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Lot 196
If you're tired of your glassware looking the same, this set of four mixed pattern wine glasses is just what you need to spruce up your collection! Each glass in this set of four has a different cut castles pattern and they all sit perfectly together. Waterford backstamp. This item has its original box which measures 8"L x 8"W x 8.5"H. Dimensions: 3.25"L x 3"W x 7.25"HManufacturer: WaterfordCountry of Origin: IrelandCondition: Age related wear.
Lot 232
A STAINLESS STEEL 'TUBOGAS' BRACELET WATCH, BY BULGARI7-jewel Cal.MVE001 quartz movement, the black dial with single-cut diamond hour markers, excepting 12 o'clock with an Arabic numeral, the wide bezel, case and movement signed Bulgari, the case numbered BB 26 2TS, serial no. D 313191, on an adjustable stainless steel tubogas bracelet, with photocopy of second hand invoice, case 34mm Condition Report: Glass: no scratches observedBracelet and case: normal signs of wearOverall in good conditionIn running condition at the time of inspection - new battery replaced by the departmentAn external watch specialist who verifies every watch prior to each auction in order to open them, checks their working condition and mentions any potential damage, mentions any movement, reference numbers etc...The movement is running at the time of cataloguing, however, it was not tested for the accuracy of time or duration of the power reserve and may need servicing at the buyer's discretion. Please note that Adam's cannot guarantee the future working of the movement. The jewellery department is happy to offer any additional assistance.
Lot 630
Pair of cut glass salts, perhaps Irish, oval bowls with crenellated rims, stepped lozenge bases, 8.5cm; and a pair of silver shovel-shape salt spoons, George Adams, London 1858.Qty: 4Condition report:1. One crenellation with a chip.2. 4/5 crenellations with minor chips. Minor chipping to base.Otherwise good and the shovels are good too.
Lot 638
A wine glass, pan-topped rounded funnel bowl, facet cut stem, conical foot, 14.5cm.Condition report:No significant chips or restoration/ polishing. Some minor fleabites to the facet cut stem. The top of the foot has a 3mm scuff, near the base of the pedestal. Minor surface marks to the bowl. No clouding.
Lot 661
Wine glass, facet-cut ogee bowl, triple thread multi-ply opaque twist stem, conical foot, 15cmCondition report:The facet cutting is very uneven with the heights varying quite markedly, and the lower angles varying quite obviously. Very minor flea bites to the facet edging. Stem and foot are ok. Minor surface wear.
Lot 739
Victorian silver mounted glass claret jug, Hukin & Heath, Birmingham 1898, domed lid with plain thumbpiece, loop handle, ovoid cut glass body, height 24cm.Condition report:The silver mount is very good, hinge works nicely and the cover closes flush. The glass body is essentially sound and free of any significant chips. There are some random inclusions in the glass to the body. The base of the handle has a very small polished section, about 3mm. Some surface scratching to the body.
Lot 149
DAUM FRÈRES'Landscape' vase, circa 1910Mould-blown, frosted glass body mottled with yellow and green and moulded with raised black trees, and acid-etched with foliage, bushes and grasses.28.5 cm. highWheel cut on the base Daum Nancy with Cross of Lorraine.For further information on this lot please visit Bonhams.com
Lot 196
RENÉ LALIQUE (FRENCH, 1860-1945)A pair of 'Soleil' plafonniers vasque, designed 1926Clear glass, frosted and polished, with glass roses, suspension chains and fittings.Each: 32 cm diameterOne engraved Lalique, the other wheel-cut R. LALIQUE FRANCE.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 2466For further information on this lot please visit Bonhams.com
Lot 201
RENÉ LALIQUE (FRENCH, 1860-1945)'Six Figurines et Masques' vase, designed 1913Clear glass, frosted and polished, with sepia staining.25 cm highWheel-cut LALIQUE.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945: Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 886For further information on this lot please visit Bonhams.com
Lot 195
RENÉ LALIQUE (FRENCH, 1860-1945)'Soleil' plafonnier vasque, designed 1926Opalescent glass, frosted and polished, with suspension chains and fittings.32 cm diameterWheel-cut R.LALIQUE FRANCE.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 2466For further information on this lot please visit Bonhams.com
Lot 217
RENÉ LALIQUE (FRENCH, 1860-1945)A 'Pâquerettes' part-service, designed 1935Clear glass, frosted and polished, with sepia staining. Comprising; 7 water glasses, 8 wine glasses, 9 sherry glasses, 7 champagne glasses, one decanter with stopper, 4 lunch plates and 4 dessert plates.Water glass: 11.5 cm highDecanter: 23.5 cm highLunch plate: 20.1 cm wideWheel-cut R. LALIQUE FRANCE. Three wine glasses bearing wheel-cut R. LALIQUE only.(40)Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat nos. 5330, 5331, 5333, 5334, 5335, 10-3028, 10-3029For further information on this lot please visit Bonhams.com
Lot 202
RENÉ LALIQUE (FRENCH, 1860-1945)'Deux Figurines' mantel clock, designed 1926Clear glass, moulded and frosted, on illuminated metal pedestal mount. 38 cm x 34.5 cm including mountWheel-cut R.LALIQUE FRANCE. Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945: Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 726For further information on this lot please visit Bonhams.com
Lot 213
RENÉ LALIQUE (FRENCH, 1860-1945)'Volubilis' footed bowl, designed 1921Opalescent glass, frosted and polished.21.6 cm diameterWheel-cut R. LALIQUE FRANCE and engraved No. 383.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 383For further information on this lot please visit Bonhams.com
Lot 200
RENÉ LALIQUE (FRENCH, 1860-1945)'Ceylan' vase, designed 1924Opalescent glass, frosted and polished.24.2 cm highWheel-cut R. LALIQUE FRANCE and engraved No. 905.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 905For further information on this lot please visit Bonhams.com
Lot 194
RENÉ LALIQUE (FRENCH, 1860-1945)Two 'Charmes' plafonniers vasque, designed 1924Amber glass, frosted and polished, with suspension chains and fittings. Each: 35 cm diameterEach moulded R.LALIQUE twice and wheel-cut FRANCE.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 2458For further information on this lot please visit Bonhams.com
Lot 198
RENÉ LALIQUE (FRENCH, 1860-1945)A rare 'Monnaie du Pape' plafonnier, designed 1914Clear and frosted glass, with remnants of sepia staining, and suspension chains.50.5 cm diameterWheel-cut R.LALIQUE FRANCE.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 2455For further information on this lot please visit Bonhams.com
Lot 197
RENÉ LALIQUE (FRENCH, 1860-1945)A pair of 'St Vincent' plafonniers vasque, designed 1926Clear glass, frosted and polished, with suspension chains and fittings.Each: 34.5 cm diameterEach moulded R.LALIQUE and one wheel-cut FRANCE.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 2470For further information on this lot please visit Bonhams.com
Lot 1422
20th century A.D. or earlier. Composed of multiple strands of coin-shaped glass bead necklaces, interspersed with spacer beads; some examples with iridescent surfaces; cut from ancient Roman glass. 141 grams total, 64-72 cm long (25 1/4 - 28 3/8 in.).UK gallery, early 2000s. [18, No Reserve]
Lot 1537
20th century A.D. and earlier. The group comprising: two facetted olivine gems with a handwritten label 'Olivine, Egypt'; cushion-cut peridot with a handwritten label 'Peridot, Egypt'; a round-cut spessartite garnet with a handwritten label 'Spessartite garnet, Burma, £1-10/-'; an oval lapis lazuli intaglio; an oval light green turquoise intaglio; a rectangle-cut smoky quartz; a round-cut red glass gem; two black onyx(?) intaglios, one round and one rectangular. 7.86 grams total, 4-16 mm (1/8 - 5/8 in.).UK private collection formed 1970s-1990s. Property of an East Sussex, UK, gentleman. [10, No Reserve]
Lot 226
12th-13th century A.D. Recalling workmanship similar to that found in the floor of the Sistine Chapel and other important Roman churches; comprising a central panel with design of alternating green and speckled porphyry lozenges, with interstitial green and porphyry squares flanked by green or blue rhombuses on each edge; the square central panel flanked by two green and porphyry roundels composed of panels with inset squares and triangles, with white dentilled edges over a green background; each roundel enclosed within a mosaic crosier, one filled with yellow rhombuses with dentilled edges composed of white, green and porphyry triangles; the other comprising two parallel rows of squares and rhombuses in porphyry, green and black stones. See Boito, C., Architettura Cosmatesca, Torino, 1860; Hutton, E., The Cosmati, The Roman Marble Workers of the XIIth and XIIIth Centuries, London, 1950; Tosca, P., Storia dell’Arte Italiana, il medioevo, vol. III, Torino, 1965; Glass, D., Studies on Cosmatesque Pavements, BAR Publishing, London, 1980; Matthiae, G., 'Componenti del gusto decorativo cosmatesco,' in Rivista dell'Istituto Nazionale di Archeologia e Storia dell'Arte, vol. I, 1952, pp.249-281; Cigola, M., 'Mosaici pavimentali cosmateschi. Segni, disegni e simboli,' in Palladio, Nuova serie, anno VI n. 11, Giugno, 1993, pp.101-110; Grant, L. & Mortimer, R. (eds.), Westminster Abbey. The Cosmati Pavements, Courtauld Research Papers no.3, 2002. 41 kg, 80 x 36 cm (31 1/2 x 14 in.).French gallery, Paris, 1990s. From a family collection. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11921-209564.A similar pattern to the current panel can be seen on the cosmatesques of the Grottaferrata Abbey, near Rome, variously dated between the 1160 and 1282 A.D., which can be a good chronological indicator for our mosaic for style and composition. The Cosmatesque style was a characteristic type of ornamentation of Eastern Roman origin (opus alexandrinum) in the technique of opus sectile (elements already cut with the final shape: circles, squares, triangles and lozenges; small geometric elements which, expertly fitted together, manage to create the effect of a magnificent embroidered carpet) used by marble-makers of the 12th and 13th centuries A.D. The practice of inlaying glass and stone tesserae into white marble panels in this way, although reaching its zenith under the directorship of the Cosmati, had already been established in the Eastern Roman Empire for at least five centuries, and by the 12th century many marble pavements and panels of Opus Alexandrinum had been used to decorate prestigious churches and religious foundations, both across Italy and further afield, often by reusing old Roman monuments. [A video of this lot is available to view on Timeline Auctions Website]
Lot 55
Edinburgh Crystal - A large collection of 19th century and later cut glass crystal by Edinburgh Crystal. Lot to include six wine glasses - all marked to base, an early 19th century etched glass ship / nautical decanter example, cut glass paper weight, two cut glass bells/ jiggers. Along with four bowls/serving dishes / bon bon dish - one by Royal Brierley and two vases.
Lot 281
An Edwardian silver oil lamp, in Rococo style, cut glass fount, with plated mounts, 53cm h, by Hawksworth, Eyre & Co Ltd, Sheffield 1903, loaded Glass fount detached and restuck without damage but not quite vertical detachable electric bulb holder, neither candlestick nor fount drilled, candlestick in good condition, no engraving, fount re-attached to socket with glue residue and at a slight angle
Lot 328
A Victorian die stamped silver double heart photograph frame, 19 x 24cm, by The Goldsmiths & Silversmiths Co Ltd, London 1899, a silver capped cut glass scent bottle and a Victorian Britannia metal mounted cut glass claret jug (3) Photograph frame in good condition. Cap of scent bottle dented. Claret jug - plating rubbed
Lot 336
Miscellaneous small silver articles, George III and later, to include a pair of bright cut sugar tongs, three pierced napkin rings, miniature trophy cup engraved RMS MONGOLIA, tea strainer with pierced handle, cased set of six coffee spoons, Botswana proof silver crown 1956, cased, a Victorian three piece Christening set in morocco case and a French miniature cup, 13ozs 10dwts The lot in good condition, including glass jar
Lot 22
A nice pair of late 19th century Bohemiam flashed glass table lustres, 30.5cm high, red with cut away white glass and heightened in gilt, with clear glass drops, two drops damaged but present, with inset metal candle supportPLEASE SEE ADDITOINAL IMAGES. ONE CHIPPED TO BASE RIM. THE OTHER WITH FLEABITE CHIP TO FOOT. OTHER TYPICAL WEAR
Lot 1
An Edwardian silver trumpet-shaped flower vase, a pair of cruets and a silver mounted glass dressing table jar. The hammered vase with the mark of William Comyns, London 1902, 18.5cm high (7 1/4 inches), loaded base; the pair of inverted pear-shaped and floral embossed cruets with hallmarks for Birmingham 1905, the two weigh 62g, in a fitted case; the clear cut-glass jar with a silver cover, mark of H Mathews, Birmingham 1930, the lid 41g.
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