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John Marshall Spink, London 1900, a Victorian silver mustard pot, Neoclassical cylinder form, reticulated horizontal pale and dot design between bright cut bands and beaded borders, the flred conical lid engraved with Scottish thistles and motto Noli Me Tangere, the body applied with the cypher of Bonnie Prince Charlie with Wales feathers and date 1745, glass liner, 10cm high, 4.76ozt
D Garreau, Paris circa 1830, a French Empire style silver mustard pot, twin handled pedestal urn form, four die stamped rose and foliated pilaster supports, on a square base with lions paw feet, the zoomorphic scrolling handles cast in the form of foliate swans, pineapple finial, cut glass liner, 14cm high, 4.65cm high
R & G, Continental 19th century, an Empire style silver mustard pot, cast and reticulated three pilaster supports od sea horses and honeysuckle, united by triangular stretchers, below an arcaded grille, cast scroll handle with Grecian mask, surmounted by a squirrel finial, cut glass liner, 11cm high, 3.19ozt
Stuart and Sons for White Star Line, a First Class cut glass carafe, circa 1911, spherical form with conical neck, two bands of vertical mitre cuts to the body, below a slice cut neck, hand etched and engraved with the White Star flag and pole logo, 15cm high Note: designed and produced for the First Class compartments of RMS Titanic and Olympia, examples of glass ware in this same cut design have been recovered from the wreckage of the Titanic and others are on display in both the National Museum, Liverpool and the Red House Glass Cone, Stourbridge, where the glass was made. Similar, less elaborate glassware was produced for the Second Class cabins of the White Star Line, with acid etched rather than engraved burgee logos
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