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Lot 561

Silver - A Samson Morden white metal mounted smelling salts bottle, height 7cm, a silver mounted rectangular cut glass box, the silver cover with foliate decoration and with vacant circular cartouche, retailers mark of Lund Cornhill, London 1864, makers mark for Thomas Johnson I, 17 x 3.5cm, weighable silver 57.9g, together with a globular cut glass silver topped dressing table bottle, Birmingham 1908, height 9cm and three other dressing table bottles with white metal lids.

Lot 1300

A pair of Edwardian cut glass jars, 15cm tall

Lot 1371

A cut glass sugar sifter with silver top

Lot 1410

A silver banded Bohemian style cut glass fruit bowl

Lot 1504

Three boxes of glass ware and ceramics; 19thc ceramics, jasperware, cut glass, etc

Lot 1532

A cut glass ship's decanter with matched stopper

Lot 827

A boxed 'Okra' Studio glass vase plus two others and a heavy cut glass vase

Lot 1207

An early 20th Century Bohemian cut glass table centrepiece pedestal bowl with engraved grape and vine detail, 17cm high

Lot 656

TWO PAIRS OF CUT GLASS DECANTERS,each with stoppers, tallest pair 31cm high (4)

Lot 243

EARLY 20TH CENTURY CUT GLASS WATER JUG,20cm high, along with a 19th century decanter, a pair of crystal vases and a Victorian chamber oil lamp (5)

Lot 134

Louis XV style, Italy, early 19th century. Bois de violette and lemongrass. It shows signs of wear and tear, missing wood and damage to the interior paintwork.Measurements: 225 x 94 x 50 cm (with desk lid closed); 225 x 94 x 86 cm (with lid open). Louis XV style bureau with display cabinet, inspired by French furniture pieces of the rococo period. It has four cabriole legs, typical of the period, with a very stylised outline, decorated (the front ones) with applied metal pieces. This characteristic reveals the taste for mixture and fantasy typical of 19th-century historicism. The front flap has a cut-out with simple mitred curves, following a symmetrical pattern, on which is placed the central body made up of two drawers and the lid. This is decorated with geometric marquetry, classical elements that are closer to Baroque rather than Rococo furniture. The piece has a small sloping body with curved sides. Once the lid is opened, a simple desk is displayed, with two drawers with a recessed front and a tabletop that serves as a writing surface. In the upper part of the central body, there is a display case consisting of a two-leaf door with doors made up of a wooden and glass perimeter, allowing the interior to be seen, which consists of two shelves plus the base. The rectangular structure of the display cabinet is finished off at the top with a warped design typical of the Louis XVI style.The piece is made of bois de violette, an exotic wood used for veneering and marquetry, which was very popular during the 18th century. This wood, which belongs to the rosewood family, is mottled with purple and white highlights.

Lot 163

A quantity of cut glass perfume bottles with drop stoppers to include a Lalique perfume bottle (8)

Lot 252

A PAIR OF EDWARDIAN SILVER-MOUNTED THISTLE FORM GLASS VASESthe mounts, Birmingham, 1905, with retailers stamps for Smith & Sharp, 139 Princess Street, Edinburgh The cut-glass bodies formed as elongated thistle heads, with applied silver rims, height 24.4 cm.For further information on this lot please visit Bonhams.com

Lot 360

A RARE DIAMOND POINT ENGRAVED JACOBITE GLASSCirca 1745The bell-shaped bowl on a plain stem and conical foot, the bowl inscribed around the rim in diamond point 'God Bless Prince Charles & Down with the Rump', the foot engraved 'P Charles, P#C# and I R B', 16.5 cm highFootnotes:ProvenanceSotheby's, 14 April 1992, lot 71. £2,860The Peter Lole CollectionNotesThis item is a rare example of a diamond point engraved Jacobite glass and is related to the celebrated Amen glasses. The lightness of the engraving on the rim of the bowl suggests it was intended to be disguised.There is documentary evidence for the toast 'Down with the Rump' being used amongst Jacobites in the period 1745-53. There is for example, in the Manchester Magazine, December 13th 1748, an account of a riot in which Jacobite huntsmen used this slogan.A saltglaze stoneware mug, sold by Bonhams on 2 June 2004, lot 124 was inscribed 'Princes's Charles's Healt Down with the Rump'. Robin Nicholson, in an article on 'Engraved Jacobite Glasses' for The Magazine Antiques, June 2003, cites an Oxford newspaper of 1753 where an imaginary account of a Jacobite club meeting is given: '....The Society being met and the cut Glasses representing the Figure of the Young Chevalier drest in Plaid being brought in, a Bottle to each Member was coiled for. The following Toasts were then proposed from the Chair and drank round by the Company: The King, the Prince, the Duke, Speedy and Happy, down with the Rump, Damnation to Hanover, Optima Dido and many others'.For further information on this lot please visit Bonhams.com

Lot 361

AN ENGRAVED CYCLE CLUB FACET STEM WINE GLASS FOR PHILIP EGERTONCirca 1770The drawn ogee bowl inscribed P.Egerton in copper-wheel and diamond-point, the base cut with petal flutes over hexagonal facets and a conical foot, 14.5cm highFootnotes:ProvenanceRobert H. Vaughan (1723-91), Nannau, and thence by descentTamlyns Auctioneers, Bridgewater, 9 December 2008, lot 21Bonhams sale, 16 December 2009, lot 110, where acquired by Peter LoleThe Peter Lole CollectionPossibly for Philip Egerton (1694-1776).THE CYCLE CLUB GLASSESNotesThe present lot comes from a group of thirteen important wine glasses used by members of the Cycle Club which have descended from the Vaughan family of Nannau in North Wales (see P.Lole, 'Limpid Reflections', Glass Circle News, no.118, March 2009, pp.7-8). With its members' close political support of the Stuart cause, the Cycle Club is strongly associated with Jacobite glass. Each of the wine glasses bears the name of a member of the Cycle, including that of the arch-Jacobite Sir Watkin Williams Wynn, recorded in the twenty-six meetings held by a separate host from 2 July 1770 until 8 July 1772 of which 26 people were present. Twelve of the names on the set of thirteen glasses are featured on a contemporary card rota with the owner of the glasses, Robert H. Vaughan acting as host on 24 June 1771. The thirteenth inscribed glass for Philip Egerton of Oulton (1694-1776), does not feature on the rota, but as by far the oldest member - he would have been 76 at the commencement of this Cycle - he was presumably excused from hosting a meeting.Four of the glasses are now in the National Museum of Wales, Cardiff. The set included glasses for Sir Watkin Williams Wynn (1748-89; President of the Cycle); Hon. R. Barry (1719-87); Hon. I.S. Barry (1725-84); T. Bycot (d.1798); P. Davies; R.P. Price (1736-82); B. Read; R.P. Thelwall (1720-75); W. Williams (d.1808); Dr. Wynn (?1745-96?); O. Wynne (1742-82); P. Egerton of Oulton (1694-1776). Hartshorne (1897) records that at Oulton there survived a set of ten Jacobite glasses of circa 1750, which were used at Cycle meetings together with a tabernacle portrait of Prince Charles by Giles Hussey. Unfortunately, Oulton Park was burned down in a disastrous fire in the 1920s, and the glasses may not have been saved. It has been suggested that some Clubs, and the Cycle in particular, had duplicate sets of glasses at different venues, and this discovery of a set of Cycle glasses at the Vaughans of Nannau seems to confirm this belief.Further evidence to support this proposition may perhaps be observed in the two group portraits painted by Sir Joshua Reynolds of The Society of Dilettanti, dating from 1778-79, now hanging in Brooks' Club in London. Sir Watkin Williams Wynn, Bart, can be seen on the extreme left-hand side of one of the paintings (illustrated) whom along with fellow members of the Dilettanti, including Sir William Hamilton, are clearly holding facet-stem wine glasses of the type used by the Cycle. Unfortunately, the Dilettanti glasses do not appear to be inscribed.For further information on this lot please visit Bonhams.com

Lot 2

A cut glass flower vase wheel cut with foliate garlands. 10' high

Lot 114

Three 19th century rose-gold mounted and cut-glass scent bottlesunmarked Comprising a small circular cut-glass scent bottle, mounted with a hinged gold domed cover, opening to reveal a perforated glass stopper for sprinkling perfume; also a larger circular cut-glass bottle, with a gold screw-top domed cover, opening to reveal a glass perfume stopper, and finally a ring-shaped cut-glass bottle, a hole to the centre, gold mounted with a screw-top domed cover, opening to reveal a glass stopper beneath. (3)Footnotes:Property of a private collector.For further information on this lot please visit Bonhams.com

Lot 169

Of Imperial Royal Austrian interest: an Art Nouveau silver and cut-glass pedestal dishJosef Beran, Vienna circa 1906, marked 0.800 Of circular form, a cut-glass castellated edge bowl etched with floral and foliate swags, an applied silver band around the base embellished by a laurel leaf border and ribbon motifs, the bowl base inserting into a circular silver platform, in turn supported by eight fluted classical glass columns surmounted by cast Corinthian capitals, each terminating in a stepped silver foot, the whole mounted on a cast round base with decorative lobed border, at the centre an engraved armorial for Franz Josef I (1830-1916), Emperor of Austria and King of Hungary, height 23cm, diameter 24cm.Footnotes:This is the Royal Cypher for Franz Josef I (1830-1916), Emperor of Austria and King of Hungary, born on 18 August 1830 in Vienna's Schönbrunn Palace. Franz Joseph was the oldest son of Archduke Franz Karl and Princess Sophie of Bavaria – he would become the most respected and most beloved member of the Habsburg dynasty, ruling the Austrian Empire and then Austro-Hungarian Empire for 68 years, the third longest reign in the history of Europe. To think this pedestal dish possibly adorned his table is a fascinating thought.For further information on this lot please visit Bonhams.com

Lot 326

A George II / III Irish silver Warwick cruet frameWilliam Townsend, Dublin, circa 1760 Openwork cinquefoil frame, the front with an applied foliate cartouche engraved with the crest for the 'RIDER' family, two original casters present, of baluster form, one large and one small, pierced domed detachable covers, topped by baluster finials, engraved with 'RIDER' armorial, on a spreading circular foot, one caster missing, plus two later cut-glass bottles with unmarked silver covers, a central knopped column terminating in a shell topped looped handle, all stood on four acanthus-capped double-scrolled shell pad feet, height 26cm, weight total silver 41oz.Footnotes:Property of a private collector.For further information on this lot please visit Bonhams.com

Lot 399

Three silver-mounted glass decantersMappin & Webb, Birmingham 1918, Horace Woodward & Co Ltd, London 1900 and William Aitken, Chester 1910 Each with plain collars, covers and handles, cut glass bodies of varying forms, height of tallest 24cm.For further information on this lot please visit Bonhams.com

Lot 400

A silver-mounted cut-glass claret jugHukin & Heath, Birmingham 1926 Plain cylindrical collar, hinged flat cover and scroll handle, height 20.5cm, together with two silver dishes, Garrard & Co Ltd, London 1988, circular with applied fruiting vine border, diameter 16cm, weight of dishes 11.8oz. (3)For further information on this lot please visit Bonhams.com

Lot 407

A Victorian silver-mounted cranberry glass claret jugCharles Mappin (Mappin Brothers), Sheffield 1883 The body of tapering form, topped with a silver mount chased with blackberries and vine leaves, the pouring lip cast in the Aesthetic style, embossed with a bird, foliage and geometric highlights, surmounted by a hinged domed cover and urn finial, to one side a scrolling silver handle resembling curling foliage, the cranberry glass etched clear with Japonesque motifs featuring prunus, a flying stork and exotic vegetation, on a cut-glass circular base, height 29cm, diameter 11cm.Footnotes:Property of a private collector.For further information on this lot please visit Bonhams.com

Lot 415

A George III silver four bottle decanter standPaul Storr, London 1797 The cruciform stand with canted corners and fluted supports, a reeded open frame with four square spaces for the placement of cut-glass decanters with stoppers, two original bottles remaining, a circular stopper holder between each, the central post terminating in a rectangular loop handle, to the base four supporting casters, the wheels made of ivory; together with a pair of elaborate looped entrée dish handles, ribbed with shell and foliate decoration, Paul Storr, part marked with duty mark and lion passant, also incuse stamped 573 , height 26cm, weight total 30oz. (3)Footnotes:Property of a private collector.The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). With non-transferable reference (G8L3CAHM)This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 416

A George III silver four-bottle decanter standWilliam Allen, London 1801, silver bottle collars with marks for Robert Hennell I, David Hennell II & Samuel Hennell, London 1801 A square platform base, an open work frame with four conjoined canted square holders to contain cut-glass decanter bottles with silver mounts, a central reeded stem handle terminating in a rectangular loop, gadrooned top edge, decorative perforated sides, all on four scroll feet, height 24cm, weight without bottles 31oz.Footnotes:Property of a private collector.For further information on this lot please visit Bonhams.com

Lot 425

A pair of Victorian silver cruetsHunt & Roskell, London 1868, incuse stamped 'HUNT AND ROSKELL / LATE / STORR & MORTIMER / 4964' A quatrefoil stand, with a decorative open frame for holding three cut-glass silver mounted mustard, pepper and cayenne pots, the cayenne with integrated original spoon, and a gilt lined open salt with matched Charles Boyton II spoon, to one side a leaf-capped scroll handle, all on four scroll feet, one set missing the cayenne pot and spoon, height 12cm, length 12cm. (2)Footnotes:Property of a private collector.For further information on this lot please visit Bonhams.com

Lot 443

A six-piece silver condiment setRichard Burbidge, London 1963, retailed by Harrods A four pedestal cauldron condiment set with blue glass liners and matching salt and pepper pot, all with gadrooned edges, two with hinged covers, thumbpieces, and an S-scroll handle, all on three lion's paw feet; a matched condiment spoon and a Georgian caddy spoon; a silver mounted sugar caster, Charles S Green & Co Ltd, Birmingham 1960, tapering cylindrical, silver mounted with a pierced domed cover, topped by a baluster finial, and a cut-glass base, height 17cm and finally a Victorian silver cup by George Aldwinckle, London 1876, baluster form, C-scroll handle, ornate Art Nouveau style embossed motifs to the body, all on a circular spreading base. (9)For further information on this lot please visit Bonhams.com

Lot 453

An eight-piece silver and tortoiseshell dressing table setWilliam Comyns & Sons, London 1912 In traditional style, comprising a silver mounted tortoiseshell backed mirror, two hair brushes and two clothes brushes, with applied silver monogram 'SMS' beneath a 'Marchioness' coronet, in addition two cut-glass jars with silver mounted tortoiseshell covers, Boots Pure Drug Company, Birmingham 1907, circular form with screw-top tortoiseshell covers, inlaid silver piqué decoration, and a round tortoiseshell pill box with pull-off cover. (8)This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

Lot 113

A Victorian silver cruet stand, A Victorian silver cruet stand, displaying six cut glass bottles, three with silver lids, Lee & Wigfull, Sheffield, 1891, gross weight of stand 29.35ozt. Overall condition goodGlass bottles in good to fair conditionNote: the spoon is plated, silver lids with varying hallmarksStand with monogram to front

Lot 33

English School (19th century) A portrait miniature and a silhouette Unsigned, oval, ink and watercolour on paper and a cut-paper silhouette, both in ebonised rectangular frames with gilt mounts (2).6cm x 5cm (2.5in x 2in) and 7.5cm x 6.5cm (3in x 2.5in)Qty: 2The miniatures are both in good, original condition. There are two very small flecks of paint loss below the watercolour portrait bust. The glass on both the miniatures is a little dirty around the edges. There is some light craquelure, scuffs and scratches across both the ebonised frames.

Lot 104

A TRAY OF ASSORTED CERAMICS AND GLASSWARE TO INCLUDE A CUT GLASS DECANTED, STUDIO GLASS VASE ETC. TOGETHER WITH A BLUE AND WHITE JUG AND BOWL SET (2)

Lot 156

A TRAY OF STUDIO GLASSWARE ETC. TO INCLUDE A CUT AND COLOURED GLASS DRESSING TABLE SET, CAITHNESS, TALL CANDLESTICKS ETC.

Lot 284

A SELECTION OF CUT GLASS TO INC SCENT BOTTLES, SMALL DECANTER ETC (5)

Lot 98

THREE BOXES OF MOSTLY CUT GLASS TO INCLUDE A SET OF FOUR BLUE CUT GLASS WINE GLASSES, KINVER CRYSTAL ETC.

Lot 1056

A box containing a quantity of assorted glassware including cut glass vases, jug, decanter, etc.

Lot 1067

A box containing nine assorted glass paperweights including Liskeard Glass internal enamel example, Caithness similar and cut and faceted examples

Lot 1128

A crate containing a large quantity of cut glass drinking glasses including wines, sherries, tumblers, etc.

Lot 1153

A crate containing a quantity of assorted ceramic and glass items including large decorative charger, cut glass jug, etc.

Lot 1201

A pair of Richardson cut glass tumblers - sold with seven Webb wine glasses

Lot 1203

A glass ship's style decanter, a cut glass spirit decanter and another cut glass decanter

Lot 1243

A modern ruby flash hobnail cut glass biscuit barrel with plated fittings

Lot 1261

A mid 20th Century Bohemian glass decanter with purple flash cut central band and hobnail body set with a Mappin & Webb silver collar

Lot 1262

A 20th Century Bohemian blue flash cut vase - sold with a blue free form art glass vase

Lot 689

A case containing a quantity of cut glass drinking glasses including wines, tumblers, etc. and a Kevin Platt print

Lot 1168

A graduated pair of Hinks Corinthian column oil lamps, electroplate and cut-glass, height 62cm and 55cm

Lot 1173

VAL ST LAMBERT - a blue overlay cut-glass table lamp, height including fitting 52cm

Lot 111

A plated and cut-glass cocktail shaker, a novelty clockwork Rolodex-style clock, other plated and metal ware.

Lot 116

A cut-glass Claret jug, two decanters and other glassware.

Lot 131

A pair of Bristol blue glass decanters and stoppers, 28cm high, a Bohemian blue flash-cut vase, 25cm high, a cut-glass decanter and stopper, a studio glass triangular shape vase, indistinctly signed, dated 1955, 17cm high, six ruby and clear glass wines, four millefiori glass paperweights and three others.

Lot 132

A pair of cut-glass water jugs, 23cm high and other glassware.

Lot 191

A silver-topped hair tidy, various cut glass and silver salts, four silver-handled shoehorns and other items, foreign silver and plated.

Lot 67

A cut-glass biscuit barrel and cover, with hobnail decoration, 21cm high, two cut-glass decanters, a blue glass vase with floral decoration, 30cm high and other coloured and clear glassware.

Lot 37

A 9ct yellow gold heart pendant and tie pin; the thick glass has been fitted into a heart-shaped mount with a decorative scrolled swivel bail, Birmingham hallmarked '375' with maker's mark 'W.H.C', 1908, measuring 4.3 x 3.0 cm in size; the tie or cravat pin has a rectangular panel star-set with a brilliant-cut diamond at the corner, set upon a tapering pin stem to friction stopper, London hallmarked '375' with maker's mark 'JS', 1985, 4.8 cm in length; Total weight of items 12.5 grams (2).

Lot 446

A late Victorian rectangular silver cigarette box, London 1895, by Walter Raymond, 17 cm x 9 cm x 5 cm,together with two silver capped cut glass perfume bottles, a calling card stand, dressing table boxes and pots and a silver fronted desk watch holder and watch, blotter, small odments of silver. Most items either loaded, wooden lined or with non silver componenants.

Lot 451

A Walker and Hall silver tazza, the border cast with shell and leaf decoration, Sheffield 1925 2 boxed sets knife rests, a silver sauce boat in George III style, a pair of cut glass knife rests with silver mounts, boxed, Aa pair of George III silver tablespoons, later gilded and embossed with birds and bamboo, London 1795, boxed, a pair of horn and silver mounted knife restsSheffield 1900, boxed, a sauce ladle, Birmingham 1937, a pickle fork with mother of pearl handle, Birmingham 1917, and a continental white metal sifter spoon.

Lot 111

A silver-mounted cut-glass scent bottle of faceted spherical form: the hinged silver lid decorated in repoussé style with Celtic-style knots and opening to reveal original hand-cut glass stopper, Birmingham assay marks (10 cm)

Lot 112

A large silver-mounted cut-glass scent of spherical form: star-cut base and the silver mounts in repoussé style with C-scrolls, cherubic style figures, foliage and vacant cartouches, the hinged lid similarly decorated and opening to reveal gilded interior and original hand-cut glass stopper within, the mount assayed Chester 1901 (13 cm). Together with a square tapering cut-glass scent with floral decoration and silver mount (2)Condition Report: Square tapering example - two or three small pinhead-sized chips away from the top of the stopper, also minor nibbles at the bottom of the stopper, also scratches and minor black marking to stopper, the silver mount on top of the bottle appears to have had a small 'knock' to the top of the lip but does not detract. Minor surface scratches to be seen (under a loupe) at the top and the very underside commensurate with age and usage. The spherical example - the stopper is in good general overall condition with no problems noted, the hinged silver lid closes tightly ( v small dent visible) and hallmarks are visible. The silver mounting is in reasonable order without indentations, damage or reparations, there are marks and scratches to the underside commensurate with age and usage. 

Lot 113

A heavy cut-glass scent of spherical form with a silver-mounted lid decorated in repoussé style with C-scrolls and small flowerheads (minus glass stopper), the mounts assayed Chester 1904 (10.5 cm)

Lot 119

A suite of glassware comprising six heavy cut-glass Waterford goblets (13 cm), a set of six matching 15 cm flutes and a  set of six matching 12 cm goblets (18)

Lot 120

An interesting 19th century cut-glass mallet-shaped decanter with raised bubble-like interior (28cm including stopper), together with a pair of very finely cut conical glasses decorated with baskets and leaves and four other hand-cut wines (7)

Lot 125

A 19th century cut-glass sugar bowl and cover, together with an interesting selection of eleven small wines, liqueurs and 19th century sherries (12 to include two pairs)

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