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Lot 88
Schale im versilberten Gestell, 20. Jh.Gestell in Art decó-Form, Metall versilbert, mit zwei Griffen, Einsatz farbloses Kristallglas mit Schliffdekor. Marke "J.T.&O. E.P.N.S.". D. 21 cm, versilbert Bowl in a silver-plated frame, 20th century. Frame in art decó form, silver plated metal, with two handles, insert colourless crystal glass with cut decoration. Marked "J.T.&O. E.P.N.S.". D. 21 cm, silver plated
Lot 263
Haug, Robert von. Stuttgart 1857 - 1922."Morgenrot (Rastende preußische Dragoner)". Farblithografie. 1902. Im Stein signiert und datiert unten links. Hinter Glas gerahmt. 69 x 99,5 cm (BA). 81,5 x 111 cm (Ra). An die Darstellung geschnitten. Feuchtespuren am oberen und rechten Bildrand. Aus: Künstlerischer Wandschmuck. Deutsche Künstler-Steinzeichnungen, Leipzig (R. Voigtländers Verlag) o.J. Dawn (Prussian Dragoons taking a rest). Colour lithograph. 1902. Signed and dated in the stone bottom left. Framed behind glass. Cut to the motif. Top and right margin with traces of humidity.
Lot 283
Schreyer, Lothar (1886 Blasewitz bei Dresden - 1966 Hamburg)Das gespaltene Kreuz. Kolorierter Holzschnitt auf feinem Japan. Ohne Jahr. Künstlersignet unten rechts. Unten links von unbekannter Hand betitelt. Wohl aus einer Auflage Edition Panderma, Carl Laszlo, Basel 1966 oder ähnlich. 26 x 18 cm. Hinter Glas gerahmt. 28,5 x 23 cm (RA). Abdrücke aus dem Druckprozess. The divided cross. Coloured wood-cut on thin paper. No year. Artist's signet bottom right. Bottom left titled by unknown hand. Pres. from an edition 1966. Framed behind glass. Marks from the printing process.
Lot 267
Jank, Angelo. München 1868 - 1940."Die eiserne Wehr". Farblithografie. 1902. Im Stein signiert und datiert unten links. Darüber Vignette der Künstlereindrucke Voigtländer, Leipzig. Hinter Glas gerahmt. 74 x 54 cm (BA). 86,5 x 68 cm (Ra). Bis an die Darstellung geschnitten. Rahmung etwas angeschmutzt. The iron defence. Colour lithograph. 1902. Signed and dated in the stone bottom left. With sign of the publisher. Framed behind glass. Cut to the motif. Framing a bit dirty.
Lot 189
Rubens, Peter Paul1577 Siegen - 1640 Antwerpen "La reine s'enfuit de la Ville de Blois" (Die Königin flieht aus der Stadt Blois). Kupferstich von Jean-Marc Nattier nach Rubens um 1710. Unterhalb der Darstellung in der Platte bezeichnet. Aus der Kupferstichfolge "La Gallerie de Palais du Luxembourg" zum Gemäldezyklus Maria de Medici und Henri IV, publ. 1710 bei Duchange in Paris. Hinter Glas gerahmt. Blatt bis an die Darstellung geschnitten, angestaubt und etwas stockfleckig. 45 x 34 cm (BA) / 58 x 47 cm (Ra). The Queen escapes from the city of Blois. Copperplate engraving by Nattier after Rubens around 1710. From the series on the Gallery in the Palais Luxembourg, painted by Rubens; published at Duchange in Paris 1710. Framed behind glass. Cut to the motif, dusty and with some foxing.
Lot 86
Group of silver, to include silver handled cake knife, hallmarked Sheffield 1973, cigarette case, hallmarked Birmingham 1915, cut glass sugar caster with silver cover, part silver mounted capstan inkwell, three salt spoons, cut glass dressing table jar and silver mounted cover, hallmarked Birmingham 1921, etc., small silver plated pin dish in the WMF style, and a mahogany flatware case with green silk lining
Lot 11
S. Blackensee & Sons Ltd. A silver lidded whisky noggin of conical form, with handle & star cut base, Chester 1933, fitted with a Birmingham 'Whiskey' labelCondition report: No chips or cracks to glass, there is a scratch, a few millimetres long near base, can catch with your nail, the silver collar is a little depressed on one side, can just see it.
Lot 208
An early to mid-20th century oak tantalus, decorative metal mounts, contains three square cut glass spirit decanters, (with key) the frame base 36cm x 14.5cm x 27cm (top of frame, not including handle)Condition report: One decanter (central one) has a chipped neck rim, some fading and liquid damage to the wood work, has key (working lock).
Lot 27
James Dixon & Sons, a silver plated bacon dish, the cover engraved with an inscription 'To Philip Rodway from the Touchy Trio, Robb, Bobbie, & Georgie' (Wee Georgie Wood), together with a cut glass claret jug, silver plated lid & handle, and a silver plated sauce boat (Philip Rodway was a Theatre Impresario, the Touchy Trio must have been a Music Hall Act)
Lot 35
John Grinsell & Sons, a late 19th century silver plate and cut glass whisky barrel, having cork fitted to top, a tap with bucket suspended on a trestle frame stand, the barrel 15cm long Condition Report- Overall O.K. condition, the barrel is cracked at the front and back. The front crack extends down the side of barrel.
Lot 81
A Victorian silver handled page turner, a cased Walker & Hall silver & enamel set of six coffee spoons, Birmingham 1937, a cased pair of cut glass butter dishes with silver knives and a cased pair of scallop shaped saltsCondition report: Dents to handle of page turner, discolouration, crazing to blade. Shell salts not silver, corrosion, enamel spoons minor losses, particularly to one near where the handle starts, glass salts – very minor rim chips.
Lot 1137
A late 19th Century calamander dressing chest/jewellery box, G.Betjemann & Sons, London, of plain, polished rectangular form, the hinged lid to a fitted interior with ratcheted hinge and clasp with spring fitted mirror and stationary slide, over seven silver and EPNS lidded and cut glass toiletry bottles with engraved decoration and initials, London 1880/81, maker's mark overstruck George Betjemann & Sons, with lift out tray containing an associated part manicure set and with a sprung button to open a navy velvet lined jewellery drawer with maker's plaque, width 30 1/2cm
Lot 1005
A collection of assorted silver and silver plate, the silver including: a five-bar toastrack; three differing cigarette cases; two various napkin-rings; five various silver-mounted cut-glass dishes; a collection of George III and later silver flatware; a charm bracelet with various silver or other charms and three various star-shaped pendants; the silver plate including: a wine-taster and various flatware, approximate weight of weighable silver 18oz 11dwt, 576gr (qty)
Lot 1018
A plated figural dessert-stand, on the spreading base with black stone plinth, the stem formed as a draped classical figure supporting the cut glass bowl, 42cm highCondition report: Glass dish is in good order. Mount with a dent. Worn areas of plating to the toga, legs, feet and base. Otherwise OK.
Lot 1058
An Edward VII Silver Two-Bottle Inkstand, by Charles Stuart Harris, London, 1905, shaped oblong and on panel feet, with two pen rests and supports for the two silver-mounted cut-glass bottles, engraved with an inscription dated 1905, 23.5cm wide, weighable silver 18oz 19dwt, 590grCondition report: A few surface scratches. One ink bottle with loose silver mount and large chip to neck. Other ink bottles with cracks to the neck and heavy clouding.
Lot 1061
Three silver or silver-mounted items, comprising: a silver-mounted glass inkwell, the hinged cover engine-turned and engraved with initials, by Henry Matthews, Birmingham, 1929, 9.5cm square; a silver-mounted cut-glass inkwell, with domed hinged cover and a silver cigarette-box, 14cm wide (3)
Lot 128
Assorted 19th century and later ceramics and glassware, comprising: a Victorian rosewood writing slope with inlaid bone, brass and mother-of-pearl decoration; hunting related items including a Johnson Bros Pareek tea service and a carved horn beaker; various planters, vases, a cut glass pedestal bowl etc (shelf)
Lot 27
GALLÉ vase; France, ca. 1900.Acid-etched cameo glass.With signature.Size: 42,5 x 16 x 16 cm.Gallé vase made in acid-etched cameo glass, with a naturalistic and asymmetrical vegetal design, based on large motifs, typical of Gallé's language. In fact, cameo glass has been known since ancient times, although it was revived at the end of the 19th century in France and England. Gallé presented his acid-etched cameo technique at the Paris Exhibition of 1889, with the aim of bringing modernist glass to the public. It was a quicker and cheaper form of decoration than the wheel-engraved cameo, resulting in more affordable, mass-produced but handmade pieces, as no stencils were used and the motif was hand-drawn on each piece. The technique of cameo glass consists of blowing a bubble of two or more layers of glass of different colours, which are then cut or removed by acid etching the bottom, thus leaving the motif in relief, in the colour of the top layer of glass.The master glassmaker Émile Gallé (1846-1904) took over his father's factory in 1874 and soon achieved great international success, winning prizes at international exhibitions and selling works to important collections and museums. Today, pieces by Émile Gallé can be seen in the Hermitage Museum in St Petersburg, the Metropolitan Museum in New York, the Musée d'Orsay in Paris, the Brohan Museum in Berlin and the Victoria & Albert Museum in London, among many others.
Lot 010750
Fußanbietschale mit Glasaufsatz, 13-lötig, süddeutsch um 1845/50, guill., Schilfdekor vollplastisch, aufgelegte Blüten, Glasschale Kristallglas geschnitten und geschliffen, um 1870/80, H ca. 17 cm, D ca. 20 cmFooted bowl with glass , 13-lot, Southern Germany approx. 1845/50, needle etching, reed decor vividly, applied blossoms, glas bowl crystal glass cut and sharpened, approx. 1870/80, h. approx. 17 cm, diam. approx. 20 cm
Lot 2148
1930's three piece dressing table set, comprising handheld mirror, hair brush and clothes brush, each with engraved initial to panel and engine turned decoration, hallmarked W J Myatt & Co, Birmingham 1939, together with a 1920's cut glass dressing table jar with engine turned silver cover, hallmarked Birmingham 1922, makers mark M Bros, and an early Victorian taper stick, with cast foliate rim, flying foliate handle, and later conical snuffer, hallmarked London 1839, makers mark worn and indistinct, approximate weighable silver 3.60 ozt (112 grams)
Lot 2164
Group of assorted silver, comprising modern silver mounted cut glass sugar caster, hallmarked W I Broadway & Co, Birmingham 2000, 1930's napkin rings of square form with engine turned decoration, hallmarked John Rose, Birmingham 1935, two 1970's wine labels detailed 'Gin' and 'Whiskey', hallmarked Francis Howard Ltd, Sheffield 1974 and 1975, two christening forks and two spoons, in fitted cases, various hallmarks, and a set of four Edwardian cut glass peperettes with silver covers, approximate total weighable silver 7.04 ozt (219 grams)
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152611 item(s)/page