Three small cut glass silver topped scent bottles, the tallest 7cm, a small silver topped dressing table jar, a silver thimble, two silver salt spoons, and a silver mother of pearl folding fruit knife, 12.8cm extended, combined weight of weighable silver 0.48ozt, 14.9g gross, and a pair of Indian circular salts raised on three feet, with one spoon, combined weight 3.12ozt, 97gCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
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A St Louis Glass Claret Jug and Stopper, of panelled cut baluster form, engraved with a monogram within gilt line borders48cm highA Pedestal Decanter and Stopper, en suite46cm highA Pedestal Water Jug35.5cm highTwo Water Jugs24cm highTwo Finger Bowls and Three SaucersOne jug badly chipped on the rim next to the handle. No other notable damage. Some very minor flakes to cut edges. Gilding in good order.
A St Louis Glass Claret Jug and Stopper, of panelled cut baluster form, engraved with a monogram within gilt line borders 48cm high A Pedestal Decanter and Stopper, en suite 46cm high A Pedestal Water Jug 35.5cm high One Water Jug 24cm high Two Finger Bowls and Three SaucersNot illustrated Overall very good condition. Some very minor flakes to some of the cut facets. Gilding in good order.
A George III Silver Centrepiece, by William Burwash, London, 1813 on triangular base with three leaf-capped paw feet, each side applied with flower medallion, the circular bowl with egg and dart border and applied with fruiting grapevines, supported on three winged sphinx supports and with a central foliage and scroll finial, with an associated cut-glass bowl32cm wide, 33cm high,123oz 11dwt, 3,842grThe inscription reads 'To Walter Dale from Cap't E. Compton and his Family, a token of their gratitude for 50 years of loyal service, 1st Jan 1940'.Fully marked under base. Further part marked under central dish, on applied fruiting vines and on central final. The sphinxes have not been removed to see if they are also marked. There is some wear to the marks but in general each is legible. The marks underneath and under dish each with tape residue. There is some overall surface scratching and wear, consistent with age and use. The glass bowl with some chips and scratches. The later wood support for the bowl cracked. There are no signs of any additions of change of use to the centrepiece but it may be lacking a further section and the glass bowl is later.
A George IV Silver Inkstand, by Matthew Boulton, Birmingham, 1832 the base shaped oblong and on four shell and foliage-cast feet, the shaped rim cast with further shells and foliage, with supports for the two silver-mounted cut-glass bottles and with a central circular container with cover formed as a taper-candlestick, engraved with an inscription the base 29cm wide, weighable silver 24oz 6dwt, 756grThe inscription reads 'Presented by a Lady to Fred'k Toulmin Esq'r as a testimony of the gratitude for his attention to her during a long illness'.Fully marked under base, on taperstick, bottle mounts and covers. Further part marked on fixing pins underneath and nozzle.There is some wear to the marks but in general each is clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraving and the high points. There are some small chips to the bottles and one larger chip to the base of one bottle.
An Edward VII Silver and Cut-Glass Oil-Lamp, by Hawksworth, Eyre and Co. Ltd., Sheffield, 1903 on square stepped case with gadrooned border and further stamped with vases connected by drapery swags, the fluted stem terminating in a Corinthian capital, the cut-glass font with silver plate mounts, stamped 'No. 1 Hinks Safety', supporting the tapering clear glass and globular frosted glass globular shades, filled74.5cm high including shadeFully marked on base. The marks are generally clear. There is some overall surface scratching and wear consistent with age and use. The font is in generally good condition with only some minor chips. The mounts with some discolouration and seeming to function correctly.
Two 19th century cut glass bonbonnieres and covers, an ovoid rummer, cut glass cologne bottle and stopper, pair of floral-etched glass dishes and other glassware, to/w a Regency Derby china dish, Nymphenburg goat kid, silver brush set, Limoges and other enamel boxes, white metal pill-boxes, etc (box - part of lot in cabinet)
A yellow metal wedding band, cut, 1.5g and collection of five various paste set rings, textured yellow metal ring, ring shank, blue oval glass turquoise style ring, acorn and leaf gilt metal brooch, three yellow metal chain link necklaces and white metal necklace, white metal bar brooch set blue zircon style stone and collection of white metal leaves etc. ( A Lot)
FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN - Mario Kirner Collection: Screen-matched Head and Arm ApplianceScreen-matched head and arm appliance from the production of Rob Hedden's slasher sequel Friday the 13th Part VIII: Jason Takes Manhattan. The unique mottling and paint marks applied to this head cowl match the one seen on Jason (Kane Hodder) when he was stabbed in the eye by Rennie (Jensen Daggett), and in behind-the-scenes photographs.Both appliances are made of foam latex applied to canvas. The head cowl is presented on a production-made head cast of Hodder (who plays Jason), which is affixed to a glass base. It features a wound along the left jaw - referencing the famous propeller cut from Friday the 13th Part VI: Jason Lives - and green residue from the scene where Jason is splashed with waste water. The cowl also has metal hooks at the back of the neck for attaching to the undersuit. The arm is the only surviving arm of two made for production. Both pieces exhibit extensive deterioration from age, as the foam latex has dried out and become very fragile. Dimensions (head): 40 cm x 40 cm x 34 cm (15 3/4" x 15 3/4" x 13 1/2")Additional Provenance:This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner.This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: £300 - 600 Ω View all lots from FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN (1989)View all lots from FRIDAY THE 13TH - ALL ITEMSBidding for this lot will end on Saturday, November 11th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Sunday, November 12th.
2 Large 19th century "true" Gay '90 glass in metal buttons.Here are two more examples of Gay'90 jewel buttons. One in this lot has a turquoise blue center and the other has a topaz colored center. Both are set in ornate settings and accented with cut steels. From the collection of Nikki Deal. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Unless otherwise noted we find no significant condition concerns except for normal age related wear for the age of these items.
36 S/M/L 19th century wood and composition including buckles.These two cards include several nice wood with cut steels, composition imitating wood, composition with steel, pearl, black glass and more. The lot also includes some nice carved buckles as well. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Unless otherwise noted we find no significant condition concerns except for normal age related wear for the age of these items.
1 Large size 19th century glass set in pearl button.This beautifully created pearl is set with a glass cameo into the pearl and bordered with 4 cut steels. Very detailed and backed with a large brass back and shank. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Unless otherwise noted we find no significant condition concerns except for normal age related wear for the age of these items.
A collection of various ceramics and stone items, including a stone shot tray with bottle and shot cups; a cut glass decanter and ceramic teapotTeapot scratching and markings to the surface. Chipping to the sides and underside of the lid. The spout has been broken off, but loss provided. See images.
Set of six Edinburgh Crystal thistle pattern stem glasses having thistle shaped bowls with etched thistle pattern, having hobnail cut bodies, raised on tapering hexagonal stems, 17cm tall. One glass displays folding fault approximately 2.3cm long on stem.Please refer to imagesSame glass displays signs of stress crack where stem meets baseVery small chip to some base rims
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