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Lot 18
A silver backed dressing table set by Adie Bros., Birmingham 1925, of plain design to include: hand mirror, two hand brushes, two clothes brushes, a cut glass dressing table pot, etc. in fitted case (missing comb); together with a silver mounted vanity set in fitted case engraved initials 'M'; and another dressing table set in case.
Lot 27
A Regency Cut Glass Chandelier England circa 1815, possibly by James Blades of London, with elaborate gilt metal mounts, the cresting hung with festoons of icicle drops and with diamond and step-cut canopies, above strands of square faceted drops descending to the receiver ring, with scroll candle arms leading to diamond-cut nozzles, the base densely hung with icicle drops and with central faceted ball finial, 122cm high, 76cm diameter
Lot 298
A Regency Cut Glass Dish Light England circa 1810, in splendid original condition, 112cm high, An unusual Regency cut glass dish light having circular bronze rim, enriched with finely chased gilt-metal mounts with Celtic regal masks, enclosing an exceptional cut glass dish, dressed with faceted glass drops, supporting eight candle nozzles. The four original bronze chains suspended from a top cut glass canopy, similarly dressed with period cut glass drops having a rare and unusual center piece of three tiers of fronds with graduating chains of cut glass drops, surmounted by a cut glass faceted finial at the top.
Lot 301
A Glass & Silver Decanter By Hukin and Heath England circa 1900, stamped Hukin & Heath, an unusual cut glass decanter decorated with bands of diamond facets, with a lockable silver stopper, 29.2cm high The silversmith firm was established in Birmingham in 1855 by Jonathan Wilson Hukin and John Thomas Heath, who are best known for their silver plated goods produced in the 1870's and 1880's many of which were made to the designs of the industrialist Dr Christopher Dresser.
Lot 304
A Pair of Sinumbra Lamps France circa 1820, the fluted columns standing on a tripod of claw feet, the lamp mechanism incorporating glass chimneys within partially frosted and wheel cut glass shades, 76cm high Sinumbra lamps, literally lamps giving light without shadow, became an important technological innovation in lighting during the period of the Classical Revival. With its light source set at the centre of the circular tank, the illumination that fell on the table surface was without shadow. Many forms of table lamps and hanging lamps were produced, and the light was modulated by the use of half-dome and pyriform shades that were variously clear and frosted and wheel cut with a wide variety of designs.
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