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Lot 756
~ A Satinwood and Polychrome Decorated Display Cabinet, labelled from S & H Jewells, Furniture Warehouses, 29, 30 and 31 Little Queen Street, Holburn, late 19th century, in neo-classical style with three-quarter brass balustrade gallery above a glazed door enclosing a velvet lined interior with two glass shelves, the base of two frieze drawers, on square tapering legs joined by a shelf (a marriage), 129cm by 37cm by 164cm See illustrationVery good cosmetic condition throughout. Crossbanded painted section on verso of table has been cut/removed beneath the cabinet (ie the upper section). With key and working lock. 211118
Lot 644
A Mahogany Eight Day Longcase Clock, signed Joseph Smith, Chester, circa 1780, swan neck pediment with carved flower head capitals, gilt painted scroll decorated eglomise glass panels, Corinthian capped fluted columns, well figured trunk door flanked by inset fluted pilasters, pierced and blind fret borders, 13-1/4-inch arch brass dial, dial centre engraved with a flower basket and scroll decorated, seconds dial, date aperture, arch with a moon disc and signed above on an arched plaque, four pillar movement with an anchor escapement and rack striking on a bell, 247cm high see illustration 20.12.18, The hood with some pieces of wood missing in parts and chips to the edges, front glass panels with blue paint to the reverse side is missing in parts, case with dents and scratches in parts, trunk door is bowed to the topside and slightly stained in parts, later skirting and later feet, skirting with chips, metal mounts are discoloured, case side cheeks have been cut down, later seatboard, later hands, dial and movement are dirty.
Lot 755
~ An Early 20th Century Chippendale Revival Carved Mahogany Breakfront Display Cabinet, the three-quarter fret cut gallery and arcaded frieze above four acanthus scrolled arms suspending flowerbells, the central glazed door enclosing two plate glass shelves above a breakfront base, on acanthus carved cabriole legs with ball and claw feet, 176cm by 48cm by 195cm See illustrationCosmetically good overall and a uniform colour. Fabric interior good. Minor repairs throughout, mainly around the three front arms which are suspending the flower bells - three have been repaired. Cabinet is open but no key. 211118
Lot 210
A VICTORIAN SILVER QUAICH by Hamilton and Inches, Edinburgh 1893, of circular form, the body heavily embossed with thistles, the twin handles modelled as thistles with cut glass heads (detached), 5cm high x 15.5cm across the handles, 167gms Condition Report:- Lot 210 - The quaich is in good condition except for the detached glass thistle heads. . .
Lot 573
A RENE LALIQUE COQUILLE PATTERN BOWL moulded as four shells, with wheel cut signature to base, 13.3cm diameter, together with a Andre Delatte cameo glass vase, in orange and red decorated with maiden hair fern, 22cm high (2) Condition Report: Lalique - Three small frit chips to the top rim and some scratches. Delatte - small chips and frits to the top rim. Small chip to underside, possibly from manufacture.
Lot 70
§ Michael Rothenstein, RA (British, 1908-1993) Black Pony 1955 signed 'Michael Rothenstein' in pencil (lower right); numbered 4/50 lino-cut 43.50 x 56cm (17 x 22in) Some areas of black have mottled and discoloured with age - perhaps due to contact between the paper and glass. There are also some minor creases to the plate margin. Evidence of some very water damage to the left plate margin, which has led to the slight rippling of the paper. Otherwise, the original page has yellowed in a manner consistent with age, with some slight further browning in a consistent line bordering the printed image.
Lot 62
§ Edward Bawden, CBE, RA (British, 1903-1989) Brighton Pier signed and dated 'Edward Bawden 1958' in pencil (lower right); titled and numbered 22/40, artist's proof lino-cut 55.50 x 147cm (22 x 57in) Provenance: Whitechapel Gallery, London, 'Pictures For Schools', 1958 Off-centre top right there is a crease of approx. 2.5 inches. There is slight yellowing of the plate margin. In places the black portions of the print have taken on a smoky/mottled/matt effect, which could be a result of where the paper has been pressed against the glass at some stage - this is particularly evident towards the left of the image.
Lot 43
LEGRAS: AN ART DECO "NEPTUNE" GLASS VASE, tapered cylindrical form, acid-etched and cut with stylised decoration on an olive green ground, impressed marks, 44.5cm high Condition Report: Surface wear to the under-base; light surface age and use wear; natural bubbles within the glass; nothing further found
Lot 513
SILVER ARTS AND CRAFTS INKSTAND, by William Aitken, Birmingham, 1910, rectangular form, the pierced stylised scrollwork borders with heart motifs, pen rest to centre, with two detachable square cut glass silver mounted inkwells, 23cm long x 18cm deep(c. 6.9oz) Condition Report: Few nibbles to glass liners, wear to silver mounts including rubbing to marks. stand appears good overall with a few minor pressure dings, makers mark slightly rubbed.
Lot 531
An early to mid 20th Century silver plated hatpin holder in the form of a stirrup, together with a cut glass and white metal rimmed hatpin holder, 1930s silver plated tapered hatpin holder, three Charles Horner silver bangles, a child's bangle, Chester 1918, Charles Horner napkin ring, and a collection of various hatpins including one with ovoid agate terminal and others (parcel)
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