We found 152611 price guide item(s) matching your search
There are 152611 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
152611 item(s)/page
A quantity of glass including a suite of early 20th century cut glass comprising five large glasses, six smaller wines, six white wines, eight various port glasses in two sizes, four liqueur glasses and six finger bowls, also a further quantity of glassware including a bowl with 800 grade silver rim, a pair of hock glasses, beaker, decanter, etc.
WATERFORD; a cut glass decanter and stopper, together with three further glass decanters and glassware. Additional InformationThe box is af with numerous dents, knocks and wear, the square cut decanter which is unmarked, the stopper is af with a large break. Light wear to the bases on each.
An Edward VII cut glass decanter of tapering form with a free pouring silver collar marked for Chester 1906/7, height 32cm.Additional InformationThe stopper does not look to be matching and looks to be a marriage as it does not sit 100% true, the decanter is slightly cloudy, wear, minor rubbing to the silver marks, very minimal nicks to the edges of the hobnail cut decoration.
Two cut glass dressing table bottles with hallmarked silver stoppers (2).Additional InformationMinor denting and knocks to the caps, the larger example inscribed 'Bab's, the larger example is also complete with internal stopper, the smaller one is lacking internal stopper, the odd minimal chip to the facet on the glass jars.
J.E CHATTERLEY & SONS LTD; an cut glass oil bottle with hallmarked silver top with cast decoration of a fox's head, Birmingham 1977, height 11.5cm.Additional InformationThe bottle with a later cork stopper which supports the wine bottle top, which has possibly been cut down slightly, minor tarnishing.
GOLDSMITHS & SILVERSMITHS COMPANY LTD; a late Victorian hallmarked silver ink standish, the rectangular frame with pierced scrolling 3/4 gallery, twin cut glass wells with hinged silver caps, recessed pen tray and inscription 'Presented to Rev Athelston Corbett. M.A.R.D on resigning the rural Deanery of Hodnet by the clergy of the Hodnet and Whitchurch Deaneries', London 1899, width 23.5cm, depth 15.5cm, approx 19.5ozt/606g.Additional InformationThe back of the inkwell also has an engraved panel featuring an elephant beside a squirrel. Tarnishing and toning throughout but the glass inkwells are in good condition with if being ultra critical a couple of tiny chips to raised parts. Slight compression mark to one of the lids of the inkwell but inkwell are correct for the stand. Overall in good condition.
HUKIN & HEATH; a pair of hallmarked silver mounted snuff bottles of tapering cylindrical form, with hallmarked silver mounts, covers and spoons, London and Birmingham 1906-7, height 8.8cm, together with hallmarked silver mounted perfume bottle with faux tortoiseshell cover, a further cut glass perfume bottle with silver plated mount and a brass topped example (5).Additional InformationTarnishing and wear to each, denting to the caps on each of the snuff bottles, only one example is marked with clear maker's stamp, the other is heavily worn, each mount with tarnishing and wear, minor denting, the silver plated mounted example is loose.
Four hallmarked silver mounted perfume/smelling salt bottles with cut glass bodies, including two example with guilloche enamel tops, also a Victorian hobnail cut glass example with gilt and silvered metal mounts inscribed 'Bessi' and dated 26h November 1867 (5).Additional InformationTarnishing, minor nibbles to the foot rims of the bottles, slight knocks and dents to the silver mounts in parts, the thin cylindrical example is missing the internal stopper, smaller enamelled example with a chip/area to the enamel, a large enamel top example with numerous chips to the body, the unmarked example is missing the internal stopper and wear to the metal.
Five hallmarked silver mounted and cut glass dressing table bottles including a conical example with wrythen cut glass decoration and Victorian silver mounts, length 20cm, etc (5).Additional InformationThe conical example with a possible smoothed chip to the point, missing the internal stopper, caps with dents/knocks to each example.
HENRY MATTHEWS; a late Victorian hallmarked silver mounted scent bottle, with gilded interior and repoussé decoration, and with stopper, Birmingham 1893, together with a hallmarked silver mounted oil bottle, with clear moulded glass body and a hobnail cut scent bottle with hallmarked silver stopper (3).Additional InformationThis lot is from a fire damaged property. The pieces have been cleaned, but please bear in mind that the pieces may have underlying issues due to the fire.
LANSON LTD; a cased set of six Elizabeth II hallmarked silver teaspoons, with angular shaped handles, Birmingham 1979, with a small cut glass decanter and stopper with hallmarked silver rim, cut glass vase with hallmarked silver rim, dressing table bottle with hallmarked silver stopper, miniature hallmarked silver chalice, and napkin ring, weighable 2.79ozt/87g.
An Early 19th Century Recased 18ct Gold, Open Face, Key Wound Lever Watch,Goldsmiths Alliance Ltd- Cornhill, London, No 600/3.The frosted movement with bi-metallic, cut compensated balance and applied regulation scale with lever escapement, and fitted dust cover, to a signed Roman enamel dial with sunk subsidiary seconds and blue spade hands in a hinged and polished case with contemporary engraved crest and initial verso. width 59.5mm, weight approx 125 all in.London, 1826, makers mark TH, together with a modern wooden stand and glass dome.Qty: 1Condition report: Case - All over light age related wear and wear to bow, filled holes at 3 in bowd and to rear winding square.Dial - Dirty but appears fine.Movement - Appears complete, clean & free movement, probaly later than case.
Mixed Lot: an Edwardian silver backed hand mirror, a bellflower and ribbon garland featuring the letter ‘S’, beaded edge, some wear, together with matching hair brush, Birmingham 1907/10, together with non-matching clothes brush and comb and two similar tall faceted cut glass dressing table bottles with hinged silver lids, each bearing the same crest, London 1887/91 by two makers (6)
Zeuz Wall Light A compact and stylish wall light with unique facet cut glass shades, finished in modern chrome plated metalwork with simple on/off switch, fantastic used individually or when grouped together with other lighting options from the Zeus collection (Zeus Single LED Wall Light Polished Chrome Plate/Clear Cut Glass Finish A Compact And Stylish Wall Light With Unique Facet Cut Glass Shades, Finished In Modern Chrome Plated Metalwork With Simple On/Off Switch 100 x 259mm (5016087911677))
Lepine Mantle Clock Dore bronze and glass, two train (missing the strike train), single spring driven, balance wheel escapement, eight-day, non-striking mantel clock made in a form approximating an Anglaise variant of a carriage clock, retailed by the firm of Lepine of Paris, unsigned movement of Continental origin (original most likely French), made circa 1900. [With Twentieth century alterations.] Case: 30 cm x 28 cm x 13 cm Dore bronze mantel clock made in a form of carriage clock which has a close to square shape and styled in a variant of the Anglaise carriage clock style. It is a mantel clock because of the style of the movement within the case (see below). The case has gilt brass fluted pilasters at the four corner posts and glass on the faÃĤade, sides and back of the case. There is Dore bronze shaped and fluted carrying handle above with gilt plumes at the centre and at the end of the handle a mobile hinge. There is a large rectangular bevelled glass lenticel on the flat pediment of the case. Not shown but allowing visualization of the platform escapement. There is also a repeat strike on demand button at the front, which in this clock may be useless since there appears to be nor strike train currently in the movement. Below the overhanging pediment is a row of gilt foliate ornamentation above the horizontal gilt frieze over the dial. The two Corinthian type fluted pilasters flank the glass overlying the dial. Below is a double beaded border across the faÃĤade of the case (the sides are not shown) and likely goes fully around the four sides of the base. There is a broad architecture base with recessed faÃĤade, sitting flat to the surface and flanked by Dore bronze plinths, slightly thrust forward, upon which rest the fluted pilasters. Dial: square silvered dial plate with round Roman hour enamelled chapter ring, closed minute track to the outside, steel Breguet hands, no winding apertures and the dial centre is marked for “Lepine a Paris†(see history). Movement: Round solid brass plate movement, brass tubular pillars connect the plates and are pinned at the back plate, marine lever, i.e., balance wheel lever escapement, steel cut pinions, two-barrel springs should power the clock for eight days and cause striking, but the strike train has been removed. The strike train is usually placed on the left side when looking at the dial and therefore looking at the movement from the rear it should normally be on the right side, and that is where it appears to have been removed. There is no need for a pendulum since the clock uses a balance wheel escapement. In fact, the lever has a vertical pointer at the top of the movement for making the movement run faster and slower. This was likely a French made time and strike French made movement where the anchor escapement and strike side was replaced with a balance wheel time only movement between the plates. Condition: Case – Not a true carriage clock although with the alterations, it can serve as one if you drive a horse and carriage. (Well, it is better for the environment.) The case has some green areas of oxidation and indicates a high content of copper in the brass, since cupric oxide is green. Movement – Missing its strike train and the time train has been replaced with a lever-balance wheel escapement. Movement unsigned. Dial: Good with patchy darkened areas of oxidation of the silvered surface. c. Circa 1900 with 20th century alterations
George V silver small shallow bowl of circular form with wavy rim and a fluted design, Sheffield 1915, maker's mark Atkin Bros, 13cm diam, 122gms, plus Edward VII silver lidded and glass trinket box of rectangular form, the cut glass base with shaped detachable lid with engraved central monogram, Birmingham 1905, maker's mark William Hutton & Sons Ltd, 11 x 5cm
A French silver mounted claret jug,circa 1880s, stamped with Minerva mark, the collar with monogrammed cartouche and scrolled handle, surmounted atop a wrythen cut glass body, 28cm highCondition report: Minor nibbles to the glass. The lid does not fully close. Scratches and tarnishing throughout.
A set of four Cristal de Sevres tumblers,of octagonal form, with acid marks,15cm hightogether with a set of thirteen blue glass tumblers,with a cut lattice pattern, unmarked, 10cm high (17)Condition report: Cristal de Serves glasses) Good condition, with minor scratches throughout.Blue glass tumblers) Nibbles to the edges. One with a larger chip to the rim.
A collection of cranberry glass Victorian and later, to include a pair of decanters with cut glass stoppers, 24cm high, and four goblets, 12cm high together with a small quantity of green glass, to include a decanter with a silver-plated collar, 25cm high (22)Condition report: Hand blown so imperfections throughoutExpect scratches, nibbles and minor scuffsUsed
An Indian silver three-piece condiment set, comprising a pair of salt and pepper pots, 7cm high, with repousse floral and foliate decoration, and a lidded sugar bowl with glass liner, of globular form, on three repousse peacock feet, 8.5cm high, together with an Irish silver sugar bowl, by Charles Lambe, Dublin 1903, on three shell and hoof feet, 11.5cm and a collection of further silver, to include an Edwardian cream jug, with embossed mask leading to a foliate handle, 17cm wide, an Edwardian Christening mug, of tapering form, with engraved initials ‘EAH’, and a collection of silver-mounted cut-glass jars and trays, total 22.3ozt (qty.)Condition report: Scratches, marks and tarnishing throughout.
A Continental silver toddy ladle,18th century, with a Whalebone handle,together with various flatware, to include a pair of Victorian berry spoons, Sheffield 1886, a set of five sterling teaspoons, a silver shell bowl serving spoon, Sheffiled 1912, a pair of Continental white metal spoons, a galleried coaster, four mother of pearl handled knives and forks, and a butter knife,and a pair of silver-mounted cut glass scent bottles, a glass vesta, a decanter, a silver-backed mirror and brush, and another small vaseweighable 17ozt (qty.)Condition report: The silver backed brush and mirror and in poor condition, the other items are considered to be in good condition.
A Victorian silver seven-bottle cruet stand, by Martin, Hall & Co, London, 1872, the handle with applied foliate decoration, leading to a reeded capital, the base with cartouche and presentation engraving, holding seven cut glass bottles, on four scroll feet, 20cn wide 17cm deep 30cm high weighable 13oztCondition report: Two of the cut glass stoppers are damaged, one has broken in two and the other has had a chip taken out of it. Scratches, wear and knocks throughout. The frame could not be weighed as the base is wood. The engraving reads ‘Presented to Wm Hg Skyring Esqr. in Acknowledgement of his Services as Master of the Haberdashers Company'.
A LATE VICTORIAN SILVER MOUNTED CUT GLASS SCENT FLASK OF TAPERED FORM, the hinged cover engraved with a monogram and enclosing inner glass stopper, silver hallmarked George Betjemann & Sons, London 1895, length 28.8cm, together with a Victorian leather dome top casket, the hinged cover with a gilt metal mount containing a circular jasperware style plaque, the blue silk and velvet lined interior fitted with three square glass toilet bottles and stoppers, width of casket 16.5cm x height 10.4cm (2) (Condition report: the flask cover flaps open easily, the tip of the tapered glass has been chipped on one facet, the leather on the casket has wear commensurate with age and use, some staining to the silk lining, one bottle is cracked and its stopper is chipped)
TWO 19TH CENTURY GLASS PAPERWEIGHTS, possibly St. Louis, comprising an example with small bouquet surrounded by three canes above a blue and white circular latticino band, printie to the top and six circular printies to the sides, star cut base, diameter at widest point 7.5cm x height 6cm, s.d. and the smaller weight with flat bouquet of two canes and three leaves surrounded by a band of alternating pink and blue canes with an amber coloured ground, strawberry diamond cut base, s.d. diameter at widest point 6.2cm, (diameter of base 5cm) x height 4cm (2) (Condition report: the larger paperweight has three fleabites to the edges of the printies, one of the printies on the side has a scratch /scuff towards the lower edge, several small scuffs and scratches below the printies, the base has a ring of wear and scratches and a small crescent shaped scuff, the smaller example has chips around the edge of the underside and several fleabites to the strawberry diamond cutting, there is a small and shallow bruise to the top as a few other small dints and scuffs)
A PAIR OF LATE 19TH CENTURY CLEAR GLASS CONICAL VASES, the gilt geometric designs with red and blue glass bead jewelled decoration and white enamel details, one a.f., height 32cm, together with a late 19th century clear glass two section comport, the decagonal bowl with wavy rim and printies, star cut base, the hollow octagonal base with printies above a wavy rim, s.d., height 28cm (3) (Condition report: both vases have light wear to the gilding, the vase in good condition is missing only two or three of the beads but has one odd green one in amongst a lozenge design, the other has had extensive damage around the foot with glued repairs, one red bead missing and one of the blue beads is chipped, the damaged foot has more gilding loss, the comport has a number of chips of varying sizes to the pointed edges of the wavy rim on both the bowl and the pedestal as well as to the underside edge of the base, the bowl has been well used and exhibits a number of chips, scuffs and scratches to the underside of the base
A PARCEL OF SILVER AND SILVER MOUNTED GLASSWARE, comprising two silver topped clear glass whisky noggins, one H. B. Johnson & Co, Birmingham 1908 and the other with rubbed maker's mark, Birmingham 1911, both height 11cm approx., a Victorian baluster shaped cream jug, repousse decorated with vacant cartouche, marks, rubbed, 2.13ozt, 66.4 grams, a George III baluster cream jug, rubbed marks, 2.12ozt, 65.9 grams, a circular silver napkin ring in poor condition, a silver topped cranberry glass toilet bottle with broken collar and hinge, a clear facet cut glass toilet jar, chipped around the base and an early 20th century hobnail cut glass scent bottle of spherical form, silver collar with partially rubbed marks, height 14cm, chips to both stopper and bottle (8) (Condition report: both noggins in reasonable condition, no sign of chips or cracks, rubbing to some marks, other pieces condition mentioned within the description)
-
152611 item(s)/page