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Lot 1230

A pair of satin glass table lamps with gilt decoration and raised on pierced brass plinths, together with another pair of cut glass table lamps having lustre drops (4)

Lot 124

A 19th century gilded and blown clear glass square section decanter, with associated stopper, 18.5 cm high, a Victorian cut glass ewer with associated stopper, 28 cm high, and three other decanters (two with associated stoppers and one damaged).

Lot 148

A silver topped cut glass scent bottle of globular form with scrolled embossed cover (wear to marks)

Lot 175

A group of three cut glass decanters, each with faceted stoppers and plated spirit labels (one with chips to rim and minor chipping to points)

Lot 176

Two cut glass decanters, each with cut spherical stoppers (one with chipping to rim) and sold together with a small decanter of Dutch design, 27 cm and 23 cm

Lot 228

Four boxes of miscellaneous glass and china wares etc, to include green glass decorative bottle, cut glass fruit bowl, anniversary patterned teapot

Lot 84

12 pieces of Cristal de France cut lead glass crystal

Lot 106

Pair of cut glass and brass collar storm shade candlesticks, 14" high; together with a set of four Roemer style vine etched glasses, 7.5" high, and a green glass bubble inclusion dish

Lot 153

Conical cut glass decanter with wavy lines decoration, 11" high (no stopper); together with three liqueur glasses and three tumblers in matching pattern; also two iced tea glasses and three leather bound flasks

Lot 203

Two Baccarat Crystal Napoleon brandy glasses, 6" high; together with five cognac snifter glasses 4.5" high and four sherry glasses 5.5" high, each with gilt crowned monogram N; also two cut glass wine glasses 7.25" high

Lot 263

Selection of bijouterie to include a good oval cut glass perfume bottle, with silver plated screw top, 4.5" high, a decorative engraved gilt metal needle case, 3.5" long, Scottish white metal mounted agate brooch, Fratton's tie clip with horse head under crystal glass and pair of Scottie dog gilt metal cuff links

Lot 285

Collection of six cut glass decanters with stoppers; three similar decorated with overlaid coloured band decoration (faults to the necks of each) and three further examples, tallest 13" high (6)

Lot 307

Cut glass and crystal drop lustre, pair of white metal mounted candlesticks, square decanter, etched glass jug, hot chocolate glasses etc.

Lot 327

Large collection of assorted vintage plated flatware and serving wares, including cut glass claret jug, epergne stand (lacking glass), cruets, vase, pots, carving knives, spoons, accessories etc

Lot 345

Pair of cut glass globe decanters and stoppers, 13" high; together with two similar square decanters 10" high, ships decanter, further globe decanter and a white metal mount claret jug (faults) (7)

Lot 396

AN EARLY 19th C. CUT CLEAR GLASS BALUSTER JUG TOGETHER WITH A RUMMER SHAPED GLASS ENGRAVED WITH HOPS AND BARLEY ABOVE FACETTING. Dia. 14.5 x H 21.5cms.

Lot 416

A 19th C. FRENCH CUT CLEAR GLASS SCENT BOTTLE BOX. W 12cms. A CAITHNESS MYRIAD PAPERWEIGHT AND A SAGA CRUISES PRESENTED SHIPS DECANTER

Lot 637

A PAIR OF FRENCH GILT METAL AND CUT GLASS WALL POCKETS, THE HALF ROUND FRONTS CAST WITH ANTHEMION BANDS, THE BACKS WITH FLOWERS. W 15.5cms.

Lot 686

A CUT GLASS HALF LITRE MUG, THE PEWTER LID MOUNTED WITH ANTLER THUMBPIECE AND CAPPING CARVED WITH A STAG AND TWO DOES

Lot 1117

PAIR OF 19THC GLASS LIDDED URNS the lids with a star shape motif to the flat tops, with faceted sides and diamond cut border, and with square pedestal bases with star burst design (25cms high). Also with a 19thc lidded jar with bell shaped lid (30.5cms high), and a small pair of lidded jars. (5)

Lot 1119

LARGE BOHEMIAN GLASS VASE a large ruby flash cut glass vase, the bowl with various Birds and mounted on a square pedestal with star cut base (28cms high). Also with a Bohemian red and white overlaid glass vase, missing its glass lustres (33.5cms high). (2)

Lot 1112

SET OF 3 EARLY 19THC CUT GLASS DECANTER JUGS possibly by Waterford, the top section with horizontal steps and bands around the neck, the lower section with a diamond cut design and vertical grooves, and with a star cut base and polished pontil. With a loop handle with chevron design. 23.5cms high. (3)

Lot 39

2 cut glass decanters together with 4 dia cut wine glasses

Lot 455

Cut glass silver lidded honey pot (Birmingham 1928)

Lot 55

2 boxes of cut glass incl. vases, jugs, lidded caskets etc.

Lot 59

Further sel. of drinking glasses incl. champagne saucers, cocktail mixer, cut glass water jug etc. (16 pieces)

Lot 60

2 lots of glassware incl. a 6 piece clouded glass water set, cut glass fruit bowls, cylindrical flower vases etc.

Lot 233

An early 20th Century Thomas Webb and Sons hock glass circa 1902, the ovoid bowl cased in amethyst over clear and intaglio cut with scrolling floral motifs over a central strawberry diamond cut band, raised on a clear crystal bobbin stem with drawn central knop, height 18cm.

Lot 244

A late 19th Century glass and hallmarked silver cologne bottle of globe and shaft form, the body cut in a strawberry diamond pattern, with silver collar, and spire form stopper, height 28cm, hallmarked King & Sons, Chester 1898, S/D.

Lot 248

An early 20th Century continental glass vase of footed tapering form, cased in blue over clear and flash cut with spots, lines and triangles, height 32cm.

Lot 255

An early 20th Century glass bowl of oval section with wave rim, cut with flowers and leaves, length 20cm, S/D.

Lot 287

A post war Stuart clear crystal vase, of tumbler form and decorated with mitre cut swags, height 20.5cm, together with a Hadeland glass vase of sleeve form cut with vertical waves. (2)

Lot 304

A small late 19th Century Galle cameo glass vase of compressed low shouldered form with a tall slender collar neck, cased in magenta over burnt orange and cut back with flowers and foliage, cameo signature to the body, height 12cm.

Lot 310

A graduated pair of later 20th Century Czech glass bowls designed by Zdenek Kunst for Caesar Crystal, each of shallow circular form with a petal edged rim, cased in blue over clear crystal and flash cut with a spray motif, largest width 28cm. (2)

Lot 311

A group of post war Czechoslovakian glass, all cased in blue over clear and flash cut, comprising a footed bowl cut with shooting stars, a shallow bowl with fans, a leaf form bowl decorated with diamonds and two other small dishes, some retaining original labels, height of tallest 13.5cm. (5)

Lot 341

An early 20th Century Stuart and Sons Art Nouveau footed glass vase, with wide rim, decorated with applied self coloured peacock trails, below a border of triangles and printie cut circles, height 10.5cm.

Lot 823

An early 20th Century ruby cut glass and silver topped scent bottle, height 10cm, with a similar gilt metal mounted double ended clear glass example, length 14.5cm, S/D. (2)

Lot 2379

2 good quality heavy cut glass vases, a circular cut glass bowl and 2 other cut glass bowls.

Lot 750

2 pairs of molded glass candlesticks and 7 cut glass spirit glasses

Lot 100

Pair of Mappin & Webb silver mounted miniature ships decanters, Birmingham 1986, glass bodies with fan cut decoration, height 17cm

Lot 122

Edwardian silver dressing table set, by Walker & Hall, Chester 1902/03, with Art Nouveau inspired decoration and all with inscriptions, comprising shaped rectangular tray, 30.5cm x 23cm; lidded box, 12.5cm; lidded cut glass pin jar; three silver backed hair brushes (two a/f); silver backed hand mirror; two silver backed combs (a/f); pair of silver handled glove stretchers; silver handled shoe horn; silver button hook, weighable silver approx. 460g (14.8 troy ozs)

Lot 123

Pair of Edwardian silver mounted cut glass scent bottles, Chester 1903, en suite to the previous lot, globular form, with hobnail cut decoration, hinged silver caps, inscribed, with original stoppers, height 15cm

Lot 141

Late Victorian cut glass claret jug, circa 1900, having silver plated mounts and hinged lid, worked with vine leaves, the handle formed as entwined vine, on a tapered clear glass body with cut vertilinear details, height 28cm

Lot 147

Late Victorian silver repousse box, Birmingham 1895, lozenge form with hinged cover and original gilt interior, 9.5cm, weight approx. 56g (1.8 troy ozs) ; also a silver mounted cut glass inverted baluster jar, Birmingham 1899, height 10cm (2)

Lot 46

Four late Regency cut glass rummers, each with a band of strawberry cutting above a blade knopped stem, height 13.5cm

Lot 498

Glass chandelier and matching wall lights, the chandelier with a central slender baluster column supporting droplet garlands, over six S-shaped branches, with pear cut droplets, 49cm diameter, 53cm drop, fitted for electricity; with two matching twin branch wall lights, each 28cm across (3)

Lot 175

A Boxed Pair of Cut Glass Circular Butter Dishes with a Pair of Sterling Silver Small Butter Knives - Matching. Hallmark Sheffield 1940, Maker F.C. All Aspects of Condition Are Excellent.

Lot 4

A W RIDGWAY SON & CO. RELIEF DECORATED DRABWARE JUG decorated with jousting knights, pewter hinged lid, 24cm high, a Stourbridge patent mosaic example with snake and branch handle, another similar and a set of five 19th Century cut glass rummers (8)

Lot 116

Large collection of glassware including clear cut glass, cranberry and White Friars vase.

Lot 101

A French gilt brass and cut crystal mounted four-glass mantel clockUnsigned, Paris, circa 1900The circular eight-day gong striking movement with Brocot escapement regulated by twin mercury capsule pendulum with Brocot adjustment to suspension, the backplate stamped with numbers 7295, 4 6 to lower margin, the circular white enamel dial with concentric floral garland decoration to centre and vertical Arabic hour numerals, with blued steel hands within leaf milled bezel, the case with shaped upstand applied with a Neo-classical anthemion centred scroll-cast mount to front above bevel-glazed door flanked by free-standing diamond lattice cut fluted glass columns with Egyptian style leafy capitals, with bevelled glass side panels and conforming rear door set between fluted corner uprights, on inverted breakfronted skirt base applied with mount cast with winged putti in a chariot drawn by lions flanked by triform braziers to front, with cavetto moulded sides over cavetto moulded stepped pad feet, 32cm (12.5ins) high. Provenance: The beneficiary of the Estate of a private collector, East Midlands. 

Lot 106

A fine French gilt fretwork panel inset grande-sonnerie striking and repeating alarm carriage clock Retailed by Hunt and Roskell, London, circa 1900The eight-day two train movement ting-tang striking the quarters on a graduated pair of gongs and sounding the hour every quarter hour on the larger of the two, with silvered platform lever escapement and alarm sounding on the smaller gong, the backplate with engraved retailer's signature HUNT & ROSKELL, 156 New Bond Street, London to upper edge and stamped with serial number 7348 to the lower left hand corner, the dial with circular white enamel Roman numeral centre decorated with gilt star motif, with grey-shaded chapter and Arabic five minutes to outer track, with blued steel hands set within a fine bright-cut engraved and pierced foliate scrollwork rectangular mask incorporating conforming subsidiary alarm setting dial to lower margin, the gilt brass bevel-glazed anglaise riche case with reeded baton to the hinged carrying handle over thick top glass enclosing pierced and engraved gilt oval insert framing the escapement, complex moulded cornice and fluted frieze, the angles with fluted three-quarter columns with Corinthian capitals and the sides with fine foliate pierced and engraved frets incorporating oval line delineated panel within the decoration set behind bevelled glasses, the rear with further conforming fretwork to the back door, on generous cavetto moulded skirt base incorporating shallow block feet, the underside with Hours and Quarters/Silent/Quarters selection switch, 17cm (6.75ins) high excluding handle. The firm of Hunt and Roskell can trace its roots back to the celebrated silversmith Paul Storr who was joined in partnership by John Mortimer in 1822. The business traded from 13 New Bond Street and specialised in the retail of silverwares, jewellery, watches and clocks. In 1839 Storr and Mortimer relocated 156 New Bond Street with Paul Storr retiring very shortly afterwards. The firm continued under the management of John Mortimer and Samuel John Hunt (who joined the business in 1826) trading under the name Mortimer and Hunt; which was then in-turn subsequently succeeded by the partnership of Hunt and Roskell (with Robert Roskell probably joining the business around the time of John Mortimer's retirement in 1843). Hunt and Roskell exhibited at the 1851 Great Exhibition with their wares including a selection of small engraved gilt timepieces by Thomas Cole whose work they were known to have retailed. Hunt and Roskell continued as one of the leading retail jewellers and silversmiths throughout the Victorian era becoming a Limited Company in 1898. They relocated to 25 Old Bond Street in 1912 from where they traded until being bought-out by J.W. Benson in 1965. The current lot can be closely compared to an petite-sonnerie striking example sold in these rooms on Wednesday 24th March 2020 (lot 98). This other example was signed by Le Roy and Fils, Paris and their similarity is such that it would be reasonable to suggest that the present clock was supplied to Hunt and Roskell by LeRoy who, at this time, were working from 13 and 15 Palais Royal, Paris. The fine quality pierced and engraved gilt brass panels of the current lot coupled with the robust anglaise riche design result in clock very much geared to the English taste with its overall feel and quality reminiscent of examples originating from the Leading London workshops.Condition Report: Movement appears to be in original condition with no obvious signs of alteration or significant replacements. The going train is running and the strike train will provide correct hours and quarter notation when the repeat button is pressed however it is not being tripped/set-off by the going train during normal operation. The alarm spring barrel will wind but is also not being set-off by the movement hence it is likely that the under dial work requires adjustment. The movement otherwise is generally a little tarnished/discoloured hence would benefit from a gentle clean/service. The enamel hour disc appears free from visible damage or repair, the alarm disc has a series of hairline cracks. The rear door glass is missing although however the fretwork panel (which was set behind the glass) is present and undamaged; all other glasses are present and appear undamaged. The gilding to the frets is generally in fine condition, the rest of the case however has noticeable rubbing and discolouration throughout. The strike selection lever to the base is present and will move however it is not known whether it will select the functions as the movement will not activate the strike train during normal operation. There are also two vacant screw holes in the base.Generally a good original honest clock which hopefully will not require extensive work to bring back to fine condition. Clock has a winding key. Condition Report Disclaimer

Lot 84

Y An unusual Victorian silver mounted ivory miniature 'humpback' carriage timepieceW. Thornhill and Company, London 1880The French eight-day movement with platform lever escapement and stamped with serial number 2104 to backplate, the 1.125 inch circular white enamel dial with blued steel spade hands and signed W. THORNHILL & Co., LONDON, W to centre within Arabic vertical numeral chapter ring set behind a convex glass with silver bezel, the silver-edged arched 'humpback' case with pivoted dumbbell-shaped handle applied to the apex of a rising strap secured by riveted straps applied to the sides, the rear with hinged door, Hallmarks for London 1880 makers W.T. for W. Thornhill and Company, 7cm (2.75ins) high with handle down; with original fabric-covered outer protective case inscribed W. THORNHILL & Co., 144 NEW BOND STREET, LONDON to the blue silk-lined interior of the arched lid. Provenance: The beneficiary of the Estate of a private collector, East Midlands.  The London firm of Walter Thornhill and Company are recorded on the British Museum website as being founded by Joseph Gibbs in 1734. They were originally cutlers but by 1805 had become known as Morley & Thornhill, later from 1820 as John James Thornhill & Co., listed from 1838 as 'cutlers to the Queen'. By 1850 or 1851 the firm was in the hands of Walter Thornhill and from c.1875 was Walter Thornhill & Co. In 1895 when the firm became a limited liability company it was described as 'cutlers, gold and silversmiths, jewellers and manufacturers and dealers in dressing cases, travelling bags etc.'. The company was wound up in 1905 but trading continued under the name W. Thornhill & Co. until 1912.Condition Report: Movement is in relatively clean working condition with no visible signs of alteration or significant replacements. The dial has a very small blemish right up against the bezel above the 11 numeral which may either be dirt or a slight chip (only visible on very close examination) otherwise appears to be in fine condition. The ivory case is cut from a single piece of ivory and has a slight shrinkage crack in the base towards the rear left hand corner otherwise ivory is in good condition but with some yellowing within the figuring. The silver mounts are complete and in good condition.The protective outer case is lacking its strap handle and has some slight wear/losses to the covering otherwise is in sound original condition. Timepiece has a winding key. Condition Report Disclaimer

Lot 88

Y An unusual Austrian enamelled figural timepiece modelled as a violin playerUnsigned, mid to late 19th centuryThe short duration single fusee watch-type backwound movement with four milled cylindrical pillars pinned at the rear, verge escapement regulated by sprung three-arm balance set beneath balance bridge centred with pierced and engraved silver Austro-Hungarian twin headed eagle, and silvered regulation disc to the border-engraved backplate, the circular white enamel Roman numeral dial with gilt pierced hour hand set within hinged bright-cut bezel mounted on a square gilt plate applied to the front of the ebonised rectangular plinth case, surmounted by a polychrome enamelled figure of a gentleman playing a violin wearing broad brimmed red hat, blue jacket, red breaches and with mother-of-pearl waistcoat over circular platform and projecting plinth top mouldings, the sides and rear inset with enamel panels painted with dancing figures within ornate gilt borders, on stepped ogee moulded skirt base, (minute hand, glass and bow lacking), 19cm (7.5ins) high. Provenance: By repute previously the property of the Princely family of Thurn and Taxis, purchased by the vendor at auction in 2004.Condition Report: Watch movement appears complete and in original condition, the mechanism will 'beat' but only for a second or two before stopping so probably requires a gentle clean/service. The movement is mounted on a hinge which shows evidence of previously being fitted to normal watch case (visible when the dial is removed). The dial enamel is undamaged but the dial itself is loose as it is lacking one dial foot and the other two require pins. The minute hand is missing but the motionwork for both hands is present. The figure has minor fritting to the rim of his hat, his hands and both legs/shoes; he is also lacking his violin bow, otherwise he is in good original condition. The base has some edge-wear to the mouldings otherwise again is in good original condition with no visible damage to the enamel panels. The glass/crystal for the front bezel is not present.There is no winding key present. Condition Report Disclaimer

Lot 197

A mixed collection of ceramics and cut glass comprising two lidded Simpsons tureens, a Vallauris drip glaze porcelain twin vase, two sets of novelty figural porcelain wine stoppers, and others

Lot 199

A set of Waterford crystal glasses comprising six wine glasses, five sherry glasses and a single smaller wine glass, all with hobnail design, together with other glassware, wine glasses, a crystal star cut bowl, a blue lidded bulbous bottle, a set of eight French pressed glass bowls, a green flash cut vase, and othersCondition report: two sets of Waterford glasses fine, no chips, the single glass has a chip to the rim.Large chip to the star cut crystal bowl.Green vase with chips various parts, the edges and top rim

Lot 244

A selection of silver, silver plate and other metalware to include four cut glass dressing table bottles with silver collars and cut glass stoppers, Ronson lighter, silver plated cruet set and twin handled tray along with other items

Lot 245

A quantity of cut table glass to include a Claret jug with silver plated top, a Georgian pillar and step cut water jug A/F, Edwardian acid etched finger bowl and water tumbler set, a bag light, various bowls, vases and drinking glasses including an octagonal brilliant cut bowl on four splayed legs

Lot 515

Epns mounted claret jug of globe and shaft form, the cut base with slender epns mounted pierced and etched neck, the hinged cover with fruiting vine finial and scroll handle with lever (currently detached) , 29cm high; also three other glass decanters.  (4).

Lot 66

Pair of oil lamps with silver Corinthian columns Sheffield 1901 with cut glass receivers, adapted for electricity 81cm including plated fittings

Lot 67

Near pair of similar oil lamps with silver foliate knopped stems on shaped square bases with foliate bands, inscribed . Martin Hall, Sheffield 1907. 65cm , fitted for electricCondition report:Glass good.  One has slightly taller glass but similarly cut - possibly later but they match well. Only one is hallmarked the other tests as silver. 

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