A GROUP OF CUT GLASS, CERAMICS AND CUTLERY, comprising four pieces of Wedgwood 'Hathaway Rose' pattern, a trumpet vase, height 17cm (cracked and chipped on the base), a pin dish (hairline cracks), circular ash tray, bowl, diameter 20cm, a case of six butter knives, stainless steel blades with silver handles (hallmark Sheffield 1931), a small butter dish with a rabbit finial, a Nature craft 'Hopeful' chalk figure, a ginger jar, two silverplate trays, a boxed set of 'Springtime' patterned cutlery EPNS, a porcelain unmarked centrepiece bowl with applied flowers to feet, female, child and bird in centre (damaged fingers, petals and leaves), a pair of solid brass Georgian style candle sticks, a cut crystal decanter (broken stopper and cracked neck), a ship's decanter and drinking glasses (Qty) (Condition report: obvious damage mentioned in description)
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A GROUP OF TEAWARES AND CUT GLASS, comprising a Royal Albert 'Fancy Free' pattern tea set comprising one milk jug, sugar bowl, six cups, five saucers, six tea plates, teapot, bread and butter plate (surface scratches, silver gilt has worn on handles and milk jug), a Coalport ' The Indian Tree' pattern tea set, comprising a cream jug, sugar bowl, one breakfast tea cup, two saucers, six cups, six saucers (one has a small chip underside), one plate, diameter 20cm, four plates, diameter18cm, one plate, diameter 15cm (very slight surface scratches on some plates), a broken bread and butter plate, teapot has a crack near spout up to rim, a 1965 Empire Porcelain Co. coffee set comprising six cups, six saucers, cream jug, sugar bowl, coffee pot, lemon and mushroom coloured matt glaze (the coffee pot has a hairline crack), together with a group of cut glass jugs and drinking glasses (94) (Condition report: obvious damage is mentioned in description, two glasses have slight nibbles along rim)
A COLLECTION OF CUT CRYSTAL comprising a Royal Brierley Crystal claret jug in the Fuchsia pattern with a silver plate lid and handle, vase, large champagne flute, and decanter, seven assorted drinking glasses and a decanter in the Royal Brierley 'Honeysuckle' range, a quantity of Stuart Crystal drinking glasses, rose bowls in the Cascade pattern, a large Stuart Crystal claret jug 'Beaconsfield' pattern, a Stuart Crystal Princess Diana 'England's Rose' commemorative bowl, etc (30) (Condition report: one glass is chipped on the base and rim, one Stuart Crystal decanter has Sellotape around stopper, others appear O.K.)
A HUNTLEY AND PALMERS BELL SHAPED BISCUIT TIN, METAL AND GLASS WARES, the tin having embossed foliate decoration and the phrase 'When Ye Doe Ringe I Sweetly Sing' (good overall condition, some rust and discolouration), two pieces of metal ware by Hugh Wallis: a copper rectangular tray with oak leaf and acorn design, length 34cm x width 14cm, and a pewter inkwell with liner, each stamped HW, an oversized wine glass etched with vines, having an air twist effect stem and two prunts, height 31.5cm (chip to underside of base), and a blue cut to clear hock glass (5) (Condition report: generally good condition, obvious specific damage as stated)
A QUANTITY OF CUT CRYSTAL AND GLASSWARE, comprising Tutbury Crystal rose bowl, Royal Doulton decanter, rose bowl, Tutbury crystal bud vase, Dartington Crystal champagne flutes, a large blue Krosno trumpet vase, height 30cm, a boxed set of six Bohemian glass champagne flutes, a late 19th Century pharmacy pot made in France, label Tissier-Paris Etiquettes Porcelaine, height 25cm, four cut crystal bowls, a miniature paperweight, drinking glasses, etc (Qty) (Condition report: ceramic label on the pharmacy pot is detached)
TWO BOXES OF CERAMICS AND SUNDRIES ETC, to include Victoria branded part tea set, a German blue floral dressing table set, a Mandarin reticulated comport and bowl, Wedgwood candle holder, Crown Devon cake slice, Carlton Ware leaf dish, Corona Ware 'Leighton' platter and tureens, biscuit barrels, cut glass items and a bag of unused shoe laces etc
A COLLECTION OF CUT CRYSTAL, COLOURED GLASS AND METALWARE, comprising a small Waterford Crystal clock, six sets of Thomas Webb Crystal glasses, crystal cheese dish, a Murano style pink controlled bubble vase, turquoise flower dish, a pair of decanters with a matching claret jug, a silver plated sugar scuttle with scoop, a Kawee (Karl Wieden) white metal lighter, a silverplate circular footed tray, cutlery, silver handled pickle fork, silver tea spoon, a wooden cutlery case, a pewter serving dish with a vintage Pyrex clear glass insert (Qty) (Condition report: no obvious damage)
SEVEN PIECES OF BRIERGLASS CUT CRYSTAL, comprising a red cut to clear covered bonbon dish, two vases heights 25cm and 19cm, a bowl in the form of a basket, a covered pedestal bowl, and a pair of pedestal vases height 17cm, together with an art glass clown on a wooden plinth (8 + plinth) (Condition report: good condition, a couple of fleabites to base of bonbon dish)
CARAN D'ACHE FOUNTAIN PEN.Barrel in silver, stones and rhinestones.Limited edition.Silver nib. F point.No box.Dimensions: 17 cm in length, 17.8 mm in diameter.The fountain pen that corresponds to us is "La Gothic", designed by the artist Laurent Bruat and inspired by Gothic art, only 1140 pieces were produced as a tribute to the era that inspired him. It has a six-sided body in rhodium-plated sterling silver. Its design consists of typical Gothic elements, such as rose windows, stained-glass windows, pointed arches, fleur-de-lis and is very colourful. It was made using 892 brilliant-cut diamonds, 72 emeralds, 72 rubies and 210 yellow sapphires. Silver nib, F-point.
AN ELIZABETH II SILVER JUBILEE LIMITED EDITION SILVER-MOUNTED CLARET JUG by Roberts & Belk Ltd, Sheffield 1977, with Brierley cut-glass body, decorated with emblems of the United Kingdom, the cover with lion finial, no.158/250. 30cm highIn very good condition, a few flea bites to the glass, more so to the underside.
A PAIR OF RED AND GILT PRICKET CANDLESTICKS With cut glass associated bases 34cm highProvenance: Lots 151 - 171: Property from an important Singaporean collection Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Early 20th century silver mounted cut glass decanter, of squat bulbous square form, the body with hobnail cut shoulders, facet cut edges, and hexagonal cut arched bands, with conforming square cut stopper, the silver neck hallmarked London, makers mark and date letter worn, date letter possibly 1922, makers mark indistinct, H17.5cmCondition Report:General wear predominantly in the form of surface scratches and nicks to silver and glass body.Silver neck with a few small indentations around inner edge. Hallmarks worn.
Late Victorian silver mounted glass claret jug, the tapering cylindrical body with diamond cut decoration, curved handle, and silver mounted neck and collar curved to form three lips, with faceted spire stopper, hallmarked Birmingham 1900, makers mark T W & S, H34cmCondition Report:General wear predominantly in the form of surface scratches and nicks to silver and glass body.Hallmarks worn.
Modern silver mounted cut glass claret jug, in the Victorian style, the tapering cylindrical body with foliate embossed collar, Bacchus mask spout, conforming mask and foliate detail to angular scroll end handle, and hinged cover, hallmarked London 1994, makers mark W W, H27.5cmCondition Report:General light wear, predominantly in the form of surface scratches and nicks.Hallmarks clear and legible.
Large early 20th century cut glass punch set, comprising ovoid punch bowl with domed cover, ladle, twelve cups and circular stand, with sharp star cut decoration, bowl including cover H33cm stand D43cmCondition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches, nicks and nibbles.
Pair of early 20th century Royal Worcester porcelain plaques painted by John Stinton Junior, each of circular form painted with highland cattle against mountainous landscapes, set within gilt frames with gilt mounts, each frame with circular cut out verso revealing puce printed marks to porcelain plaques with date code for 1919, overall H21.5cm W21.5cm plaques D10cmCondition Report:Crazing to one porcelain plaque, but otherwise both appear to be fine. Small mark to lower central part of mount to one example, and a few small insects beneath glass to each.Frame with some scratches and generally wear to gilding, as well as some splits to embellishment to corners, and some small losses to repairs to edges.
A fine and early Pioneer motoring era specially commissioned leather-cased travelling tea-set for two persons by Walter Thornhill & Co. of 144 & 145 New Bond St. London, circa 1893,the brown honey leather case with leather handle and brass clamps to lid with impressed initials 'A.L.', opening to light grey suede-lined compartmentalised interior fitted with silver plated kettle, engraved 'A.L.', with black African hardwood handle, containing sugar bowl, with burner and folding tripod stand, with silver-plated tea-caddy, engraved A.L.', containing two stacked drinking beakers suede cushion pad, and tea infuser with suspension chain, with one large and two smaller heavy cut-glass drinks bottles with sterling silver lids by Hubert Thornhill, hallmarked London 1893, each also with engraved initials 'A.L.', and with two bone chine tea-cups housed in black leather stand, with bone china saucers and two silver-plated tea-spoons housed behind suede straps in the lid, several pieces bearing Thornhill maker's markings, the case with silver gilt maker's marks to front edge and incorporating high-quality Bramah lock with key, the case measuring 28 x 21 x 16cm, in seemingly good order throughout. This lot is subject to the following lot symbols: †◊†VAT at the prevailing rate on Hammer Price and Buyer's Premium.â—Š £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
A mid-18th century walnut cased bracket clock, the case with caddy top and brass swing carry handle, over an arched brass dial and signed Richard Baker Londini Fecit to a silvered disc, the silvered Roman chapter ring flanked by cast brass spandrels, having matted centre, twin ringed winding holes and rolling date dial, the eight day brass verge fusee movement being gut driven and striking on a bell, the backplate finely engraved with flowers and foliage within a border and signed Richard Baker Londini Fecit, with bob pendulum, the case with glass sides and raised on ogee bracket feet, h.45cmRestored.Arch cut from separate brass plate.Height 45cm (handle down), width 26cm, depth 18cm.
A circa 1800 glass rummer, the bowl decorated with a band of diamond cut decoration, standing upon a rudimentary stem and square moulded lemon-squeezer foot, h.14cm, together with an 1881 glass goblet, the etched bowl standing upon a faceted stem and star cut foot, h.24cm, and a 19th century continental glass goblet, the etched conical bowl above a replacement turned wooden foot, h.17cm (3)
the rectangular blue glass plaque in a yellow rubbed over setting, with old cut and rose cut diamonds throughout in white claw settings, within a border of old cut diamonds, in collet settings, total estimated diamond weight 1.20 carat approximatelymeasures 3.6cm by 2.3cmThe brooch is in fair condition with wear commensurate with age, the blue glass has been later replaced with chips/nibbles evident throughout. There are also areas of discoloration to the reverse. It fastens with a pin and C-hook. It bears no hallmark nor stamp but in our opinion would test as gold and silver. The approximate qualities of the diamonds are; colour J/K/L, clarity SI2/I1/I2. Gross weight 13.4 grams. CR made 04.07.22.
manual wound lever movement, adjusted to four positions, silvered dial with Arabic numerals, the white rectangular bezel set throughout with eight-cut diamonds and calibré cut synthetic emeralds, in millegrain settings, to a double row strap, total estimated diamond weight 0.15 carat approximatelytotal watch length 20.5cmCase with surface scratches, synthetic emeralds with slight damages throughout, later strap and buckle, glass with scratches and minor chips, dial with minor scratches and slightly discoloured in parts, hand setting correctly and winding smoothly, movement in going order. It fastens with a buckle. Movement signed 'Mimo Watch Co'. Inside hinged back cover stamped '18K' and in our opinion would test as gold. The bezel measures 14mm by 27mm. The approximate qualities of the diamonds are; colour J/K/L, clarity SI2/I1/I2. Gross weight 13.2 grams. CR made 01.07.22.
manual wound lever movement, silvered dial with Roman numerals, old cut and eight-cut diamond set bezel and hinged lugs, in white millegrain settings, to an expanding bracelet, total estimated diamond weight 1.10 carat approximatelylength 15cmCase with surface scratches, glass with scratches, dial slightly discoloured, one screw is missing to the outside border around the movement, hand setting correctly and winding smoothly, movement in going order. The bezel measures 22mm wide. It bears no hallmark nor stamp but in our opinion would test as gold or platinum. The approximate qualities of the diamonds are; colour J/K/L, clarity SI2/I1/I2. Gross weight 22.2 grams. CR made 01.07.22.
the stand shaped oval and on four cast paw and foliage feet, with gadrooned rim, with reeded supports for the four tapering cut-glass bottles, with overhead foliage-cast handle, the stand and detachable covers each engraved with a crest within the motto of the Order of the Bath and below an earl's coronet24.5cm high, 25.5cm wide, weighable silver 34oz, 1,058grThe stand fully marked underneath and further part marked near rings. The marks are generally clear. There are four filled plugs, presumably where the original fixings for the frame would have been. There is some overall surface scratching and wear, consistent with age and use. The bottles each fully marked on neck mount and further part marked on cover bezel. There are some chips to the glass, mostly on the feet and a small crack on one bottle. There is otherwise overall surface scratching and wear, consistent with age and use.
to commemorate the restoration of York Minster following the great fire of 9 July 1984, the openwork gilt stem supports the cut-glass hurricane shade, on spreading foot, engraved underneath with inscription, with cardboard box and information booklet24.5cm high, weight of silver 9oz 4dwt, 287grFully marked underneath and further stamped 'Aurum' and numbered '364'. There are some minor surface scratches and wear. Consistent with age and use. There is some scuffing to the cardboard box.
A 1930s Czechoslovakian heavy cut crystal glass liqueur set, comprising; decanter and stopped of triform shape, together with six octagonal tapering spirit measures, each with etched and stylised black glass overlaid detail, decanter h.29cm, measures h.5cm (7)Chip to top of decanterChip to one spirit measure, at out edge of top rim
A collection of three silver inkwells, to include; a squat circular waisted example with wavy top edge (lacking glass reservoir), Birmingham 1920, dia.8.5cm; a bell shaped example of plain turned form, Birmingham 1934, h.8cm; and a silver mounted and glass bodied squat example with star-cut base, London 1899, dia.9.3cm (3)
Tiffany Studios of New York - a silvered patinated bronze bookslide, the hinged opposing end panels inset with opalescent glass and floral stylised fret cut decorative inlays, with opposing slide-out action, to stepped outer surround, the underside stamped 'Tiffany Studios New York' and numbered '1027', closed dimensions 35.8 x 26.3cm, the end panels each 14.5 x 14.2cm, max length 59cm
A cranberry glass oil lamp, together with a cut glass oil lamp and shade, 29cm high (2)Cranberry lamp - some chips around the foot, one which is more obvious and shows clear and flat. The clear lamp - is dirty, has a 4mm crack where the brass collar fits into the top and fine scratches to the base.
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152611 item(s)/page