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Lot 549
A pair of glass sweetmeat dishes and coversHobnail cut, the domed covers with flattened knops, 26cm high; a pair of jars and covers, 18cm; a pair of jugs with hobnail cut friezes, 14cm, and a pair of oval sweetmeat dishes, 12cm high, (12)For further information on this lot please visit Bonhams.com
Lot 551
A group of 19th century glass decanters,Comprising a pair with step cut necks and hobnail friezes, 23cm, a pair with etched chequered design, with white metal bird stoppers, three bottles and stoppers in ruby and clear glass with vine designs, a pair of green bottles with etched foliate frieze and an amethyst bottle with wrythen moulded neck, (17)For further information on this lot please visit Bonhams.com
Lot 248
A PAIR OF GILT METAL AND CUT GLASS BAG TYPE CHANDELIERS 20TH CENTURY With 14 lights Approximately 120cm high, 100cm diameter;Together with a pair of matching wall appliqués78cm high, 38cm wide, 28cm deep (4) Condition Report: Pair chandeliersNot all bulbs are fitted where there aresockets and some that are in position are not working.Will require the attention of a qualified electrician to ensure safe and operational for purchaser.Very few if any glass drops are lacking.Minor marks, scratches and abrasionscomensurate with age and use. Condition Report Disclaimer
Lot 58
A PAIR OF UNIQUE 'ZAFFRE' GLASS AND METAL COMMODES, 2014BY ROBERTO GIULIO RIDA (ITALIAN, B. 1943)Faceted grey glass panels, metal labels to top drawers 'R G RIDA'82cm high, 102cm wide, 52cm deepCatalogue Note: Roberto Giulio Rida was born in 1943 in Milan. Facing a solitary youth due to the many moves of his family, the taciturn child draw and collect small sculpted objects. His aunt, an educated woman and artist, encouraged him to visit museums, churches and historical sites. Later, he attended the Brera Academy where he was a brilliant student. But the necessities of life forced him to take odd jobs to survive until his military service. On his return, he began trading art objects. He moved to Venice as an antique dealer and frequents Murano masters who taught him for eight years the craft of glass. In 1973, he returned to Milan, where he specialized in the Arts of the twentieth century. In parallel, he has created lightings and furniture covered with cut glass and crystal. Today Roberto Giulio Rida is an accomplished and atypical artist. Regardless of the artistic movements, he invites the visitor in a strange world where science fiction collide with the Italian Renaissance and the intensity of a mineral light.Condition Report: Chip to 2 glass panels but restoration by ROBERTO RIDA can be arranged. Other panels are fine, minor scratches to a few legs. Condition Report Disclaimer
Lot 314
A VICTORIAN BRASS AND GLASS PATENT OIL LAMP of cylindrical form, the pierced brass fitting with cut glass wick turner in a diamond and wrythen slice cut reservoir, the lower section with etched panels and mirrored base, raised on four scroll feet with internal rods to operate "catches" for reservoir, 13" high overall (Est. plus 21% premium inc. VAT)
Lot 115
A SILVER THREE PIECE CRUET in George III style, maker's mark JCL, London 1968, of oval form with bright cut engraved foliate banding with pierced urns, engraved "S", comprising urn pepperette, mustard with hinged cover, salt on four claw and ball feet and a pair of matching knurl end spoons, pepperette 4 3/4" high, 7ozs 8dwts total, all with blue glass liners (5) (Est. plus 21% premium inc. VAT)
Lot 338
A seaweed marquetry and walnut longcase clock, late 17th century and later, the square brass dial with a silvered chapter ring, subsidiary seconds dial and date aperture, enclosed by cherub spandrels, signed 'John Drew Johnson Court in Fleete Street Londini fecit', enclosing an eight-day movement striking on a bell, the hood with a blind fret cut panel above the glazed door, over a seaweed marquetry trunk door and plinth base, 213cm highCondition report: Movement and case not original to each other, seat board replaced, re-veneering to case, some splits and losses, one glass side panel to hood missing. Dial 30 x 30cm.Please see additional imags.
Lot 60
A collection of predominantly Waterford crystal, to include an Alana pattern ship's decanter, a Shannon Jubilee pattern decanter, six Alana pattern liqueur glasses and six Donegal pattern water goblets, together with six Kinsale crystal heavy cut glass tumblers and six matching wine glasses signed G. Daly '97 (qty)Condition report: Chips to rims of two of the Kinsale wine glasses
Lot 200
A collection of late 19th century Bristol Blue glassware; a set of six rummers, 15.5cm high, six small wine glasses 11cm high, a water jug, 14cm high, two salts with a square cut foot, and a small sherry glass (16)Condition report: Jug with expected wear to the base, and a small chip to the rim of the sherry glass.
Lot 200A
A set of 3 engraved glass champagne glasses, late 19th century and and a one similar, an 18th century square cut decanter and stopper, 23.5cm high, a crown top fruit bowl, 19cm diameter and a pedestal cut glass bowl 22cm diameter (9)Condition report: One champagne glass is 0.75cm shorter than the other three, the decanter stopper is stuck and has chips to the stopper and two very minor chips to the band of decoration to the body. The crown top fruit bowl has a reduced point to the border and two further chips, The pedestal bowl a 2cm chip to the foot.There are 6 champagne glasses, five all matched of the same height, then one smallerAll in good condition, no obvious damage
Lot 775
Damentaschenuhr Sprungdeckel, GG 585/000, 3 Deckel Gold, weißes Emaille Zifferblatt mit arab. Ziffern, vergoldete Zeiger, Glas und Bügel fehlt, Zylinderwerk läuft an, auf dem Sprungdeckel 2 Diamanten im Rosenschliff, ca. 0,07ct., Durchmesser 27mm, Höhe 10mm, Gewicht ges. ca. 15,5gLady's pocket watch jump cover, GG 585/000, 3 covers gold, white enamel dial with arab. numerals, gilded hands, glass and bow missing, cylinder movement starts, on the jump cover 2 rose cut diamonds, ca. 0,07ct., diameter 27mm, height 10mm, total weight ca. 15,5g
Lot 8059
Mateo Cristiani (1890-1962), Frankfurter Maler, Graphiker und Illustrator, Studium am Städel, nach 1936 verfemt, wurde er mit einem Berufs- und Ausstellungsverbot belegt, Mittagspause, Aquarell über Blsft./Papier, u. li. sign. M. Cristiani, unter Pp. hinter Glas gerahmt 57 x 77 cm, Pp.-Ausschnitt 34,5 x 48,5 cm, ungeöffnet Mateo Cristiani (1890-1962), Frankfurt painter, graphic artist and illustrator, studied at the Städel, after 1936 ostracized, he was banned from working and exhibiting, Mittagspause, watercolor over blsft./paper, signed M. Cristiani on the lower left, framed under mount behind glass 57 x 77 cm, mount cut-out 34.5 x 48.5 cm, unopened
Lot 8062
Gerd Mackensen (*1949 Nordhausen), ansässig in Sondershausen, Radierung mit Aquarell/Bütten, 1984, u. re. mit Blstft. sign. G. Mackensen sowie u. li. unleserl. betit., in der Platte u. re. unleserl. bez. sowie u. li. dat., unter Pp. hinter Glas ger. 48,5 x 57,5 cm, Pp.-Ausschn. 33,5 x 42,8 cm, ungeöffn.Gerd Mackensen (*1949 Nordhausen), resident in Sondershausen, etching with watercolor / handmade paper, 1984, u. r. with Blstft. signed G. Mackensen as well as u. li. illegible titled, in the plate u. r. illegible inscribed as well as u. li. dated, framed under mount behind glass 48.5 x 57.5 cm, mount cut-out 33.5 x 42.8 cm, unopened.
Lot 8064
Menno Fahl (*1967), ansässig in Hannover, 2 Köpfe, Aquatintaradierung, u. re. sign. Menno Fahl sowie u. li. numm. 5/15, unter Pp. hinter Glas ger. 50,6 x 60,6 cm, Pp.-Ausschnitt 30 x 37 cm, ungeöffnetMenno Fahl (*1967), resident in Hannover, 2 heads, aquatint etching, u. r. signed Menno Fahl as well as u. li. numm. 5/15, framed under mount behind glass 50.6 x 60.6 cm, mount cut-out 30 x 37 cm, unopened
Lot 8250
Frans Masereel (1889-1972), Um Hilfe bittende Hände aus einem Zug herausragend, Holzschnitt auf grauem Bütten, u. re. mit Blstft. sign. Frans Masereel, u. li. im Stock monogr. FM, Pp.-Ausschnitt 16,6 x 12 cm, u. Pp. hinter Glas ger. 28,5 x 20 cm, ungeöffn.Frans Masereel (1889-1972), For help asking hands protruding from a train, woodcut on gray laid paper, u. r. with Blstft. signed Frans Masereel, u. li. in the stock monogr. FM, passepartout cut 16.6 x 12 cm, u. Passepartout behind glass framed 28.5 x 20 cm, unopened.
Lot 2800
Sechs Kelchgläser, 19. Jh., Scheibenfuß, kantiger Schaft mit eingeschlossener Luftblase, konische Kuppa, klares Glas mit Schliffdekor, bekröntes Monogramm, Goldrand (tlw. ber.), 1x best., H. 16,5 cmSix goblets, 19th c., disc base, angular stem with enclosed air bubble, conical dome, clear glass with cut decoration, crowned monogram, gold rim (partly rubbed), 1x bumped, h. 16,5 cm
Lot 2817
Fünf große Weinpokale, Moser & Söhne, Karlsbad, 20. Jh., Modell Rose, Entwurf von 1902, runder Scheibenstand, schlanker facettierter Schaft, oberer Abschluß mit facettiertem Nodus, konische Kuppa, klares Glas mit floralem Schliffdekor, Goldstaffage, sign., tlw. Klebeetikett, H. 26 cmFive large wine goblets, Moser & Sons, Karlovy Vary, 20th century, Rose model, design from 1902, round disc stand, slender faceted stem, upper finial with faceted nodus, conical cup, clear glass with floral cut decoration, gold staffage, signed, partly glued label, h. 26 cm
Lot 2826
Konvolut von acht Fußgläsern, 18./19. Jh., jeweils runder Stand, konischer bzw. Balusterschaft, tlw. mit eingeschlossener Luftblase, Kuppa in unterschiedlichen Formen, klares Glas, tlw mit Schliffdekor, 2x mit Goldrand, H. bis 20,5 cmSet of eight footed glasses, 18th/19th c., each with round stand, conical or baluster stem, partly with enclosed air bubble, cup in different shapes, clear glass, partly with cut decoration, 2x with gold rim, h. up to 20,5 cm
Lot 2828
Karaffe mit sechs Schnapsgläsern, 20. Jh., kantige Form, klares Glas, tlw. bernsteinfarben überfangen, mit Schliffdekor, florale und Landschaftsmotive, H. 6 bzw. 22 cmCarafe with six shot glasses, 20th century, angular shape, clear glass, partly overlaid with amber, cut decoration, floral and landscape motifs, h. 6 and 22 cm, respectively.
Lot 2846
Vase, Anf. 20. Jh., runder Stand, schlanker kantiger Korpus , darüber ausladend, Mündungsrand in Blütenform, bernsteinfarbenes Glas, tlw. kobaltblau überfangen, florales Schliffdekor, reiche Goldstaffage (tlw. ber.), H. 31 cmVase, early 20th century, round stand, slender angular body, overhanging, flower-shaped mouth rim, amber glass, partly overlaid with cobalt blue, floral cut decoration, rich gold decoration (partly rubbed), h. 31 cm
Lot 2849
Sechs und drei Weingläser, Moser, 20. Jh., 2 verschiedene Formen, jeweils runder Stand, schlanker Schaft, geschweifte Kuppa, klares Glas, Kuppa unterschiedlich farbig überfangen, mit Schliffdekor, Landschaftsmotive, jeweils mit Klebeetikett, H. 18 bzw. 19,5 cmSix and three wine glasses, Moser, 20th c., 2 different shapes, each with round stand, slender stem, curved dome, clear glass, dome overlaid with different colors, with cut decoration, landscape motifs, each with adhesive label, h. 18 and 19,5 cm, respectively.
Lot 285
Wempe Blautopas-Brillant-Collier GG 750/000 mit einem fac. Blautopas 14,6 x 10,5 mm und 62 Brillanten, zus. 0,83 ct W/Lupenrein, Kastenschließe mit SI-Acht, L. 42,5 cm, 58,2 g, mit Zertifikat und Rechnung 1991 über DM 9.850,-Wempe blue topaz diamond necklace GG 750/000 with a faced blue topaz 14.6 x 10.5 mm and 62brilliant-cut diamonds, total 0.83 ct W / magnifying glass, box clasp with SI eight, length 42.5 cm, 58.2 g, with certificate and invoice 1991 for DM 9,850.00
Lot 4027
7 Glaskrüge mit Zinndeckelmontage, Ende 19. Jh., unterschiedliche Deckelzieren (z. B. Horn), Schliff- und Ätzdekore, leicht ber., H. bis 24 cm7 glass jugs with tin lid mounting, end of 19th century, different lid decorations (e.g. horn), cut and etched decorations, slightly rubbed, h. up to 24 cm
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152611 item(s)/page