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Lot 599
VINTAGE MOTORING. A FINNIGAN`S FITTED GREY LEATHER DRINKS CASE marked on lock FINNIGAN`S LONDON, retaining the three original EPNS mounted glass three quarter pint spirit flasks by James Dixon & Sons, Sheffield with pigskin shoulder and set of six cut glass beakers in two sizes, with key, 30cm w, c1940++Well made and in good original condition with slight wear. In the present private ownership for many years
Lot 602
AN EDWARD VII EPNS COLUMNAR OIL LAMP with cut glass fount, by The Goldsmiths & Silversmiths Co Ltd, with HINKS`S Patent Duplex burner and an early 20th c fringed and pleated pink silk lampshade, 55cm h, c1900-10++The lamp in excellent condition, not replated with EPNS shade support and a glass chimney. The fabric of the shade frayed and tattered
Lot 621
A LOUIS PHILIPPE EBONISED AND BOULLE CLOCK IN THE TRUBADOUR STYLE signed on dial an movement Robin a Paris, of portico design inlaid with cut brass scrollwork on a ground of red stained horn, gilt brass bezel and gridiron pendulum, 52cm h++The enamel dial slightly chipped, apparently complete and in going order, although we give no warranty as to mechanical objects. Minor wear and damage to the inlay, sold with an associated ebonised base board which would have accommodated the glass shade
Lot 153
SIX GLASS REFERENCE BOOKS COMPRISING GRANT (FRANCIS R) OLD ENGLISH DRINKING GLASSES illustrated, cloth, 1926, A Fleming, Scottish and Jacobite Glass 1938, P Bate, English Table Glass 1913, V R Guttery, From Broad-Glass to Cut Crystal 1956, J Rush, The Ingenious Beilbys 1973 and E M Elville, The Collector`s Dictionary of Glass, second impression, ex libris, 1969
Lot 255
A GEORGE III INKSTAND with pierced galleries and gadrooned rims, retaining the three silver mounted cut glass bottles (pounce pot, quill holder and inkwell), on three pierced feet, crested, by Andrew Fogelberg, 21.5cm w, London 1774, 16ozs weighable++Light wear consistent only with the age, the inkstand marked underneath, the crest and initials SL(?) contemporary, some polish residue, the mounts and covers apparently unmarked
Lot 171
A LATE VICTORIAN SILVER-MOUNTED CUT-GLASS CLARET JUG by Hukin and Heath in the manner of (if not designed by) Dr Christopher Dresser, having a circular hinged cover with engraved initials FS, short spout and opposing angular handle, the ovoid body cut throughout with lozenges, star-cut base, marks for London 1895, maker Hukin & Heath. 19.5cm(h)CONDITION: Some wear but generally good.
Lot 12
A VICTORIAN BRASS AND GLASS OIL LAMP having a flared vaseline glass shade with waved rim, the Hinks & Sons patent burner with Wright & Butler adjusters, the compressed globular clear glass reservoir with cut panels and borders, raised on a turned brass column and domed circular foot. 31cm(h)CONDITION: Generally ok, some signs of use, scratches, some small dents to foot.
Lot 153
SIX GLASS REFERENCE BOOKS COMPRISING GRANT (FRANCIS R) OLD ENGLISH DRINKING GLASSES illustrated, cloth, 1926, A Fleming, Scottish and Jacobite Glass 1938, P Bate, English Table Glass 1913, V R Guttery, From Broad-Glass to Cut Crystal 1956, J Rush, The Ingenious Beilbys 1973 and E M Elville, The Collector`s Dictionary of Glass, second impression, ex libris, 1969
Lot 255
A GEORGE III INKSTAND with pierced galleries and gadrooned rims, retaining the three silver mounted cut glass bottles (pounce pot, quill holder and inkwell), on three pierced feet, crested, by Andrew Fogelberg, 21.5cm w, London 1774, 16ozs weighable++Light wear consistent only with the age, the inkstand marked underneath, the crest and initials SL(?) contemporary, some polish residue, the mounts and covers apparently unmarked
Lot 599
VINTAGE MOTORING. A FINNIGAN`S FITTED GREY LEATHER DRINKS CASE marked on lock FINNIGAN`S LONDON, retaining the three original EPNS mounted glass three quarter pint spirit flasks by James Dixon & Sons, Sheffield with pigskin shoulder and set of six cut glass beakers in two sizes, with key, 30cm w, c1940++Well made and in good original condition with slight wear. In the present private ownership for many years
Lot 621
A LOUIS PHILIPPE EBONISED AND BOULLE CLOCK IN THE TRUBADOUR STYLE signed on dial an movement Robin a Paris, of portico design inlaid with cut brass scrollwork on a ground of red stained horn, gilt brass bezel and gridiron pendulum, 52cm h++The enamel dial slightly chipped, apparently complete and in going order, although we give no warranty as to mechanical objects. Minor wear and damage to the inlay, sold with an associated ebonised base board which would have accommodated the glass shade
Lot 74
VICTORIAN OAK THREE BOTTLE TANTALUS, with electroplated mounts, of typical form with mirror glazed back and pull out drawer, housing a set of three square, cut glass decanter with orbicular stoppers and hallmarked silver labels with embossed borders and chain suspensions, `Whisky`, `Gin` and Vermouth`
Lot 1003
A George III Silver pedestal Mustard of round form, fitted with hinged lid, with vase finial, the pierced body with swept handle and bright cut decoration, raised on spreading circular foot, fitted with a blue glass liner, hallmarked London 1785, 5 ½? high Condition:One of hallmarks on lid badly rubbed, some all over wear to fine detail also has pin to lower terminal of handle (may or may not be later) Finial on cover has small hole to rim below urn.Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis.No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”.Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid
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