There are 152611 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeWhitefriars - Geoffrey Baxter: Six Textured Range Coffin Glass Vases, in pewter, cinnamon, willow, kingfisher blue, ruby and flint, pattern 9686,13cm highCondition report: Cinnamon vase has a chip to one corner and fleabites to the cut rim. All except the Kingfisher blue have tiny fleabites tio the cut rim.
Edvin Ohrstrom (1906-1994) For Orrefors: An Ariel Glass Vase, coloured with red glass cased in clear, engraved orrefors Ariel no 96F Edvin Ohrstrom, 20cm high; and A Clear Cut Glass Vase, engraved orrefors, 11cm high (2)Condition report: Ariel vase is in good order. Orrefors cut vase has two tiny nicks on foot rim. Ait bubble hole on rim and side.
Kalligraphie/Urkunde, JAPAN 20. Jh., Tusche/chamoisfarbenes Papier, roter Signaturstempel, HxB: Passepartoutausschnitt ca. 36x48 cm, Außenmaße Rahmen ca. 50x62 cm. Im Passepartout hinter Glas gerahmt. Leichte Altersspuren. AUS DEM NACHLASS DER EHELEUTE ALFRED UND GISELA DIENST| Calligraphy/certificate, JAPAN 20th century, ink/chamois-colored paper, red signature stamp, HxW: passepartout cut-out approx. 36x48 cm, outer dimensions of frame approx. 50x62 cm. Framed behind glass in a passe-partout. Slight signs of age.FROM THE ESTATE OF THE HUSBANDS ALFRED AND GISELA DIENST
MEID, HANS (1883-1957), "Frau im Himmelbett" 1913, Radierung (Kaltnadel und Grabstichel)/Papier, in der Platte signiert und datiert 'MEID 13', darunter rechts mit Bleistift von Hand signiert und datiert, HxB: Platte ca. 22x26 cm, Passepartoutausschnitt ca. 25x28 cm, Außenmaße Rahmen ca. 38,5x43 cm. Leicht gebräunt und minim. Lichtrand. im Passepartout hinter Glas gerahmt. Altersspuren. DAZ BUCH: Hans Meid, 1883-1957, Welt und Gegenwelt, Stiftung Stadtmuseum Berlin, 2008, S. 67, Abb. 64.| MEID, HANS (1883-1957), "Woman in a four-poster bed" 1913, signed and dated by hand in pencil on the right, HxW: plate approx. 22x26 cm, passepartout cut-out approx. 25x28 cm, external dimensions of the frame approx. 38.5x43 cm. Slightly browned and minimal. light edge. Framed behind glass in a passe-partout. signs of age. DAZ BOOK: Hans Meid, 1883-1957, World and Counterworld, Stiftung Stadtmuseum Berlin, 2008, p. 67, ill. 64.
A large ruby flashed & cut decanter with stopper, together with a similar decanter fitted with silver collar & a cut glass claret jug (3)Condition report: Claret jug – glass broken at neck, hinge okay, not cloudy 30cm to top of lid knop, ruby decanter – bruises and making flaw to ring neck, scratches wear to base, not cloudy, overall 34cn high, decanter with silver collar – scratches & flaws to the body, clear, 41.5cm high.
A Collection of Assorted Silver, including: a silver mother-of-pearl and ivory rattle, each side stamped with Little Jack Horner; two pairs of silver-mounted cut-glass bottles and a silver inkstand, by Lawrence Emanuel, Birmingham, with shaped rocaille stamped base and associated single bottle (6)
A collection of silver, comprising: a Victorian silver pepperette, by Charles Reily and George Storer, London, 1841, tapering octagonal and on spreading foot, engraved with Gothic style strapwork and with pierced detachable cover, 12.5cm high; a pair of George V silver dwarf candlesticks, by James Dixon and Sons, Sheffield, 1919, each on square base with canted corners, filled, 11.6cm high and a cased set of silver tea-knives; Together With: a pair of cut-glass doorknobs; a silver-plate mounted fruit-knife and a Waterford cut-glass seahorse brooch (qty)
A Collection of Assorted Silver, including: a jewellery-box, oval and on four scroll feet, the hinged cover set with a pique inlaid tortoiseshell plaque, the interior velvet lined, 7.5cm wide; a oval dressing-table box, 15cm wide; a silver and tortoiseshell-mounted cut-glass dressing-table box; various Indian or Burmese condiment items; a cased set of teaspoons and other items (qty)
A Victorian silver-mounted cut-glass claret-jug, by Atkins Brothers Sheffield, 1895, the tapering cut-glass body with foliage and flower chased mounts, the hinged cover with tapering finial, 28cm highCondition report: Some very minor chips to the cut glass pattern. Some slight play in the hinge. No other condition issues.
dating: 19th Century provenance: Europe, Straight, double-edged blade of lenticular section, with some pitting. One-piece quillon and grip. Finely silver worked in relief. Quillons shaped as the full-relieved tails of two mermaids clutched to the grip to form a sculptural group, their bodies are sinuous and worked with grace and plasticity. The central body of the grip is worked to represent the trunk of a vine, whose tendrils and grapes in high relief spread along the entire length of the stem. The pommel is formed by four lizards dormant whose tails are intertwined. The button on the back consists of a pearl; quillons ending with a blue stone cabochon similar to a turquoise. Wooden scabbard covered with black morocco (small cut on one side). Silver tip and cap both engraved with racemes, the first with a large setting of red faceted glass stone and three turquoise cabochons, the second with a loop and three red-coloured glass stones. length 20,8 cm.
Loading...
