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Lot 371
Ceramics and Glass - Wedgwood Jasperware; a Royal Crown Derby A454 floral pattern teacup and saucer; glass paperweights including Wedgwood, etc; a cut glass conical decanter; other cut glass including jugs, glasses, jar and cover, vases, etc; Aynsley Cottage Garden; Royal Worcester Evesham; etc, qty
Lot 331
An assorted collection of silver jewellery. The lot to include; demi parure of Bristol blue glass drop earrings & pendant necklace on box chain (in original box), a pair of stud drop Bristol blue glass earrings, rose form clip on earrings, pear cut blue stone earrings, Rhona Sutton chain bracelet, rope twist chain with Egyptian interest charms, flat curb link chain & a Mackintosh style rose chain necklace. All marked as or test as silver. Total weight approx 65.6g.
Lot 354
An antique green cut glass horn shape scent bottle pendant. The bottle in the form of a horn made of deep green cut glass to silver cuff & hinged floral scrolling repousse lid on cable link chain on a circular bale & clear glass stopped to the interior. Surface tests indicate silver. Total weight approx 16.1g. Measures approx 5cm.
Lot 507
An antique silver & paste brooch & necklace pendant. The brooch in crescent form set throughout with graduation round cut white paste stones to a C clasp verso. The locket pendant having a hinged glass panel framed by scrolling floral design set throughout with round cut white paste, marked 925. Total weight approx 29.4g. Largest measures approx 4.5 x 3cm.
Lot 81
Collectables. Italian Millefiori Micro Mosaic Floral Brooch with Art Glass design and gold coloured metal body, Impressed stamp letters to reverse, 2 x White metal Trinket Boxes, miniature Gilt Metal Picture Frame, small circular wooden box with carved flowers to lid and black lacquer and an empty box of Players Navy Cut Cigarettes
Lot 357
A matching pair of vintage 20th Century Art Deco peach glass table lamp lights of simple form having a beveled edge glass panels with further applied etched glass panel decoration. Raised on square bases with further triangular cut glass panels. Wear commensurate with age with minor chips in places, overall good condition. Each measures approx; 35cm x 15cm x 15cm.
Lot 56
JOSEP AMAT PAGÈS (Barcelona, 1901 - 1991)."Flors, gerro fosc".Oil on canvas.Signed in the lower right corner.With label on the back of the Sala Parés, Barcelona.Attached leaflet of the exhibition in which it was included: "Josep Amat: exposició de pintura", Sala Parés, 1981.Published in the newspaper La Vanguardia on 28 February 1981. Attached original sheet.Measurements: 65 x 50 cm; 68 x 53 cm (frame).In this floral still life, Josep Amat displays an attractive chromatic symphony using a luminous palette. The serpentine stems are topped with open corollas that endow the whole with multicoloured delicacy. The vase, placed on a gueridon-type table, is cut out in front of a window through whose panes of glass the spring greenery is prolonged.Josep Amat trained at the Llotja School in Barcelona and was a favourite pupil of Joaquim Mir. In 1922 he took part in a group exhibition for the first time and sold his first landscape. Six years later, in 1928, Amat made his solo debut with an exhibition of twenty-eight works at the Dalmau gallery. From then on he exhibited individually in the most important galleries in Barcelona. In 1933 he took part in the Spring Salon, winning prizes in that edition and also in those of the following two years. That same year he travelled to Paris for the first time, where he became known in 1936 in a group exhibition. In 1940 he exhibited for the first time at the Sala Parés, where he exhibited frequently until 1987. During these years he took part in the Barcelona Spring Salon, winning prizes in 1932, 1933 and 1935. He also took part in the National Exhibitions, being distinguished in Madrid with a third medal in 1941, and in Barcelona with a medal in 1934, a diploma in 1942 and the Diputación prize in 1944. In 1943 he exhibited for the first time in Madrid, in the Sala Vilches, and in 1949 he settled for a time in Paris, where he developed an intense pictorial work. Now fully consolidated, Amat held exhibitions in Spain, Paris, Brussels and Havana. At the outbreak of the Civil War he was forced to give up plein air painting and began a period centred on figures and interiors. In addition to his awards in national competitions, he won the José Ramón Ciervo prize at the Second Spanish-American Art Biennial in Havana in 1953. Other mentions he received were the Gran Premi Sant Jordi (1955), the Ynglada Guillot drawing prize (1963) and the Gold Medal of the Barcelona International Painting Fund (1981). Between 1942 and 1970 he taught landscape painting at the Barcelona School of Fine Arts. He joined the Sant Jordi Royal Catalan Academy of Fine Arts in 1981, with a speech entitled "History of Landscape". This painter is remembered as the leading exponent of 20th-century Catalan Impressionism, and has been honoured with various exhibitions, including one organised by Barcelona City Council at the Espai Pruna in 2001 to mark the centenary of his birth, as well as the Cross of Sant Jordi (1988). His work is represented in the Thyssen-Bornemisza Museum, the Museum of Montserrat and the National Art Museum of Catalonia.
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