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Lot 48
A late Victorian silver triple heart pattern photograph frame surmounted by shield and scroll cresting, 3.25ins x 5.75ins overall, possibly by George Heath, London 1897 (one glass panel cracked), an Edward VII silver rectangular photograph frame of "Art Nouveau" design embossed with oval cartouche and stylized floral ornament, on a basket weave ground and with circular cut-out, 4ins x 3.75ins (to hold picture 2.25ins square), by W.J. Myatt & Co, Birmingham 1903, and four other silver photograph frames, various
Lot 654
A Baccarat "Harcourt" pattern cut glass and gilt metal mounted two-handled champagne ice bucket with pierced bottle holder, 9ins diameter (10.25ins handle to handle) x 9.5ins high overall (etched mark to base and script mark to side) Provenance: The vendor purchased this lot in the 1960's for his late mother.
Lot 78
An Edward VII silver photograph frame/desk calendar of architectural form, with twin circular cut-outs above calendar with interchangeable ivory displays, 8ins x 6.25ins overall, by Charles S. Green & Co Ltd, Birmingham 1908, a late Victorian silver mounted and facet cut glass rowing boat pattern inkstand with lidded inkwell and lidded compartment to each end, 9.5ins x 3.5ins x 2.25ins high (lacking interior inkwell), by John Grinsell & Sons, London 1897, and a late Victorian silver and glass inkwell of conical reeded form, 2.75ins high, by G.H, James & Co, London 1890 Note: Please be aware that according to CITES Regulations, it will be necessary to acquire an export license to export this lot outside the EU. It will not be possible to export this lot to the USA.
Lot 850
A Continental walnut and ebonised ink stand with a spelter figure of "Cupid at Vulcan's Forge", on shaped base, with two cut glass inkwells, 15.25ins wide, together with a pair of 19th Century Italian olivewood and marquetry Sorrento ware folding display shelves inlaid with figures on horseback and a dancing couple, 13.5ins x 9.5ins overall
Lot 894
A gilt metal moulded and cut glass twelve light electrolier, the central column with bulbous knops, with four scroll branches terminating in twin candle fitments and four scroll branches terminating in single candle fitments, all hung with cut glass prismatic drops, 24ins diameter x 16ins drop
Lot 895
An Italian gilt metal and cut glass fifteen light electrolier, the central column with bulbous knops and with five scroll branches terminating in twin candle fitments, and five other scroll branches terminating in single candle fitments, all hung with cut glass prismatic drops, 32ins diameter x 20ins drop
Lot 99
A plate cruet/condiment set of "Riding Apparel" design, 4ins x 5ins high, by Elkington & Co (lacking mustard spoon), an oak and plated mounted condiment set of "Butler Tray" design, 5ins x 4ins x 3.5ins high, and cut glass fitments for same (lacking one top), and a pair of plated branch and owl pattern knife rests, 4.25ins x 1.75ins high
Lot 106
A plated circular seven division cruet with central pierced and scroll moulded loop handle, on reeded uprights, the circular base with oval pierced sides and on four scroll cast and pierced bracket feet, 11.75ins high, by Elkington & Co, and cut glass fitments for same, and a plated circular salver, the shaped and moulded rim with scroll and leaf mounts, the centre engraved with a similar ornament and on three leaf cast panel feet, 10ins diameter
Lot 12
A good George III silver oval six-division cruet with moulded framework and rectangular loop handle, the oval two-handled base with bold tongue mounts and on four leaf scroll feet, 9.5ins x 5.5ins, 9.5ins high, by Paul Storr, London 1805 (weight 22ozs), and with six slice and diamond cut glass fitments with silver double lipped fitments, with cut glass stoppers (some stoppers associated)
Lot 705
A MOSER GLASSWORKS VASE DESIGNED BY VLADIMÍR MÍKA, CIRCA 1960 the cased ovoid shape with a join to the interior aperture, pattern number 53959 17cm high This vase comes from a very scarce range that won a Gold Medal at the important Liberec trade exhibition in 1967. Profiled in the State’s trade publication Czechoslovak Glass Review in February 1968, it went on to be exhibited at the International Exposition in Osaka, Japan, in 1970. The range was a departure for the internationally renowned company of Moser, who are best known for their heavily cut and faceted designs. The curving forms and use of the traditional technique of casing recall the sommerso designs produced by Flavio Poli for Seguso from the 1950s onwards. The major difference is the join in the interior aperture which accentuates the form and layers, and showcases the talents of Czech glassmakers. This hallmark feature also forces flower stems to either side. Although sold as a practical vase, it is equally successful as a stand-alone sculptural object. Few hard facts are known about Vladimír Míka, but it appears that he studied glass painting amongst other skills at the glassmaking school in Novy Bor. He began his career just after World War II when he joined the Mštisov glassworks, which began to become known for its hot-worked coloured glass from 1958. LITERATURE c.f. Hill, Mark. Czech Glass Design from the 1950s-70s, London, Mark Hill Publishing Ltd, 2017, 223pp
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