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Lot 533
An interesting collection of buttons from mid 19th to mid 20th century including a card mounted display of Mother of Pearl buttons, large shell buttons, 6 Bimini style glass buttons, Enamelled and Victorian cut steel buttons, metal decorative and military buttons etc (Geraldine Bragg collection)
Lot 407
A LARGE QUANTITY OF BOXED DARTINGTON AND STUART CRYSTAL GLASSWARE, comprising seven individually boxed Stuart Crystal wine goblets and decanter, all with etched design for the Bi-Centenary of the Birmingham General Hospital 1779-1979, six individually boxed Dartington real ale tankards, eighteen boxed Dartington 'Exmoor Clear' tot glasses, a boxed set of six Dartington 'Exmoor Clear' Old fashioned tumblers, a boxed aperitif set of two shot glasses and decanter, a whisky decanter, a set of fourteen red wine glasses, six white wine glasses, a pair of Georgian Crystal wine glasses, a cranberry glass bowl cut to clear, etc. (Qty) (Condition Report: the boxed Stuart and Dartington crystal glasses still have maker's stickers and appear unused, no other obvious damage)
Lot 409
A GROUP OF CUT GLASS AND STUDIO GLASSWARE, comprising a Caithness 'Ebony' range vase, a Stuart crystal perfume atomizer and bud vase, five coloured stemmed Bohemia glass aperitif glasses, a Murano style glass clown, two cutglass fruit bowls, two vases, decanter, a tall 'Jack-in- the-Pulpit' vase, etc. (22) (Condition report: no obvious damage)
Lot 464
A BOX AND LOOSE GLASS WARES AND DECORATIVE ORNAMENTS ETC, to include eight miniature miners lamps, a miniature table and set of six chairs made from brass, copper and Victorian one penny coins, Limoges chairs and settee, sixpence coins comprising four pre 1920, one 1922, one 1932 and three 1940, decorative glass perfume bottles, musical box in the form of an egg, model of the Crucifixion, clear glass apothecary bottles, cut glass pedestal bowl, cut glass fruit bowl, decanter set in the form of a vintage car etc
Lot 26
A GROUP OF ENGLISH SILVER MOUNTED DRESSING TABLE ITEMS To include, silver mounted cut glass scent bottles; an oblong repousse decorated pin tray; various brushes and silver topped glass powder jars, various dates and makers, 20th Century The tray 21cm wide Condition: Condition Report The scent bottle with the faux tortoiseshell cover has been pushed down and is at an angle. Largest example no stopper. On one of the brushes the mount is coming away from the bristles. The top of the atomiser scent bottle has been pushed down and is leaning. Mechanism also very stiff and residue to interior. Some general wear and tarnish throughout. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 32
A GROUP OF GOOD QUALITY CUT TABLE GLASS AND DECANTERS Comprising: a ship's decanter; a claret jug; a set of six brandy balloons; and a pair of Waterford Crystal 'Peace' champagne flutes The claret jug 30cm high including stopper Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 56
A VERY LARGE CUT GLASS SIX LIGHT CHANDELIER Of pear shape with six s-shaped branches, (pieces lacking, re-wiring required, viewing advised) Approximately 120cm drop, 100cm diameter Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 16A
A group of four Victorian and later silver mounted clear cut-glass globular scent bottles. The largest with a screw-off cap embossed with figures within C-scrolls, hallmarks for London 1887, 10cm diameter (4 inches); a smaller example with a floral embossed mount with a cartouche engraved with foliate-script initials and screw-off cap, hallmarks for London 1910, 7.5cm diameter (3 inches); another with an embossed silver screw-off cap, Birmingham 1905; and another with a hinged cover, Birmingham 1901
Lot 19A
Three early 20th century silver mounted clear glass scent bottles and a pair of heart-shaped dressing table jars. Comprising; a German floral etched glass oblong scent bottle with a stopper in the form of a putto, and a .930 standard neck-rim and base pierced and embossed with cavorting putti, with German marks and import hallmarks for John George Piddington, London 1906, approx. 15cm high overall (6 inches); a tapering clear-cut g;ass scent bottle with a foliate embossed neck-rim, the London marks rubbed; a boat-shaped glass scent bottle with plain silver neck-rim and mount, London 1928; and a pair of heart-shaped dressing table jars, the scroll embossed silver mounts with the mark of Thomas Hayes, Birmingham 1903, each approx. 6.5cm overall
Lot 6
A George III silver oval cruet stand and five silver mounted bottles. The stand with a wood base, a central silver handle, floral engraved and shallow-bombe sides with reeded borders on four pad feet, the maker's mark mis-struck, London 1802, 17cm wide (6 1/2 inches); the five facetted clear cut-glass bottles each with a conforming silver mount with a reeded band, and with a later plated fiddle pattern mustard spoon
Lot 872
BACCARAT, A CUT CLEAR GLASS TRUMPET VASE Etched marks 25cm high Together with another Baccarat vase, of smaller ovoid proportion 20cm high (2) Condition Report: Trumpet vase: Some scratches and wear to the base, some minute nibbles to the rim. Ovoid vase: Scratches and wear to the foot, some surface scratches generally.See additional images available upon request.Condition Report Disclaimer
Lot 13
A group of silver to include: a George VI sauceboat, cut card border on three shell and hoof feet, hallmarked by Adie Brothers, Birmingham, 1931, an Edwardian silver pierced cup holder (a/f - damage to side), hallmarked Sheffield, 1904 and George V silver stirrup shaped small cruet holder, hallmarked Birmingham, 1927 together with three glass bottles, combined silver weight approx 8.06 ozt (250.8 grams) (Q)
Lot 79
A 20th century French gilt-metal and cut glass box and coverThe hinged lid enclosing a void interior on lion paw feet, 11cm wide, 11cm deep, 16.5cm high (4in wide, 4in deep, 6in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 115
A GEORGE I OAK BOOKCASE POSSIBLY BY THOMAS RIPLEY CIRCA 1725 The fabric lined glazed doors enclosing adjustable shelves, the panelled doors enclosing drawers with gilt metal ring handles and handwritten ink labels 'Leases...Cottage Agreements... Farm Agreements...Papers relating to the leasehold lands under Christ Church...', inscribed in paint twice to the back 'RW' 270cm high, 198cm wide, 62cm deep Provenance: Almost certainly supplied to Sir Robert Walpole, later 1st Earl of Orford (1676-1745) or his son, Robert, 2nd Earl of Orford (1700-1751) for Houghton Hall, Norfolk and by descent at Houghton. Property of the Marquess of Cholmondeley, Houghton Hall, Norfolk, Christie's, London, Important English Furniture and Carpets, 24 November 2005, lot 29, where purchased by Robert Kime. Literature: G. Nares, 'Wolterton Hall, Norfolk - II: The Home of Lord Walpole', Country Life, 25 July 1957, pp. 166-169. A. Bowett, 'Thomas Ripley and the Use of Early Mahogany', The Georgian Group Journal, 1997, pp. 140-145. A. Moore, E. Bottoms, 'A New Walpole Discovery', The Burlington Magazine, January 2006, pp. 34-37. ed. T. Murdoch, Noble Households: Eighteenth-Century Inventories of Great English Houses, Cambridge, 2006. In 1722 building commenced of Houghton Hall for Sir Robert Walpole, Britain's first Prime Minister. From 1725 William Kent decorated the interior and designed furniture for the state rooms. This bookcase is probably the 'wainscot bookcase with plate glass doors' recorded at Houghton Hall in 1792 in room 'No. 86 Stewards office' (Murdoch, p. 198). In 1722, building on Houghton began for Sir Robert Walpole, 1st Earl of Orford (1676-1745), Britain's first Prime Minister. From 1725, the Palladian architect and designer, William Kent (c. 1685-1745), was employed to design the interiors and furniture of the state rooms. However, this bookcase was possibly designed by Thomas Ripley, who prior to becoming an architect and Surveyor in the Royal Office of Works trained as a carpenter. Ripley acted as building supervisor at Houghton, and from 1727, designed Wolterton Hall, Norfolk, and in the 1730s, a house in the Cockpit, Whitehall, for Walpole. Ripley used mahogany extensively for the interior wainscotting, doors, door-cases and stairs at Houghton, all of which were heavily carved and richly detailed (Bowett, p. 142). The use of mahogany on such a scale suggests that in the early years mahogany was considered suitable for joinery being no more costly than wainscot. Walpole's mahogany was shipped from Jamaica to King's Lynn via London from mid-1724, and it was Ripley who organised the freight, lighterage (transferring cargo between vessels of different sizes) and storage for the shipments. After the 1720s, the fashion for mahogany as a furniture wood superseded its employment as architectural joinery. The Houghton archives show that after the initial phase of building was completed, Ripley was paid the substantial sum of £500; this probably included payment for further alterations to the house and stable block and the designing of the church tower (PRO C101/19). As the payment is not itemised, presumably it may have also included furniture. Certainly, Ripley's correspondence in the Wolterton archive shows he was responsible for the hanging of the pictures, and possibly designed frames for the royal portraits there suggesting he may have designed furniture as well (Nares, p. 166). Condition Report: Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:There are some chips, splits and loose sections of wood in particular to some corner and edge sections, and to the bracket feetSome sections are missing, for example the lower border beneath the wood panelled doors, and some other elements are later, for example the side moulding between the top and the base.There are traces of white paint, presumably from when the room this bookcase was in was painted.There is some evidence of worm.Three of the shelves are later pine replacements, all shelves have a front moulding and two shelves to the glazed section have metal hinged latches to hold fast the doors.One of the backboards has a circular hole cut to it, possibly for an electric cable.The interior oak drawers have oak linings and gilt brass ring handles, one of the rings is missing. Each drawer front has a pale filled hole to each corner which is probably original filler over the nail or peg construction of the drawers.Lacking some original handles to the glazed doors. There are two keys for the glazed doors, one of which turns one of the locks. The locks to the glazed doors are Georgian but later to this bookcase cast with the maker's name 'PATENT UNION LOCK / ROBT. KEMP PATENT / G.R. under a coronet / R&T FARMER / PROPRIETORS AND MANUFACTURERS ' Lacking three handles to the panelled doors, there are no keys for the lower door locks, and there are filled holes from previous fittings.The brass hinges are of notable quality, they are substantial, have chamfered edges, are wide opening and have an extra outset section that is inset into the doors.The glazed doors have almost imperceptibly bevel cut glass, the subtle almost slightly rounded cuts, rather than sharp angular bevelled edges. The green fabric is a chintz or glazed cotton of almost paper like quality, still with distinct folds where the fabric has been previously folded. It has faded, in some places, to an almost golden colour, with some splashed fading. The fabric has some repairs including later sewn tape to the base of one door and another, possibly original, inset sectionThe cut of the oak whether dark or pale displays exceptional medullary rays.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer
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