We found 153389 price guide item(s) matching your search
There are 153389 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
153389 item(s)/page
Lot 242
Early George III silver six-bottle cruet stand with central scroll handle on a twist shaft and standing on three ball and claw feet, the pierced border having titles for Mustard, Oil, Pepper, Sugar, Vinegar No1, and Vinegar No2, sponsor's mark of Edward Aldridge, London 1765, 19cm high, 365g approx, with six cut-glass bottles, three with glass stoppers and three pierced silver topped
Lot 571
Pair of French Empire-style bronze and gilt metal table lustres, each with cut glass drip pan enclosing gilt metal nozzle, over faceted beads and droplets and an eagle with outstretched wings, a ring in its beak, on cylindrical plinth mounted with foliate swags on spreading stepped foot, 36.5cm high
Lot 127
A pair of Continental silver mounted ewersStamped 0,925 Maker's mark FMT in a shield The bulbous cut glass bodies raised on a shaped circular foot, the scroll handles with foliate thumbpiece to a hinged cover with scrolling surmount, the collars, feet and covers richly decorated with scrolling foliate designs, 29.5cm high (pr)
Lot 163
A group of Georgian silverVarious dates and makersThe group comprising: a blue glass-lined pierced silver mustard with acorn finial, London, 1820, Robert Hennell I, bright cut engraved with garlands and raised on a beaded, circular foot, engraved crest to side, 12.3cm high; a silver pedestal mustard on a square foot, London, 1794, maker's mark rubbed, with blue glass liner, 13cm high; a pair of silver gilt pedestal salts with gadrooned borders and gilded bowls, London, 1804 and 1813, Abstinando King, 6cm high; a swing-handled sugar bowl, London, 1791, Joseph Scammell, 9.5cm high (exc. handle); a pair of silver knife rests, London, 1820, maker's marks rubbed; and three silver mustard spoons, one with picture back bowl, possible Thomas Wallis I, total weighable silver approx. 19.5ozt (a lot)
Lot 1159
An early 20th century silver topped perfume bottle together with a collection of assorted silver plated & cutlery items. Cut glass spherical perfume bottle complete with interior stopper - silver top a/f. Lot also includes boxed set of vintage pub signs cocktail sticks, sugar tongs and boxed set of Frank Cobb & Co dinner knives.
Lot 334
An impressive 18ct white gold, 14.5ct (approx) ruby and diamond cluster dress ring. The oval cut ruby measures 15.4mm x 13.6mm, estimated depth 9.6mm, in a six claw setting, surrounded by 18 round brilliant cut diamonds each of 0.06ct approximately, the whole in a basket setting, head 21 x 24mm, Birmingham hallmark, size L 1/2, 14.47g.There is no lab certificate. There is cloudy inclusions to the centre of the stone, and needle inclusions can also be seen within it. Possibly glass filled.
Lot 131
A collection hallmarked silver items with Edward VII and later items. The lot to include a sauce boat, marked Birmingham, 1930. A seal top tea spoon with Coronation mark to the bowl. Hallmarked for London 1953. A silver topped cut glass trinket dish. The silver top having a planished finish and central vacant cartouche. Hallmarked for Birmingham, 1906. Maker SB&SLd for S Blanckensee & Son Ltd. a reproduction of a Roman spoon, hallmarked for London 1977. A contemporary silver letter opener hallmarked for London 2001. Combined weight of silver approx 171g. Measures approx 8.5cm x 3.5cm (dish) / 14cm x 5cm (jug)
Lot 187
A hallmarked silver topped Carr's of Sheffield Ltd cut glass honey pot with hallmarked silver lid and spoon. A Victorian hallmarked silver collared vesta match striker hallmarked London 1894 4.5cm, together with a white metal snuff pot with a monogram to lid 3cm, marks worn tests indicate silver. A white metal trinket box marked Italy having classical scene to lid 4cm. .
Lot 32
A collection of hallmarked silver items. The lot to include a George VI table spoon, hallmarked for London, 1837. Two silver tea spoons with rat tail design and monogrammed terminal. Hallmarked for Birmingham, 1905.Makers mark HE Ld. attributed to Hawksworth, Eyre & Co Ltd. A George VI commemorative coronation spoon. An Edward VII anointing spoon, hallmarked for London, 1901. A Hilliard & Thomason flip knife with mother of pearl handle. Hallmarked for Birmingham, 1900. A pair of sugar tongs and cut glass silver topped trinket dish. Combined weight approx (excluding glass) 178.2g. Measures approx 1cm x 3.5cm / 10cm x 2cm.
Lot 39
A collection of Victorian and later hallmarked silver items.The lot to include a George V Arts and Crafts silver bowl. The bowl sitting on a circular plinth and having a planished finish. Hallmarked for Chester, 1921. Makers mark partially rubbed. A Victorian silver topped scent bottle. The bottle having a glass oval form rising to a silver hinged lid. Hallmarked for Birmingham, 1892. Makers mark L.S attributed to L Spiers. A Edward VII cut glass perfume bottle with silver lid. Hallmarked for Chester, 1909. Makers mark BPDC for Boots Pure Drug Company. A salt spoon hallmarked for London 1890. Makers mark EFHT for Horace Woodward & Co (Edgar Finley & Hugh Taylor). Combined weight approx 522g. Measures approx 10cm x 4.5cm / 6.5cm x 1.8cm.
Lot 93
A Victorian four piece hallmarked silver mounted dressing table vanity set and two silver topped jars. The set comprising of two hair brushes, a clothes brush and hand mirror with two cut glass silver topped trinket jars. The vanity set having a foliate repoussé design with central vacant cartouche to each piece. Hallmarked for Birmingham, 1897. Makers mark HM for Henry Matthews. Two cut glass trinket jars both with hallmarked silver lids. The larger jar hallmarked for Birmingham, 1900. Makers mark CM for C C May & Sons (Charles May). The smaller being hallmarked for Birmingham, 1903.
Lot 58
Harry Clarke RHA (1889 - 1931) Hilda Luvia – Lady playing a theorbo Watercolour and pencil, 34.5 x 27.5cm (13½ x 10¾") Signed and dated 1921Provenance: Albert Ernest Wood KC (1873 - 1941), Marino, Killiney, Co. Dublin (now known as Abbey Lea, residence of H.E. The Ambassador of Australia), thence by descent to the current owners.Harry Clarke, perhaps most famous for his intensely coloured jewel-like stained glass and for his dramatic black & white illustrations and graphic work, could also, with consummate ease, create delicate pastel-coloured images such as this illustration. Although the colour palette may be less familiar, the exquisite drawing of the delicate female musician has all the hallmarks of Clarke’s finesse. It is thought that this pencil and watercolour image dates to c.1921 and may have been submitted to Hodder and Staunton, though ultimately not used, for the Fairy Tales of Charles Perrault (1922), a publication for which Clarke provided twelve colour plates. The watercolour was exhibited at the sixth exhibition of the Arts and Crafts Society of Ireland in September 1921 and was jokingly titled, in Joycean mode, Hilda Luvia. The leading authority on Clarke, the late Dr Nicola Gordon Bowe, interviewed the artist’s friend, Victor Wood, who explained that the title was derived from an incident when Clarke, walking across Butt Bridge, saw a barge tied up below with the inscription ‘Hilda I Luv Yer’ painted on her side. The title of the drawing is a blend of this with ‘Anna Livia’, the river’s familiar Dublin name, which reflects not only Clarke’s irreverent sense of humour but also his ease with combining disparate references – something that is apparent in the imagery of the watercolour itself. Clarke depicts the musician in a vast skirt which occupies a third of the picture, its volume rivaling the mountain peaks behind. The floral details on the skirt’s fabric recall the designs he had made for sets of handkerchiefs commissioned by Sefton’s of Belfast a few years earlier. The musician is shown playing a theorbo, a member of the lute family which was popular during the Baroque music era (1600–1750) as part of a small basso continuo group or as a solo instrument as depicted here. While the instrument may be associated with the Baroque period, the style of skirt came into fashion in the eighteenth century, and the bobbed hairstyle more common in nineteenth or twentieth century though notably the unevenness of the hair cut is at variance to the sophistication of her costume. In the background one can see a fairy tale hilltop town with ogee domes and spires, but the spindly, bleak tree hints at the orient with its Japonisme style. This illustration shows Clarke in eclectic mode, happy to draw on a range of sources, influences and eras, and whip them into a delicate confection. Dr David Caron November 20231. See Bowe, Nicola Gordon, Harry Clarke, the Life and Work 2015 ed.), p. 192. 2. Recounted to Nicola Gordon Bowe by Victor Wood in 1976 (Albert Wood, father of Victor, had bought the picture at Clarke's London exhibition in 1925). See Bowe, Nicola Gordon, Harry Clarke, the Life and Work (2015 ed), p. 344.
Lot 171
A Val St. Lambert cut glass bowl and cover, 12.3 cm diameter x 10 cm high, a Brierley pineapple cut glass rose bowl with chrome plated liner, 15 cm diameter x 11 cm high, a studio glass vase, two cut glass lidded jars and three pineapple cut glass fruit bowls 29.5 cm diameter x 14.5 cm high, 22.5 cm diameter x 21 cm high and 23.5 cm diameter x 19 cm high
Lot 200
A late 20th Century scent bottle of square form and cut leopard decoration, signed "Philip Lawson Johnston" and dated "79" to base, with "Marcel Franck" mount, 16 cm high overall, together with a malachite green glass scent bottle in the Art Nouveau manner, depicting a woman seated amongst flowers (A/F), 16 cm high overall including stopper (2)
Lot 379
A box containing a collection of various objets de vertus including an 18th Century pendant reliquary each side set with six roundels with indistinct handwritten script beneath facet cut glass edged panels 5.5 cm x 4.7 cm, a Georgian white metal mounted and carved tortoiseshell bound eye glass or magnifying glass (tortoiseshell very damaged) 7.4 cm diameter, a wooden cased wax portrait bust medallion inscribed verso "T Master Esq The Abbey Cirencester" 4.3 cm diameter (bust damaged), a 19th Century white metal acanthus decorated teether (whistle and bells extant but ivory or coral teether missing) 10 cm long, a carved betel nut pomander of egg form 5.5 cm high, a white metal and mother of pearl and paste mounted lidded miniature basket containing a miniature white metal knife, fork and spoon 4 cm x 2.7 cm x 2.6 cm high, a Persian lacquered rectangular lidded box depicting a bloody tiger hunt with various animals and hunters 23 cm x 17 cm x 7.5 cm high containing various mainly plastic counters, a Queen Victoria white metal Golden Jubilee medallion, silver teaspoon, three various beadwork and wirework purses, a beadwork covered bone egg containing bone dominoes 4.3 cm high, four paste decorated and one other buckle, paste decorated hair clip, Chinese polychrome decorated bowl of small proportions 16.5 cm diameter, a Luneville floral decorated pot and cover, and a Tiffany sterling silver keyring etc
Lot 88
A quantity of assorted glassware to include a set of four Bristol blue wine glasses, various cranberry glasses, a set of six green glass hock glasses, a modern glass vase, a set of Swarovski menu / place name holders (boxed), a set of six cut glass and engraved wine glasses with grape and vine decoration, etc.
Lot 90
Two boxes of mainly mid 20th Century china to include a USSR Lomonsov penguin, a Noritake bone china cockerel, various studio pottery wares and a Bourne Denby stoneware jug stamped with broad arrow to base, etc., a box containing a Gauda bowl and a Gauda tray, a further box containing a Royal Doulton "Dubarry" part dinner service, a box of assorted mid 20th Century metal wares and two boxes of glass to include a Mdina vase and a Bohemian blue flash cut glass lidded vase, etc. (7)
Lot 245
René Lalique - A 'Lagamar' glass vase, introduced in 1926, frosted glass with black heated enamel, based on a drawing by his daughter Suzanne, wheel-cut mark 'R. LALIQUE' and engraved 'France', 18.8cm highCondition:Minute nibble to interior upper rim, another small nibble to upper exterior of rim. Heavy mossing and scratches to foot rim. Tiny nibble to edge of foot rim. Two long cracks to the interior of the vase, but these are not deep and are on the very surface of the glass. One small chip to underside of exterior band. See images.
Lot 320
A fine and rare early 18th century ebonised quarter repeating double basket top bracket clockJames Markwick, LondonSurmounted by a handle of twin figures over a double basket top, the upper and lower sections inset with neoclassical busts within diaper panels, the four corners set with moulded urn finials over a moulded cornice, further mounted with repousse sound frets to the quadrants of the front door and strips to the front and back doors, the side sound frets later replaced with glass, on a plinth base, the 6.75 inch brass dial with shallow arch with strike/silent ring with gunmetal centre flanked by cherubs bearing torches to the spandrels, the silvered Roman and Arabic chapter ring engraved with fleur de lys half hour, lozenge quarter hour and arrow head hour marks, signed 'Markwick London', finely cut and blued steel hands, the finely matted centre with mock pendulum aperture, plain winding squares and chamfered date aperture, the twin gut fusee movement secured by two brass flat-sided circular cams, with verge escapement striking the hours on a bell and repeating the quarters on a nest of six bells, the backplate engraved with symmetrical foliate scrolls.53cm (20.75ins) high, with key and winder.Provenance:Acquired from Saxton House Gallery, Chipping Campden, in 1986 for £4,500, thence by descent to the vendor.Footnote:James Markwick (act. 1692-1730), was the son of James Markwick, following his father as a member of the London Clockmaker's Company in 1692, becoming a master of the company in 1720. A similar clock by the same maker can be found in the collection of the Philadelphia Museum of Art, accession no. 1988-68-17.Condition:The case is in generally good order with only minor signs of age and use, the metalwork retaining most of its gilding, the basket top with slightly more rubbing to the gilt. The front door lock receiver is missing. Hand collet missing. The sides would originally have had gilt metal fretwork sound apertures but these have latterly been replaced with glass panels. The movement winds, sets, runs and strikes, the repeater pull with turned metal bob does function.
Lot 108
Mixed glass and collectible pottery to include an Edwardian tall blown glass celery vase with wheel cut pattern, height 24cm, a cut glass hand blown jug with polished pontil mark, height 18cm, a French frosted glass hen and chick tureen, height 14cm, length 20cm, a Royal Doulton 'Minden' teapot with floral pattern and an F. Winkle & Co Ltd 'Picardy' pattern short vase with square neck and flared rim, lustre coloured birds and insects within blossoms, height 13cm (5).
Loading...-
153389 item(s)/page