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Lot 14
THE GLASS MENAGERIE - FREDERICK JORDAN C/W I SAID GOODBYE TO ME (UK PYE ORIGINAL - 7N 17615). Wicked slice of Freakbeat from The Glass Menagerie with this 1968 cut Frederick Jordan c/w I Said Goodbye To Me on the A. The record is in VG+ condition with a few light surface marks to the playing surfaces and remnants of a sticker on the A side label. With clean original company sleeve.
Lot 198
A ladies' Art Deco diamond set mechanical cocktail watch,with a rectangular case and silvered dial, black Arabic numerals and blued hands. A line of eight cut diamonds milligrain set to the bezel, with arched diamond set lugs. A graduated two row bracelet, milligrain set throughout with eight cut diamonds, one deficient, with a central row of graduated brilliant cut diamonds, rub set to the centre, one deficient. A short section of 9ct white gold mesh cordette bracelet to each end, with an adjustable clasp. Birmingham 1954. The watch case and bracelet tested as platinum. 158mm long, 20.76gCondition report: Two diamonds deficient. One in the ladder style links, the other a rub set diamond between the bars.Hands tight to adjust.Winds and ticks when gently shaken.Repair to the loop of the mesh bracelet.Marks to the dial.Glue around the glass.Bracelet by Chaincraft.Swiss movement - unsigned.Normally the ladder has additional rings to adjust the length, but this clasp has three positions within the clasp itself.
Lot 66
A cased Victorian gold, diamond and split pearl, oval hinged locket, c.1880,with a central cluster composed of an oval Dutch rose cut diamond, surrounded by split pearls, with a row of rose cut diamonds above. Applied strapwork with graduated raised petal shapes, decorated with applied beads and twisted wire to an articulated 'V' shaped bale. Tested as approximately 15ct gold. 69.00 x 36mm, 32.86gProvenance: The Peter and Pat Crofts CollectionCondition report: Tarnished to the silver and the gold.Dirty and dusty beneath the diamond.Surface scratches.Some dents and pinpoint dents to the back cover.Interior glass glazing intact.Wear to the presentation case.The pink stains are tarnish and could be professionally cleaned in a workshop who are experts in antique jewellery. It should not be polished or the bloom will be lost.
Lot 39
silvered metal, cut glass shade and beaded fringe54cm (21 1/4in) highProvenance:Purchased from The Fine Art Society, 1985. Footnote: Literature:Coleman, B., The Best of British Arts & Crafts, Atglen, 2004, p. 223 (illustrated);Hamerton, I. (ed.), W. A S. Benson Arts and Crafts Luminary and Pioneer of Modern Design, Woodbridge, 2005, p. 144, pl. 122 (illustrated).
Lot 27
OPEN SALTS ETC. A pair of Victorian silver thistle-head open salts. Chester 1899. Also, a silver mounted cut glass condiment jar with Georgian spoon. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 114
SUGAR CASTER. A silver mounted, cranberry cut glass sugar caster. Birmingham 1912. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 11
BOTTLE & JARS. An Edwardian silver mounted, screw top smelling salts bottle with glass stopper. Birmingham 1905. Height 6cm. Also, two small silver mounted cut glass cosmetic jars. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 93
TOILET JARS. Four various silver mounted, cut glass toilet jars. Hair tidy height 8cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 97
1st century BC-1st century AD. A clear glass skyphos with vertical body walls, tapering towards the rim, splayed circular foot and integral ring handles formed between projecting plates, the upper with a forked terminal, the lower rounded. Cf. The Hermitage Collection, Ancient Glass in the Hermitage Collection, 1997, no.37; cf. The British Museum, Masterpieces of Glass, 1968, no.37; cf. The Metropolitan Museum, accession numbers 17.194.888 and 81.10.94, for similar examples. 352 grams, 21cm wide (8 1/4"). Property of a gentleman; ex Theodore Sarmas collection, acquired in the 1970s. This vessel was produced using casting techniques; it was then lathe-cut and polished. The skyphos was the most valuable vessel in the Greek and early Roman eras, attested by their representation on the first Jewish coins, the silver shekels minted during the First Jewish Revolt against the Roman Empire in 68 AD. A limited number of these vessels can be found in museums worldwide. Although a number of fragmentary or restored examples can be found on the art market, complete examples such as the one offered here are comparatively rare. [A video of this lot is available to view on Timeline Auctions Website] [No Reserve] Fine condition, repaired.
Lot 400
South Flanders, Tournai(?), c.1525 AD. An ogee-shaped glass panel in a lead-alloy frame, painted depiction of Saint Eligius of Noyon nimbate and seated on a throne reading a book on his lap, his crozier over one shoulder and his jeweller's hammer in his right hand; mitre on his head, wearing episcopal vestments; mounted in a carrier-frame. 568 grams, 22.5cm (9"). Ex central London gallery; acquired from Monastery Stained Glass, Northamptonshire, UK, in 2004; accompanied by a detailed previously researched and illustrated cataloguing sheet. Saint Eligius was born in c.590 in the village of Chaptelat, close to the city of Limoges, and died in c.669 in the city of Noyon. Together with Saint Remacle he founded the monastery of Solignac on his own estates and was appointed bishop of Noyon and Tournai in c. 640. During his life, he also worked as a goldsmith, mint-master and personal advisor to the Frankish king Chlotar II, and several remarkable treasures of goldsmith’s work have been attributed to his hand (the reliquaries of Saint Germanus of Auxerre and Saint Martin for example"). The legend of his life was, as with that of Saint Barbara (cat.no.16) disseminated primarily by the Golden Legend of Jacobus de Voragine. According to his hagiography he kept an apprentice who, when shoeing horses cut off their feet, changed the horseshoes, and put the feet back on the horses’ legs. The horses miraculously showed no injuries from such treatment, and it came to be believed that the apprentice had been none other than Christ Himself. This clearly embellished story nevertheless offered a parable for the work Eloy undertook during his time as bishop among the pagans: to remove the pagan elements, cleanse and improve the people, and implement the New Faith in society. As a result of his career and legend combined, he would later become the patron saint of metalworkers, carpenters, farriers, goldsmiths, and even miners, since each profession works with hammers. Although the present fragment has been cut down from a larger roundel it remains a remarkable and masterful piece of painting on some of the finest quality glass available to the Medieval craftsman, and its inclusion of a damascene-patterned background is of extreme rarity amongst surviving grisaille roundels. [No Reserve] Fine condition.
Lot 174
A ladies' Art Deco diamond set mechanical cocktail watch,with a rectangular silvered dial, with black Roman numerals and blued hands. Extended plaque links, and pierced octagonal links, all grain set with graduated eight cut diamonds, to a black cordette strap. 11.50mm wide, 18.53gCondition report: Does not wind. Not running, does not wind or tick even when gently shaken.Two chips at the corners of the glass. Dial showing deterioration.
Lot 443
A ladies’ 18ct white gold diamond set Omega ‘De Ville’ mechanical bracelet watch, with a cushion shaped landscape case, 28 x 25mm, with silvered dial and baton hour markers, to bezel claw set with brilliant cut diamonds. The case back with engraved initials, to integral textured tapered Milanese bracelet with ladder snap clasp. Import hallmark London 1972. Calibre no. 620, serial no. 33873762, case no. 8296 C90339, model no. 811.1012. Approximately 170mm long, 57.05g. With Omega box and outer caseCondition report: Currently running. No guarantee as to timekeeping or continued running.Crown winds and hands set.Dust and fibres to dial and underneath glass, but no apparent marks/scratches or discolouration to dial.No apparent damage to bracelet.Minor surface marks/scratches to case and clasp.Clasp secure.No paperwork.
Lot 137
An Elkington & Co. silver-plated ‘jollyboat’ decanter wagon, the two coasters with pierced trellis sides, cast grapevine rims, inset turned wood bases, & on spoked wheels, with cast grapevine pulling handle; 18½” long; together with a pair of regency cut glass decanters (one with chip to neck-rim).
Lot 166
A pair of early 19th century cut-glass ewers with serrated rims, stepped shoulders above the diamond-cut ovoid bodies, each with loop handle & on radially-cut round pedestal foot, 9" high. (One with small chips to underside of foot); purchased Oct. 1955 from Ayer & Co., Quiet St., Bath, for £45.
Lot 6
A George V silver large desk inkstand of rectangular shape with raised moulded rim, a pen trough either side, an oval straight-sided box to the centre, a heavy squat round cut glass inkwell either side, all with flat hinged covers, on four ball feet, 11½” x 8”; London 1922, by Theodore Rossi of Norwich. (27½ oz).
Lot 2358
Edwardian oak tantalus with three cut glass cube decanters and mirror back, 37cm across x 27cm highCondition report: No key present. All decanters have chips to terminal of stopper, each decanter also has some chips to edge of foot, but all cosmetic damage, one decanter has a larger chip to collar. The silver plate to the mounts is very worn in patches, otherwise general wear throughout. Not signed
Lot 69
Waterford 'Marquis' bowl, a Mdina glass bowl, a Caithness 'Inferno' paperweight, a pair of Stuart rummers marked 'RD681270', a Murano glass bird (damaged), a uranium green glass pedestal in the form of classical figure and a vase of tapered form, etched grape on vine decoration, on circular cut foot (7)
Lot 710
A pair of George IV diamond and panel cut glass conical decanters with stoppers. 27 cm high, together with a Victorian hobnail cut glass decanter and stopper mounted with Betjeman patent lock. 23.5 cm high. CONDITION REPORT: The hobnail cut decanter with the mounted patent lock is marked Betjeman.
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152611 item(s)/page