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Selection of bijouterie to include a good oval cut glass perfume bottle, with silver plated screw top, 4.5" high, a decorative engraved gilt metal needle case, 3.5" long, Scottish white metal mounted agate brooch, Fratton's tie clip with horse head under crystal glass and pair of Scottie dog gilt metal cuff links
PAIR OF 19THC GLASS LIDDED URNS the lids with a star shape motif to the flat tops, with faceted sides and diamond cut border, and with square pedestal bases with star burst design (25cms high). Also with a 19thc lidded jar with bell shaped lid (30.5cms high), and a small pair of lidded jars. (5)
SET OF 3 EARLY 19THC CUT GLASS DECANTER JUGS possibly by Waterford, the top section with horizontal steps and bands around the neck, the lower section with a diamond cut design and vertical grooves, and with a star cut base and polished pontil. With a loop handle with chevron design. 23.5cms high. (3)
A group of post war Czechoslovakian glass, all cased in blue over clear and flash cut, comprising a footed bowl cut with shooting stars, a shallow bowl with fans, a leaf form bowl decorated with diamonds and two other small dishes, some retaining original labels, height of tallest 13.5cm. (5)
Edwardian silver dressing table set, by Walker & Hall, Chester 1902/03, with Art Nouveau inspired decoration and all with inscriptions, comprising shaped rectangular tray, 30.5cm x 23cm; lidded box, 12.5cm; lidded cut glass pin jar; three silver backed hair brushes (two a/f); silver backed hand mirror; two silver backed combs (a/f); pair of silver handled glove stretchers; silver handled shoe horn; silver button hook, weighable silver approx. 460g (14.8 troy ozs)
A French gilt brass and cut crystal mounted four-glass mantel clockUnsigned, Paris, circa 1900The circular eight-day gong striking movement with Brocot escapement regulated by twin mercury capsule pendulum with Brocot adjustment to suspension, the backplate stamped with numbers 7295, 4 6 to lower margin, the circular white enamel dial with concentric floral garland decoration to centre and vertical Arabic hour numerals, with blued steel hands within leaf milled bezel, the case with shaped upstand applied with a Neo-classical anthemion centred scroll-cast mount to front above bevel-glazed door flanked by free-standing diamond lattice cut fluted glass columns with Egyptian style leafy capitals, with bevelled glass side panels and conforming rear door set between fluted corner uprights, on inverted breakfronted skirt base applied with mount cast with winged putti in a chariot drawn by lions flanked by triform braziers to front, with cavetto moulded sides over cavetto moulded stepped pad feet, 32cm (12.5ins) high. Provenance: The beneficiary of the Estate of a private collector, East Midlands.
A fine French gilt fretwork panel inset grande-sonnerie striking and repeating alarm carriage clock Retailed by Hunt and Roskell, London, circa 1900The eight-day two train movement ting-tang striking the quarters on a graduated pair of gongs and sounding the hour every quarter hour on the larger of the two, with silvered platform lever escapement and alarm sounding on the smaller gong, the backplate with engraved retailer's signature HUNT & ROSKELL, 156 New Bond Street, London to upper edge and stamped with serial number 7348 to the lower left hand corner, the dial with circular white enamel Roman numeral centre decorated with gilt star motif, with grey-shaded chapter and Arabic five minutes to outer track, with blued steel hands set within a fine bright-cut engraved and pierced foliate scrollwork rectangular mask incorporating conforming subsidiary alarm setting dial to lower margin, the gilt brass bevel-glazed anglaise riche case with reeded baton to the hinged carrying handle over thick top glass enclosing pierced and engraved gilt oval insert framing the escapement, complex moulded cornice and fluted frieze, the angles with fluted three-quarter columns with Corinthian capitals and the sides with fine foliate pierced and engraved frets incorporating oval line delineated panel within the decoration set behind bevelled glasses, the rear with further conforming fretwork to the back door, on generous cavetto moulded skirt base incorporating shallow block feet, the underside with Hours and Quarters/Silent/Quarters selection switch, 17cm (6.75ins) high excluding handle. The firm of Hunt and Roskell can trace its roots back to the celebrated silversmith Paul Storr who was joined in partnership by John Mortimer in 1822. The business traded from 13 New Bond Street and specialised in the retail of silverwares, jewellery, watches and clocks. In 1839 Storr and Mortimer relocated 156 New Bond Street with Paul Storr retiring very shortly afterwards. The firm continued under the management of John Mortimer and Samuel John Hunt (who joined the business in 1826) trading under the name Mortimer and Hunt; which was then in-turn subsequently succeeded by the partnership of Hunt and Roskell (with Robert Roskell probably joining the business around the time of John Mortimer's retirement in 1843). Hunt and Roskell exhibited at the 1851 Great Exhibition with their wares including a selection of small engraved gilt timepieces by Thomas Cole whose work they were known to have retailed. Hunt and Roskell continued as one of the leading retail jewellers and silversmiths throughout the Victorian era becoming a Limited Company in 1898. They relocated to 25 Old Bond Street in 1912 from where they traded until being bought-out by J.W. Benson in 1965. The current lot can be closely compared to an petite-sonnerie striking example sold in these rooms on Wednesday 24th March 2020 (lot 98). This other example was signed by Le Roy and Fils, Paris and their similarity is such that it would be reasonable to suggest that the present clock was supplied to Hunt and Roskell by LeRoy who, at this time, were working from 13 and 15 Palais Royal, Paris. The fine quality pierced and engraved gilt brass panels of the current lot coupled with the robust anglaise riche design result in clock very much geared to the English taste with its overall feel and quality reminiscent of examples originating from the Leading London workshops.Condition Report: Movement appears to be in original condition with no obvious signs of alteration or significant replacements. The going train is running and the strike train will provide correct hours and quarter notation when the repeat button is pressed however it is not being tripped/set-off by the going train during normal operation. The alarm spring barrel will wind but is also not being set-off by the movement hence it is likely that the under dial work requires adjustment. The movement otherwise is generally a little tarnished/discoloured hence would benefit from a gentle clean/service. The enamel hour disc appears free from visible damage or repair, the alarm disc has a series of hairline cracks. The rear door glass is missing although however the fretwork panel (which was set behind the glass) is present and undamaged; all other glasses are present and appear undamaged. The gilding to the frets is generally in fine condition, the rest of the case however has noticeable rubbing and discolouration throughout. The strike selection lever to the base is present and will move however it is not known whether it will select the functions as the movement will not activate the strike train during normal operation. There are also two vacant screw holes in the base.Generally a good original honest clock which hopefully will not require extensive work to bring back to fine condition. Clock has a winding key. Condition Report Disclaimer
Y An unusual Victorian silver mounted ivory miniature 'humpback' carriage timepieceW. Thornhill and Company, London 1880The French eight-day movement with platform lever escapement and stamped with serial number 2104 to backplate, the 1.125 inch circular white enamel dial with blued steel spade hands and signed W. THORNHILL & Co., LONDON, W to centre within Arabic vertical numeral chapter ring set behind a convex glass with silver bezel, the silver-edged arched 'humpback' case with pivoted dumbbell-shaped handle applied to the apex of a rising strap secured by riveted straps applied to the sides, the rear with hinged door, Hallmarks for London 1880 makers W.T. for W. Thornhill and Company, 7cm (2.75ins) high with handle down; with original fabric-covered outer protective case inscribed W. THORNHILL & Co., 144 NEW BOND STREET, LONDON to the blue silk-lined interior of the arched lid. Provenance: The beneficiary of the Estate of a private collector, East Midlands. The London firm of Walter Thornhill and Company are recorded on the British Museum website as being founded by Joseph Gibbs in 1734. They were originally cutlers but by 1805 had become known as Morley & Thornhill, later from 1820 as John James Thornhill & Co., listed from 1838 as 'cutlers to the Queen'. By 1850 or 1851 the firm was in the hands of Walter Thornhill and from c.1875 was Walter Thornhill & Co. In 1895 when the firm became a limited liability company it was described as 'cutlers, gold and silversmiths, jewellers and manufacturers and dealers in dressing cases, travelling bags etc.'. The company was wound up in 1905 but trading continued under the name W. Thornhill & Co. until 1912.Condition Report: Movement is in relatively clean working condition with no visible signs of alteration or significant replacements. The dial has a very small blemish right up against the bezel above the 11 numeral which may either be dirt or a slight chip (only visible on very close examination) otherwise appears to be in fine condition. The ivory case is cut from a single piece of ivory and has a slight shrinkage crack in the base towards the rear left hand corner otherwise ivory is in good condition but with some yellowing within the figuring. The silver mounts are complete and in good condition.The protective outer case is lacking its strap handle and has some slight wear/losses to the covering otherwise is in sound original condition. Timepiece has a winding key. Condition Report Disclaimer
Y An unusual Austrian enamelled figural timepiece modelled as a violin playerUnsigned, mid to late 19th centuryThe short duration single fusee watch-type backwound movement with four milled cylindrical pillars pinned at the rear, verge escapement regulated by sprung three-arm balance set beneath balance bridge centred with pierced and engraved silver Austro-Hungarian twin headed eagle, and silvered regulation disc to the border-engraved backplate, the circular white enamel Roman numeral dial with gilt pierced hour hand set within hinged bright-cut bezel mounted on a square gilt plate applied to the front of the ebonised rectangular plinth case, surmounted by a polychrome enamelled figure of a gentleman playing a violin wearing broad brimmed red hat, blue jacket, red breaches and with mother-of-pearl waistcoat over circular platform and projecting plinth top mouldings, the sides and rear inset with enamel panels painted with dancing figures within ornate gilt borders, on stepped ogee moulded skirt base, (minute hand, glass and bow lacking), 19cm (7.5ins) high. Provenance: By repute previously the property of the Princely family of Thurn and Taxis, purchased by the vendor at auction in 2004.Condition Report: Watch movement appears complete and in original condition, the mechanism will 'beat' but only for a second or two before stopping so probably requires a gentle clean/service. The movement is mounted on a hinge which shows evidence of previously being fitted to normal watch case (visible when the dial is removed). The dial enamel is undamaged but the dial itself is loose as it is lacking one dial foot and the other two require pins. The minute hand is missing but the motionwork for both hands is present. The figure has minor fritting to the rim of his hat, his hands and both legs/shoes; he is also lacking his violin bow, otherwise he is in good original condition. The base has some edge-wear to the mouldings otherwise again is in good original condition with no visible damage to the enamel panels. The glass/crystal for the front bezel is not present.There is no winding key present. Condition Report Disclaimer
A set of Waterford crystal glasses comprising six wine glasses, five sherry glasses and a single smaller wine glass, all with hobnail design, together with other glassware, wine glasses, a crystal star cut bowl, a blue lidded bulbous bottle, a set of eight French pressed glass bowls, a green flash cut vase, and othersCondition report: two sets of Waterford glasses fine, no chips, the single glass has a chip to the rim.Large chip to the star cut crystal bowl.Green vase with chips various parts, the edges and top rim
A quantity of cut table glass to include a Claret jug with silver plated top, a Georgian pillar and step cut water jug A/F, Edwardian acid etched finger bowl and water tumbler set, a bag light, various bowls, vases and drinking glasses including an octagonal brilliant cut bowl on four splayed legs
Near pair of similar oil lamps with silver foliate knopped stems on shaped square bases with foliate bands, inscribed . Martin Hall, Sheffield 1907. 65cm , fitted for electricCondition report:Glass good. One has slightly taller glass but similarly cut - possibly later but they match well. Only one is hallmarked the other tests as silver.
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