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A JOSEFF OF HOLLYWOOD VINTAGE GILDED BRASS BRACELET SET WITH A LARGE OVAL FACET CUT VIVID PURPLE GLASS, A FLORAL WREATH BORDER AND AN EIGHT STRAND CHAIN BRACELET. SIGNED TO REVERSE OF CENTREPIECE . PLEASE SEE THE JEWELRY OF THE STARS , CREATIONS FROM JOSEFF OF HOLLYWOOD BOOK, PAGE 149, WORN BY GAIL PAGE CIRCA 1940, FOR THIS BOOK PIECE ILLUSTRATED PHOTO.
Hans Hartung, 1904 Leipzig – 1989 AntibesP20-1984-H9Pastell auf Papier.52,5 x 74,5 cm.Verso im Ausschnitt der Abdeckung betitelt.Hinter Glas und Passepartout gerahmt.Das hier angebotene Werk wird in der Fondation Hans Hartung und Anna-Eva Bergman unter Nummer CT.1130-3 geführt. (1371407) (1) (13)Hans Hartung, 1904 Leipzig – 1989 AntibesP20-1984-H9Pastel on paper.52.5 x 74.5 cm.Titled on the reverse in cut out of the cover. Framed with mount under glass.The present painting is listed at the Fondation Hans Hartung and Anna-Eva Bergman under no. CT.1130-3.
Neuwertige goldene CARTIER Tank Française, Referenz 238518 kt. Gelbgold mit Brillanten.Gehäuse-Durchmesser: 20 x 25 mm.2000.Feine Damen CARTIER Tank Française in 18 kt. Gelbgold besetzt mit Brillanten und Gelbgoldband mit Doppelfaltschließe, ebenfalls besetzt mit Brillanten, mit Saphirglas. Champagnerfarbenes Blatt mit römischen Ziffern und gebläuten Stahlzeigern. CARTIER Quarzwerk, Kaliber 057. Uhr kommt mit Originalbox und Papieren. (1371002) (1) (20)Like new Gold CARTIER Tank Française, Reference 238518 ct yellow gold with brilliant-cut diamonds. Case diameter: 20 x 25 mm.2000.Fine ladies’ CARTIER Tank Française watch in 18 ct yellow gold set with brilliant cut diamonds and yellow gold strap with double folding clasp, also set with brilliant cut diamonds, with sapphire glass.
Jahresteller 1975, Entwurf von Günther Uecker für Rosenthal, Glas, plangeschliffener Stand, mittig hohl geblasen, Ø 36 cm, 642/3000 nummeriert, signiert, bezeichnetGünther Uecker (1930 Wendorf) (F)Annual plate 1975, design by Günther Uecker for Rosenthal, glass, flat cut stand, blown hollow in the middle, Ø 36 cm, 642/3000 numbered, signed, inscribed
A North European gilt-brass and cut-glass twelve-light chandelier, possibly Swedish, 19th century, with graduated tiers hung overall with facetted drops, the middle tier and circlet with beaded plumes, approx. 131cm high, 110cm diameter It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.
A Russian ormolu-mounted malachite and cut-glass encrier, early 19th century, the rectangular tray surmounted by a central urn-shaped bowl with foliate-cast rim and leaf-clasp body, flanked to both sides with conforming inkwell and pounce pot, on turned feet, 13cm high, 25cm wide, 12cm deepFootnotes: Note: An encrier with an identical base sold Christie's, London, 6 December 2007, lot 200, £7500.
A George III gilt-bronze mounted musical bracket clock, by George Prior made for the Turkish Market, London, last quarter 18th century, the architectural case painted with polychrome floral swags and sprays on a green ground, surmounted with a cut-glass sphere above a facetted dome flanked by flambeau urn finials and cut-glass spheres to corners, above two conforming gilt-bronze capped faceted columns, the sides with fabric lined pierced scrolling foliate panels and swing handles, the reverse with arched glazed door, on a moulded plinth base with scrolling foliate feet, the white enamel dial with Turkish numerals, signed GEORGE PRIOR LONDON, with two subsidiary dials above, one inscribed CHIME / SILENT, the other with list of tunes SABAC HAFFIF / MINUETT / SAMAHE / SONG, within shaped floral decorated surround within gilt borders, enclosed within floral cast bezel, the three train fusee movement striking on a bell and playing four tunes on ten bells, the backplate signed Geo Prior London, with pendulum and case key, 67cm high, 40cm wide, 23.5cm deepProvenance: The Property of a LadyPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: George Prior, 1735-1814, was well known for exporting clocks to the Turkish market in the late 18th century. After the establishment of trade with the Ottoman Empire, British diplomats in the late 17th century began presenting clocks as gifts to Ottoman officials, leading to a break in the dominance of the French and Swiss in the market for timepieces. This eventually resulted in a high demand for British clocks and lucrative export businesses such as that of George Prior. Such was his success in this area that the word coined by the Turkish to describe a British-made timepiece, 'Pyrol', is a derivative of his surname. He is listed as being active in 1765-1812 at 31 Prescot Street, Goodman's Fields, London, when he was succeeded by his son Edward - Looms, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 630pp.
A portrait miniature of Marie of Prussia as Crown Princess of Bavaria, miniature on ivory, a copy of a portrait by Joseph Steiler of Marie of Prussia, Queen Consort of Bavaria as Crown Princess. In an oval silver gilt mount, with a surround of bands of round mixed cut marcasite, grain set. To white cloisoneé enamel scrolls and a black enamel surround. A twisted wire edge, to an articulated fluted bale, hand engraved to the reverse with foliate scrollwork. To a later pin and roller catch, 44mm x 74mm, 25.69g IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: 3R67ZF6Y. Condition ReportPossibly on Ivory. Visible glue to a few marcasite under 10x magnification. Fractures to a few marcasite. Later soft solder additions to the sides of the mount. Hand engraved reverse showing very slight compression to the lower half. A few small chips to glass, visible under 10x magnification. Pin and clasp a later addition. Marks and scratches. Some tarnish.
A large collection of costume jewellery, to include a blue and green glass bead necklace, c.1920, 460mm, a base metal cloisonne enamel floral bead necklace, c.1930, strung knotted, a kumihimo braided blue glass bead necklace, 780mm, a three row purple glass bead necklace, to a paste safety clasp, 410mm long, a French jet bead necklace, 660mm long, a wooden bead necklace, strung in loops, 400mm long, a graduated mixed cut garnet adjustable necklace, 1130mm long, a pair of base metal circular millefiori enamel earrings, a pair of silver circular cloisonne fish earrings, and assorted necklaces, brooches, buckles, earrings, etc.,together with a group of gold and silver jewellery,to include a pair of gold hollow hoops, tested as 9ct gold, a silver hinged bangle, a silver tooth drop brooch, a silver bar link necklace, a silver tennis club pendant, a silver plain hollow three row twist bangle, all tested as silver. 9ct gold - 2.03g total, silver - 299.45g totalCondition ReportMarks and scratches.Tarnish.As found.
An Art Deco diamond set Croton mechanical cocktail watch, with a rectangular case with a silvered dial, black Arabic numerals and blue spade hands. The case millegrain set with lines of eight cut diamonds, and a marquise cut diamond above and below. The pierced lugs millegrain set with eight cut diamonds, to a black cordette bracelet, with gold filled ladder clasp. Case tested as platinum. Movement signed Croton, no. 317339. 155mm long, 10.86gBuying this watch at auction could save up to 0.80 tonnes of CO2e compared to buying new. Condition ReportWinds and ticking but no guarantee as to time keeping or continued running. Dial showing deterioration commensurate with its age. Diamonds bright and lively. Light chips to the lower edge of the glass.
A George II silver cruet stand, London, 1729, Samuel Welder, with two associated silver capped cruet bottles, stamped W.Y only to inside of caps, the stand approx. 19cm wide, 8cm high, the bottles approx. 17.5cm high; together with three glass inkwells with unmarked mounts decorated with foliate motifs and beading, approx. 8.2 - 8.9cm high (a lot) Condition Report: Oil and vinegar cruet stand: Good condition commensurate with age. Some general scratching, nicking and minor pitting to stand. heavier pitting to thumbpiece of handle. Small patches of solder noted to handle joins. Slightly wobbly on feet. Bottles in good condition. No cracks noted. No silver mounts to collars. Some minor chips to cut glass bodies. One bottle is thicker than the other. Caps in good condition. A split to solder seam of one. Inkwells: good overall condition. Some losses to the edge of the cover of the scroll pierced example. General minor scratching, pitting and nicking to all mounts. Minor chips to glass.
A George III silver cruet set, London, 1811, Charles Chesterman II, the stand with gadrooned border and foliate chased band raised on four bracket feet, designed with loop handle and wooden base supporting eight cut glass cruet bottles including four with silver mounts, same date and maker, the stand with initial engraved to one side, together with a Scottish silver condiment spoon, stand approx. 21.5cm wide, 22.5cm high Condition Report: The cruet set is in good condition commensurate with age. Some minor surface scratching, nicking and pitting to the silver. One cartouche vacant, the other with initial. Bracket feet in good condition but possibly some small repairs to ball terminals. Stand slightly wobbly on feet. Glass cruets are generally in good condition with no cracks noted. Some minor chips and abrasion noted to all. A conchoidal fracture to collar of one of the smaller glass vessels with glass stoppers and smaller chips to the same place on the other small bottle of this design. A chip to the base of one of the large bottles with glass stoppers. Some small chips to stoppers. Silver mounts generally in good condition with hallmarks visible to all. Small repair noted to hinge of cruet with hinged silver lid and a chip to the foot of this piece. Silver collars missing from both cruets with perforated lids. Cap loose to cayenne pepper cruet. Spoon slightly bent and bruised.
A group of silver mounted glassware comprising: a twisted glass sugar bowl with gadrooned silver mount, stamped only IP, (possibly John Purcell, Limerick, c.1810), 11.6cm high; a Dutch silver mounted cut glass mustard, 1827; with hinged cover to reeded handle, the square base raised on four ball feet, 14cm high; a George III silver mounted glass cruet bottle, marks rubbed, with cut glass oval body to silver collar with engraved crest and a hinged lid with shell thumbpiece, approx. 21cm high (inc. handle); and a cylindrical cruet with silver cover, London, 1829, probably Joseph Angell I (mark rubbed), engraved with monogram to lid, approx. 11cm high (4)
Collection of glasswareincluding: etched wheatsheaf decorated drinking glasses, set of five leaf and vine etched wine glasses on air twist stem, 17.5cm high, other sets of cut glass wine and liqueur glasses etc At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Group of glasswareto include a green speckled vase, 29.5cm high, Galway Crystal cut glass vase, with hobnail decoration, 20.5cm high, a Bristol Blue glass bowl, 5.5cm high, a Bristol Blue milk jug, 7.5cm high, six green Dutch/German Roemer-style glasses, decorated with raspberries and grape vines, the tallest 13cm high, a Murano-style bottle vase, blue and green, 38.5cm highProvenance: The property of a Gentleman, from a period Winchcombe Town House. Some pieces with signs of wear consistent with age and use. Some pieces with natural firing imperfections. Some Roemer-style glasses with chips in the interior of the handle. Green speckled vase with a small red stain/mark. One marble with chips.
Art Deco glass scent or perfume bottleFrench, with moulded decoration of trailing flowers, with facet cut body on octagonal base, with deficient atomiser top, unsigned, 16cm high overall Overall wear and marks, the attachment for the atomiser is missing. The metal top with some damages. Very tiny chips to the base, slight clouding to the interior. Scratches to the underside, consistent with age and use.
A Bohemian blue flashed and gilt heightened glass Armorial gobletcirca 1850-70the bowl decorated two large cut and engraved oval panels depicting differing coats of arms interspersed with two narrow oval panels, the whole raised on knopped lobed hexagonal foot, 14cm high overallFor further information on this lot please visit Bonhams.com
An extensive suite of Bohemian facet-cut and gilded table glass, late 19th centuryattributed to Gebrüder Lorenz, Steinschönau, decorated with hunting scenes in gold, including huntsmen, huntswomen and falconers at various pursuits, shooting and flighting hawks, some with hounds, boars, stags, or dead game, all framed by scrollwork hung with garlands of flowers, comprising a pair of handled decanters and stoppers, three decanters and a stopper, a pair of small decanters and a stopper, 29 twelve-sided bowls and 25 stands, 21 tumblers, 35 wine glasses, 35 sherry glasses, and 24 liqueur glasses, the largest decanters 31.5cm high including stoppers (180)Footnotes:The style of the decoration on this suite of glass is found on a number of Northern Bohemian glasses from the third quarter of the 18th century also attributed to Steinschönau, see Rainer Rückert, Die Glassammlung des Bayerischen Nationalmuseums München, Vol.2 (1982), pp.237-8, pls.207-9, nos.691-706.For further information on this lot please visit Bonhams.com
A pair of late 19th/early 20th century French gilt bronze and glass storm lanternsthe fluted and guilloche cast urn candle nozzles set within elongated shades surmounted by fixed swagged and beaded rim collars, the lobed acanthus cast socles raised on shallow re-entrant and cut-corner plinth bases, 43cm high overall (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of gilt bronze and cut and moulded glass twin-light wall appliques en-suite lot 229in the Louis XV style, probably French, late 19th/early 20th centuryof shaped half cage frame form with shaped backplates, the lobed baluster nozzles with dished drip pans, each with faceted baluster and tapered knopped finial and hung with large flat faceted pear shaped pendant drops, 75cm high approximately(2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of impressive late 20th century Continental cut-glass twenty four-light cage chandelierseach of multi-scrolling form, the candle fitments with dished drip pans arranged in two alternating registers below a scrolling corona, the frames applied with strings of beaded drops and hung with faceted beaded pendants with corresponding pear-shaped faceted drops, 130cm high (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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152611 item(s)/page