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A SMALL COLLECTION OF STUDIO ART GLASS to include a Nuutajarvi Notsjo 'KF298' vase designed by Kaj Franck, approximate height 19cm, a swollen sleeve form wheel cut vase featuring a stork, conical vase featuring fearns, a posy vase indistinctly signed with butterfly and flower design and a graduated colour bark vase (5)
JOHN WALSH WALSH, an early 20th Century part table suite comprising a low shouldered decanter with wheel cut decoration between mitre cut panels, silver mounted collar dated 1935/36, with matching pattern glasses, together with silver collar barrel shaped decanter dated 1903/1904, a pair of champagne glasses, a red wine glass, three atomiser bottles and a powder bowl with silver engine turned lid dated 1938/39 and an Eric Roberts John Walsh Walsh book glass purchased from the Eric Roberts Estate Sale at Fieldings, August 2018 (21)
An Edwardian cased 9ct gold diamond and garnet-and-glass doublet bangle, with alternating Swiss cut garnet-and-glass doublets and rose cut diamonds, star set to raised central plaque to the top half, with hollow beads at either side and reeded guards, to two row openwork reeded wire bottom half, box clasp and safety chain, Birmingham 1907, 9.47g
An 18ct gold five stone garnet and glass doublet and diamond gypsy ring, with a cushion cut garnet and glass doublet with a rose cut diamond and a Swiss cut garnet and glass doublet at each side, all star set in tapering band, 2.18g, size I½ and a 9ct gold garnet cluster ring, with hand engraved shoulders, London 1977, size N, and a gold garnet cluster ring, tested as approximately 9ct gold, size K, 4.80g total
A collection of small silverware, to include; an Edwardian small silver pepper grinder, by Hukin & Heath, assayed London 1905, together with a silver mounted glass inkwell, assayed Birmingham 1916, makers mark rubbed, the square glass inkwell with bevelled edges and hobnail cut base, with silver collar and hinged circular domed lid, together with an Edwardian silver sovereign holder, by E J Houlston, assayed Birmingham 1907, of square form, with engraved scroll decoration, a Victorian silver rectangular vesta, by William Neale, assayed Chester 1890, a sterling silver stamp holder, a small white metal circular desk seal with 'dog' finial and a silver plated travelling cup and simiar. (qty)
A George III silver mounted cut glass cruet bottle, by Hester Bateman, assay office and date letter lacking, with ribbed loop handle and bright cut decoration, together with a George III old English stem silver table spoon, by Hester Bateman, assayed London 1784, with bright cut decoration. (2)
A Victorian silver mounted cut glass claret jug, by Horace Woodward, assayed Birmingham 1873, having rounded cut glass body with silver mounted elongated neck, the mount fashioned as fruiting vines, with textured branch loop handle and hinged cover with fruiting grape finial, shield reserve engraved dove crest and moto "Cor Unum Via Una", lower section of silver mount loose, height 30cm.Condition; Hobnail cut glass with small chips to high points/edges in places.
A silver mounted glass whisky toddy, by Goldsmiths & Silversmiths Co Ltd, assayed London 1909, of traditional form, together with a Victorian silver mounted "cluck-cluck" decanter, by "TS", assayed London 1889, of diminutive form, with stopper, height 15.5cm, an Edwardian silver mounted and cut glass oil/vinegar bottle, assayed London 1901, the silver collar with hinged lid with thumb grip, the glass bottle cut with flowers, and an Edwardian silver mounted and cut glass oil/vinegar bottle, by Thomas Latham & Ernest Morton, assayed Chester 1903, with glass loop handle, (lacking stopper). (4)
A Victorian silver and hobnail cut glass scent bottle, by John Grinsell & Sons, assayed London 1896, the lattice embossed hinged cap with scroll rim and applied family crest finial, with gilt washed interior and stopper, together with an Edwardian silver mounted glass scent bottle, also by John Grinsell & Sons, assayed London 1920, the bottle of trefoil section with star cut base, with stopper, height 12.5cm. (2)
19th century part suite of Bohemian red flash cut glass wares to include a pair of Globe and Shaft decanters with stoppers, four others, a pair of water jugs, five beakers, a pedestal bowl and six finger bowls, a set of four tumblers, twelve wine glasses, five smaller, nine sherry glasses and nine ale glasses, a fruit bowl and a small comport, all decorated with wheel cut birds, deer and landscapes pattern, (a lot, some a/f)
A 1920's Richardson's Cameo-Fleur Rich Glass Vase, acid etched with purple flowers on a clear body with hand cut facets ground, acid etched circular mark, 15.5cm; and A Kosta Boda Rainbow Glass Vase, designed by Bertil Vallien, signed and No.Y8287, 22cm; and A Swedish Frosted and Clear Glass Paperweight, designed by Mats Jonasson, with an owl perched on rocks, signed, 14.5cm (3)
A German silver mounted claret jug, stamped '800', the silver mount and handle of plain polished form, to a tapered glass body, with star cut base, 28.5cm high, with a further white metal mounted decanter, with foliate white metal collar and base detail, the cut glass stopper of globular form to a textured tapering body, 38cm high (2)
A cased pair of Kershaw military issue binoculars with leather case, a set of wooden cased apothecary scales with brass weights, 14cm long, early 20th century letter scales with brass weights, a cut glass sherry decanter of cylindrical form, a silver plated chamberstick with snuffer by Henry Cornforth and a 19th century mahogany cutlery box with brass handle, 33cm long (6)
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152611 item(s)/page