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Click here to subscribeA 19th century brass skeleton clock, with single fusee movement, the open dial with cut out textured numerals, the front plate cut away, the backplate circular with 'C' scroll supports, the oval brass base inscribed 'D. Ray Bury', with blued steel screws, on an integral mahogany stand, 24cm wide, 16cm deep, 28cm high, David Ray, Bury St Edmunds, SuffolkCondition report: The glass dome with the clock is cracked and badly repaired
Set of six etched sherry glasses by Stuart, fern decorated with five matching wines, five various matching small tumblers and nine other cut glass small tumblers, *** addition to some catalogues *** together with 6 wines and 6 sherry glasses (possibly Edinburgh) Condition Reportno obvious visible damage
A SILVER AND GUILLOCHE ENAMEL VANITY SET, to include two hairbrushes, a handheld mirror, two clothes brushes and a cut glass jar with a silver and guilloche enamelled lid, each piece is decorated with a cream guilloche enamel with decorative painted floral detail, each piece has hallmarks for Birmingham 1935 'Henry Clifford Davis' (Condition Report:- overall condition good, general light wear, the jar has some damage to the lid, some dinks to the silver on the other pieces)
CUT GLASS, etc, to include a pair of Stuart Crystal candlesticks, small nibble to one, Stuart square form and ships decanters, Stuart pedestal fruit bowl - no chips or cracks to either piece, unmarked vase, water jug and fruit bowl (bowl chipped), together with decorative seashell bowl and vase
SUNDRY ITEMS ETC, to include Noritake 'Maplewood' part dinner set, teapot, cups and saucers, plates, Stuart Crystal boxed rose bowl, unmarked cut glass bowl and rose bowl, vase etc, Royal Worcester egg coddler, brass items, Indian Treen smokers accessories inset with porcupine quills, fourteen pairs of quality gents shoes, approximate size 9/10
TWO LADIES WRISTWATCHES AND SEVEN RINGS, the first watch with a square cream dial signed 'Berg 17 jewels', baton markers and gold tone hands within a plain gold plated case, fitted with a rolled gold fancy link bracelet, the second with a rectangular cream dial signed 'Rotary' baton markers and Roman numerals, gold tone hands, within a gold tone plain polished case signed 'Rotary' Ref: 10591-batt: UC337, PO-00793' fitted with a gold tone fancy link bracelet, together with a white metal ring designed with a row of five flower clusters set with round brilliant cut diamonds (one diamond is missing), within a crossover setting, stamped '925', ring size N, another white metal ring designed with a heart set with a star set single cut diamond, to the single cut diamond detailed shoulders stamped '925' engraved 'Always & Forever', a large garnet set flower cluster ring stamped '925', a gold plated rose quartz and single cut diamond detailed ring stamped '925', alongside three others (Condition Report:- glass is fine on both watches, general wear and scratches, Berg winds, sets and runs, Rotary will require a battery, clasps work well)
FOUR BOXES AND LOOSE CERAMICS AND GLASS, ETC, to include Royal Sutherland and Tuscan china tea wares, Royal Worcester serving dish, Wedgwood Clementine oval plates, Royal memorabilia cups/mugs, cut glass vases, pressed glass bowls and vases, ship in a bottle, Purbeck Pottery bowl, jardinières, etc
* WILLIE RODGER RSA RGI (SCOTTISH 1930 - 2018), REVERIE lino and woodcut printed in colours, signed, titled and dated 67, numbered 4/30 41cm x 47cm (image size) Mounted, framed and under glass Note: The Royal Scottish Academy website describes Willie Rodger as "one of the most significant artist-printmakers in recent Scottish art history". Born in Kirkintilloch in 1930, Rodger studied Graphics and Printmaking at Glasgow School of Art from 1948 to 1953. He received a rigorous education from a course that, at the time, only accepted the most skilled draughtsmen. By graduation Rodger had already sold two prints to the Victoria and Albert Museum, London, and went on to a career in advertising. However, he became disillusioned with the cut and thrust of the commercial world and an opportunity to change careers and return to Scotland came about with a teaching vacancy at Lenzie Academy, then as Principal Teacher of Art at Clydebank High School, a post he held until early retirement in 1987. He was elected to the Royal Scottish Academy in 1989 and awarded an honorary doctorate by the University of Stirling in 1999. "Reverie" is a remarkably rare, early print by Willie Rodger and so far as we can ascertain, this is the first time any of the edition of thirty has ever been offered at auction.
A Victorian 15ct gold and gold coloured metal brooch inset with cut glass, 4 cm wide (converted from a brooch, the pin apparently not hallmarked) a 19th century gold coloured metal mounted oval cameo brooch (slightly damaged) a 19th century gold coloured metal porcelain oval brooch, a 19th century gilt metal circular pendant photograph frame and a quantity of decorative costume jewllery
Vase, Vicke Lindstrand für Orrefors/ Schweden, ca. 1930 Farbloses Glas mit geschliffener figürlicher Darstellung auf Schauseite: Meerjungfrau. Bodensignatur: Orrefors Lindstrand 1924 (Modellnr.?). A 4 S. H. 18 cm Vase, Vicke Lindstrand for Orrefors/ Sweden, ca. 1930. Colourless glass with cut figural depiction on the front: mermaid. Bottom signature: Orrefors Lindstrand 1924 (model no.?). A 4 p.
Schmidt-Rottluff, Karl. 1884 Rottluff - 1976 Berlin. "ist euch nicht Kristus erschienen" (Christus-Kopf). Holzschnitt. 1918. Unsigniert. 23 x 18 cm (Bl). 60 x 47,5 cm (Ra). Im Passepartout hinter Glas gerahmt. Leicht berieben. Verkleinerte Version des ikonischen Christus-Blattes aus der bei Kurt Wolff in Berlin 1918 publizierten Mappe "9 Holzschnitte". Motiv: WVZ Schapire H 208. Head of Christ. Wood-cut 1918. Unsigned. Smaller version of the iconic motif from the portfolio "9 wood-cuts", publ. at Kurt Wolff, Berlin, 1918. Slightly rubbed. Framed behind glass.
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