We found 152611 price guide item(s) matching your search
There are 152611 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
152611 item(s)/page
Lot 27
Glassware - a mid 19th century clear glass faceted water jug, slice cut, scroll handle, c.1850; six clear glass wine glass rinsers; seven rinser stands; two 19th century Bristol Blue wine glass rinsers; a Bristol blue vase; six cut glass shallow dishes; a 19th century cut glass pedestal salts; four heavy cut salts; others
Lot 392
THREE CUT GLASS COMPORTS 19TH/20TH CENTURY two of round bowl-shaped form, each with a prism cut rim and hobnail cut body, raised on a square section foot, 23.5cm diam, 19.5cm high, 23.5cm diam, 20cm high, a canoe-shaped comport with a Van Dyke rim, the body cut with various diamonds and flutes, raised on a circular lobed foot, 37cm wide, 21.7cm high, TOGETHER WITH a deep oval tray with scalloped rim and square strawberry cutting(33.6cm wide)Provenance: Collection of Dr. John A. Packer, Edinburgh
Lot 460
COLLECTION OF VICTORIAN ENGRAVED GLASSWARE 19TH CENTURY comprising a tall tumbler and smaller glass with handle, both cut with flutes, both engraved with sprays of flowers, the tumbler inscribed 'William 18.5cm high Frain 1878', the smaller inscribed 'Eleanor Lockhart Frain Born 6th June 1890'; a tall jug on three scroll feet, etched with two birds amongst foliage, 26.5cm high; a shaft and globe decanter, a tall tumbler and a vase with a flared rim on a knopped stem, 25.5cm high, all engraved with ferns; a small sherry glass cut with flutes, engraved with the monogram 'W F' and dated '24th August 1892'; and a pocket watch display dome on later wooden stand, engraved with ferns and scrolls, with inscribed initials 'G C' , with a glass hook for suspending a watch(18.5cm high including stand)
Lot 462
TWO CUT GLASS CLARET JUGS 19TH CENTURY one with a central band of strawberry cut designs in the form of circles, petals and navettes, the neck with three faceted rings, with a star cut mushroom stopper and star cut base, the handle with a cut thumb rest, 27cm high, the other of flattened oval form, with decoration in the Aesthetic taste, the central band cut with a roundel to each side engraved with flowers and foliage, between multiple bands of geometric designs, with engraved white metal mounts, 29cm high; TOGETHER WITH a large water jug, possibly Irish, the lower body with flute cutting, a circular medallion below the spout engraved 'J A H May 5 1816', with prunties at the shoulder and a band of stylised cut leaves to the neck, with a strap handle(18.5cm high)
Lot 17
Miscellaneous antique items, including two pince nez, silver Whisky label, two cut glass and silver collared scent bottles, silver propelling pencil, gold propelling pencil (af), drawing pincers, silver teeth rattle in the form of an owl, silver book place mark, hinged orb with semi precious stones inside that swivel, brass whistle pendant and a travelling cork screw.
Lot 191
Miscellaneous silver. This lot includes a Victorian sugar caster London hallmark, dated 1887, mm Horace Woodward & Co approx 127.3 gms; silver bowl in the form of a scallop Birmingham hallmark dated 1908 mm Arthur Harris approx 31.9 gms; silver hat brush, silver clothes brush, three cut-glass and silver scent bottles (various hallmarks) and pin dish Birmingham hallmark.
Lot 196
Stunning silver Victorian cigarette case, Birmingham hallmark, marks rubbed, with scrolling foliate decoration, push release button, cartouche to the front cover monogrammed JDR, housed in a velvet and silk-lined box, retailer J. Simmons Cheltenham, together with a silver and cut-glass vanity jar Birmingham hallmark, dated 1902, mm Adie & Lovekin.Condition report: The cigarette case is in very good condition, hallmarks are rubbed bar the city mark, the hinges are intact and functioning, release button functions, the vanity jar is in good condition.
Lot 324
PAIR OF REGENCY GREEN GLASS SHIP'S DECANTERS MID 19TH CENTURY each with bands of ring, oval and diamond cut decoration, with triple ring neck, star cut base and star cut mushroom stopper, 21.5cm high, TOGETHER WITH a pair of green glass pouring carafes with fluted lower body, neck and neck ring(30.5cm high)
Lot 331
COLLECTION OF REGENCY AND REGENCY STYLE GLASS 19TH CENTURY AND LATER comprising: a set of eight double lipped glass rinsers, the lower body cut with flutes, 11cm high; a set of four 'batwing' salts with diamond cut scalloped edges on an oval star cut foot, 6.5cm high; a set of four boat shaped salts cut with a band of diamonds with a crenelated rim, on a diamond shaped foot, 9cm high; and a pair of salts of urn shaped form, with out-turned rim, on a square foot(8cm high)
Lot 332
SET OF THREE CUT GLASS SQUARE DECANTERS 19TH CENTURY each side cut with an arched panel with two stars, with hollow ball diamond cut stoppers, 25cm high, TOGETHER WITH a pair of Regency decanters of Prussian form, with triple neck ring, faceted shoulders, fluted lower body and star cut mushroom stoppers(approx 25cm high)
Lot 359
REGENCY GILTWOOD GIRONDOLE CONVEX MIRROR EARLY 19TH CENTURY the mirror plate in an ebonised slip and deep leaf moulded frame, with an eagle finial and stiff leaves with two candle branches ending in cut glass drop drip trays and drops, fitted for electricity(119cm high, 120cm wide approximate)Provenance: Collection of Dr. John A. Packer, Edinburgh
Lot 120
A selection of tableware and accessories, to include; a five-piece cut glass cruet set, each piece of faceted baluster form with pierced white metal mounts, set to an ebonised wooden stand, 30cm high, together with a novelty paperweight in the form of a pepper, 7.5cm high, a carved carnelian seal, 6.2cm high, a brass seal, 6.6cm high, a novelty paper clip in the form of a duck's head, 11cm long, a white metal teapot stand, a George III silver teaspoon and a white metal example, a circular brass trinket dish, a yellow metal pill box, and seven assorted decanter labels (22) Provenance: Ruyton Hall, ShropshireCondition Report; Cruet: Central pillar is loose, making the structure slightly wobbly when picked up. On a flat surface, the carousel is slightly wobbly, but the base is stable. Handle is secure. No cracks or losses to the stand.There is a large split to the cover of the smallest caster, and the beginnings of splits in a couple of the other pieces. There are several, very large fractures and losses to the bases. There are small chips and nibbles to the high points and facet edges of the cut glass. No large cracks or breakages to the glass bodies which render it unusable.
Lot 151
A rectangular silver box, indistinctly hallmarked, with hinged cover and vacant cartouche, 4.5cm high, together with a silver handled button hook, 24.5cm long, a white metal pill box, 5cm diameter, a continental white metal miniature frame, a cut glass dressing table jar and a white metal box inset with a George III coin (6)
Lot 154
A pair of Victorian silver mounted cut glass powder jars by James William Benson, London 1891, each of compressed circular form with star cut bases, plain polished silver covers with engraved bull crest to centre and motto 'Fortuna Favet Adaci' (Fortune Favours the Bold), each 11.5cm diameter (2)Condition Report: Overall good. There are a few small chips to the glass bodies, mostly concentrated at the high points. General scratching and wear, mostly concentrated at the base. Moderate denting to the covers, concentrated at the borders. Moderate scratching and general wear to the covers, no splitting or signs of repair. Some wear to the central crest and hallmarks, but these are still legible.
Lot 169
A pair of Edwardian silver napkin rings by William Hutton & Sons, Sheffield 1902, each of circular form with pierced scrolling decoration, engraved monogrammed initials to oval cartouche, each 4.6cm diameter, complete in a fitted leather box, together with a silver mounted cut glass hair pin box (marks worn), 22cm wide (3)
Lot 291
An early 20th century diamond and sapphire set 15ct gold ring, comprising three round mixed cut sapphires and a single cut diamond set to an engraved panel with plain polished shank, ring size M 1/2 (at fault), together with a 9ct gold dress ring, with black glass panel mounted with initial 'R', ring size N, and a blue paste set ring, shank stamped '9C' ring size K 1/2, gross weight of group 5.9gms (3)Condition Report; Sapphire example: Worn. Three of the four diamonds are missing. Remaining diamond as sapphires show moderate abrasion, concentrated at the facet edges. Moderate wear to the claws surrounding the diamond, minor wear to those around the sapphires. Moderate wear to the engraved decoration. Heavy scratching and general wear to the exterior. Heavy thinning to the shank, but no signs of splitting, resizing or repair.Paste example: Worn. Heavy scratching an wear to the central stone, giving it a cloudy appearance. Some splitting around the setting of the stone. Halo surrounding the stone is in good order, no splitting or signs of repair, but showing moderate wear and tear consistent with regular wear. Head looks as though it may not be original to the shank, and may of been added later. Shank in fair order, some minor cracks to the shank around the pressed '9C' mark, but no thinning or major misshaping. General scratching and wear only.'R' example: Fair order, no splitting, thinning or major damage to the 'R'. Black glass in good order, no cracks, chips, abrasions or major damage. Some wear to the decoration on shoulders, but no signs of splitting or repair. There is possible signs or repair/resizing on the shank, as well as general thinning, but no splitting.
Lot 357
A George III glass tazza or stand of large proportions, late 18th/early 19th century, of typical form, the circular platform with galleried lip, raised on a tapered Silesian stem with ringed base to a domed folded foot, 28cm diameter, 16.5cm high, with a pair of gilt decorated faceted cylinder vases, hand painted with continuous foliate swags, 20cm high, a part suite of Waterford Crystal glasses to include two brandy balloons, and a cut glass whisky tumbler (15)Condition report; Rubbing to gilt rim on both vases, small bubble within tazza tray, further tiny bubbles within the pedestal.No chips or cracks to the Waterford crystal
Lot 45
A selection of ladies dressing table wares and accessories, to include; a Victorian silver bladed mother-of-pearl fruit knife, by Thomas Freeman, Birmingham 1841, 13.9cm long, a George III silver bladed travelling fruit fork, 14.2cm long, a mother-of-pearl snuff box, 5.6cm wide, an Edwardian cranberry glass silver mounted scent bottle, 6.4cm high, a cut glass silver mounted horn-shaped bottle, 10cm long, and three further cut glass, silver mounted dressing table jars (8)
Lot 68
A selection of silver and white metal tableware, to include; an Asian white metal salver, 30cm diameter, an early 20th century silver jug and cover, 12.5cm high (at fault), a silver christening cup, 9cm high, a silver mounted pipe, 18cm long, in fitted case, a carved pipe in the form of a bull, 12.5cm long, a silver mounted mother of pearl pin dish, 5.7cm high, a silver mounted wooden bowl, 11.2cm diameter, and a selection of cut glass silver mounted dressing table jars (13)
Lot 1120
An antique silver collared double vinaigrette bottle, one stopper missing. Together with a silver topped scent bottle and a cut glass cosmetic bottle with decorative metal lid. Vinaigrette bottle hallmarked London 1919, scent bottle hallmarked Birmingham 1929. Tallest item approx. 17cm tall.
Lot 23
FOUR BOHEMIAN LAYERED GLASS TANKARDS ENGRAVED WITH THE BREADALBANE CREST AND COLLAR OF THE ORDER OF of tapering cylindrical form with a plain handle, each with a hinged metal thumb rest and domed cover pierced with gothic designs, the stylised finial with foliate details, the clear ground body overlaid in opaque white and pale blue, cut through with shaped panels and oval printies, each piece with a central panel engraved with the Breadalbane crest and the Order of the Thistle(approximately 19cm high)Provenance: Taymouth Castle, Perthshire Wooton House, BedfordshireFootnote: Note: On 1st May 1851 The Great Exhibition was declared open by John Campbell, 2nd Marquess of Breadalbane, as Lord Steward. Below is an excerpt from Queen Victoria's diary on the opening of the Great Exhibition: This concluded, the Procession of great length began, which was beautifully arranged, the prescribed order being exactly adhered to. The Nave was full of people, which had not been intended, and deafening cheers and waving of handkerchiefs continued the whole time of our long walk from one end of the building to the other. Every face was bright and smiling, and many had tears in their eyes. Many Frenchmen called out 'Vive la Reine'. One could, of course, see nothing but what was high up in the Nave, and nothing in the Courts. The organs were but little heard, but the Military Band at one end had a very fine effect, playing the march from Athalie as we passed along. The old Duke of Wellington and Ld. Anglesey walked arm in arm, which was a touching sight. I saw many acquaintances amongst those present. We returned to our place and Albert told Ld. Breadalbane to declare the Exhibition to be opened, which he did in a loud voice saying 'Her Majesty commands me to declare this Exhibition open,' when there was a flourish of trumpets, followed by immense cheering. We then made our bow and left. Queen Victoria’s Journal, 1851 [taken from The Great Exhibition of 1851, compiled by C.H. Gibbs Smith (London: 1950). pages 16-18] By family repute the layered Bohemian glass lots 21, 22 & 23 was a presentation gift to the Marquess to commemorate the occasion of his opening the Great Exhibition. It is likely that the glass was manufactured by an exhibitor participating in The Great Exhibition.
Lot 20
TWO PAIRS OF GLASS DECANTERS EARLY 19TH CENTURY one pair of decanters each with facet cut body, triple ring neck, surmounted with a faceted hexagonal form pointed stopper, 29cm high, the other pair each with a facet cut body, the neck with two pairs of double neck rings, with a matched flat mushroom-shaped star cut stopper(28.5cm high)Provenance: Taymouth Castle, Perthshire Wooton House, Bedfordshire
Lot 21
GROUP OF FOUR BOHEMIAN OVERLAY GLASS DECANTERS ENGRAVED WITH THE BREADALBANE CREST AND THE ORDER OF comprising two large decanters, one with a stopper, and two smaller decanters, both with stoppers; all of baluster form with an elongated neck and broad collar, the stoppers of ogee outline, the clear ground body overlaid in opaque white and pale blue, cut through with shaped panels and oval printies, each piece with a central panel engraved with the Breadalbane crest and the Order of the Thistle, TOGETHER WITH two matching cylindrical glass beakers(largest decanter 36cm high , smaller decanters 25cm and 26cm high (including stoppers), beakers 8.8cm and 9cm high)Provenance: Taymouth Castle, Perthshire Wooton House, BedfordshireFootnote: Note: On 1st May 1851 The Great Exhibition was declared open by John Campbell, 2nd Marquess of Breadalbane, as Lord Steward. Below is an excerpt from Queen Victoria's diary on the opening of the Great Exhibition: This concluded, the Procession of great length began, which was beautifully arranged, the prescribed order being exactly adhered to. The Nave was full of people, which had not been intended, and deafening cheers and waving of handkerchiefs continued the whole time of our long walk from one end of the building to the other. Every face was bright and smiling, and many had tears in their eyes. Many Frenchmen called out 'Vive la Reine'. One could, of course, see nothing but what was high up in the Nave, and nothing in the Courts. The organs were but little heard, but the Military Band at one end had a very fine effect, playing the march from Athalie as we passed along. The old Duke of Wellington and Ld. Anglesey walked arm in arm, which was a touching sight. I saw many acquaintances amongst those present. We returned to our place and Albert told Ld. Breadalbane to declare the Exhibition to be opened, which he did in a loud voice saying 'Her Majesty commands me to declare this Exhibition open,' when there was a flourish of trumpets, followed by immense cheering. We then made our bow and left. Queen Victoria’s Journal, 1851 [taken from The Great Exhibition of 1851, compiled by C.H. Gibbs Smith (London: 1950). pages 16-18] By family repute the layered Bohemian glass lots 21, 22 & 23 was a presentation gift to the Marquess to commemorate the occasion of his opening the Great Exhibition. It is likely that the glass was manufactured by an exhibitor participating in The Great Exhibition.
Lot 22
COLLECTION OF BOHEMIAN LAYERED GLASS FINGER BOWLS AND POSY BOWLS ENGRAVED WITH THE BREADALBANE the four finger bowls of tapering cylindrical form, the clear ground body overlaid in opaque white and pale blue, cut through with shaped panels and oval printies, each piece with a central panel engraved with the Breadalbane crest and the Order of the Thistle, 11cm high, the two posy bowls of shorter form, with matching decoration(7.8cm high)Provenance: Taymouth Castle, Perthshire Wooton House, BedfordshireFootnote: Note: On 1st May 1851 The Great Exhibition was declared open by John Campbell, 2nd Marquess of Breadalbane, as Lord Steward. Below is an excerpt from Queen Victoria's diary on the opening of the Great Exhibition: This concluded, the Procession of great length began, which was beautifully arranged, the prescribed order being exactly adhered to. The Nave was full of people, which had not been intended, and deafening cheers and waving of handkerchiefs continued the whole time of our long walk from one end of the building to the other. Every face was bright and smiling, and many had tears in their eyes. Many Frenchmen called out 'Vive la Reine'. One could, of course, see nothing but what was high up in the Nave, and nothing in the Courts. The organs were but little heard, but the Military Band at one end had a very fine effect, playing the march from Athalie as we passed along. The old Duke of Wellington and Ld. Anglesey walked arm in arm, which was a touching sight. I saw many acquaintances amongst those present. We returned to our place and Albert told Ld. Breadalbane to declare the Exhibition to be opened, which he did in a loud voice saying 'Her Majesty commands me to declare this Exhibition open,' when there was a flourish of trumpets, followed by immense cheering. We then made our bow and left. Queen Victoria’s Journal, 1851 [taken from The Great Exhibition of 1851, compiled by C.H. Gibbs Smith (London: 1950). pages 16-18] By family repute the layered Bohemian glass lots 21, 22 & 23 was a presentation gift to the Marquess to commemorate the occasion of his opening the Great Exhibition. It is likely that the glass was manufactured by an exhibitor participating in The Great Exhibition.
Lot 186
A cased Victorian silver Sugar Sifter Ladle, London 1848 & a bright cut Caddy Shovel both cased together, a pair of cased silver Napkin Rings, an unusual white metal Posy Holder with three spring action legs, 5" (13cms); a George II silver Table Spoon, three silver mounted glass Jars and a silver mounted boule cavity Condiment. (a lot)
Lot 164
Brass and glass oil lamp having cut well, glass panelled shade, on brass mask and tapering column, ivy scroll decorated circular base and the glass chimney, 58cm high approx Condition ReportTwo large chips and several small chips to glass panelled shade.Dark marks throughout brass surface, potentially in need of polishing.
Loading...-
152611 item(s)/page