhams.com
A Meissen model of a jay with squirrel, circa 1740Modelled by J.J. Kaendler, perched on the top of a high tree stump above a squirrel, the plumage finely shaded in brown, black and blue, the squirrel's fur in shades of reddish brown, the tree stump shaded in green, the leafy branches with acorns and beetles, 40.5cm high, crossed swords mark in underglaze-blue to inside of base of tree (some losses and restoration)Footnotes:Provenance:Anon. sale, Christie's London, 7 October 1996, lot 472The model is recorded in Kaendler's records of overtime work between October 1739 and January 1740: '1 Eichel Gabicht in Lebensgröße auf einem Stock sitzend, natürlich vrgestellet, neben dem ist ein Eichhorn in Lebensgröße auf 1 Ast sitzend in Thon poussiret, nebst anderen daran befindlichen Zierraten' [1 life-sized jay sitting on a trunk, naturally depicted, next to him is a life-sized squirrel seated on a branch, modelled in clay, along with other appropriate ornamentation].This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Two Meissen groups emblematic of Fire and Spring, late 19th centurySummer with four putti holding flower sprays, flower garlands and baskets, Fire with a putto making hot chocolate, a kettle on a fire beside him, both with bases moulded with gilt-edged scrollwork, 16.8cm and 10.5cm high, crossed swords mark in underglaze-blue, incised model numbers 2502 and C.97, impressed numerals and painters' numbers (restoration to extremities and minor chips) (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Chinese white metal dragon tankard, unmarked, with monogram, 7.5cm high; a Chinese white metal model of a boat, unmarked, 14cm long and a white metal caddy spoon, possibly Dutch, unmarked, 8cm long (3) Condition Report: some wear- no hallmarks- parasol flag to boat snapped off Condition Report Disclaimer
λ Alfred Egerton Cooper (British 1883-1974) Model in White Oil on canvas-board Signed with initials (lower right) with artist's label attached, inscribed 24 Glebe Place, Chelsea, London SW (verso) 51 x 41cm (20 x 16 in.) Condition Report: Surface is fairly dirty- some whiter marks which may be faint scuffing to raised surface Condition Report Disclaimer
Robert Harrop Camberwick Green - Quantity of approximately twenty one boxed models to include; Mr Bilton on the Model Steam Engine (CGYP09), The Fishmonger's Shop (CGM09), The Post Office (CGM05), Captain Flack (CG104), Miss Lovelace 'Isn't She Lovely' (CGMILL07), etcFootnote: NOTE: Contents not checked. Buyers are reminded to satisfy themselves with the contents and condition prior to bidding.
Rolex - Lady's Oyster Perpetual Datejust bi-colour wristwatch, model number 69173, having a fluted bezel, silvered dial with gold-coloured baton hour markers, luminous filled hands and date aperture at 3, signed crown, screw-down stainless steel case, 25mm diameter, on a bi-colour bracelet with deployant clasp, bracelet stamped '62523 D 18', serial number E962*, with box, paperwork, receipts and service card. Last serviced February 2014Condition report: Currently functioning, case and bracelet have scratches in places of which are most noticeable to the clasp. With box, Austin Kaye Certificate of Verification, and receipts, International Service Guarantee card, and outer card box.
4 vintage cameras, including a Kershaw Curlew II, a Six-16 Kodak model c, Brownie Model I Kodak and one other (4)Originally owned by the Hazlerigg family of Noseley Hall near Market Harborough, Leicestershire. The family were granted a Baronetcy in 1622 and the house was built in the 1720s. This was part of a lot sold by Sotheby's when the contents of the house were sold in 1998.
Christopher Dresser for James Dixon and Son, a silver plated six division toast rack, model 68, circa 1885, of hexagonal form with triangular handle, seven bars, on short rod feet, stamped marks EP JD & S 68 and facsimile signature, length 16.5cm.For an identical toast rack see British Museum no. 1980,0503.1Condition report: Slightly bent to the centre, one end has been resoldered and a corner now requires resoldering.
A de-activated Mauser 7.63mm calibre "broom handle" semi-automatic pistol, Model C96, Serial No. 856073, with blued steel barrel and action and hardwood grips, with deactivation certificate dated 25/05/2021.Condition report: We understand that this is missing internal parts, hammer and all the mechanism.
A West German tin plate Mercedes Benz model racing car in silver, possibly JNF, together with five Corgi model racing cars, boxed, comprising a 152S BRM Formula I Grand Prix Racing Car, a 150S Vanwall Formula I Grand Prix Racing Car, a 155 Lotus-Climax Formula I Racing Car, a 154 Ferrari Formula I Grand Prix Racing Car and a 151A Lotus Mark Eleven Le Mans Racing Car (6)
A Hornby OO gauge model R 041 GWR Loco Pannier Tank locomotive, boxed, together with a Hornby Dublo box for Set 2023 "The Caledonian" Passenger Train containing a collection of Hornby, Tri-ang and other model railway and accessories to include a Hornby City of London locomotive and tender and two Hornby 'The Caledonian' carriages, together with seven Minix model cars
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