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Lot 489
A subststantial part suite of 49 items of cut glass including a bell shaped decanter and a small water jug, possibly Edinburgh crystal, height smallest glass 8.3 cm, height tallest glass 17 cm, height jug 14.5 cm, height decanter 19cm.Suite appears to be in overall good order, some age related wear, also included is one decanter stopper which is not included in the number above.
Lot 590
A pair of 19th century cornucopia vases, the glass horns with cut and frosted decoration seated in gilt metal rams head mounts, on a marble base, 23.7cm; and Leonardo Pezaro (19th - 20th century) a terracotta rams head and cornucopia table lamp, 28cmOne of the pair of cornucopia is cracked near the mouth of the glass vaseThe other one of the pair is cracked across the marble base.The composition cornucopia has an old repair to the bottom of the horn. See the images for clarification.
Lot 713
LATE 19TH/ EARLY 20TH CENTURY CUT GLASS CLARET JUG,with faceted ovoid stopper, scallop cut rim over a diamond cut neck and wrythen moulded ovoid body to star cut foot, 21.5cm high, along with a set of three Victorian facet cut over hollow-stem wine glasses and a reproduction Georgian-type wine glass (5)
Lot 714
PAIR OF VICTORIAN CUT GLASS VASES,each of baluster form with flared rim, wheel-engraved with panels of foliage within diamond cut borders, within further fluted borders, ground pontil, 25cm highCondition generally good. Very minor wear as per age and use, and with some minor manufacturing flaws.
Lot 890
ATTRACTIVE LATE VICTORIAN PLATED CANDLESTICK OIL LAMP,the octagonal tapering column supporting a hobnail cut clear glass reservoir, with etched globular shade and plain chimney, 85cm high overallCondition generally good. Some minor shavings appear towards base of chimney. Light wear throughout as per use and age, this includes light wear to frosting on globe, areas of minor polishing revealing metal beneath plating. No hairlines, no drill holes, both clips present at collar.
Lot 677
A George III, early 19th Century Brass Bound Mahogany Apothecary Chest of hinged rectangular form with silk velvet lined interior, containing six cut glass decanters (2 A/F) of a single fitted drawer with 5 further small jars and lift out tray over glass pestle and mortar and hand-held scales.Width 30.5cm
Lot 71
A PAIR OF GEORGE III BLUE AND WHITE JASPERWARE AND CUT-GLASS TWO-LIGHT CANDELABRA Late 18th / 19th century, each with a three-sided central finial with an urn above a canopy, with two scrolled branches with candle-holders and drip-pans hung with droplets, on a drum base with classical scenes, restorations and replacements to glass droplets, 62 cm. high; 39 cm. wide
Lot 040734
Konvolut 3 Glasdosen mit Silberdeckel, 830er Silber, deutsch um 1900, best. aus: 1 x rund, D. ca. 7.5 cm, 1 x länglich rechteckig, ca. 18 x 5 cm und 1 x rechteckig, ca. 8 x 5 cm, Glas jeweils facett. und mit Sternschliff amBoden, Deckel jeweils mit Perlleisten und volkstümlichen Darstellungen, Herstellermarkenverschlagen und ungedeutet, 1 Glaskörper mit min. Besch. am RandLot 3 glass bonbonnieres with silver cover ,silver 830, german approx. 1900, comprised of:1 x round, diam. approx. 7.5 cm, 1 x rectangular, approx. 18 x 5 cm and 1 x rectangular, approx. 8 x 5 cm, glass each withbevelled and with star cut on bottom, cover each with pearl border and traditional presentations, manufacturer's brands not clearand unidentified, 1 glass min. damaged at edge
Lot 040731
Glasdeckelgefäß, 830er Silber, Wien/Österreich um 1920, Kristallglas rhomboidgeschnitten und geschliffen, Deckel Silber, sorgfältige Arbeit, ca. 11.5 x 10.5 x 5.5 cm, Meistermarke AP = wohl Alois PokornyGlass bonbonniere, silver 830 , Vienna/Austria approx. 1920, crystal glass rhomboid cut and sharpened, cover silver, accurate work, approx. 11.5 x 10.5 x 5.5 cm, manufacturer's brand AP = probably Alois Pokorny
Lot 834A
A Victorian lady's silver combined scent bottle and compact, being of flask form having a hinged top enclosing a glass stopper, the front having a hinged cover and a gilt lined enclosure, the cover bearing a bright cut monogram above a banner with "Moulie" and having a bevelled mirror inside, registration number impressed verso, Cornelius Desmoreaux Saunders & James Francis Hollings (Frank) Shepherd, Birmingham, 1889, 50.2 g gross, 6.5 cm high
Lot 230
* DOROTHY JOHNSTONE ARSA (SCOTTISH 1892 - 1980),BOUQUET IN AN ITALIAN JARoil on canvas, signed and dated 1978, titled versoimage size 62cm x 46cm, overall size 77cm x 62cm Framed and under glass.Label verso: Royal Scottish Academy Exhibition 1978. Note: Dorothy Johnstone was a pioneer of women’s art in the early 20th century; she was the star student at Edinburgh College of Art, graduating in 1912. Not long after the new College was created out of the old Trustees Academy. Johnstone was clearly aware of contemporary developments in Paris, and certainly, the College wasn't cut off from artistic European trends. Her older contemporaries in Edinburgh included the Scottish Colourists Peploe and Cadell. Although their example might have influenced her work, in reality, it was a woman artist who seemed to liberate both her style and palette, Laura Knight exhibited eleven pictures at the Royal Scottish Academy in 1916. Significantly too she had already shown a picture there in 1911 when Johnstone was still a student. It was called On the Rocks, a title that could fit several of Knight's marvellous paintings from that time of girls, rocks and the sea on the Cornish coast. The artist's seaside paintings were particularly vivid. For instance, A Dark Pool, housed in the Laing Art Gallery, depicts a girl in a bright orange dress standing beneath a vast blue sky and sea. When it came to colour, Knight acknowledged the impact of the Scottish artist Charles Mackie (1862–1920). Through his friendship with Paul Sérusier, the artist had close links to the French painters working alongside Gauguin at the turn of the century. Johnstone has works in many major public collections and her work is rare to the market.
Lot 15
INGRID BÄRNDAL: PLEXI-GLASS AND DIAMOND-SET COLLAR, CIRCA 1990The red plexi-glass disc scattered with inlaid brilliant-cut diamonds in collet-settings, diamonds 3.21 carats total, maker's mark, Swedish assay marks, inner diameter 14.0cm, outer diameter 21.0cmFootnotes:Provenance:A Private Collection of 20th Century JewelleryIngrid Bärndal (born 1964) is an award winning industrial designer and goldsmith based in Sweden. Her work covers product and interior design, graphics and jewellery. In addition to private commissions, her clients include Telia and Electrulux. Examples of her jewellery are held by the Swedish Nationalmuseum in Stockholm, Röhsska Museet in Göteborg and the De Beers International Jewellery Collection in London.For further information on this lot please visit Bonhams.com
Lot 401
Third Reich National Prize for Art and Science Breast Star, fine museum quality copy of the rare Third Reich award for Art and Science. Award with cut polished glass / stones to the award. Complete with the pin and catch fixing to the award. This decoration is one of the rarest awards from the Third Reich period, very few original examples remain on the collecting market. This example would be an ideal space filler for any collection.
Lot 285
A Victorian walnut vanity box with inlaid mother of pearl cartouche having family crest and initials, matching escutcheon, fitted leather interior with cut glass bottles having white metal tops, some silver, and various loose lids, base with secret drawer, along with a rosewood jewellery box, fitted interior with two trays and key and one other rosewood boxLocation:
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