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Lot 653
Glassware - a pair of 19th century green glass fluted vases, painted with flowers, 18cm high; a 19th century vaseline glass Jack in the pulpit vase; a 19th century blue glass jug; an 18th century wine glass; a set of six cut glass champagne coupes; a Victorian decanter; cut glass wine glasses, tumblers, etc, qty
Lot 115
DECORATIVE GLASS BY GORAN WARFF AND ANNA EHRNER FOR KOSTA, comprising a Polar Ice candle holder, inscribed to the base 'Kosta 67513 Warff', approximate height 14cm, a rectangular vase with slice cut decoration to the front and back, Kosta Sweden label to the front, inscribed 'Kosta 46201 Warff' to the base, approximate height 15.5cm, a cylindrical slice cut vase, inscribed 'Kosta 47366 Warff' to the base, approximate height 20cm and an ovoid bowl of wrythen form, inscribed 'Kosta 57755 Ehrner' to the base, approximate height 7cm (Condition: cylindrical vase has numerous small chips and nibbles) (4)
Lot 93
A GEORGE VI 'ASPREY' BOWL AND A PAIR OF 'CARRS 2000' GLASS VASES' a cut glass globular bowl, fitted with a silver rim, hallmarked 'Asprey & Co Ltd' Birmingham 1914, stamped 'Asprey London 13319', together with a pair of Elizabeth II 'Carrs 2000' square form silver and wooden base with a glass vase to be securely positioned within the base, hallmarked 'Carr's of Sheffield Ltd' Sheffield 2000' together with satin lined boxes (3) (Condition Report: general light wear, unused, one still in original packaging)
Lot 45
A silver mounted cut glass claret jug, B P Co, London 1969, of tapered cylindrical form with star cut base and diamond detail, the silver mount with engraved floral decoration, with cast dragon handle and Bacchic spout, pine cone cast finial to hinged cover, 29cm highCR: Some abrasions, scratching and general wear to the glass body. Some nibbling to the edges of the diamond pattern around the base of the body. No large cracks, chips or losses. Mount, handle and cover in good order, no major thinning, splitting or repair - moderate scratching and wear throughout commensurate with age and use. Some minor denting/misshaping around the rim and edge of the cover. Cover is very wobbly around the hinge, so repair may be required.
Lot 74
A Victorian silver and cut glass inkwell, Haseler Brothers, London 1893, the cut glass spherical body with silver cover, set to a navette shaped stand, pierced and embossed with floral detail, 16.5cm wide, together with a George V silver bon-bon dish, George Nathan & Ridley Hayes, Chester 1915, 16cm wide, gross weight (excluding ink bottle) 7.04ozt (2)
Lot 84
A 19th century Austrian silver box, of rectangular form, chased with scrolling floral detail, vacant cartouche to cover, 9cm x 5.4cm, together with a Victorian glass silver mounted 'glug-glug' decanter, 36.5cm high, an Edwardian silver mounted cut glass decanter, import marks for Berthold Muller, Chester 1905, 23.1cm high, and a cased set of six butter knives with weighted silver handles, Atkin Brothers, Sheffield 1936, each 17cm long (9)
Lot 93
A selection of silver and silver mounted tableware, to include a set of nine silver teaspoons, Emile Viner, Birmingham 1930, each 10.7cm long, a pair of Victorian silver sugar tongs, Robert Williams & Sons, Exeter 1851, 14.7cm long, a Victorian cut glass silver mounted dressing table jar decorated with Reynold's Angels, Levi & Salaman, Birmingham 1899, 4cm high, three assorted silver napkin rings, each 4.cm diameter, a silver salt, 7.3cm wide, a silver mounted scent bottle, 8.9cm high, a silver mounted cut glass caster 13.5cm high, and a silver mounted bottle coaster, 12.5cm diameter, gross weight (excluding glass and bottle coaster) 7.91ozt (18) (at fault)
Lot 64
JOSEP AMAT PAGÈS (Barcelona, 1901 - 1991)."Flors, gerro fosc".Oil on canvas.Signed in the lower right corner.With label on the back of the Sala Parés, Barcelona.Attached leaflet of the exhibition in which it was included: "Josep Amat: exposició de pintura", Sala Parés, 1981.Published in the newspaper La Vanguardia on 28 February 1981. Attached original sheet.Measurements: 65 x 50 cm; 68 x 53 cm (frame).In this floral still life, Josep Amat displays an attractive chromatic symphony using a luminous palette. The serpentine stems are topped with open corollas that endow the whole with multicoloured delicacy. The vase, placed on a gueridon-type table, is cut out in front of a window through whose panes of glass the spring greenery is prolonged.Josep Amat trained at the Llotja School in Barcelona and was a favourite pupil of Joaquim Mir. In 1922 he took part in a group exhibition for the first time and sold his first landscape. Six years later, in 1928, Amat made his solo debut with an exhibition of twenty-eight works at the Dalmau gallery. From then on he exhibited individually in the most important galleries in Barcelona. In 1933 he took part in the Spring Salon, winning prizes in that edition and also in those of the following two years. That same year he travelled to Paris for the first time, where he became known in 1936 in a group exhibition. In 1940 he exhibited for the first time at the Sala Parés, where he exhibited frequently until 1987. During these years he took part in the Barcelona Spring Salon, winning prizes in 1932, 1933 and 1935. He also took part in the National Exhibitions, being distinguished in Madrid with a third medal in 1941, and in Barcelona with a medal in 1934, a diploma in 1942 and the Diputación prize in 1944. In 1943 he exhibited for the first time in Madrid, in the Sala Vilches, and in 1949 he settled for a time in Paris, where he developed an intense pictorial work. Now fully consolidated, Amat held exhibitions in Spain, Paris, Brussels and Havana. At the outbreak of the Civil War he was forced to give up plein air painting and began a period centred on figures and interiors. In addition to his awards in national competitions, he won the José Ramón Ciervo prize at the Second Spanish-American Art Biennial in Havana in 1953. Other mentions he received were the Gran Premi Sant Jordi (1955), the Ynglada Guillot drawing prize (1963) and the Gold Medal of the Barcelona International Painting Fund (1981). Between 1942 and 1970 he taught landscape painting at the Barcelona School of Fine Arts. He joined the Sant Jordi Royal Catalan Academy of Fine Arts in 1981, with a speech entitled "History of Landscape". This painter is remembered as the leading exponent of 20th-century Catalan Impressionism, and has been honoured with various exhibitions, including one organised by Barcelona City Council at the Espai Pruna in 2001 to mark the centenary of his birth, as well as the Cross of Sant Jordi (1988). His work is represented in the Thyssen-Bornemisza Museum, the Museum of Montserrat and the National Art Museum of Catalonia.
Lot 93
Henri Van der Velde: Made by Val Saint LambertA rare Art Nouveau cut glass vase, circa 1900Glass, with a fine pink and green flashed surface over clear glass, soft-cut with sinuous tendrils, with shaped neck.25.5 cm highFootnotes:Bonhams wishes to thank Eric Delvaux, Designer from Val Saint Lambert, for his assistance with cataloguing the present lot.For further information on this lot please visit Bonhams.com
Lot 336
A COLLECTION OF 18TH CENTURY IRISH GLASSWAREincluding an oval butter dish and cover, facetted finial above domed lid, octagonal dish with serrated rim and fluted canted sides (4), 20cm wide; a large glass turnover bowl with etched egg and dart decoration to the rim, with ring turned neck and hobnail decoration on circular stepped foot, 30cm diameter, 24cm high and an Irish circular butter dish facetted finial and etched thumb nail decoration to the lid, the body fluted and cut (small chip) 19cm high x 15cm diameterCondition Report: Large turnover bowl- good condition- Surface wear to baseOval butter dish - small chip to rim- surface wear to base -minor chip to finialSquare dish - good conditionCircular dish - Damaged - large crack and repair to bottom section - large chip to finialsee additional images
Lot 1376
A Swedish rococo japanned longcase clock, Berg Stockholm, late 18th c, with convex painted dial, pierced brass hands, bell striking movement with anchor escapement and pull-repeat (not connected), the brass plates with low arched cut-out, the crested round hood with curved glass lights, decorated overall with gilt chinoiseries on a turquoise ground, pendulum and weights, 231cm h Provenance: Prince Axel of Denmark (1888-1964) and his wife Princess Margaretha of Sweden (1899-1977), located in the Dining Room of the Bernstorff Palace, Gentofte, Denmark; thence by descent to his grandson Birger Valdemar Georg Flemming Kai Axel, Count of Rosenborg, the present vendor Old restoration and re-decoration, localised flaking on sides of case, gilding rubbed showing red bole, but in essentially, old country house condition
Lot 492
A pair of George V silver pepperettes, 83mm h, marks rubbed, Birmingham and miscellaneous other small silver articles, to include a cream jug, sugar bowl, salt cellar, tea and coffee spoons, oval photograph frame and cut glass sugar caster with silver cap, 22ozs weighable Several items with typical wear and dents but in generally good overall condition
Lot 503
A North American silver table service, 20th c, Engagement pattern, by The Oneida Co, maker's mark and STERLING, including silver hafted knives and a pair of contemporary North American silver tablespoons, a silver dessert spoon, London 1898 and a pair of cut glass hafted EPNS salad servers, 51ozs weighable (55) Good condition
Lot 749
A pair of Anglo Irish glass Prussian decanters and stoppers, c1830, cut with diamonds, alternating with strawberry diamond panels and blazes, having faceted shoulder and three conforming neck-rings, globe stopper, 27cm h Provenance: Louis Wine Ltd, Dublin, whence bought by the late husband of the present vendor on 19 June 1968 (£95) Good condition
Lot 907
Miscellaneous metalwork, bygones and works of art, 19th c and later, to include an EPNS mounted cut glass pepper mill, two magnifying glasses, one with mother of pearl handle, games, plated articles, silver tea strainer with pierced handle, Victorian horn pocket magnifying glass with two lenses, treen, etc
Lot 132
A Victorian silver inkstand with cut glass inkwell, HA, Sheffield 1896, 20cm wide, approximately 133g weighable/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 174
A group of Regency style cut glass, comprising two pairs of salts, 10cm high, a shaped oval dish, 19.5cm wide, a milk jug, 9cm high, a wrythen moulded milk jug, 12cm high and three drinking glasses CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 175
Five cut glass decanters and enamelled decanter labels/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 433
A William & Mary ebonised eight-day, bell striking, bracket clock, John Wrench, Chester, the caddy top with gilt handle and pierced and engraved repoussé worked caddy, the case with canted corners, gilt metal mounted with arched glass to the sides, on claw and ball feet fitted a four-pillar two-train fusee movement with verge escapement, the brass dial with signed silver chapter ring, and an engraved signed back plate, the case 38cm high/Note: Baillie records John Wrench, Chester, 1690-1717/see illustration CONDITION REPORT: 27th April 2017:- Full mechanical overhaul, including replacement of strike mainspring, silver solder repair to locking arbour, replacement locking wheel, 2 pivots straightened, new knife edge to verge, new pendulum rod and bob, new pendulum lock, repair to calendar ring and new teeth cut to fit, calendar wheel re-cut and new collet and post made, all pivots burnished, 4 bushes to strike, 4 bushes to going, strike silent lever made and fitted, screw heads recut as original, new case bolt made, new lock to front door, dial cleaned and re-silvered, movement polished and cleaned, replacement gut lines fitted etc.There are two spare holes to the left hand side of the backplate, otherwise complete. The front plate has one small hole opposite lower hole on backplate. Clock is at present in working order and has been for many years at the vendors property. Condition otherwise good.
Lot 1453
Pair of 19th century bronze candlesticks converted for electricity, each with inverted cut glass bowls, raised on flared column with mask swag and stiff leaf ornament, 71cm highOne glass bowl has large crack and associated losses, it is still in one piece and damage is not easily discernible when assembled. One supporting prong (for securing glass shades) is missing. These require rewiring, otherwise condition is ok
Lot 230
George III silver five-bottle cruet stand of cinquefoil form, with engraved armorial crest and central carrying handle, on four stylised shell feet together with an associated set of four plus one cut glass bottles, with non-matching silver mounts (stand London 1763, bottle mounts various), approximately 22ozs weighable silver, 25cm overall height
Lot 269
Victorian silver tea caddy of octagonal form with embossed floral decoration and hinged cover (Sheffield 1889) Atkin Bros, a Victorian shell caddy spoon (Birmingham 1838) Taylor & Perry, a 1930s cut glass jam pot with a silver cover (Sheffield 1938) Frank Cobb & Co Ltd, a contemporary silver spoon (Birmingham 1969) Chrisford & Norris Ltd and a contemporary silver mounted desk clock (Sheffield 1994) Carrs of Sheffield, approximately 7ozs weighable silver (5). APHA Ref: VBJ71WJC
Lot 387
Victorian leather Gladstone-style travelling case by Howell & James, Regent Street, with removable centre dressing table stand, containing five cut glass toilet bottles with engraved and initialed silver tops, a comb, light and ink containers, a Birch Patent pencil and one other later cut glass tray with a silver cover (mainly London 1861) Jonathan Howell. Travelling case 36cm across.
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