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A pair of Continental orange glass table lustres, late 19th/early 20th century, in the manner of Loetz, each base hung with two graduated tiers of cut glass lustres above a slender turned column, decorated throughout in black enamel with figures of maidens chasing birds and flying insects, 37cm high (2)
A Collection of 19th Century and later Glass to comprise pair of etched Baluster Stem Glasses on folded foot, 10cm high, bell bowl example with rough cut, faceted conical glass, set of four knop Stemmed Glasses with etched bucket bowls, 12cm high. A Pair of Ogee bowled Glasses on tapering Baluster Stems, 11.5cm and a conical bowled example, various condition issues, 12cm
A selection of Waterford Crystal and other glassware, including: set of six Waterford Crystal tumblers; two Waterford Crystal brandy glasses; Royal Doulton Royal Commemorative wine glass; Atlantis glass sports car paperweight; cut glass decanter with stopper; and other glasses including liqueur glasses and tumblers.
A selection of glassware, including: a pair of Victorian blue glass lustres, each with crystal lustre drops, 30cms high; a pair of Bohemian clear and cranberry overlaid glass vases; a cranberry and clear glass decanter and stopper; a cut-glass dish; and a contemporary coloured and clear glass solifleur vase.
A selection of lady's bags and dressing table accessories, including: a Stratton gilt metal powder compact; other powder compacts including enamelled examples; a silver lidded cut glass cosmetics jar; a gilt metal pill box with enamelled lid; a brown leather reptile skin style ladies handbag; and other items, two trays.
Ray Annenberg - Whitefriars - A rare likely one off piece of Whitefriars studio art glass hand made and designed by Annenberg during the The third Aaronson Noon WHITEFRIARS DAY 20 June 2009. The vase in clear glass with orange & red colour flashes with darker tones to the circular rim. The underside featuring skillfully cut unpolished pontil mark and bears etched signed notation reading. Made by Ray Annenberg at Aaronson Noon Studio for the Third Aaronson Noon Whitefriars Day. Measures approx 22cm tall.
CARAN D'ACHE FOUNTAIN PEN.Barrel in silver, stones and rhinestones.Limited edition.Silver nib. F point.No box.Dimensions: 17 cm in length, 17.8 mm in diameter.The fountain pen that corresponds to us is "La Gothic", designed by the artist Laurent Bruat and inspired by Gothic art, only 1140 pieces were produced as a tribute to the era that inspired him. It has a six-sided body in rhodium-plated sterling silver. Its design consists of typical Gothic elements, such as rose windows, stained-glass windows, pointed arches, fleur-de-lis and is very colourful. It was made using 892 brilliant-cut diamonds, 72 emeralds, 72 rubies and 210 yellow sapphires. Silver nib, F-point.
A silver plated and cut glass centre piece, the cut glass crystal top on tripod base with winged beasts, on claw feet, 48cm high; together with a silver rimmed cut glass vase with wreath and ribbon tie repeating decoration 15.5cm high (2)Wings of beasts rather damaged, some partially detatched, small chips to the glass top on the rim; surface scratches on vase.
A group of glassware comprising; a Loetz-style glass vase, 9.5cm high; a further Loetz-style vase, 13cm high; a cut glass and metal lidded jug, 24cm high, with matching beaker, 10cm high; a Whitefriars amber glass bowl, 13.5cm diameter; and further itemsSmaller Loetz-style vase with chips to the rim; other items in good condition.
A 19th century mahogany veneered paneled door, with painted decoration to the opposite side, 83.5cm wide, 188cm high, complete with facetted glass doorknobsSome minor signs of woodworm, some signs of old fixings to include coat hooks, the door cut down from a larger door, minor marks, dents and scratches overall particularly to the paintwork due to age and use.
WILLIAM EVANS A 9.3X74mmR BOXLOCK EJECTOR DOUBLE RIFLE, serial no. 13354, for 1924, 26in. nitro reproved barrels converted to 9.3x74mm in 1999, the tubes freshly engraved 'CALIBRE 9.3X74R FOR 285 GRAIN BULLET. WILLIAM EVANS. 63, PALL MALL. ST. JAMES'S. LONDON.', file cut sight rib with open sights and two folding leaf sights, white metal-inlaid sight lines and marked for 100, 200 and 300 yards, ramp-mounted folding foresight, bead fore-sight with flip-up moonsight on one side, folds over to expose a blade fore-sight on the other, the breech end mounted with a Zeiss Varipoint V 1,1-4x24 T* telescopic sight, serial no. 2505880, in quickly-detachable mounts, the rings engraved with the rifle serial number and calibre, treble-grip action, removable striker discs, automatic safety with gold-inlaid 'SAFE' detail, border and acanthus scroll engraving, traces of renewed colour-hardening and finish, 14 1/2in. pistolgrip stock with engraved steel pistolgrip-cap, sling eyes and including 7/8in. rubber recoil pad, fore-end with grip-catch release lever, weight 9lb. 6oz. (unscoped) and 10lb. 10oz. (with scope), in a fully fitted brass-cornered leather case with William Evans trade label and charges label, with provision for telescopic sight, horn snap block, cleaning rod, leather pouch with cleaning heads (and case key), turnscrews and striker disc key, snap caps, nickel oil bottle and two glass solvent / rangoon oil bottles, together with various sighting targets S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act
ELEY BROS., LONDON A GOOD COMPREHENSIVE GLAZED CARTRIDGE AND METALLIC AMMUNITION ADVERTISING BOARD, circa 1895, 30 1/2in. x 25 1/4in. oak outer frame (small chips and losses) marked in black 'ELEY' along the top, 'SPORTING' and 'MILITARY' to the left and right sides respectively and 'CARTRIDGES' along the bottom and with a red-painted wooden bevelled inner frame behind the glass, the pale blue background with a raised roundel printed with 'ELEY AMMUNITION' around the 'E.B.L.' central shield, the cartridges displayed in a general starburst formation with metallics to the outer points and bordered by rare trade-name cartridges such as 'Aquoid', 'Zenith', 'Acme', 'Rocket', 'Ecar', 'Eloid', 'Pluto' , Mars' and 'Thor' amongst others, all above a comprehensive display of paper cartridges in all gauges between .360 shotgun to 4-bore shotgun and including rare sizes such as 32-bore, 24-bore and 14-bore and also including cases advertising various powder types such as 'Amberite', 'Ballistite', 'Schultze' and 'E.C.', together with various cut-aways, the metallics including everything from .577-500 downwards to gallery rimfire ammunition, some fading to shell hulls.
A GEORGE III MAHOGANY SECRETAIRE BOOKCASE, the top with an overhanging cornice, double astragal glazed doors, enclosing two divisions, and six adjustable shelves, above a base with secretaire section with fitted interior above four further drawers, on bracket feet, width 128cm x depth 63cm x height 222cm x height of base 100cm (condition - one glass pane cracked, some surface marks, loose parts, replacement lock, feet cut down) (2 keys)
A GROUP OF COLOURED AND CLEAR GLASSWARES, approximately seventy pieces to include boxed and loose Crystal Art oyster shells, a seven piece Davidson cloud glass dressing table set, a penguin paperweight by Freeform glass, a yellow and orange art glass vase height 19cm, a clear talcum powder bottle with plated lid, cut glass and crystal items including decanters, bowls, vases, four sets of drinking glasses, etc (Qty) (Condition report: most pieces appear in good condition, some chips, fleabites and inclusions etc, require cleaning)
A QUANTITY OF CUT CRYSTAL, OTHER CLEAR AND COLOURED GLASSWARES, approximately one hundred pieces to include a boxed set of Thomas Webb Crystal sherry glasses, six boxed Davinci Crystal Catarina sherry glasses, another fourteen sets of drinking glasses with some pairs and singles, a small Vaseline glass bowl, a uranium glass piano rest, a blue, green and gold striped perfume bottle, assorted paperweights including millefiori and one in the form of a kiwi, a Stuart Crystal atomiser, a pair of clear bud vases painted with forget-me-nots, etc (Qty) (Condition report: most pieces appear in good condition, some damage and inclusions)
SIX PIECES OF CUT AND COLOURED GLASSWARES, comprising a crystal fruit bowl cut with fuchsias, diameter 24.5cm, an oval clear glass tray, a pale amber opaque glass jug with textured handle, together with three pieces of modern peach and deep dusky pink glass with expressive flower design, comprising an asymmetric table lamp, a vase height 40cm, and a candlestick/bud vase (6) (Condition report: good condition, lamp untested, would benefit from a clean)
FIVE PIECES OF GLASSWARE, comprising a Royal Brierley 'Millennium 2000' coloured and cut glass champagne flute, height 40cm, a Waterford Crystal quartz mantel clock, height 10cm, a pale amber glass conical vase and two coloured glass perfume bottles (5) (Condition report: the Royal Brierley flute has a small indent to the foot, the others appear ok)
FIVE BOXES AND LOOSE ASSORTED CERAMICS ANND GLASS ETC, to include Bradex WWF animal collectors plates, bird collectors plates by Royal Doulton and Coalport, Empire Porcelain 'Verona 'part dinner service, Royal Sutherland tea wares, assorted mugs and jugs, Wade Maxwell pig, cut glass fruit bowls, pressed glass dishes, boxed crystal lotus flower ornament, boxed Stuart perfume bottle, boxed enamelled saucepans, etc
SIXTEEN PIECES OF CUT GLASS AND BOHEMIAN GLASSWARE, including a green cut glass biscuit barrel, an early cut glass rectangle vase height 15cm, a cut glass jug on a solid base, height 34cm, a burgundy overlay cut glass decanter and six glasses (one glass has a repair to its base), a small woman's face, (signature on base and chip on the back), two matching Bristol blue Bohemian vases, height 20cm, Bristol blue Bohemian decanter, height 20cm to top of stopper ( has a few nibbles to the base and signs of wear to decoration), a Nautilus vase, height 23cm etc (Condition report: as described)
* Carl Magnus (Swedish, b.1943)Spiral staircasemirrored metal cut-out laid on paper, signed 'Carl Magnus 72' l.r. and numbered 4/598.5 x 68.5cmCondition ReportFramed size: 103 x 73cm.Glazed, not viewed out of glazed frame, a bit of dirt under the glass more so at edges, some tarnishing to edges of the mirror, may be original, otherwise a striking work of art.
A 19th century rosewood carved tea caddy. The top with recessed brass handle, the interior fitted with two hinged caddies and a cut glass mixing bowl, the sides applied with shell handles, on scroll feet, L31cm Condition Report: Generally in good condition. The veneer has split and separated from the back corners of the lid but no structural breakages or losses. Glass has some small chips to the decoration. Interior of the compartments are discoloured. Some scratches and marks consistent with age and usage. No apparent restoration.
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152611 item(s)/page