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A silver christening mug by S Blanckensee & Son Ltd, Birmingham 1912, a silver ashtray by Deakin & Francis, Birmingham 1901, commemorating the coronation of King Edward VII and Queen Alexandra, silver teaspoons, napkin ring, silver-rimmed cut glass salts, plus a canteen of silver-plated cutlery by Elkington, other cased sets of flatware, plated toast racks, horn-handled bread knives etc, total weighable approx. 5.5oz.
A set of six silver teaspoons by William Adams Ltd, Birmingham 1938, triangular finial, cased, another set by Allens (A Laurence Allen), Sheffield 1944, cased, a silver compact by Crisford & Norris Ltd, Birmingham 1944, circular form, engine-turned design with engraved initials, a silver-rimmed cut glass liqueur decanter, 18cm, a pair of Norwegian silver Viking boat salts by Marius Hammer, plus other small silver items, total weighable approx. 5oz.
Seven 1930's lavaliere pendant necklaces, a white metal crystal and paste drop pendant, another similar with a rectangular scissor cut green stone, another with a garland of bright blue paste, a paler blue paste necklace, one multi coloured and another gilt metal, a larger pendant with pink glass cameo feature, probably all from Gablonz area of Czechoslovakia.
An Ermani Bulatti bronze colour link necklace 12mm wide with an Art Deco style accent to front set with a faceted black stone and white paste, a similar pair of 25mm square ear clips, a Christian Dior 40mm brooch and pair of 25mm earclips set with simulated pearls, marbled and brown paste stones, all stamped 1959, possibly by Grosse, a pair of Panetta 25mm gold-plated molten finish earclips set with simulated cabochon cut lapis lazuli, a yellow metal brooch depicting a soothsayer with 20mm glass ball, marked on reverse with a letter C.
Pendentif TazraMaroc, XVIIIe-XIXe sièclePendentif en forme de fleurs surmontée d'une couronne, en or ajouré serti de pierres (rubis, émeraudes, pierres blanches et imitations). Une couronne émaillée en vert et blanc relie entre la partie centrale à la partie supérieure. Bélière et perle ajoutées postérieurement. H: 7 cm. P. B. : 49gr.A Gem-set enamelled gold pendant "Tazra", Morocco, 19th century of scalloped circular form, comprising a central glass cut gem, within a border of pink rubis all surrounded by an openwork foliate panel mounted with emeralds and pearls, decorated in polychrome enamel, later suspension loop to topL'élément central est un pendentif "tazra" traditionnel des bijoux citadins fabriqués par les artisans Juifs du Nord du Maroc. Le motif de la tulipe trouve ses origines dans la Turquie ottomane du XVIe siècle. Sa reprise ici témoigne de l'influence ottomane jusqu'à la partie occidentale du Maghreb. On doit probablement le succès de ce motif à une vertu prophylactique. Le mot turc désignant la tulipe "lale" s'écrit avec les mêmes caractères que la lune "hilal" et "Allah". Par extension donc, la présence d'une tulipe stylisée sur la parure de la mariée symbolisait la protection divine sur l'univers de la femme. Quant à la couronne surmontant le pendentif, elle est un probable ajout dû à un membre de l'aristocratie européenne. Références : M.-R. Rabaté et A. Goldenberg, "Bijoux du Maroc", 1999, p. 24 pour un exemple au même motif de tulipes, ou encore p. 62-63.
A SELECTION OF WHITE METAL JEWELLERY, to include a snake chain necklace fitted with a lobster claw clasp, stamped 925, length 540mm, a gents large signet ring, a pendant in the form of a dagger, a mother of pearl mosaic ring and matching pendant necklace, stamped 925, with three other rings such as a multi glass bead ring, a square cut cubic zirconia ring stamped 925 etc, approximate gross weight 2.9ozt, 90.6 grams (condition - overall condition good, looks to be unused/unworn pieces)
TWO MID-VICTORIAN CUT GLASS SCENT BOTTLES AND PILL BOX, the two cut glass scents, each fitted with engine turn and lion engraved silver lids, each hallmarked London 1862, together with a small silver pill box, hallmarked London 1862, 'Thomas Johnson I', approximate gross weight of silver 1.68ozt, 52.3 grams (Condition Report:- overall condition good, general light wear, slight chip to the base of glass one bottle)
A VICTORIAN BRASS SKELETON CLOCK OF GOTHIC DESIGN, single fusee movement, anchor escapement, bell with axe head striker, fret cut chapter ring with Roman numerals, on flattened bun feet, mounted on a velvet and ebonised oval base with a damaged glass dome, height of clock only 35cm approximately, with pendulum and key, clock winds and ticks, not striking on the hour, Provenance came from a relative Thomas James Veale, Clockmaker at 28, Onslow Road, Southampton Condition Report As per condition inn description - clock winds and ticks, not striking bell on the hour. Hands are rusted. Glass dome is badly damaged.
THREE BOXES AND LOOSE CERAMICS, GLASS AND SUNDRIES, ETC, Coalport Prince Charles Beaker 1969, Hammersley bell 1972, Aynsley Silver Jubilee bell, Bells decanters, Sandland 'Uncle Tom Cobleigh' jug, Royal Brierley squat vase, Overland glass vase, cut glass vases and fourteen assorted walking sticks
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152611 item(s)/page