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Click here to subscribeFramed lace panel, Maltese lace collar and one other, lace lappet; blue ostrich feather trim; pair of cut steel buckles, enamel buckles; Victorian jet, glass and other buttons, three brooches, jet carved hand brooch, carved chain with book, parasol with faux tortoiseshell and ivorine mounted handle etc (one box)
A VERY GOOD SILVER AND ENAMEL TEN PIECE DRESSING TABLE SET, each piece decorated with pink ground guilloche enamel and inlaid oval plaques with classical female figures and cherubs, the set comprising of: pair of hand brushes, pair of clothes brushes, pair of cut glass scent bottles, cut glass powder bowl, hand mirror, button hook and shoe horn (10). Import marks for 1927.
˜A VICTORIAN SILVER FITTED BRASS-BOUND EBONY DRESSING CASE, RETAILED BY F. WEST, LONDON, 1860 the silver fittings all engraved with the monogram MT on a roundel surrounded by scroll foliage, hallmarked for Brownett & Rose, London, 1860, complete with a silver beaker, three cut-glass bottles in sizes with screw-on silver covers and nine cut-glass jars or boxes in sizes with silver covers, together with five mother-of-pearl mounted implements (one lacking) and an associated silver medicine spoon similarly monogrammed and a lead case, the ebony case brass inlaid with the same monogram and with flush handles, the blue velvet lined fitted interior with a lift out tray above a void and a sprung drawer to the base fitted for jewellery with push release by the Bramah lock (with key), the interior lid fitted with a gilt-tooled hinged stationery pouch concealing a leather hand mirror, with brass plaque by the hinge reading: 'F. WEST / MANUFACTURER TO HER MAJESTY / PRINCE CONSORT & THE ROYAL FAMILY / 1 ST. JAMES'S STREET', in its distressed leather outer case stamped M. T. case 37.5cm wide Fritzmaurice West, cutlery, needle and dressing case manufacturers to Her Majesty Queen Victoria, Prince Albert and other members of the Royal Family, succeeded G. Palmer at 1 St James's Street in 1844. They moved to 2 St James's Street in 1877, then to 9 King Street in 1883. Usually trading as 'F. West', the firm exhibited at the 1862 Exhibition.
A SPANISH SILVER-MOUNTED GLASS 'OWL' CLARET JUG, PLATERIA D. GARCIA, MADRID, CIRCA 1972 the ovoid red glass body cut with stylised wings by the handle, the silver hinged head chased with feathers and set with yellow glass eyes, on cast silver claws, import marked for Israel Freeman & Son Ltd., London, 1972 28cm high
Cut glass lustre, with diamond cut fields, mounted with fourteen droppers, mid 19th century, 24cm high CONDITION REPORT: Chip to one point of the top rim. Several small chips to the points of the diamonds, small chips to the footrim. Some of the droppers have large chips.Condition report: Chip to one point of the top rim. Several small chips to the points of the diamonds, small chips to the footrim. Some of the droppers have large chips.
A diamond cocktail watch, the rectangular cream dial with Arabic hour markers within a single cut diamond case, case stamped ALL PLAT, movement signed Mira, estimated total diamond weight 0.90ct, gross weight 15g.Condition report: Overall condition fair to poor Glass cracked One hand deficient Not currently working at time of cataloguing With safety chain Diamonds bright and fairly well matched, a couple are chipped
A late Victorian silver plated and cut glass epergne, the fluted cut clear glass vase above a circular cut glass dish with scalloped edge, raised on a bulbous column supported by four moulded grypons, culminating on a square gadrooned base with four bun feet, marked EPBM, maker's marks for John Round & Son Ltd., numbered 80, 12356, height 49cm.
A pair of cut glass, blue jasper and gilt metal mounted twin light candelabra in the manner of Parker & Perry, 19th century and later, each with four facet notched branches supporting two cartouche cut sconces and two spire finials respectively, issuing from faceted spire stems with acorn finials and descending to circular section plinths with figural scenes and foliage, hung with faceted pendants overall, 57cm high, 41cm wide The figural scenes to the bases show Charlotte mourning at the tomb of Werther, an episode from Goethe's 1774 epistolary novel the Sorrows of Young Werther. This Wedgwood design is attributed to Lady Elizabeth Templetown. A plaque with the present motif is in the collection of the Fitzwilliam Museum, Cambridge (C.108-1961). The design is also illustrated in Diana Edwards and Rodney Hampson, English Dry-Bodied Stoneware, Antique Collectors' Club, 1998, p. 19 pl. 15
A pair of late George III or Regency cut and engraved glass and gilt metal mounted storm lanterns, early 19th century and later, the conical shades engraved with a palmette border, resting on gadrooned and foliate cast mounts above stepped square section plinths each engraved with a lion and coronet, each with a single candle fitment within, 47.5cm high
Pair of Victorian ruby glass table lustres with faceted cut drops an polychrome and gilt floral decoration, 37cm high. (2).condition;Worn decoration, one has small chip to top interior rim but both bodies generally good, no cracks or major ships. Odd lustres, many chipped with crude wiring, probable need replacing. Detritis in bottom of bases (pins, paper, nail clippers etc.) which may not come out.
A St. Louis signed concentric mushroom weight, dated 1848, and a Clichy concentric millefiori piedouche paperweight, circa 1850The former with rows of composite and stardust canes in pink, white, green, blue and yellow, the outer row of white tubular canes including the signature cane SL 1848, within a blue-and-white torsade, star-cut base, 7.7cm diam, 5.4cm high, the second with assorted brightly coloured canes arranged within a basket of alternating turquoise-blue and white staves, above a clear glass cookie base, 7.3cm diam, 6.7cm high (2)This lot is subject to the following lot symbols: *
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