We found 152611 price guide item(s) matching your search
There are 152611 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
152611 item(s)/page
Lot 172
A mixed group of drinking glasses comprising four tumblers (three with engraved grapevine decoration and one of tapered for with flared mouth and abstract engraved design) (tallest h- 12.5cm), three smoked glass shot glasses, and six thumb cut crystal shot glasses in the Georgian manner (13)
Lot 50
A large 18 carat gold ruby and diamond cluster ring, the central stone approximately 6.0 carats, flanked by eight diamonds, within a diamond set surround, 18mm wide, 10.8g, size OOverall is complete and wearable. The main stone is quite worn, especially to the corners and edges of the cut. When examined under a glass has small dark specks within the stone, which are spread quite evenly throughout the depth.
Lot 2
An early 20th century gilt metal mounted cut glass bowl, of oval shape, with hobnail cut decoration and scrolled decoration, flanked by flying birds, 34cm wideOverall condition is complete and undamaged, with some light surface marks, tarnished metal mounts and light dirt. Collected from a local house move in Essex.
Lot 145
* WILLIE RODGER RSA RGI (SCOTTISH 1930 - 2018), WEE BITE limited edition woodcut print on paper, signed, titled and numbered 3/25mounted, framed and under glassimage size 7cm x 6cm, overall size 43cn x 37cm Note: The Royal Scottish Academy website describes Willie Rodger as "one of the most significant artist-printmakers in recent Scottish art history". Born in Kirkintilloch in 1930, Rodger studied Graphics and Printmaking at Glasgow School of Art from 1948 to 1953. He received a rigorous education from a course that, at the time, only accepted the most skilled draughtsmen. By graduation Rodger had already sold two prints to the Victoria and Albert Museum, London, and went on to a career in advertising. However, he became disillusioned with the cut and thrust of the commercial world and an opportunity to change careers and return to Scotland came about with a teaching vacancy at Lenzie Academy, then as Principal Teacher of Art at Clydebank High School, a post he held until early retirement in 1987. He was elected to the Royal Scottish Academy in 1989 and awarded an honorary doctorate by the University of Stirling in 1999. In The Scottish Contemporary Art Auction of 28th February 2021 lot 562 "Reverie" by Willie Rodger established a new auction record for a print by the artist selling at £1200 (hammer).
Lot 144
* WILLIE RODGER RSA RGI (SCOTTISH 1930 - 2018), WEE KISS limited edition woodcut print on paper, signed, titled and numbered 62/100mounted, framed and under glassimage size 7cm x 6cm, overall size 37cm x 31cmNote: The Royal Scottish Academy website describes Willie Rodger as "one of the most significant artist-printmakers in recent Scottish art history". Born in Kirkintilloch in 1930, Rodger studied Graphics and Printmaking at Glasgow School of Art from 1948 to 1953. He received a rigorous education from a course that, at the time, only accepted the most skilled draughtsmen. By graduation Rodger had already sold two prints to the Victoria and Albert Museum, London, and went on to a career in advertising. However, he became disillusioned with the cut and thrust of the commercial world and an opportunity to change careers and return to Scotland came about with a teaching vacancy at Lenzie Academy, then as Principal Teacher of Art at Clydebank High School, a post he held until early retirement in 1987. He was elected to the Royal Scottish Academy in 1989 and awarded an honorary doctorate by the University of Stirling in 1999. In The Scottish Contemporary Art Auction of 28th February 2021 lot 562 "Reverie" by Willie Rodger established a new auction record for a print by the artist selling at £1200 (hammer).
Lot 1
A George III cut glass decanter, probably Irish. With a triple ring neck and mushroom stopper overall height 25cm, together with a Georgian glass rummer. (2)Decanter possibly a small ground down chip to the underside of the flange, it is certainly uneven.The pontil mark is quite rough. There is a little staining internally. There are no apparent issues with the rummer.
Lot 328B
An early 20th century French metalwares silver mounted cut glass decanter, (probable) mark of Maison Bloch-Eschwége (overstamping a '950' mark), Paris, (1921-1946) and Minerva head 1st standard for 950/1000 standard silver, the glass mallet shaped body with a band of hobnail decoration, panelled shoulder, silver collar and facetted stopper, lower attached within a 7cm high pierced silver coaster, 9cm diameter at the base, 27cm high
Lot 393
A Victorian silver mounted claret jug, mark of Mappin & Webb, Sheffield 1895, the cut glass body of pear shaped form, the foot with a silver band and starburst engraving, upper with silver collar, 4cm, decorated with repoussé scrolls and foliage over a textured ground, part marked domed and hinged cover topped with a decorative finial, leaf capped double scrolled handle, 27cm highOverall in good condition with no obvious signs of damage or repair. Some minor surface scratches to the silver, as to be expected and commensurate with age and use. Hinge to the cover a little loose. Hallmarks clear and readable. Glassware appears undamaged.
Lot 373
A Victorian silver seven bottle cruet stand, mark of Henry Wilkinson & Company, Sheffield 1852, the frame of scalloped form with pierced symmetrical decoration and scrolled rim, simple bolt on central section with cut out plate and angular scrolled handle, 7 cut glass bottles; one with silver casting top, one with silver collar and hinged cover, one with ground glass stopper and integral silver gilt spoon, one with ground glass stopper, the remaining three lacking their ground glass stoppers (2 of which with damage), raised on four scrolling feet, 28cm highProvenance: From the estate of the late Barry Lock (1934-2021)
Lot 410
A cased set of six silver communion cups, together with a chalice and holy oils set, the cups with mark of James Dixon & Son, Sheffield 1908/10, each with shallow circular bowl, tapering stem and circular stepped pedestal foot, 4cm diameter, 6.5cm high, 4.4ozt gross, presented in a gilt tooled fitted case lined in dark blue satin and velvet; the gilt metal chalice, apparently unmarked, tests as silver, probably early 20th century, of traditional form, hammered cup above a knopped stem, decorated with foliage together with applied lettering (5 letters lacking, when complete reading GOD THAT SITTETH IN TRINITY SEND US PEACE AND UNITY), circular pedestal base engraved with an image of the crucifixion within a decorative border, foliate rim, 11cm diameter at the rim, 14cm diameter at the base, 19.5cm high, 14.3ozt; the three cut glass holy oil containers with ground glass stoppers within a glass fronted wooden travelling case, lined in green satin and velvet, 19.5 x 9cm, 14.5cm high (3)Provenance:Formerly the property of a missionary working in Africa in the early 1900sCups - Overall in fair to good condition with no obvious signs of repair. Some light surface scratches to all, as to be expected and commensurate with use. Rims on all are a little off-round, but none seriously so. All stand well on a flat surface with no wobble. Hallmarks clear and readable. Interior of the case in good order. Exterior rather scruffy and stained.Chalice - Overall in good condition with no obvious signs of repair. Light surface scratches and one or two minor nicks, as to be expected and commensurate with use. Some scuffing and loss of gilding to the underside. Loss of 5 letters to the knop (as mentioned in the description). Engraving clear and crisp. Stands well on a flat surface with no wobble.Bottles - Some scuffing to the base of the stoppers but apart from that no obvious signs of damage or chips. Interior of the case generally in good order with a little wear to the wells where the bottles fit. Exterior with minor scuffs and nicks and one or two minor bubbles under the veneer. Lock rather hesitant but operational. Glass window appears in good order.
Lot 316
An early 20th century German metalwares 'Art Deco' style silver plated and glass lemonade jug, mark of F.W. Quist, Esslingen a Nahe, circa 1910, the glass body of plain, slightly conical form with glass handle, the underside with cut star decoration, plain liveried silver plated collar, 5.5cm, the short spout with integral strainer, piano hinged flat cover with simple ball thumbpiece, removable tubular glass ice container with silver plated collar, bayonet fittings and swing handle, 13cm diameter at the base, 29cm high
Lot 390
A Victorian silver eight bottle cruet stand, mark of John, Edward, Walter & John Barnard (Barnard & Sons Ltd.), London 1871, the frame of rectangular form with scalloped edge, the field decorated with engine turned engraving, the border with scroll and foliate engraving, simple bolt on centre section with ring retainers and scrolled handle, 8 cut glass bottles; 3 with silver casting tops, 1 with silver collar and hinged cover and 4 with ground glass stoppers, raised on four scrolling feet, 25 x 15cm, 26cm highFrame:Overall in good condition with no obvious signs of damage or repair. Some minor surface scratches and minor dents as to be expected and commensurate with use. Engraving and hallmark clear and crisp. Very minor wobble when on a flat surface.Bottles:2 large bottles with glass stoppers - Both appear to be in good condition with no obvious signs of damage, repairs or chips. Stoppers are good fits.1 small bottle with glass stopper - Appears to be in fair to good condition with no obvious sign of repairs, with just a minor chip to the parapet. The neck of the stopper is snapped off, but there is still just sufficient for it to it into the neck of the bottle. 1 small bottle with silver and glass stopper and with silver long handled spoon attached to the stopper - Appears to be in good condition with no obvious signs of damage, repairs or chips. The stem of the spoon bears a matching hallmark to the frame. The silver stopper is a rather loose fit to the bottle.2 small bottles with silver collars and detachable casting tops - Both appear to be in fair to good condition with no obvious signs of repairs. Collar to one is currently detached, but neither the glass rim nor the collar appear damaged. Some very minor nicks and chips around the bases of both. Casting tops both appear in good order and all the silverware bears matching hallmarks to the frame.1 large bottle with silver collar and detachable casting top - Appears to be in good condition with no obvious signs of damage, repairs or chips. Casting top and collar appears in good order and all the silverware bears matching hallmarks to the frame.1 large bottle with silver collar and hinged cover - Appears to be in fair to good condition with no obvious signs of repairs. Some very minor nicks and chips around the base. Collar and top both appear in good order, the hinge does not appear strained, and all the silverware bears matching hallmarks to the frame.
Lot 328A
A pair of French metalwares silver mounted cut glass decanters together with another example, all early 20th century, the pair each with mark of Lagriffoul & Laval, Paris, (1899-1972) and Minerva head 1st standard for 950/1000 standard silver, the panelled glass body of elongated pear shaped form with facetted stopper, silver stepped collar and gadrooned base, 12cm diameter at the base, 41cm high; the singleton with mark of Tétard Frères, Paris and Minerva head 1st standard for 950/1000 standard silver, the glass body of bulbous panelled form with facetted stopper and silver plain panelled collar, 20cm high (3)The pair: Ends of the stoppers to both are chipped but both still fit well. Top silver collar to one comes off but neither the collar nor the glass appear damaged, and and the two pieces fit together well. No obvious damage or chips to the glass bodies, and the silver bases are in good condition with no obvious signs of damage or repair. Marks are reasonably clear and readable.The single: One or two very minor nicks to the facet edges of the glass body. The silver collar has some surface scratches as to be expected.
Lot 37
A collection of silver to include: a pair of George VI cut glass butter dishes, with silver butter knives hallmarked by Walker & Hall, Birmingham, 1938, in fitted case together with a pair of late Victorian silver fluted pepper pots, hallmarked JW, Birmingham, 1896, cased (a/f - dents); three various napkin rings, set of six cased silver coffee spoons, Sheffield, 1931, cased, two Victorian silver crowns 1891 & 1892 and 3 x George V 3d pieces (1 bag) gross weight 25.7 grams
Lot 67
A group of silver to include; a long Birmingham silver scroll work Nouveau style designed shoe hook, engraved ELSIE, a smaller Birmingham silver button hook together with with two cut glass small pots with silver tops, both hallmarked Birmingham, tallest pot approx. 5.5cm high. Shoe hook approx. 30.5cm long. Further Details: Some tarnishing, slight denting and wear.
Lot 69
A George III silver mounted cut cruet bottle, hallmarked London, 1791, makers mark indistinct together with a William IV and a Victorian pairs of sugar tongs, weighable silver: approx. 95 grams (3ozt) Further Details: slight tarnishing, slightest denting and general wear, slight nibbles/chips to glass commensurate to age.
Lot 1293
A large 20th Century possibly Belgian cut three branch glass chandelier, approx 58cm high Provenance: removed from The Midland Hotel, Derby purchased by Roy Wood Esq of Wizzard - for more information please see Press Release: https://hansonsauctioneers.co.uk/wizzard-legend-roy-wood-could-make-christmas-come-early-thanks-to-glittering-chandelier/ Further details: packaged in sections and ready for collection, an arm broken away from the main frame will require restoration
Lot 54
A group of silver to include; a matched George V pepper and salt cellar, hallmarked Birmingham, 1915, E.S. Barnsley & Co, a hexagonal engraved silver napkin ring, London, 1892, Charles Boyton, a George IV king's pattern silver ladle, gilt bowl, hallmarked London, 1827, makers mark slightly rubbed, a pair of simple Victorian sugar tongs, a Sheffield silver engraved bladed knife, along with a pair of cut glass silver topped smelling salt bottles, hallmarked Birmingham, 1925, George Unite. Weighable silver: approx. 174.6 grams (5.6ozt) Further Details: Some tarnishing, general wear.
Lot 790
A large contemporary studio glass vase by Richard Golding of Station Glass, the compressed sleeve form cased in a tonal blue to purple petrol iridescence over ruby and randomly flash cut with an abstract design of oval printie panel cuts with dash and scrolling lines, engraved signature, dated 2016, height 24.5cm.
Lot 791
A contemporary studio glass vase by Richard Golding of Station Glass, the compressed sleeve form cased in a tonal blue to purple petrol iridescence over clear and randomly flash cut with an abstract design of oval printie panel cuts with dash and scrolling lines, engraved signature, dated 2016, 19.5cm.
Lot 699
An early 20th Century Thomas Webb & Sons drinking glass, the ovoid bowl cased in royal blue over clear crystal and flash cut with repeat diamond panels with mitre cut stars and plums above a slice cut clear crystal stem and a circular spread foot with radial star, signed Webb to the underside of the bowl, height 18cm.
Loading...-
152611 item(s)/page