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Lot 1
A post-Regency rosewood sarcophagus tea caddy, inlaid with cut brass lozenges, flower heads and stringing, the chamfered hinged lid with tablet centre, enclosing a cut and moulded glass mixing bowl and pair of removable canisters with brass strung hinged lids, on bun feet, 30cm x 15cm, 18cm high, circa 1840
Lot 1
A pair of George II silver compressed circular salts, the legs on hoof feet, one with the makers mark indistinct. London, 1756. Together with a butter pat dish in frosted cut glass with a silver stand, with pierced fretwork flange, the cast applied legs with hoof feet. Makers Mappin and Webb. Birmingham, 1926. 3oz. (3).
Lot 1
A Victorian silver inkstand, the oblong base with moulded serpentine borders on pierced cast wing foliage panel splay feet, fitted a central oval taperstick with extinguisher and detachable nozzle, the moulded border with a scroll handle, seated on a sealing wax box, flanked by glass ink wells with star cut bases and hinged silver covers, set in pierced fretwork frames. 11in. (28cm.) wide. Maker Robert Hennell II. London, 1856. 30oz (weighable silver).
Lot 1
A Queen Anne silver 'Warwick' cruet, the frame with a central baluster turned stem ring handle and half baluster supports to the frames, engraved a crest with a small later crest beneath, fitted with a set of three baluster casters engraved two versions of the dove of peace crest, one in a heart shape shield with foliage cartouche, the other perched on a cap, frilled borders and detachable pierced fret covers with bayonet fittings and baluster turned finials, each on a moulded spreading foot. 6.25in. (16cm.) and 4.25in. (11cm.) high. Maker probably William Penstone. London, 1707. 28oz. Together with a pair of cut glass oil and vinegar bottles, with crested silver covers (unmarked). (3).
Lot 1
An oval silver cream boat, a silver two handled sugar basin, on ball feet, a Victorian oval pierced salt cellar frame, on winged paw feet, a pierced silver stem bon bon dish, a small silver bon bon dish with pierced wavy borders, an Edwardian repousse backed hand mirror and matching hat pin tray, a shoe horn and button hook, a silver comb back, two cut glass toilet jars with repousse silver covers, a cut glass pin jar, with silver cover and one similar and a glass hipflask with crested silver screw-on cover. (15).
Lot 1
An Edwardian silver boat shape inkstand, filled an oval cut glass ink pot with hinged silver cover, having pierced fret end lifts to the raised border, a reeded and ribbon edge, on scroll feet. 7.5in. (19cm.) wide. Makers James Deakin and Sons. Sheffield, 1906. Together with a Victorian silver feather edge sugar sifting spoon. Maker Hyam Hyams. London, 1856. 4oz. (2).
Lot 1
A Victorian ruby glass wine jug with clear writhen scroll handle and cut glass stopper, the base star cut, 10in. (25.5cm.) high. Together with a late Victorian red glass two-handled cup, 5.65in. (14.5cm.) high and a Victorian yellow glass Etruscan style jug, with blue scroll handle, 8.5in. (21.5cm.) high. (3).
Lot 1
A fine Bohemian 'lithyalin' beaker, Blottendorf, circa 1835-1840, perhaps Friedrich Egermann workshop, of waisted form in translucent emerald-green glass, the outer surface cut with three hexagonal panels each with a tooled-gilt and 'silvered' rosette on a black ground, overpainted in brick-red, reserved within gilt foliate scrolling, the everted base with raised arched flutes marbled in olive-green, gilt line rim, 10.2cm, 4in.; and another similar, 10.4cm, 4in, both with some rubbing to gilding, the second broken and repaired, (2)
Lot 1
A rare French yellow opaline ormolu-mounted casket, Cristallerie de Creusot, circa 1815-1820, the translucent glass with caramel inclusions, of rectangular form with pillar moulding to the sides, the mounts with roses and laurel leaves, the lock-plate with cisele engraved foliage, the hinged cover with radiating flutes, star-cut base, 11cm. long by 10.9cm. high, 4.25in. by 4.25in, small internal flaw to rear corner of cover. For a similar example with an almost identical mount, see C.Vincendeau, Les Opalines, p.31. The author indicates that Jacques Chapet obtained this rare colour in 1807 with the addition of sulphur of antimony. Few examples have survived. The Cristalleries de Creusot discontinued production in 1820. See also Y.Amic, L'Opaline Francaise, p.25 and pl.VII for another example. , Provenance, Anon sale, Sotheby's New Bond Street, 19th December 1966, lot 16
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152611 item(s)/page