A mid-19th century silver plated and cut-glass centrepiece, probable mark of Pryor Tyzack & Company, Sheffield, circa 1860, the base of nominally triangular form with a detachable salt at each corner, each with shell shaped bowl, putto handle, gilded interior and circular pedestal base, the centre section of three scrolled and pierced legs and cage work basket top supporting a circular frosted glass bowl with foliate designs and scalloped rim, 26cm diameter, 27cm high
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A pair of George III 18th century silver salts with later spoons, the salts each with mark of Solomon Hougham, London 1795, of navette form, decoratively pierced side with bright cut engraving around an escutcheon shaped cartouche engraved with the crest of CAMPBELL, raised on four applied triangular feet, blue glass liner with star cut base; the spoons with mark of Thomas Wilkes Barker, London 1820, 'Fiddle' pattern, one engraved with the crest of BEDFORD, gilt washed bowls,126.6g (4.1ozt) gross weighable silver (4)
AN EARLY VICTORIAN BRASS BOUND AND FIGURED MAHOGANY FOUR BOTTLE TANTALUSfitted with flush handles to sides and with Mordan lock, with key, the blue leather and velvet-lined four division interior with four Victorian cut-glass decanters hung with three silver decanter labels comprising two for Port and Sherry by Thomas Phipps and Edward Robinson, London 1802 & 1805 and one for Brandy by Sampson Mordan & Co, Chester 1908, 26cm high x 23cm square
A clear glass dressing table smelling salts bottle, silver engine turned hinged cover, with stopper, John Grinsell & Sons, Birmingham, 1935; a silver and cut glass scent bottle, silver hinged cover with stopper, rubbed marks; a faux tortoiseshell and brass Swiss bedside timepiece, manual 8 day movement, cream dial, gold coloured Arabic numerals, engraved From JFCW 6.2.23, n/w ; a brass 'The Goldsmiths & Silversmiths' Co. Ltd. 8 day clock insert, Swiss Brevett movement stamped, white enamel dial, Arabic numerals, missing a hand, no.33236 (4)
Glassware - a heavy cut glass vase; others; bowls; tray; A French shaped circular pedestal plate, painted with courting couple, 22.5cm diam, c.1900; a 19th century circular plate, painted by C M Ridgway, with cherub and nest, 29cm diam, framed; an Italian 'bland de chine' figural lamp, with oriental figure, 36cm high
A collection of silver items comprising a silver desk stand, by Henry Clifford Davis, Birmingham, 1905, mounted with a cut glass inkwell, with a silver cover, a stamp compartment, glass roll and pen holder, 10.5cm wide, a Victorian silver and mother-of-pearl mounted penknife, 8cm long, a silver vesta case, by William Neal, Chester, 1906, monogrammed, 3.5cm, and a Dunhill silver-plated lighter, 6.5cm (4)Condition ReportSome tarnishing. chips to the glass barrel. Dunhill missing screw end.
A collection of silver dressing table items comprising three Victorian brushes, the largest 23cm high a mirror, with embossed cherubs, Birmingham 1932, 24cm high, three cut glass and silver mounted jars, Birmingham 1901 and 1906, the largest 12cm high, a pair of pierced pin dishes, 8cm wide, and a pierced pepperette, 8.5cm highweighable 2.47ozt Condition ReportLarge dents to the mirror. Some holes to the brushes. Chips and nibbles to the cut glass jars. Dents to the pepperette.
A collection of silver novelty items comprising two cut glass bottles, including an example with an enamelled lid, depicting a Japanese geisha, Birmingham 1928, 8.5cm high, two vesta cases, Birmingham 1900 and 1938, both 4.5cm high, a leather minature purse, 5cm wide, a minature mirror, by Deakin & Francis, 9.5cm high, and a bell, with a mother of pearl handle, 7cm highCondition ReportNibbles and chips to the cut glass bottles. Dents tot he bell. Tarnishing and wear throughout.
William Lawson (1892-1946) 'Saint Barnabas', 'Saint Oswald' and 'Resurrected Christ'three stained glass tracery window designs, pencil and watercolour, each signed 'W. Lawson 1931'the largest 370 x 75cm and 306 x 73cm;together with four smaller tracery designs,each entitled 'Raphael J'; 'K'; 'O'; 'P', for the New East Window of the Parish Church of All Saints, Portsea, Portsmouthlargest 174 x 39.5cm;and the sketch elevation design for the New East Window, inscribed and titled43 x 61cm, and a small tracery fragment (10)William Lawson (1892-1946) was the first managing director and chief designer of Faith Craft-Works (later Faith Craft), which was based in St Albans. The enterprise came into being in the mid-1920s, when the Society of the Faith decided to add a non-profit-making enterprise specialising in church art to its existing publishing arm, Faith Press. Lawson worked in a style that harked back to the Middle Ages.Condition ReportAll with stains, tear to the ends and edges, rolled - but have fold marks. Elevation design has cut out missing and is creased, rolled and stained.Christ resurrected - split and torn through the centred 1/2 was through from the top, also from the bottom. Creased, tears to the sides and fold marks.
A collection of silver plated items including three rectangular trays, a silver-plated and cut-glass cruet set, a silver plated envelope holder, a pewter tankard and four candlesticks, an oval tray and three cake stands,the large candlesticks, 14cm diameter, twelve dessert forks and spoons by Mappin & Webb, eleven dessert knives by Walker & Hall, ten serving spoons by Mappin & Webb, twelve dinner knives by Walker & Hall, twelve teaspoons by Butler England, seven dinner knives by Mappin & Webb, four dessert spoons (different patterns) by Mappin & Webb, a large fish knife, serving forks, spoons etc. the fish knife 5.5cm wide (qty)Condition ReportChips to large salt, cruet set with missing stopper and small chips and knocks. Silver plate worn to candlesticks.
A GEORGE III SILVER CASED VERGE POCKET WATCH WITH ENGINE-TURNED DECORATION BENJAMIN WOOD, LONDON, 1760 The gilt full plate single fusee movement with four square section baluster pillars pinned through the backplate, scroll-pierced stop-iron block and verge escapement regulated by sprung three-arm steel balance with Tompion type regulation, the backplate with fine symmetrical foliate scroll pierced and engraved balance cock with grotesque mask at the junction with the conforming pierced and engraved foot, flanked by silvered regulation disc set within adjacent applied scroll engraved panel infill opposing signature Ben, Wood, London and numbered 12143, the slightly convex white enamel Roman numeral dial with winding square to centre, Arabic five minutes to outer track and gilt spade hands, the silver case with unusual deeply cut star-centred spiral engine-turned decoration to rear and conforming hatched decoration to bezel, fitted with suspension post and bow at twelve o'clock and a convex glass to bezel, the interior with hallmarks for London 1760 maker HT. The pillar plate 3.3cm (1.25ins) diameter, the case 4.5cm (1.75ins) diameter. Benjamin Wood is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working before 1769. The case of the present watch is notable in that it is a relatively early example of English engine-turned decoration which was becoming increasingly fashionable at this time. Indeed three years after the current watch was made Josiah Wedgwood acquired a rose engine in order to execute similar engine-turned decoration onto his ceramics. Together with: SETH THOMAS A SILVER KEYLESS WIND OPEN FACE POCKET WATCH, CIRCA 1884 Movement: Three quarter plate movement, lever escapement, bimetallic split balance, flat balance spring Case: Silver four piece hinged case, the back cover with a vacant cartouche, hallmarked Birmingham 1884 Dial: White Size: 54mm Signed: Dial, movement Accessories: None Condition Report: Movement is in dirty neglected condition however appears complete and original. The mainspring winds however the movement is not currently operational due to the balance staff being broken. The dial has hairline cracks and probable triangular filled repair near the XII numeral. The case is in good original condition. There is no key present. Condition Report Disclaimer
A PAIR OF DAMAGED LAPIS LAZULI AND THEWA PANEL CUFFLINKS The oval cabochon lapis lazuli panels with figure of eight connectors, one with a Pratapgarh gold and green glass Thewa panel, with enamelled back, the other with a vacant terminal; and a damaged late 19th century Portuguese brooch, the floral spray set with flat cut stones, stamped with a Lisbon 1886 to 1938 control mark Size/dimensions: lapis panels 1.4cm long; brooch 7.8cm wide Gross weight: 38.4 grams Condition Report: Damaged, as found Condition Report Disclaimer
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