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Lot 400
Thomas Deloney. The Noble and Diverting History of the Gentle-Craft: Shewing.. What Famous Men have been Shooe-Makers in Time past in this land, wood cut illustrations throughout, full calf, London: Printed for A. Betterworth, and C. Hitch at the Red Lyon in Pater-nofter-Row; R. Ware at the Sun and Bible in Amen-Corner; and F, Hodges, at the Looking-glass on London Bridge, 1737. Provenance: rebound in 1796 for the library of John Paget of Newbury Hall.extremities worn, joints cracked, darkening to margins, occasional spotting, some pages working loose and some pages with minor tears.
Lot 1476
Small Assortment of Collectibles, comprising a tall cut glass vase, 13'' high x 8.5'' diameter, (a/f), together with a Japanese lidded ginger jar, 7'' tall, and seven small Danish porcelain animal figures, including a mouse, two brown rabbits, a white rabbit, a bird and two small Wade rabbit figures, and three small wooden items.
Lot 25
A matched Art Deco silver mounted guilloche enamel and citrine dressing set comprising large glass powder jar and cover, two clothes brushes, mirror and comb, the pearl guilloche radial enamel within amber coloured banding, all set with central emerald cut citrine, the silver hallmarked by Goldsmith & Silversmith Co, Birmingham, 1938, the jar hallmarked by Garrard & Co., Birmingham, 1955 (5)
Lot 1030
Cased set of four oval Victorian open salts with blue glass liners and four original salt spoons, Birmingham 1892, cased set of six coffee spoons, Sheffield 1945, and a cased set of six bean end coffee spoons, six coffee spoons, two coffee spoons with Eskimo sledge and one with a paddle steamer, bright cut sugar tongs and a plated bread fork, total weighable gross silver 11oz 345gm ,
Lot 1025
Pair of George III open salts on claw and ball feet, the blue glass liners with star cut bases, possibly by Robert Harper, London 1788 3oz 97gm together with three silver plate clips, pair of shell shaped open salts, embossed pepper shaker, cased set of six tea spoons and various dates and makers, 4.5oz 144gm and a small eastern white metal container
Lot 505
Orlik, Emil. 1870 Prag - 1932 Berlin.Im Hydepark. 1898. Radierung, sign., dat., betitelt und num. "L 162" (?), Blattrand beschn., gebräunt mit Lichtrand, 8 x 11,5 cm, hinter Glas gerahmt. Ra. 17 x 18 cm. View of Hydepark, 1898, etching, margins cut, signed, dated, entitled, tanned. Framed with glass. 17 x 18 cm (frame).
Lot 543
A pair of water and wine cruets, silver and cut glass. Gothic Revival style, France. 19th century. Marked with the French Minerva, 1st grade silver, 950/1000. Marked with a French maker's mark, Letters E and F, with a nail and a star. Total gross weight: 621g. Dimensions: (L:14 x W:25 x H:15 cm)
Lot 483
A Russian Icon, 'Nicholas of Myra', gilt silver, vermeil, and tempera on panel. Mark of Yakov Mishukov, Moscow 19th century. The oclad very richly decorated with faceted and cabochon glass, pearls and rough 'old cut' diamonds (tested). Vermeil silver. Hallmarked with "84 zolotniks" (875/1000)Assayer marks for Ivan Yefimovich Konstantinov, Dated 1882. Maker's Mark "??". (Cyrilic), Mishukov Yakov Fedorovich, Yakov MishukovMoscow, the second half of the 19th century. Dimensions: (W:26,5 x H:31 cm)
Lot 66
A small Powell Whitefriars glass vase by James Powell, flaring cylindrical form, cut with wavy bands of disc and line, unsigned, collection loan sticker, 15cm. highLiteratureLesley Jackson Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 129 plate 126 for an identical vase.ProvenanceJeanette Hayhurst Fine Glass, 1997.ExhibitedWhitefriars Glass, Manchester Museum & Art Gallery, (Brian Cargin & Chris Morley Manchester loan).
Lot 19
Y A VICTORIAN SILVER RECTANGULAR INK WELL CHARLES STUART HARRIS, LONDON 1888 With a gadrooned border, pierced foliate swag decoration and on four foliate scroll feet, two cut glass ink well with silver mounted covers 18.5cm (7 1/4in) long Together with a silver coloured and mother of pearl dip pen, unmarked 369g (11.9 oz) weighable Condition Report: Marks are clear throughout Stands well No engraving Play to the bottle hinges One inkwell with a chip to bottom corner, the other with a repair to one corner Light scratches and wear commensurate with age and use Condition Report Disclaimer
Lot 120
A COLLECTION OF SILVER MOUNTED SCENT BOTTLES To include: a Victorian green cut glass scent bottle with silver cover by John Grinsell & Sons, Birmingham 1890, 8cm (3 1/4in) high; a silver heart shaped scent bottle, import mark for 1917, chased with C-scrolls and foliage, 5.5cm (2 1/4in) high; an enamel egg shaped scent bottle with silver cover by G. E. Walton & Co. Ltd., Birmingham 1888, 6.5cm (2 1/2in) long; a Victorian silver mounted cylindrical scent bottle, London 1868, engraved with foliate swag decoration and a vacant reserve, 6cm (2 1/4in) high; and three other silver mounted scent bottles Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
Lot 17
A VICTORIAN SILVER MOUNTED CUT GLASS CLARET JUG JAMES CHARLES EDINGTON, LONDON 1857 With a C-scroll finial and a scroll handle, the lobed glass etched with flowers 30.5cm (12in) high Condition Report: Marks are partially obscured Trigger action on handle good Gap to the cover Large repair to the glass Minor nibbles to the facets Light scratches and marks commensurate with age and use Condition Report Disclaimer
Lot 40
Mixed Lot: An Edwardian cut glass globular scent bottle having a plain silver collar and cherub decorated silver mounted shoulders, hallmarked Birmingham 1904, makers mark for Henry Matthews (missing top), four various glass bottles with silver lids/collars, a dressing table jar, a silver dwarf candlestick (loaded) together with a hallmarked silver pull off top (8)
Lot 69
Mixed Lot: George VI silver three piece condiment set of circular form to include two open salts with blue glass liners and a hinged lidded mustard, all hallmarked for Birmingham 1945, makers mark for T H Hazelwood & Co, four various hallmarked silver serviette rings, a cased serviette ring, Birmingham 1974, two cylindrical and baluster peppers, a silver mustard frame and liner (a/f), a small salt with screw on silver lid together with two cut glass salts with hallmarked silver rims and four various silver condiment spoons, silver weight 270gms
Lot 60
An Edwardian silver ink stand boat shaped and supported on four cast feet, the centre with two cut out reservoirs for a pair of cut glass globular ink wells with hinged hallmarked silver lids and collars, the frame hallmarked for Sheffield 1905, makers mark Walker & Hall, silver weight 140gms
Lot 67
Mixed Lot: An early 20th Century small silver oval pierced bon bon basket, marks rubbed, 10.5cm long, a George V small silver twin handled trophy, Birmingham 1935, makers mark S Blackensee & Son Ltd, a table cigarette box of plain rectangular form, initialled, wood lined and loaded, 11 x 8.5 x 5cm, marks rubbed, a cut glass oval shaped dressing table jar with hallmarked silver pull off lid together with a cut glass scent bottle and stopper with hallmarked silver collar
Lot 343
A large group of George III cut and faceted wine and water glasses, late 18th / early 19th century, comprising: a group of eight glasses with panelled barrel bowls above balustroid stems, each approx. 15.5cm high; a group of six glasses with panelled bucket bowls above angular knopped stems, between 13.4 - 14.4cm high; a pair of glasses with panelled cup bowls above heptagonal baluster stems, each 16.9cm high; and a further quantity of similarly designed glasses (27) Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré. Condition Report: One glass with a chip to the footrim. A couple of glasses have deep scratches to the underside of the foot. The remaining glasses have scratches to the footrim and foot, light marks, impurities and air bubbles, and general light surface dirt, all consistent with the age of the glass and from expected use.
Lot 339
A Victorian Nailsea type coloured glass model of two friggers, under a glass dome with later stained wood oval base, approx. 27.5cm high overallProvenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Footnotes: Note: According to the Corning Museum of Glass, the English term 'frigger' refers to an object made by a glassworker on his own time. Most friggers were made from the molten glass that remained in the pot at the end of the day. Such glass was considered to be a worker’s perquisite. American glassworkers referred to friggers as “end-of-day” objects. They are also known as whimsies.Condition Report: The smaller frigger has a section of rigging missing to the central mast, and is detached from its glass base. The other frigger appears to be in good condition. The glass octagonal base rests loosely on the black-painted plinth, it has been crudely cut and has some sharp edges. The glass dome and base are in good condition, the dome with a roughly cut edge. Additional images are available - click here.
Lot 696
A table lamp, late 19th century/early 20th century, the base modelled as a porcelain dog, with glass eyes, upon naturalistic shaped base, with shade, painted '11342 PS' to base, 32cm high (including shade) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. CONDITION REPORT:The dog model shows firing pits and frits across the body and rubbing to the gilt highlights around the head, but no obvious chips, cracks, crazing or repairs. The oil lamp fitting has been electrified, and later attached to the dog model, probably using some kind of glue. It is not possible to tell if there is any further fixing present between the model and the fitting, or if the fitting has damaged the model in any way. The electrical cable has been cut for safety reasons. One arm of the shade support is detached. The shade shows small chips to the rim and nibbles to the base. The piece is dirty and would benefit from cleaning.
Lot 493
An opaque white glass lustre, 20th century, with red floral and foliate decoration throughout, monteith cut rim, leading to a spreading circular foot, with arrow cut glass drops, gilt banding, 28cm high, with a ruby glass lustre, the bowl with shaped rim, knopped stem leading to a spreading circular foot, with arrow cut glass drops, 34cm high (2) CONDITION REPORT: Each lustre shows wear commensurate with age including surface scratching, chips and nibbles along with rubbing to gilt highlights and decoration (please see photos). No other obvious signs of damage nor restoration.
Lot 491
A pair of opaque blue glass lustres, late 19th century, painted white foliate decoration to the bowl, leading to a spreading circular foot with white beaded decoration, each with monteith cut rim, each with cut glass drops, 33cm high (2) CONDITION REPORT: Each lustre shows surface wear commensurate with use and age, to include fading to gilt banding, chips and nibbles to some glass drops, and minor marks and scratches. No other obvious signs of damage nor restoration.
Lot 680
An Italian cut glass eight branch chandelier of large proportions, in the 19th century Venetian manner, the central column formed of 'S' and 'C' scrolls around a central lamp, extending to four 'V' shaped double branches, set with moulded glass flower heads and cut glass drops, approximately 77cm high overall (at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 175
A pair of late 19th century oil lamps, with blue and clear glass shades, cut glass reservoirs and mounted on blue ceramic bases with panels depicting children and flowers, raised on gilded bases. Height including chimneys 70 cm (see illustration). CONDITION REPORT: Both shades are in good order with no chips, cracks or repairs. Both have very minor nibbles around the extremities of the bottom ground edge which is typical. Both reservoirs are in good condition and free from cracks. All brasswork is present although somewhat tarnished. The ceramic sections of the lamps are in good order with no cracks or damage. Much of the original gilding is missing to the bases. Both chimneys are present and in good order.
Lot 70
A suite of Thomas Webb cut glass, comprising 12 large goblets, 6 medium goblets, 14 slightly smaller goblets, 6 sherry glasses of similar form and 10 whisky glasses and water jug, with receipt from August 1970 £81 and 6 shillings (see illustration). CONDITION REPORT: Tallest glasses 16.5 cm, medium 15.7 cm, small 13.8 cm. Jug height 14.5 cm. All glasses are in good condition and have clearly seen little use. There are no chips, cracks or any damage.
Lot 39
A Victorian silver inkstand. Edward, John & William Barnard, London, 1850. The shaped rectangular stand raised on four scroll feet and supporting a taperstick on hexagonal foot flanked by two cut glass inkwells, the stand chased with scroll patterned band and engraved with lion crest and the motto 'firmitas in coelo' (strength in heaven), the glass inkwells with knopped and pointed finials, stand engraved J. Mayer, silversmith, Liverpool to underside, registration number 335, stand 20.4 x 30.3cm, approx. 16cm high (inc. taperstick), weighable silver approx. 22.5ozt Condition Report: In overall good condition, with general surface scratching, pitting and nicking. Minor dings noted to body, including one in the area where one of the inkwells sits. One 2cm split and two minor splits noted to area upper the decorative banding (not affecting the decoration). The decoration in good condition. The crest and motto in overall good condition with light wear. Inkstand steady on feet. Some tarnishing around the feet. Marks clearly stamped to underside. The two mounted glass inkwells with some chips to edges and a few firing faults to glass. Marks stamped to collars of the covers and partly stamped to interior of the covers: marks slightly rubbed but legible. The hinge mechanisms of the covers in good condition: one cover sits slightly raised, one cover feels looser than the other. The taperstick in overall good condition, with some pitting and light wear. Marks clearly stamped, maker's mark slightly rubbed. Overall a nice piece in general good condition. Further images can be downloaded via the following link: https://we.tl/t-2UizlyrHXD
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152611 item(s)/page