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Lot 113
1991 Daimler Double-Six Series III Transmission: automaticMileage:41307The chairman of Jaguar at the time 'Lofty' England declared that the new V12 luxury saloon was to be baptised the Daimler Double-Six and a legend was born. The Series III, the final derivative of the Daimler Double-Six, arrived in 1979 and like its predecessors benefited from the clean cut, new body designed by famed Italian design house, Pininfarina. The new design featured more glass, slightly squarer lines around the roof area and up to date front and rear styling. The Series III soldiered on until the late 1980s, outliving the XJ6, the departure of which was delayed by problems installing the engine in the new XJ40 series. This was the flagship car in the Jaguar/Daimler line and was produced until the end of 1992. It would be hard to imagine news footage of the 1980s and early 1990s without a member of the cabinet or the House of Windsor ascending elegantly out of a Double-Six. No other car of that period epitomised brisk luxury travel like a Daimler and in such a truly understated British fashion. This car was not concerned with the pomp and showmanship of a Rolls-Royce, it was a Daimler and it meant business. The export market adored it.This beautiful example was originally exported to Japan and stayed there until circa 2018, becoming UK registered in July 2019. It is now very common to find cars here in the UK which have been imported from Japan, usually due to the condition the cars tend to be in, their roads are un-salted thus leading to largely rust-free cars and their MoT test equivalent is particularly stringent, meaning cars are kept in very good condition. The British Racing Green coachwork gleams and is hard to fault, as is the Magnolia hide interior. The history file has a record of sixteen services in Japan from 506km all the way to 51,514km and a further four services in the UK, most recently in January 2021 at 34,616 miles. The history file also includes a record of the speedometer being changed and modified to show miles instead of kilometres. The change took place at 54,603km, meaning a reading of 33,706 miles was given. The odometer now reads 41,307 miles. This is an excellent late example of the quintessential British luxury saloon and is one of very few remaining in such superb condition.
Lot 1615
SCHOBER, PETER JAKOB (1897-1983), 2 Mediterrane Landschaften, wohl Italien, 1x "Ortschaft an einem Hang", u.li. undeutlich datiert UND 1x "Boote am Strand, mit Blick auf bergige Inselspitze", je Aquarell/Papier, HxB: Passepartoutausschnitt ca. 27x34 cm und 26x35 cm (je 48x55,5 cm mit Rahmen). Je Altersspuren, leicht gebräunt. Je im Passepartout hinter Glas gerahmt. PROVENIENZ: Familie des Künstlers. | SCHOBER, PETER JAKOB (1897-1983), 2 Mediterranean landscapes, probably Italy, 1x "village on a slope", u.li. indistinctly dated AND 1x "Boats on the beach, with a view of the mountainous island tip", each watercolour/paper, HxW: passepartout cut-out approx. 27x34 cm and 26x35 cm (each 48x55.5 cm with frame). Signs of age, slightly browned. Each framed behind glass in a passe-partout. PROVENANCE: Artist's family.
Lot 1800
ERIC, ROB (1954-2013), "Happy Rizzi Train at Karlsruhe HBF"; 2010, Serigraphie als 3-D-Objekt, u.re. mit Bleistift von Hand signiert und datiert 'Eric 2010', u.li mit Bleistift num. 3/25. HxB: Passepartoutausschnitt ca. 20x42 cm, Außenmaße Rahmen ca. 37x59 cm. Im Passepartout hinter Glas gerahmt.| ERIC, ROB (1954-2013), "Happy Rizzi Train at Karlsruhe HBF"; 2010, Silkscreen as a 3D object, bottom right Hand-signed and dated 'Eric 2010' in pencil, numbered lower left in pencil. 3/25 HxW: passe-partout cut-out approx. 20x42 cm, outer dimensions of frame approx. 37x59 cm. Framed behind glass in a passe-partout.
Lot 1007
A Collection of Assorted Silver and Silver Plate, the silver including a silver-mounted cut-glass caster; a candlestick, filled; various condiment-items, including a pair of Victorian salt-cellars in the George III style; a George III style tapering cylindrical container with overhead handle and wirework-sides and a mug; the silver plate including silver plate-mounted glass containers; a sauceboat; dishes and other items, Together With a wooden box, with hinged cover and a pair of Staffordshire pottery figures on horseback (qty) (two trays and a wooden box)
Lot 1015
A Victorian Silver-Mounted Cut-Glass Claret-Jug, by Atkin Brothers, Sheffield, 1895, the cut-glass body tapering oblong, the silver mounts stamped with foliage and flowers, the hinged cover with baluster finial, with angular handle, 23cm highFully marked near rim and further part marked on cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age use. There some minor chips to the glass.
Lot 1069
A Collection of Assorted Silver Plate, including a centrepiece pedestal, capped with stags heads; a silver plate mounted cut and engraved glass biscuit-box; various silver plate-mounted and pique inlaid tortoiseshell bottle-coasters and a tray; a revolving tureen and other items (one shelf)
Lot 1092
A Victorian Silver-Mounted Cut-Glass Claret-Jug, Maker's Mark CD, London, 1894, the cut-glass body globular, with plain silver mounts, the hinged cover with pierced thumbpiece, 19cm highFully marked on neck mount and further part marked inside cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use.
Lot 1229A
Entomology: A Giant Forest Scorpion & Prickly Stick Insect, modern, a large preserved Giant Forest Scorpion laid upon painted grit groundwork, a large preserved Prickly Stick Insect climbing upon a short cut stump, enclosed within a modern circular glass dome, diameter 24cm, overall height 41cm
Lot 900
A Victorian rosewood veneer tea caddy of sarcophagus form with mother-of-pearl inlay, the interior with two dome top lift out tea canisters and central mixer compartment with later cut glass bowl - sold with a pair of early 19th Century silver bright cut sugar tongs - some veneer detached but present
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