An early 19th century cut and later engraved Williamite rummer the glass c.1820, the bucket bowl later engraved with an equestrian portrait of William of Orange and inscribed 'The Glorious & Immortal Memory of William Third Prince of Orange', the reverse 'Boyne 1 July 1609' in a laurel wreath, below a fine diamond cut band and above a panel cut base, on a panel cut stem with central diamond cut knop, on a starburst cut base, 12.25cm. high. *In good condition, with just a few minuscule flea bite nibbles to the cut stem.
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Seven 19th century rummers including a small late-Georgian rummer with a pointed cup bowl on a capstan stem and moulded lemon squeezer base, 13.1cm. high; a mid-19th century rummer with a panel cut bowl and capstan stem to a heavy, square base with ground pontil, 13.5cm. high; and five other rummers; together with a 20th century rummer in the late-Georgian style. (8) *The two square based rummers with a few tiny flea bite nibbles to the corners of the bases. The heavy ogee-bowled rummer with surface scratching and wear to the glass to the rim and edge of the foot. No other faults.
A small collection of 19th century glasses including a Victorian engraved goblet, the cup bowl engraved with a flower and trefoil leaves on trailing stems, on a panel cut stem with central knop and a flattened bun cushion to a star cut base, 16.3cm. high; a large rummer, the bucket bowl engraved with 'St Ives Bridge Hunts', dated 1780 but later, 14.5cm. high; a late-Georgian ale glass, the funnel bowl engraved with a two-masted ship and inscribed 'John & Catherine 1830', the initials 'JEB' in a sunburst cartouche to the reverse, on a double capstan stem with central bladed knop and plain foot, 15.5cm. high; a panel cut champagne flute on a conforming stem and hexagonal base, 17.4cm. high; and seven other glasses. (11)
A small collection of 19th century coloured wine glasses including a uranium glass wine, the ogee bowl with part-honeycomb moulding, 12.75cm. high; a moulded diamond-quilted Bristol green glass with diamond cut stem, 12.8cm. high; a pair of later 19th century green wines with clear stems and feet, 12.5cm. high; a smaller similar example; and a Bristol blue small wine with pan topped bowl, on a stem with a central flattened knop and plain foot, 9.9cm. high. (6) *The small green & clear glass wine with a small chip to rim. All others in good condition, with no faults.
A Georgian 19th century tantalus comprising a mahogany case containing a silver stand with a loop handle on four scrolling feet, London 1838 Charles Reily & George Storer, the stand holding four cut glass decanters with cork stoppers with silver tops each inscribed "Whiskey", "Rum", "Curacoa", "Brandy" and each with marks London 1854 George Adams, engraved armorial on four sides. Label in lid of case for "Catchpole & Williams Silversmith & Jewellers, No.120 Regent Street". The case with brass plate on lid with engraved armorial, brass escutcheon plate and inset brass handles, 9 3/8 x 9 3/8in. (23.8 x 23.8cm.) x 11in. (27.94cm.) high.
An Elizabeth II cut glass decanter with silver collar S J Rose & Son, Birmingham, 1979, of typical form with plated ‘Brandy’ decanter label and a collection of silver rimed scent bottles / jars. (6) *Decanter, good condition, jars with dents etc to silver rims, one stopper on scent missing.
A collection of silver mounted cut glass scent bottles / dressing table jars to include a scent bottle and jar by Henry Mathews, Birmingham, 1921, having silver and blue guilloche enamel lids, the bottle standing 5in. (12.7cm.) high, together with a pair of Victorian cut glass scent bottles with floral decorated silver lids, Birmingham, 1888, 4½in. (11.4cm.) high and a pair of cut glass conical trumpet form scent bottles with silver mounts. (6) *Henry Mathews pieces - enamel good, no damage, scent bottle missing stopper; Victorian pair - matched stoppers, silver lids with dents, maker's marks rubbed; conical pair - one with damage to silver collar, both stoppers with nibbles, etc, overall fair/good.
A cased Victorian silver christening knife, fork and spoon set Aaron Hadfield, Sheffield 1843, Albert pattern, gross weight 1.74 tr.oz., the case 6¾in. (17.1cm.) long; together with a George V silver and enamel lidded cut glass powder bowl, London 1931, 4 1/8in. (10.5cm.) diameter; and a silver capstan inkwell, faults; and a commemorative silver Royal Wedding spoon. (4)
A late-George II silver ink stand Samuel Herbert & Co., London 1758, the rectangular stand with rounded angles and coil moulded borders, with a silver mounted and cut glass pounce pot, inkwell and quill holder in cross-pierced galleries, on paw feet, 10in. (25.5cm.) long, the silver stand weighing 15.9 tr.oz. *The stand with a loss to the pierced gallery on the front of one gallery. Clear marks. Six nuts missing from the fixings for the galleries to the underside (although they are still securely attached). The crest a little worn from polishing. A chip to the lower edge of the inkwell and several frits and tiny chips to the two other glass pieces. The quill holder mount is loose.
A collection of silver mounted jars comprising a silver and tortoiseshell cut glass jar by Albert Carter, Birmingham, 1927, 4in. (10.2cm.) diameter; Mappin & Webb silver and cut glass cylindrical jar, the screw top with tortoiseshell mount, 2 ¾in. (7cm.) high, together with various other jars and bottles of varying types. (9) *Overall very good, a couple of jars with little splits to silver rims.
A fine Sterling silver and cut glass goblet and cover American, mid-20th century, the goblet with etched and cut flora, foliate, swagged and bead drop decoration, with bubbled knop stem and silver pedestal base, the conforming glass cover with silver finial, the base marked 'Sterling A177 2½oz. Weighted', with laurel leaf maker's mark, 11¼in. (28.5cm.) high. *Appears to be very good, nothing to note.
An Edwardian style Art Nouveau silver mounted cut glass claret jug late 20th century, by Topazio FMT Porto - Portugal, maker's and 925 Sterling marks, the bellied, ovoid body with printie and diamond cut decoration below a panel cut neck, with sinuous foliate and floral decorated silver mount with hinged lid with foliate thumbpiece and shaped, foliate C-scroll handle, raised on a conforming flared, quatrefoil base, 11 5/8in. (29.5cm.) high. *Excellent condition, with no faults. Clear marks.
A pair of hobnail cut glass whisky decanters of square form with original large facet cut globe stoppers, 9¼ in. (6.7cm.) high, along with a cylindrical form cut glass decanter with faceted globe stopper, 10½ in. (26.7cm.) high and one circular ship’s decanter with narrow faceted baluster shaped stopper, 12¼ in. (31.1cm.) high along with three silver bottle labels, one marked ‘WK’.(4)
A George III mahogany tea caddy, of sarcophagus form with ebony stringing and brass lion mask handles, the hinged cover opening to reveal a parquetry decorated interior with two lift-out caddies and an associated central cut-glass mixing bowl, raised on brass ball feet24 x 34 x 17cmLion handles have been re-attached with later screws. Dry cracking and splits to veneer throughout. Corners have been knocked and in some areas re-glued. The lining in both caddies has deteriorated and some joints are slightly loose. The later glass bowl has some firing faults i.e. bubble in the base, and the felt is slightly rough on the edges. Some markings and scratches to the exterior. There is no key provided.
A pair of Regency Anglo-Irish cut glass pineapple stands, cut with horizontal prisms and cross-cut diamonds, on unusual stepped oval feet, 11.5cm high (2)Condition:Stand one - foot rim chip. Breakage to one diamond above the foot. There are nibbles all around to the first concentric band edge, below the upper rim. The lower bands have some further knocks and nibbles.Stand 2 - upper exterior rim chip. Large underside foot rim chip. Minor nibbles to the vertical rings.Please see images.
An assorted collection of antique and later marked silver and unmarked white metal jewellery. The lot to include a pink enamelled scallop shell with imp bar brooch pin, a butterfly wing bird portrait brooch, civitas sarum novae brooch, antelope brooch, seed pearl and black enamel navette mourning brooch - Birmingham 1912, J.W, vintage unengraved identity bracelet, iris glass brooch, knotted brooch, Saturn chain necklace, heart padlock bracelet chain, box chain bracelet, moulded imp brooch, cable link necklace, floral chain bracelet and heart wreath brooch. All above marked as silver. Also with triple coin set brooch, horseshoes, rainbow glass AF earrings, white stones, simulated pearls, doves, fancy star links, marcasite earrings, green heart cut paste negligee pendant necklace and a blue enamelled seagull bird brooch. All marked as or test as silver. Total weight approx 136.9g. Largest item measures approx 36cm.
A sapphire necklace, with integrated central oval cut sapphire weighing an estimated 1.96 carats, with a seed pearl set to each edge, and a oval sapphire drop weighing an estimated 1.37 carats, on a belcher chain with bolt ring in 9 ct, together with a seed pearl heart glass back pendant in 15 ctCondition Report: 9 ct gross weight 4 grams15 ct gross weight 2.60 grams sapphire necklace chain length 43cmsapphire necklace pendant length 4 cm
Mid 19th century Snake necklace, graduating fancy link chain with a hidden box clasp within the snake head, set with garnet cabochon eyes, and emeralds and rose cut diamonds set to the top of the head, with an emerald and diamonds drop suspended from the snakes mouth, with a locket reverse, in 18 ct, 39cm in length, in a fitted boxCondition Report: gross weight 21.53 gramsCrack to the glass in the back of the drop, otherwise in good condition, all stones present, clasp fastens securely
Mixed Lot: A large continental porcelain spirit flask of shaped rectangular form, hand painted all over with a cottage, animals and mountainous and lake scene having a screw on metal lid, 19cm long, a Victorian cut ruby glass scent bottle with embossed hinged lid and stopper together with a vintage misers purse with silver plated cover and articulated collar, the pouch in stitched leather (3)
George V silver ring tree stand, Birmingham 1924. makers mark rubbed, a George IV sauce ladle, London 1825, makers mark John, Henry & Charles Lias, sterling weighted trumpet bud vase "Newport" by Gorham, 16cm tall (a/f), a small cut glass globular scent atomiser having a sterling collar, a silver bracelet chased and engraved with Egyptian figures etc, Sheffield 1958 together with two hallmarked silver serviette rings
A late Victorian silver ink stand of shaped rectangular form, having reeded edges and supported on four splay legs, centering a cut glass ink well in fitted reservoir with hinged silver cover, hallmarked London 1899, makers mark for Edward Barnard & Sons Ltd, 18 x 12cm, together with a glass dip pen, foil inlaid under clear glass twisted tapering stem (2)
Group of cut glass to include a ships decanter with hallmarked silver collar, Birmingham 1975 having a silver Port label, London 1977, a pair of cut glass trumpet shaped vases on loaded silver bases, marked 925 with the Birmingham Millennium mark, 27cm tall, two glass scent bottles and a dressing table jar with silver mounts together with two cut glass vases (6)
George V silver candlestick of tapering octagonal form, loaded base and hallmarked for Birmingham 1927, makers mark for Sydney & Co, 22.5cm tall, a glass biscuit barrell with hallmarked silver pull off lid, with a mirror fitted, Birmingham 1924, makers mark Charles S Green & Co Ltd together with a cut glass dressing table jar having a hallmarked silver finial, hallmarked 1927 (3)
Mixed Lot: A hallmarked silver wine coaster, having a pierced frame and turned treen centre, London 1977, makers mark J.W Ltd, a pair of silver small dressing table candlesticks, three hallmarked silver serviette rings, three silver condiments, hinged lid mustard and liner, and two baluster peppers together with a cut glass oil bottle with pull off silver lid.
FULVIO BIANCONI (ITALIAN 1915-1996) FOR VENINI, MURANO, A 'PEZZATO' GLASS BOWL IN THE PARIGI COLOURWAY With tesserae in blue, red, green and amber With circular acid stamp 'Venini Murano Italia', and foil label to the underside 8cm high, 18.5cm long Note: One of the most famous post-war Italian graphic designers, Fulvio Bianconi began his career learning the art of decorating glass at the workshops of Murano under the directorship of Michael Pinto, where he returned later in life to begin his fruitful product design career and establish Murano as the place for production of artistic glass around the globe. Before his innovations, glass had been used for utilitarian purposes. Bianconi pushed the limits of glassmaking in the traditional sense and material of glass itself by transforming it in both theory and practice. His works encompassing lamps, vases, and sculptural objects were developed coming out of his illustrious graphic design positions at some of the most prestigious publishing houses in Italy, who allowed him to create work for the sake of exploration. The Pezzato range was one of the most successful designs that Fulvio Bianconi created for Venini. Bianconi used a glass mosaic in various ways producing brilliant chromatic effects. These vases were first exhibited at the 25th Venice Biennale in 1950. The glass tesserae are first made from coloured glass canes flattened and cut to various sizes before being arranged into a mosaic. The mosaic is then heated on a fire stone to weld the different colours together. They are then picked up on a blank to form the walls of the final piece. The glass is then blown and hot worked into the desired form. Most of the designs were in transparent glass but there are also some made from a combination of opaque pasta vitrea and transparent tesserae which became known as 'Arlecchino' designs and had the greatest chromatic brilliance. Condition Report: Some scratches to the foot and a little wear to the label.Condition Report Disclaimer
SILVER COLLARED CUT GLASS DECANTER WITH STOPPER & A NOVELTY CLARET JUG WITH PLATED MOUNTS, the decanter collar hallmarked Birmingham 1927, maker Hukin & Heath Ltd, dimple shaped body cut with grape and vine leaf decoration, with the star cut base matching the stopper, 23cms overall H, the claret jug in bird form with thumb lift lid on a circular base, 24cms overall H
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