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628738 Los(e)/Seite
Los 397
A LLADRO porcelain model of the JULES RIMET World Cup Trophy. Produced in 1978 for the ARGENTINA World Cup by Sport-Billy Productions. 34cm high approx and weighs a substantial 1467g. A very imposing, rare and interesting item.There are no chips, cracks, repairs etc. There is no plinth, box or certificate.Condition reports are offered as a guide only and we highly recommend inspecting any lot to satisfy yourself as to its condition
Los 130
Two Montblanc Meisterstuck Roller-Ball Pens and a Montblanc Meisterstuck Fountain-Pen, the first two with clip numbers KK1029802 and EM1399483, the Fountain-Pen clip engraved 'W Germany', each with a black enamel body with gilt mounts, with black leather Montblanc case, the case 16cm high (3)Montblanc fountain pen nib 4810, model unknown, the cover is badly cracked
Los 276
Border Fine Arts Studio Models Including: 'No Scrumping', model No. A1223, 'Ewedini', model No. A0907, a collection of Merrie Mice, 'Fruit Fun' models, membership figurines etc and a moustache cup and saucer (one shelf)Some models with small areas of damage and lacking bases. Group lot sold as seen.
Los 177
Border Fine Arts Studio Cattle Including: 'Simmental Cow and Calf', model No. A1253, 'Aberdeen Angus Cow and Calf', model No. A1251, 'Belgian Blue Bull', model No. A0742 and three other (6)The Highland is with one horn lacking; The Hereford has a hairline split through the tail; otherwise the models are in overall good condition. Without boxes or certificates.
Los 291
Border Fine Arts Bird Models, including 'Canada Goose' by Frank Divita, limited edition 894/950 (lacking wood base), with certificate, 'Grey Lag Geese', limited edition 856/950, two Studio Model ducks and various others (two trays and one box) (a.f)Sold as seen, not subject to return.Please ask for condition reports on specific models, full report not available.
Los 305
A Pair Of 19th Century Staffordshire Models Of Zebras, raised on naturalistic bases ornamented with shredded clay, together with an 18th century creamware baluster shaped jug, an English porcelain serves style coffee cup and saucer, an early 19th cenutry English porcelian model of a parrot etc. (one tray)Zebras - tips of ears very slightly abraided, minor enamel flaking and some light crazingCreamware jug - crazed, chipping to top rim, heavy chipping to the footSevres style cup and saucer - some slight glaze pitting and gilt loss, mainly to the cupParrot - birds extended talon re glued, one branch of the perch re gluedEgg cup - significant loss to one wingToby - heavy loss to the rim, rim crack, some staining
Los 289
A Large Collection of Country Artists Bird Models, including 'Bird of Paradise', model No. 01987, 'Pair of Lovebirds', model No. 02886 and 'Wings of Peace', model No. CA534, limited edition 86/500 etc (two trays and three boxes)Sold as seen, not subject to return.Please ask for condition reports on specific models, full report not available.
Los 290
Border Fine Arts Wildlife Models, including 'Stoat and Vole', model No. L19 by Anne Wall, limited edition 222/300, on wood base with certificate, 'Red Stag' by James Harvey, limited edition 184/850, 'Lord of the River', model No. L85 by Elizabeth Waugh, limited edition 862/950 and various others (two trays) (a.f)Stoat and Vole - with a chip to the foliage on the base, otherwise in good condition; Red Stag - wit hairline crack between one hoof and base, and with layer of dirt; Lord of the River - unstable with a crack where the otter joins the stump; Fallow Deer - in poor condition and very unstable with hairline cracks throughout; the fox models are ok and the there a few small chips to the other smalls models and some bases lacking as per the photos.
Los 175
A Winstanley Pottery Cat, together with a pair of Royal Doulton cats, a Lorna Bailey cat, Poole dolphin, four small flasks, a china Fairing, a clockwork Womble, a clockwork toy frog, a vintage camera, Vest pocket Kodak model V, two painted Oriental masks, pair of tortoiseshell effect lorgnettes and two nut crackers (one tray and one box)
Los 202
A Collection of Approximately Forty Hummel Goebel Figures, including a larger figure of an angel with two children at her feet, candle holders and a holy water stoop, together with related collectors plates, a wall plaque and a model of a dog on a suitcase (three trays)Eight figures a/f the remaining figures are free from any notable damage
Los 288
Country Artists Wildlife Models, including 'Leopard-Untamed Spirit', model No.02367, 'Snow Leopard-Mountain Spirit', model No. 02369 and various others, together with four Border Fine Arts WWF models (five models and a qty in box)Sold as seen, not subject to return.Please ask for condition reports on specific models, full report not available.
Los 300
Border Fine Arts Studio Models, including 'Blue Faced Leicester Ram', model No. A0737, 'Herdwick Ewe and Lamb', model No. A1888 and 'Jersey Cow and New Calf', model No. A1465 etc (7)The Cheviot and lambs and the Herdwicks have damage; the other models are generally ok but in need of a deep clean having been in poor storage conditions.
Los 634
Rolex Oyster Perpetual Date Damen Armbanduhr, Edelstahl/Gelbgold 750, Automatikwerk, Strichindizes auf vergoldetem Zifferblatt, Serien Nr. 5481653, Model Nr. 6917, Original Zertifikat von 1978 und Bedienungsanleitung, Service Nachweis von 2014, gangbar, (keine Garantie auf Werk und Funktionalität)
Los 85
PACO PEREGRÍN; (Almería, 1976)."Efimera,II".Caja de luz, 2018.Digital photography. Round LED light box 100 cm in diameter. Fine art print on Samba canvas with water-repellent and fireproof latex inks mounted with black phenolic wood profile Banova. Material and inks 100% ecological.Current edition of 10 copies plus an artist's proof. Copy 1/10.Enclosed certificate issued by the artist.Signed and numbered by the artist.Measurements: 100 cm (diameter).Exhibitions: Artificio position, retrospective of Paco Peregrín curated by Rafael Doctor Roncero at the Centro Andaluz de la Fotografía. Almería, 2018. Catalogue.Photo that belongs to a polyptych made up of 10 photographic works of different sizes, like a cosmology, where different periods and dimensions of the life cycle are symbolically captured. The series "Ephemeral" deals with the unknown and imperfect beauty. Focusing on the various interconnected artistic views of an androgynous female model, these images evoke the four ages of human beings (through aspects such as birth, breastfeeding, adolescent rebellion, maturity, ageing and death). Concepts such as existence, destruction, life and death are treated symbolically in this project, thus proposing a reflection on loneliness and the transience of life. This international and innovative project, which combines 3D computer graphics with digital photography, delves into the unknown origin and end of the human being and the fragile imperfect beauty as a metaphor for the ephemeral nature of beauty and life.The series focuses on a face that acts as a changing and versatile entity (plays of colour and light, marked features with unconventional make-up, movement and constant evolution). The face, the protagonist, stands out against a neutral background and alludes to a particular concept of beauty (sometimes unusual, alien and even monstrous), to its ephemeral nature and to the passage of time. Make-up, a symbol of consumerism, also functions as a mask, moving away from conventionalisms and the traditional representation of the portrait, reflecting on the idea of identity and constituting a proposal of make-up as a contemporary mask that camouflages and protects us and also helps us to construct a superego. With a dramatic and creative aesthetic, Efímera is a reflection on the passing of time, but also a powerful ode to diversity and freedom.Paco Peregrín is a visual artist and photographer from Andalusia, currently considered one of the world's leading talents in artistic, editorial and advertising photography, always highlighting his experimental side in all his work, characterised by its strength and forcefulness. He studied Fine Arts in Seville, adopting then a mystical sensibility of compositional schemes and chromatisms inspired by baroque art. He later trained at leading centres such as the International Center of Photography (New York) and the Central Saint Martins College of Art and Design (London). It is possible that it has been his theatrical experience that has allowed him the ability to direct the models in front of his camera, the development of his spatial perception and to show the body, presence and time in his work. He currently lives in Madrid, a detail that, together with his time in important cultural capitals, has added contemporaneity and freshness to his unique work. It is also important to highlight his wide experience in design, communication, theatre and painting. He alternates fashion photography for magazines such as Vogue, Harper's Bazaar or L'Officiel with commercial work for brands such as Dior, Chanel, Saint Laurent, L'Oréal Paris, Adidas, Nike, Gant, Toyota, Lancôme, Shiseido... with signature photography, having exhibited his work in galleries in New York, Paris, Barcelona, Beijing, Madrid, Berlin, Seville, San Sebastian, etc. and
Los 95
HERNANDO VIÑES SOTO (Paris, 1904 - 1993)."The artist in her studio".Oil on canvas.Signed in the lower right corner.Size: 73 x 92 cm; 93 x 112 cm (frame).In this work the author rescues a very recurrent theme in the history of art, which deals with the relationship between the model and the artist. In this case we are presented with a model who is also an artist, as she stands on the barely sketched canvas with the painter's palette in her hands. Aesthetically, the work is heir to Cubism, but the artist configures the different planes on the basis of fields of colour which give volume and shape the space.Born into an upper-class bourgeois family, Hernando Viñes Soto was introduced into the Parisian artistic circle by his uncle, the pianist and composer Ricardo Viñes. During the First World War he settled in Madrid, returning to Paris in 1918. There Pablo Picasso, a friend of his uncle's, after seeing his first drawings, advised him to continue along the same path and to perfect his knowledge as a self-taught artist. Viñes followed Picasso's advice, first entering the Academy of Sacred Art in Paris, where he was a disciple of Maurice Denis and Georges Desvallieres, and then, in 1922, completing his training with André Lothe and Gino Severini. The following year he participated as a decorator in Manuel de Falla's "El retablo de Maese Pedro" and exhibited for the first time at the Salon d'Automne. That same year, 1923, he came into contact, through his friend Manuel Ángeles Ortiz, with the circle of young Spanish artists living in Paris: Francisco Bores, Luis Buñuel, Joaquín Peinado, Francisco García Lorca, Pancho Cossío, Rafael Alberti, Ismael de la Serna, etc. At the age of twenty he decided to devote himself fully to painting, and immediately obtained the support of two important critics, Tériade and Zervos, the latter being the director of "Cahiers d'Art". From then on he exhibited regularly at the Percier and Max Berger galleries in Paris. After the Second World War a very difficult period began for the painter, in which, despite numerous group and solo exhibitions, he did not achieve the notoriety that his brilliant beginnings had promised. It was not until 1965 and the major retrospective devoted to him by the Madrid Museum of Modern Art that he was finally recognised as one of the most brilliant painters of his generation. From that moment on, exhibitions followed one after the other in leading galleries all over Spain, such as Théo (Madrid and Valencia), Dalmau (Barcelona) and Ruiz (Santander). At the beginning of the 1980s, important retrospective exhibitions were held at the Casa de España in Paris, the Fine Arts Museum in Santander and the Bonnat Museum in Bayonne. In 1988 he was awarded the Gold Medal of Arts and Letters by King Juan Carlos I. At the same time, his international fame grew as a result of exhibitions held in Germany, Denmark, the United States, Czechoslovakia, England and Japan. Far from schools and any hint of boastfulness, Viñes's work continued its path in France, and museums all over the world began to acquire his works. He is currently represented in the Reina Sofía Museum in Madrid, the Georges Pompidou Centre in Paris, the Museums of Albi, Castres and Saint-Ouen in France, the Fine Arts Museums of Tel-Aviv, Buenos Aires and Prague, the Patio Herreriano Contemporary Art Museum in Valladolid and the ARTIUM in Vitoria, among many others.
Los 375
A RARE PAIR OF PARCEL GILT AND BRONZE FIGURAL TORCHERESBY BARBEDIENNE AND GUILLEMIN, FRENCH, CIRCA 1870 The 'Deux Femmes Japonais' cast by Ferdinand Barbedienne from the models by Emile-Coriolan-Hippolyte Guillemin (1841-1907), in the form of standing Japanese female figures in kimono, embroidered with cranes and prunus respectively, supporting five later candelarms in the form of lilies, formerly gasoliers and later wired for electricity (now absent), and now on gilt metal mounted and inset onyx bases, each signed to cast "E le Guillemin" and "F. BARBEDIENNE FONDEUR" the figures 119cm and 118cm high, height including candle branches and bases 213cm overall, bases 82cm high and 38cm wideProvenance: Sotheby's London 2nd November 1989, lot 348. This model was illustrated in the F Barbedienne 'Catalogue Des Bronzes D'art' Paris 1886, page 62, and titled "Deux Femmes Japonais- figures debout, porte lumieres". The figures had been designed by Guillemin, a noted sculptor and regular exhibitor at the Paris Salon. Barbedienne evidently liked this particular model as he chose to place a version of this pair outside the front door of his family house.Barnwell Manor, Northamptonshire, Windsor House AntiquesCondition Report: We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description.Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally seem to be in fairly good condition albeit with some rubbing to exposed edges. As per cataloguing these have been wired for electricity as various times and with remnants of various drilled holes and switch to plinth of each. Currently they are not wired. The smaller detailing such as fan, prunus and hair accoutrements look to be mostly the original joints but there is some slight build-up around them suggesting there have been small repairs. Later lily arms with some old repairsStands- chips and some edge repairs- notably to upper edges- the stands rest on gilt metal thin plinth bases. Some mounts look to have lifted and with some old glued refixing.Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
![A CASED MODEL OF THE RUSSIAN 66 GUN SHIP POBEDONOSEC [1780] 20TH CENTURY The planked and pinned hull finished in black and wh](https://cdn.globalauctionplatform.com/96b5ee05-a2dc-4c50-9cba-aeeb00f32eb8/8baf207d-2f23-4480-ae0c-aeec01137306/468x382.jpg)
Los 410
A CASED MODEL OF THE RUSSIAN 66 GUN SHIP POBEDONOSEC [1780] 20TH CENTURY The planked and pinned hull finished in black and white over the main wale, planked decks with armaments and fittings as appropriate the ship approximately 48cm high, the glazed brass framed case approximately 103cm wide, 86cm high, 48cm deepProvenance:Barnwell Manor, NorthamptonshireWindsor House Antiques
Los 467
A GRAND TOUR LEAD MODEL OF THE DRUNKEN FAUN ITALIAN, PROBABLY NAPLES, 19TH CENTURYOn a rectangular marble plinth56cm high, 47cm wide, 22cm deep Please note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Please note, this item is lead, not bronze as previously catalogued.
Los 479
A PAIR OF COMPOSITION STONE SPHINXES AFTER COADE, MODERN One bearing Coade Lambeth signature to the plinth each approximately 79cm high, 41.5cm wide, 107cm longPlease note: This lot will be available to view at Donnington Priory, Newbury and collection is from there only following purchase. The model for these is illustrated item 55 in Coade's 1784 'Descriptive Catalogue of Coade's Artificial Stone Manufactory'. It would seem likely that Coade had 'drawn inspiration' for the model from John Cheere's reworking of Giovanni Battista Guelfi's original design- itself a reworking of an Egyptian Sphinx in Rome. Condition Report: Please note: This lot will be available to view at Donnington Priory, Newbury and collection is from there only following purchase.Slight colour variance from different exposure weathering- typical paler necks from less exposure- some lichen build up and mild wear to bases Please see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Los 480
A STONE COMPOSITION MODEL OF A CLASSICAL MAIDEN ATTRIBUTED TO AUSTIN & SEELEY, MID 19TH CENTURY On an associated carved Cotswold stone plinth 169cm high (including plinth), 40cm wide, 40cm deep Please note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Condition Report: PLEASE NOTE; This lot is on view at Barnwell Manor where it will remain for collection by the successful purchaser Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Variance in colour from weathering with some old lichen and moss. Slight loss of definition to features and detailing. Face with what looks to be old restoration points around mouth and end of nose. Base with wear and loss to edges. Please see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Los 485
A GRAND TOUR BRONZE MODEL OF A PUTTI CARRYING A GOOSE ALMOST CERTAINLY CHIURAZZI FOUNDRY, NAPLES, LATE 19TH CENTURY Previously fitted as a fountain 57cm high, the base 25cm diameter Please note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Condition Report: Please note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Heavily weathered and colour variance throughout with some paint/lichen splashes Detailing still fairly crisp- some bumps scuffs and scratched notably to his right arm, left shin. Later bolt fixing to base and additional vacant hole to base suggesting it has either been remounted or adjusted with something removed from the centreCondition Report Disclaimer
Los 721
AFTER RAOUL CHARLES VERLET (1857-1923), A BARBEDIENNE CAST BRONZE OF ORPHEUS LATE 19TH/EARLY 20TH CENTURY Signed to cast and inscribed "F Barbedienne Fondeur" 99.5cm high, 37cm wide, base 27.5cm diameter Provenance: Property removed from 8 Pulteney Street, Bath. Originally titled "LA DOULEUR D'ORPHÉE" (Orpheus' Sorrow)- the work depicts the figure with ;yre and three headed Cerberus at his feet- in the act of turning to look at his love Eurydice- and, in the process, losing her forever. The plaster model for this work was first exhibited at the Salon of 1887.Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally good condition- albeit with some patina rubbing to raised extremities, torso and legs from handling and cleaning. Lower section with dog approximately 37/38cm wide- it stands above the roughly circular base which is 27.5cm diameterPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
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628738 Los(e)/Seite