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Lot 267
A pair of Regency bronze and gilt figural lustre candlesticks, with cut glass sconces, drops and drip pans, the stems cast as classical maidens, on engine turned bases, height 28cm, diameter of base 13cm. (See illustration) Condition report: Total of four drops missing. Each pan has a single broken crenellation missing. Small damage to drip pan.
Lot 47
A rare Caithness Limited Edition Queen Elizabeth I sulphide paperweight (originally ex. The Caithness Museum when the factory was closed down), the piece is rare due to it being an artist's proof (etched to underside), also etched to the underside Elizabeth 1st, the paperweight has been produced in amethyst and clear glass with round facet cut windows for viewing the royal portrait bust within the crystal glass, full-size version circa 1979/80 and designed by Colin Terris. This particular edition closed at only 390 ever produced for sale. Colin Terris was one of the leading glass artists working for Caithness and he has designed and made some of the most sought-after collectable paperweights, in perfect condition (approx. 6.75cm diameter)
Lot 48
A pair of hand-cut glass table lustres with circular droplets together with a 19th century glass bowl facet cut with flower heads and ovals etc., (some damage) (3), the lustres 25cm high There is some damage to the table lustres within this lot. The circular hand cut vase appears to ring quite well, there is a small bubble blemish to the outside of the lip on the vase but this seems to have been produced when it was made. The bottom of the underside, the outside of the foot appears to be quite irregular which may suggest that the piece has had some damage to the outside of the foot rim and has been ground down. The lip of one of the table lustres has been repaired, there is a 2cm chip away and a chip at the top also and the reparation is two staples now holding the damaged piece in place. It looks as if the main Campana shaped top has been glued into the larger nozzle/drip pan, underneath this where the main hobnail cut inverted baluster shaped support is there is also a prevalent chip away to the top of this section where it affixes to the sconce with a waisted brass ferule. The second table lustre (with the label) appears to be in slightly better condition, there are some chips and nibbles away from the extremities at the top of the piece although it does not appear to have been broken and repaired. There is no real evidence of glue and appears in much better original condition than its partner. The droplets, both of the lustres have the top droplets intact and the ones hanging below with seven cut glass facets, most of these if not all of them appear to be there. The circular feet appear to be in reasonable condition with no major problems except for the first lustre which has a 1cm small chip away to the edge.
Lot 50
Various cut glassware to include a heavy 19th century rummer, the border hand engraved in neo Classical style, a set of eight frosted and clear glass ice plates, a set of four salts of Campana form, one further boat-shaped salts and a large conical-shaped wine glass engraved with the royal cypher of Edward VIII dated 1937 (13), (some damage)
Lot 60
F. & C. Osler, a rare set of six gilt-bronze (with cut-glass droplets) neo Classical-style wall appliques, each oval applique surmounted with an anthemion motif above an elliptical frame centred and headed with an ormolu flower head radiating varying sized cut-glass droplets into the frame decorated to the edge with a running guilloche-style design, each applique finished with a hop-style inverted finial motif, each approx. 33.5cm (highest) x 15cm (width of oval frame at widest point), with detachable 'candle' tubes and now wired for electricity, the appliques marked Osler to the lower circular affixing point behind the hop finials, circa late-19th/early-20th century. F. & C. Osler was established in Birmingham in 1807 and created some of the most impressive glass chandeliers, lighting fixtures and decorative furnishings of the 19th and early 20th centuries. Well-known for innovative design and high quality, their mostly notable commission included in 1847 a pair of large candelabra for the tomb of The Prophet Mahomet in Mecca and the 8-metre high crystal fountain for the 1851 Great Exhibition which contained 4 tonnes of crystal (sold together with a letter from Mallett (Bond Street, London dated 23rd December 1991)One of the appliques has a twisted, bent candle arm. Some of the cut crystal is missing and needs to be replaced although it look like there are two long faceted crystals which have come away and are still extant within the lot. The gilding has darkened down significantly. There are one or two instances of minor bending to the gilt metal although nothing drastic apart from the candle arm already mentioned. The pieces seem to be stamped Osler to the lower circular wall affixing plate and this cannot be seen once this is against the wall. They look highly attractive and in our opinion it is a rarity to find a set of six and they appear to be generally in good original untouched order with no reparations noted and no other additions or alterations. Some of the droplets are missing and these are evident in the images. The appliques come together with a letter from Mallet dated 1991 and as we understand it these have been in the vendors family for many decades and are obviously fitted for electricity.
Lot 69
A hallmarked silver seven-division cruet stand, maker's mark JE, assayed London 1859, together with an assortment of cut-glass cruets etc., to include a single matching silver-topped mounted bottle, a pair of slightly higher bottles and two unassociated silver-plated bottles (a pepper and a mustard)
Lot 4
A pair of Aesthetic Movement stained glass panels, diamond shaped, painted with an anthropomorphic bird, one perched on one leg resting by bull rushes before the rising sun, the other the bird standing with a fish in its bill, beside bull rushes before the setting sun, inside coloured leaded glass border with pink and green cut glass jewels, 43cm. high, 40cm wide
Lot 372
19TH CENTURY BOHEMIAN OR GERMAN FLASH CUT GLASS CASKET of rectangular form with canted angles, having a domed metal mounted hinged cover, originally with loop handles and decorated with chateaus and notable buildings, titled in French. 12cm across approx. Bearing initials A.M.K.(B.P. 24% incl. VAT) CONDITION REPORT: The glass appearing in good condition, some scratches and wear to the base. Lacks one loop handle.
Lot 111
A LATE VICTORIAN SILVER TOPPED SQUARE GLASS INKWELL, hinged domed top cover over ribbed sides with star cut base, makers Army & Navy Cooperative Society Ltd (Frederick Bradford Macrea), London 1887, height 11cm x width 9cm, together with a Victorian silver topped cylindrical glass jar, engraved date '1888' to cover, gilt interior to lid, retains glass stopper (stuck in), retailed by Percy Edwards & Co, Piccadilly, maker Joseph Braham, London 1888, height 9cm, together with a pair of George V silver dwarf candlesticks, s.d. and an Edwardian silver pepperette of cylindrical form, Birmingham 1902 (5) (condition: inkwell dents to cover, toilet jar dent to side of cover, pair of candlesticks have damage to bases, pepperette has dents to top and base)
Lot 112
A GEORGE III SILVER SHAPED RECTANGULAR INKSTAND, fitted with a central taperstick with removable sconce and foliate pierced decoration and with snuffer on chain, flanked by a pair of hobnail and facet cut glass inkwells with silver pull off covers, the stand with pen recesses to either side, on four open scrolled feet with flower head decoration, makers Samuel & George Whitford, London 1804, approximate weight 28.4ozt, 885 grams, width 31cm (condition: surface scratches and signs of use, some marks partially rubbed, one pull off cover stiff, the other loose, some chips to inside rims of glass inkwells)
Lot 123
A GEORGE V SILVER SUGAR CASTER, of baluster form, knopped finial with foliate pierced sifter, stepped circular foot, maker William Suckling Ltd, Birmingham 1935, approximate weight 4.8ozt, 150 grams, together with a George VI silver rectangular cigarette case, engine turned decoration, gilt interior, makers E.J. Trevitt & Sons, Birmingham 1941, approximate weight 5.8ozt, 182 grams and an Edwardian silver and glass inkwell, hinged silver cover over a facet cut base, a.f, on a removable square silver base, retailed by Z. Barraclough & Sons of Leeds, maker's mark rubbed, London 1906, approximate weight 2.4ozt, 76 grams (3) (condition: glass inkwell has substantial chip to a bottom front corner, sits level on a flat surface, cigarette case has many dints, caster has partially rubbed marks, sits level)
Lot 153
A PAIR OF EARLY 20TH CENTURY SPHERICAL GLASS SCENT BOTTLES, with white metal pull off covers stamped with a star and 291/B within a hexagon, white metal collars, with inner glass stoppers, the bottles facet and star cut, height 12cm (2) (condition: both bottles have a number of chips to the edges of the facets, particularly along the edges of the vertical concave facets)
Lot 25
A CORAL COLLECTION, to include two brooches and a glass ring, two brooches of similar appearance, vari cut coral fitted to a wire construction mounting, together with a glass (coral colour) gold plated ring (condition: please note a/f, one of the brooches is damaged a wire work piece is broken from the mount)
Lot 258
A COLLECTION OF 19TH/20TH CENTURY DRINKING GLASSES, to include Bristol blue rummers, amethyst plain and knopped stem wine glasses, yellow knopped stem wine glass, green rummer, yellow slice cut wine, cranberry and green with clear stems, amethyst tumbler and facet cut wine glass with polychrome decoration to the bowlcondition: The amethyst knopped stem glass has a small chip to the base, the two green with clear stem glasses each have a small chip to the rim, all have normal wear and tear to the bases
Lot 259
A COLLECTION OF 19TH/20TH CENTURY SCENT BOTTLES, etc, to include a British flash cut example with amber panels etched with roses, thistles and shamrocks, a pink satin glass bottle with white metal collar and lid, missing stopper, a pair of amber and gilt decorated examples, together with three other examples (8)condition:None of the bottles are chipped or cracked, there is some wear to the gilding in places, the stoppers on the amber flash cut and the gilded bottle with the clear stopper both have small chips, the gilded bottle may have a replacement stopper
Lot 265
A GROUP OF CONTINENTAL STYLE CAMEO GLASS, to include a trumpet shaped vase with berry decoration towards the rim, height approximately 31cm, a white over ruby scent bottle, hobnail and circular pattern decoration, a cobalt blue and white scent bottle, missing stopper, a blue and white over clear scent bottle, together with a pair of cameo posy vases, a cameo glass sugar sifter and a cut glass scent and powder bowl, missing atomiser
Lot 269
A COLLECTION OF 19TH AND 20TH CENTURY CRANBERRY GLASS, to include decanters, jugs, vases, etc, together with a ruby flash cut oil lamp chimney, engraved with a stag and hinds in a forest setting, height approximately 34cm (s.d.) (18)condition: One of the small jugs has a chip to the rim, one of the decanters has been restored, one of the decanters has a rough area to the inside of the handle, the three stoppers may not be original, two of them are chipped, the other pieces are in good condition
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152609 item(s)/page